Accessibility navigation


‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’

Rolland, N. and Mandis, E. (2015) ‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’. European Drama and Performance Studies, 5 (2). pp. 55-72. ISSN 2266-9035

Full text not archived in this repository.

It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing.


Item Type:Article
Refereed:Yes
Divisions:Arts, Humanities and Social Science > School of Literature and Languages > Modern Languages and European Studies > French
ID Code:100273
Publisher:Classiques Garnier

University Staff: Request a correction | Centaur Editors: Update this record

Page navigation