2025

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Kerestey, P. and Shcherbakova, K. (2025) BIKOHE4KO Co., Tele Transfer, Donate Shop by circulation.of.infernation, Situational Flower Beds. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2025) Sound strategies: music as ideological apparatus. Strange Attractor / MIT, London. ISBN 9781917319010 (In Press)

Lockhart, J. (2025) Widening participation in art education: How do novel approaches and alternative spaces increase engagement in children and young adults? PhD thesis, University of Reading. doi: 10.48683/1926.00122583

Speretta, T. (2025) From the logic of the lure to the force of the erotic: cruising a personal AIDS video archive from a curatorial perspective. PhD thesis, University of Reading. doi: 10.48683/1926.00120353

2024

Bailer, S. (2024) Caring infrastructures: transforming the arts through feminist curating with care. PhD thesis, University of Reading. doi: 10.48683/1926.00119252

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2024) Studio projects by Sara Wong and Leung Chi Wo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2024) THANK YOU, by Star Turina. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2024) Infomanticism: rethinking the Romantic subject through situated sound works. In: Sound, Language and the Making of Urban Space, 24-25 Aug 2023, University of Copenhagen/Museum of Copenhagen.

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2024) An authentic confrontation or a picturesque scene? Theodor W. Adorno and Alexander Kluge on film, the cinema, and television. In: Langston, R. and Simova, I. (eds.) Crisis and Astonishment: Alexander Kluge - Jahrbuch. Vandenhoeck & Ruprecht Verlagge (Brill / V&R unipress), Göttingen, pp. 221-238. ISBN 9783847116646

Kolb, R. (2024) Curating as Governmental practices: post-exhibitionary practices under translocal conditions in governmental constellations. PhD thesis, University of Reading. doi: 10.48683/1926.00122027

Kolb, R., Patel, S. A. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2024) Speculations: funding and financing non-profit art. OnCurating, 58. OnCurating, Zürich, pp122. ISBN ‎9798321104392

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 and valentine, j. (2024) An oral history with jina valentine by Kelly Lloyd. BOMB Magazine, 166. ISSN 0743-3204

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2024) A multispecies red-light district for Amsterdam: a propositional image. Cultural Politics, 20 (1). pp. 155-165. ISSN 1751-7435 doi: 10.1215/17432197-10969279

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Moving in - Thames Tideway / Chelsea Embankment Commission, London. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Stranieri Ovunque - Foreigners Everywhere, La Biennale di Venezia. [Show/Exhibition]

Russell, J. (2024) FOYER. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Lecture-Performance: Performing the Archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Poems from the artist's archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Runnymede International Literature Festival 2024. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) 'held to account'. British Art Network.

Valdivia Bruch, V. K. (2024) The Quest for Representation: The Experimental Art Scene in Lima under Peru’s Military Government (1968-1975). PhD thesis, University of Reading. doi: 10.48683/1926.00117644

Whitaker, C. (2024) Networked curatorial practice: reorientating and creating spaces for digital artists in South Africa. PhD thesis, University of Reading. doi: 10.48683/1926.00117057

2023

Alfandari, N., Asante, B., Bailey, A., Barton, C., Barokka, K., Bei, Z. and Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2023) How we hold: rehearsals for art and social change. Serpentine, London. ISBN 9783753305035

Barnard, L. (2023) Echoes and citations in art and its writing. PhD thesis, University of Reading. doi: 10.48683/1926.00118940

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2023) Simon Says/Dadda. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – film screening and panel discussion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – Chris Zhongtian Yuan. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2023) Ukrainian wartime posters, exhibition, 571 Oxford Road Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Grabowska, N., Huang, C., Ingawanij, M. A., Teo, W. and Yuan, C. Z. (2023) Chris Zhongtian Yuan, no door, one window, only light - home is where the music is. OnCurating, Zurich. ISBN 9798864939451

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) Alexander Kluge’s ‘Film in the mind of the spectator,’ or after-(dialectical)-images in News from Ideological Antiquity: Marx – Eisenstein – Capital. In: Graça, A. R., Baggio, E. and Penafria, M. (eds.) Filmmakers on Film: Global Perspectives. Bloomsbury / BFI, London, pp. 139-148. ISBN 9781839024870 doi: 10.5040/9781839024900.ch-13

