Abstract/Summary

Curators and their partners are working in a contested field, in which the meanings of institutions, their power structures and modes of participation can be debated and reshaped. “To think of institutions in terms of production (of work and discourse and political practice and solidarity) instead of representation would be, to my mind, a first feminist step”. With this provocation the curator Ruth Noack invited us in 2013 to rethink the nature of feminist critique of the museum, the gallery, the exhibition space. Is access to the representational space of the museum a meaningful or adequate tool for feminism? Can such occupations mobilize sufficient means to reform the social function of exhibition? In recent years the role of the curator has increasingly become identified with “the new economic conditions that require new contexts of collaboration and interaction” (Olga Fernandez), conditions which are identified with celebrity and authority as well as precarity and casualization. What is the gendered nature of the power relations, effects, inconsistencies and contradictions of curating in the present? And how can feminism help us to rethink the role of the curator?