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) One-dimensional man? A reply to Alain Badiou. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, New York, pp. 21-28. ISBN 9780197621707 doi: 10.1093/oso/9780197621707.003.0003

Herron Coleman, K. (2023) If they be two: relationships in women’s coauthored experimental film and video. PhD thesis, University of Reading. doi: 10.48683/1926.00114670

Kedar, H. (2023) Keeping the edges open: towards an inclusive curatorial practice in the Negev and beyond. PhD thesis, University of Reading. doi: 10.48683/1926.00120255

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Elks in the Rear Window. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Fossils. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Subversive performance in the age of human capital. Palgrave Macmillan, Switzerland, pp281. ISBN 9783031358142 doi: 10.1007/978-3-031-35815-9

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2023) Anthropogenic noise: an artists talk. In: The Soil Assembly, Kochi Biennale, 01-05 Feb 2023, Kerala, India.

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) Close corners. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) The larger in/and the smaller. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2023) Curating: politics of display, politics of site, politics of transfer and translation, politics of knowledge production. OnCurating.org, Zurich. ISBN 9798850466534 (In Press)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2023) Kuratieren contra Vermitteln. Сuratorial Learning Spaces, Kunst, Bildung und kuratorische Praxis. ISSN 2193-2980

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) Baby 19. Intergraphia.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Baby 19'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Five [yellow] poems'. [Image] (Experiment-O (Issue 16))

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!', 'young girls!' and 'Poetic fragments from the irritating archive'. [Performance]

Sheleff, M. (2023) Echoing with a difference: curating voices and the politics of participation. PhD thesis, University of Reading. doi: 10.48683/1926.00119536

2022

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2022) Nation's Finest, Putting Down Roots and Birthing. [Show/Exhibition]

Cataldo, A. (2022) Curating Labour. Troubles with gender and dispossession in the exhibition space: a circular movement on historical traces. PhD thesis, University of Reading. doi: 10.48683/1926.00116457

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Agnès Varda and Xavier Dolan – between politics, the art house and popular culture. French Screen Studies, 22 (4). pp. 345-351. ISSN 2643-895X doi: 10.1080/26438941.2021.1948172

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism. Film Quarterly, 76 (2). pp. 16-24. ISSN 1533-8630 doi: 10.1525/fq.2022.76.2.16

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62 (4). pp. 484-511. ISSN 1460-2474 doi: 10.1093/screen/hjab051

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Dwoskin: disability, diaspora, dysphoria. Jewish Film and New Media, 10 (2). ISSN 2169-0332 doi: 10.1353/jfn.2022.a914337

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) ‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. MIRAJ: Moving Image Review & Art Journal, 11 (1). pp. 10-33. ISSN 2045-6298 doi: 10.1386/miraj_00081_1

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, 571 Oxford Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Ukraine relief. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Cubitt30. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Frankenstein economy. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) researchic (Wollstonochlincraft 1791-1971). [Project]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2022) The suburban trilogy: Abigail Child's cake and stake. Found Footage Magazine (8). pp. 35-37. ISSN 2462-2885

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2022) Do they owe us a living? [Show/Exhibition]

Kolb, R. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2022) Situated knowledges – curating and art on the move. OnCurating, 53. OnCurating, Zürich, pp126. ISBN 9798836986247

Kolb, R. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2022) documenta fifteen—aspects of commoning in curatorial and artistic practices. OnCurating, 54. OnCurating, Zürich, pp263. ISBN 9798366608305

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2022) This is the end of high entertainment: tiny furniture and this is the end. In: Trifonova, T. (ed.) Screening the Art World. Film Culture in Transition. Amsterdam University Press, Amsterdam. ISBN 9789463724852

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2022) You. Art Review Oxford, 4. pp. 5-7.

Mullaney, M. (2022) The missing mother: how can art works of and on maternity transcend their own audience? PhD thesis, University of Reading. doi: 10.48683/1926.00115540

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2022) Nature's ghosts. [Project] (Unpublished)

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2022) Truth to nature. [Artefact]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Smits, A. (2022) Perfect nature: Amstelpark test site. [Show/Exhibition]

O'Donoghue, D. (2022) The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin. PhD thesis, University of Reading. doi: 10.48683/1926.00116385

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2022) Curating as a collective process: feminist, curatorial and educational perspectives. In: Krasny, E. and Perry, L. (eds.) Curating as feminist organizing. Routledge, London, pp. 223-237. ISBN 9781003204930

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2022) Wie flüchtig und wie radikal ist Fluxus? (How ephemeral and how radical is fluxus?_. In: Hausmann, B. (ed.) Fluxus New York and Elsewhere. DISTANZ, Berlin, pp. 63-67. ISBN 9783954764877

Roh, J. Y. (2022) A study on the changes of everyday space as a worker in the city: focusing on the drawing series [Li:ving] London. PhD thesis, University of Reading. doi: 10.48683/1926.00113187

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2022) waves - Choreographic Devices. Institute of Contemporary Art, London. (Unpublished)

Russell, J. (2022) CAVAPOOL. [Show/Exhibition]

Russell, J. (2022) Catechism. [Show/Exhibition]

Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition]

Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Elmer's One-Day Project. [Artefact]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Gestalt!'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Poetic fragments from the irritating archive. Guillemot Press. ISBN 9781913749255

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Shifting perspectives: the space, the work and the body. In: Untitled (1956) - Red, Green and Yellow - Gone Fishing. Flat Time House and Roberts Institute of Art.

2021

Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) Honour. In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.) Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism. Peter Lang, Oxford, pp. 21-40. ISBN 9781789976397

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) ‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory. In: Thresholds: Interwar Lens Media Cultures 1919-1939. Walther Koenig, Cologne, pp. 101-122. ISBN 9783753300009

Chen, Y.-L. (2021) Unbinding objects: exploring the practices of naming and jointing things. PhD thesis, University of Reading. doi: 10.48683/1926.00118397

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. In: Sheleff, M. and Spies, S. (eds.) (Un)commoning voices and (non)communal bodies. OnCurating.org, Zurich, Switzerland, pp. 98-107. ISBN 9798744646660

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) 'The strength of the system, my experience of it...'. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2021) Liquid Trust, edition 2021. [Artefact]

Crabtree, J. and Evans, W. (2021) Slip. [Show/Exhibition]

Crabtree, J., Evans, W. and Hattrick, A. (2021) A particularly pernicious weed. In: Hasham, L. and Rawcliffe, C. (eds.) Mine Searching Yours. Forma, London, UK. ISBN 9781838246204

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) being eaten by a lion. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) Experimental filmmaking and punk: feminist audio visual culture in the 1970s and 80s. Bloomsbury, London, pp288. ISBN 9781350293083

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) The Struggle a trilogy. [Show/Exhibition]

Gold, S., Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 and Shumate, M. L. (2021) HAIR CLUB: a case study for socially engaged art history. In: Persinger, C. and Rejaie, A. (eds.) Socially Engaged Art History and Beyond. Palgrave Macmillan, Cham, pp. 225-233. ISBN 9783030436087 doi: 10.1007/978-3-030-43609-4_17

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2021) A thousand kitchen tables. In: Bajec, M., Holert, T. and Smith, M. (eds.) Pause. Fervour. Reflections on a Pandemic. Harun Farocki Institut & Journal of Visual Culture, pp. 119-122. ISBN 9781527295445

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2021) Do-for-self works: tear-off flyers & billboards. In: Crawford, R. (ed.) Fleeting Monuments for the Wall of Respect. The Green Lantern Press, Chicago, pp. 202-211. ISBN 9780997416596

Patrick, M. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Editorial: Fluxus perspectives. Fluxus Perspectives (51). pp. 1-5. ISSN ‎ 979-8478092658

Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi: 10.48683/1926.00104550

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Feminist perspectives on curating. In: Marstine, J. and Ho Hing Kay, O. (eds.) Curating art. Leicester Companions to Museum Studies. Routledge, London. ISBN 9781138907973

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Flux us now! Fluxus explored with a camera. Fluxus Perspectives, 51 (51). pp. 6-24. ISSN 9798478092658

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Spoiler alert: instituting feminism will not work without a fight. Instituting Feminism, 52 (52). pp. 47-60. ISSN 9798774294657

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN ‎9798478092658 (Fluxus, Contemporary Art, worldwide research)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Maridet, C. (2021) Situated knowledges, a cooperation with Tai Kwun, contemporary art, Hong Kong and Migros Museum, Zurich. [Project]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Zwick, H., Sheleff, M., Levi, E. and Ruff, R. (2021) Curating on shaky grounds: curating in times of crisis and conflict. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2021) waves. [Performance]

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Barnard, L. and Bayerdörfer, M. (2021) On Waiting … For Their Words To Leave Our Mouth. Strauhof Museum, Zurich, pp132. ISBN 9783952523230

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Ellison, C. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) On Waiting … For Their Words To Leave Our Mouth. [Show/Exhibition]

Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition]

Russell, J. (2021) Core. [Show/Exhibition]

Russell, J. (2021) EARLEY. [Show/Exhibition]

Russell, J. (2021) Party de Campagne. [Show/Exhibition]

Russell, J. (2021) Well. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'Third month of the meteorological winter' and 'Cluster of words'. In: Judith: Women Making Visual Poetry. Timglaset Editions.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'young girls!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) Goddess Anuket. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) 'The irritating archive' for Murmur reading series. [Video]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) young girls! the 87 press. ISBN 9781838069872

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 and Ormonde, R. (2021) Company of Bluewater. [Video] (Issue 78 [online])

Stratton, S. R., Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526, Kaczynski, K. and Jeffery, M. (2021) Living within the play. Public, 31 (61). pp. 60-81.

Stupart, L., (2021) HORSES. Comissioned by Phoenix Gallery

Stupart, L. (2021) Thawing, dissolving, disappearing, bleeding etc.: a scientific study of trauma, time travel and the melting polar ice caps. Art + Australia, 8 (57:1). pp. 118-125. ISSN 1837-2422

Stupart, L. and Gent, C. (2021) All Us Girls Have Been Dead For So Long. [Performance]

Stupart, L., Gent, C. and Anachua, K. (2021) And then, a Harrowing. [Show/Exhibition]

2020

Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Gertler, A., Godfrey-Isaacs, L., Greenan, A., Hällsten, J., O’Neill, M. R., Haukka, M., Hodge, S., Johanknecht, S., Kivland, S., Lloyd, L., Ludwig, K., Maclennan, R., Malacart, L., Manchot, M., Mariscal, C., Meynell, K., Mitchell, J., Mitrentse, C., Mooney, S., Mullaney, M., Novaczek, R., Oechsler, M., Olsen, R., Parker, J., Parris, J., Paz, A., Peppé, H., Robertson, H., Ruggaber, K., Schwartz, L., Scott, R., Sear, H., Séraphin, L., Sherbany, A., Siderfin, N., Skelton, P., Smith, R., Spindler, S., Steed, C., Stockham, J., Taylor, D., Thompson, M., Throp, M., Thyes, M., Sutherland, R. V., Von Heyl, M., Voorsanger, J., Westerman, J., Wood, S. and Wright, E. (2020) Salon for a speculative future. [Image]

Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: 10.48683/1926.00089322

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2020) Tate lates power of bubble. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research. Smithsonian. ISBN 9780970835888

Ashery, O. (2020) Revisiting Genesis: our death, our dying, our digital afterlife. PhD thesis, University of Reading. doi: 10.48683/1926.00120273

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2020) South London Gallery and Hauser and Wirth. [Project]

Brixey-Williams, J. (2020) Traces of the invisible: how an alternative reading of The Sleeping Beauty fashioned a bookwork heightening awareness of the role of the anesthetist. Journal of Medical Humanities, 41 (1). pp. 41-51. ISSN 1573-3645 doi: 10.1007/s10912-019-09597-3

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Rowlands, A., Sheleff, M. and Spiess, S. (2020) Reading International - the book. Reading International / OnCurating.org, Reading, pp211. ISBN 9781912115686

Crabtree, J., Evans, W., Chodzko, A., Bhriain, A. N., Marshall, A., Shah, A., Akingbade, A., Drew, B., Wright, C., Land, I., Shearing, J., Packer, J., Baldock, J., Brennan, M., Fahmy, M., Sami, M., Ho, M.-T. T., Macotela, O. V., Becker, P., Evans, R., Orme, R., Wolbers, S. O., Abbas, S. and Middleton, S. (2020) Towner International. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2020) Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown. MIRAJ: Moving Image Review & Art Journal, 9 (2). pp. 270-275. ISSN 2045-6298 doi: 10.1386/miraj_00052_1

Kolb, R. (2020) Zurich issue: dark matter, grey zones, red light and bling bling. OnCurating Issues, 48 (48). OnCurating, Zurich, pp248. ISBN 9798682580316 (Contemporary Art, Funding, Financing, Art History, Switzerland,)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2020) Phase IV intersections - art/architecture. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues, 45 (45). OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Waves - research residency. [Project] (Unpublished)

Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: 10.48683/1926.00104246

Stupart, L. (2020) After the Ice, the Deluge. [Video]

Stupart, L. (2020) Watershed. [Video]

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 and Warren, S. (2020) Presenting whilst retreating in the age of the corporate lanyard. Journal of Organizational Aesthetics, 9 (1). pp. 1-17. ISSN 2168-8575

2019

Al-Taee, N. (2019) Live canvas: digital interface as creative medium. PhD thesis, University of Reading. doi: 10.48683/1926.00084824

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) Sensory Objects. [Project] (Collection)

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2019) Pride of place. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2019) Yuh Figet Yuhself - Peckham Partnership, Peckham Platform. [Project]

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2019) Ageless: Akerman’s avatars'. In: Schmid, M. and Wilson, E. (eds.) Chantal Akerman: Afterlives. MHRA/Legenda, Oxford, pp. 54-65. ISBN 9781781886397 doi: 10.2307/j.ctv16km0vw.11

Chau, H. Y. (2019) The contemporary relevance of split portraiture: rereading Marlene Dumas and Francis Bacon. PhD thesis, University of Reading. doi: 10.48683/1926.00088721

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection)

Connor, V. and O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2019) Sic. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) The Struggle III: A Glimpse. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005

Jackson, M. (2019) Giving Suck. PhD thesis, University of Reading. doi: 10.48683/1926.00117795

Kolb, R. (2019) Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization. OnCurating Issues, 43 (43). OnCurating, Zurich, pp122. ISBN 9781672015431 (Black Mountain College, Contemporary Art, Curating, Experimental Education)

Kolb, R., Krivanek, E., Regli, C. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2019) Centres⁄Peripheries – Complex Constellations. OnCurating Issues, 41 (41). OnCurating, Zurich, pp176. ISBN 9781070906966

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2019) EuroNoize. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Come and go. Halt extreme left. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Drift. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Phase III - Le Modulor. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse. Transcript Verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: 10.14361/9783839442043-010

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) International El Kurru project. [Project] (In Press)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) Simply untitled. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) A Strange Weave of Time and Space. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of Plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of plaster. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition]

Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition]

Russell, J. (2019) Bergen Assembly. [Show/Exhibition]

Russell, J. (2019) SUMMA. [Show/Exhibition]

Russell, J. (2019) Sick Monday. [Show/Exhibition]

Russell, J. (2019) Tainted Love. [Show/Exhibition]

Russell, J. (2019) Screens. [Show/Exhibition]

Stupart, L. and Dillon, T. (2019) Turning the tables: the table as utopian object for future struggle. Studies in Arts and Humanities, 5 (1). pp. 24-39. ISSN 2009-8278 doi: 10.18193/sah.v5i1.168

Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: 10.48683/1926.00085600

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 (2019) Forging reality: surface and reductionism in the work of Dick Bengtsson. Journal of Contemporary Painting, 5 (2). pp. 233-252. ISSN 2052-6695 doi: 10.1386/jcp_00002_1

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 (2019) How not to disappear completely: characterising the role of anonymity in contemporary figurative painting. PhD thesis, University of Reading. doi: 10.48683/1926.00088070

2018

Adam, V., Crabtree, J., Evans, W., Ihrman, I., Proudfoot, P., Romão, A. and Soós, B. (2018) Becoming plant. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2018) Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS. Edinburgh Napier University, Edinburgh.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Andy, M. (2018) PurpleSTARS present to the Disability History Conference London Metropolitan Archive. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) PurpleSTARS present at Preparing for Adulthood. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) #Purplelightup international persons with a disability day British Museum. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Andy, M. and Headon, K. (2018) Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum. [Show/Exhibition] (Unpublished)

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2018) Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film. In: Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives. Rowman & Littlefield International, London, pp. 187-208. ISBN 9781786603739

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading Internationa #10: The Outside In - Steve Claydon at MERL. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 9: creating ruin - online video screening. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Fance, T. (2018) Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Artefact]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Crabtree, J. and Evans, W. (2018) Tracts. [Show/Exhibition]

Crabtree, J., Evans, W., Damiani, E., Harris, R., Missika, A., Vaz, A. and Borbála, S. (2018) Some people believe the Sun used to be yellow. [Show/Exhibition]

Ellison, C. (2018) Micro soft words (for dummies and enlightened beings). [Performance]

Feldman, A. (2018) After the law: towards judicial-visual activism. PhD thesis, University of Reading. doi: 10.48683/1926.00089068

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2018) Sic. [Project] (Collection)

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2018) Second annual report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2018) The missing body of J. T. Leroy. In: Beber, E. (ed.) The Bodies that Remain. Dead Letter Office, 1. Punctum, London, pp. 251-262. ISBN 9781947447677 doi: 10.21983/P3.0212.1.00

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2018) Rainbow pixels. In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.) Taste. Law and the Senses, 1. University of Westminster Press, London, pp. 239-243. ISBN 9781911534327 doi: 10.16997/book21

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2018) Re-enacting the archive: untimely meditations on the use and abuse of repetition. In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.) Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance. Routledge, London, pp. 144-150. ISBN 9781138915381

Kwon, H. (2018) Narrativisation of site and spatialisation of narrative. PhD thesis, University of Reading.

Lawrence, J., Jenner, M., Drew, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T. (2018) Oh: link zone. [Show/Exhibition]

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2018) Dear Theaster... In: Scott, K. (ed.) Theaster Gates: How to Build a House Museum. Art Gallery of Ontario, Toronto. ISBN 9781894243933

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2018) Sublimation 2018. [Video]

Park, J. (2018) Surface layer time: the process of portraying time in image. PhD thesis, University of Reading.

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness (Notebook Painting). [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Architecture. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Formism. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Phase 2 imagining architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Plan Unplan (Outside Architecture Projects). [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) What is Seen, What is Shown. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Aftercast. tenderbooks, London, pp186. ISBN 9781999712433

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Concrete sculpture. BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Florian Roithmayr - the humility of plaster. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) More than is needed so as not to be caught short. In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Premio Lissone 2018. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Something infinitely distant and strange. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) These here withins. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S. (2018) Group Portrait with Garden. [Show/Exhibition]

Rowlands, A. (2018) Curating Fictions. [Project] (Collection)

Rowlands, A. and Williams, M. (2018) In the reading room of hell. [Show/Exhibition]

Rowlands, A. (2018) Novel Upstairs. [Project] (Collection)

Russell, J. (2018) As much about forgetting. [Show/Exhibition]

Russell, J. (2018) CONDO: Emalin (hosting Galerie Gregor Staiger). [Show/Exhibition]

Russell, J. (2018) Cellular world: cyborg-human-avatar-horror. [Show/Exhibition]

Russell, J. (2018) GOLD. [Show/Exhibition]

Russell, J. (2018) It's all the same fucking day, man. [Show/Exhibition]

Russell, J. (2018) Land and sea. [Show/Exhibition]

Russell, J. (2018) SOFA. [Video]

Russell, J. (2018) The island of flowers. Song Cycle. Song Cycle and Bridget Donahue Gallery: New York, pp12.

Russell, J. (2018) AQUARIUM PROLETARIUM. [Project] (Collection)

Russell, J. (2018) DOGGO. [Artefact]

Russell, J. (2018) DOGGO. [Project] (Collection)

Russell, J. (2018) DOGGO II. [Show/Exhibition]

Russell, J. (2018) SQRRL. [Project] (Collection)

Stupart, L. (2018) I want to show you a body: thinking through gender, bodies, and building different worlds. [Project]

Stupart, L. (2018) Kathy's body. In: Beber, E. (ed.) The Bodies that Remain. Punctum Books and University of California Santa Barbara, Brooklyn, NY, pp. 225-229. ISBN 9781947447677 doi: 10.21983/P3.0212.1.00

Undro, M. D. (2018) Portrait of a process. PhD thesis, University of Reading.

2017

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2017) Dissonance. [Show/Exhibition]

Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Decorative dormitories for sleep workers. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Crabtree, J. and Evans, W. (2017) Gullet. [Show/Exhibition]

Crabtree, J., Evans, W., Lock, T., Wakeford, N. and Woodhouse, L. (2017) Maximum overdrive. [Show/Exhibition]

Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection)

Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: 10.1080/14714787.2017.1353438

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: 10.1080/14725886.2016.1242313

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) This way out of England: Gallery House in retrospect. Raven Row.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: 10.1386/aps.6.1-2.69_1

Kim, C. J. H. (2017) Painting in the expanded field from the perspective of Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches. PhD thesis, University of Reading.

Kolb, R., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating, 35 (35). On-Curating, Zurich, pp142. ISBN 9781981991747

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777

Kontopoulou, A. (2017) Democracy. [Project] (Collection)

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98.

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) All that is data that melts into air. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Study for a pavilion: Askeaton. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Temporal Data Study. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Notebook architecture at Kunstgriff. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Plan Unplan. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (eds.) documenta. Curating the History of the Present. On-Curating, 33 (33). On-Curating, Zurich, pp. 76-88. ISBN 9781546946120

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Learning from Dhaka. OnCurating (35). pp. 61-71. ISSN 2673-2904 (Decolonizing Art Institutions)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Propositions on curating, or how much curating is involved in social change. In: Krämer, N. and Müller, P. (eds.) With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines. Connecting Spaces, Zurich University of the Arts, Zürich.

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Clausen / Szuper Gallery, S. ORCID: https://orcid.org/0000-0002-6536-6236, Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z. (2017) De-Colonizing Art Institutions: Artists’ Book. On-Curating, 34 (34). On-Curating, Zurich, pp108. ISBN 9781982088897

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Chelsea Embankment - London. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Home is not a Place. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Ir re par sur. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) They call us screamers. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) With, and, or, without. [Project] (Collection)

Rowlands, A. and Williams, M. (2017) On Reading. [Project]

Rowlands, A. (2017) Our words return in patterns. [Project] (Collection)

Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition]

Russell, J. (2017) Against interpretation. [Show/Exhibition]

Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition]

Russell, J. (2017) Encore! [Show/Exhibition]

Russell, J. (2017) DOGGO. [Show/Exhibition]

Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020

Stupart, L. (2017) Becoming object: positioning a feminist art practice. PhD thesis, Goldsmiths, University of London. doi: 10.25602/GOLD.00020117

2016

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2016) Interactive sensory cow for the Museum of English Rural Life (MERL). [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869, Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869, Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38. doi: 10.18848/1835-2014/CGP/v09i01/21-38

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2016) Slapping scenes. ONCURATING.ORG, Zurich.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich.

Cooke, K., Harezlak, A., Bizon, M., Bligh, S., Cawkwell, C., Coyle, P., Berman Duff, D., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Klee, S., Guro Larsmon, A. and Schoen, K. (2016) Concrete plastic. [Show/Exhibition]

Cooke, K. S. (2016) Art ontologyvalue: staging the ontology of art within systems of value. PhD thesis, University of Reading.

Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary.

Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition]

Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082

Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: 10.1086/687091

Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in 'Her Noise'. Women and Music: A Journal of Gender and Culture, 20 (1). pp. 88-95. ISSN 1090-7505 doi: 10.1353/wam.2016.0005

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Attempty. [Image] (Armseye Magazine, Issue 2, pp 18-19)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1758-9185 doi: 10.1080/14702029.2016.1228807

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Frankenstein 2. [Project] (Collection)

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: 10.1093/screen/hjw006

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt.

Garfield, R. S. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: 10.1080/13507486.2016.1203880

Groat, M., Limit, J., Crabtree, J., Evans, W., Magor, L., Malbeuf, A. and Myers, L. (2016) No visible horizon. [Show/Exhibition]

Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (Unpublished)

Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality. (Unpublished)

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2016) The Immigrants. [Project] (Collection)

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2016) Reports from the strategic sanctuary for the destruction of free will. [Project] (Collection)

Kontopoulou, A. (2016) The democratic table. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre.

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2016) The Shift, eight years of flat time house. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium.

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2016) 9 Events. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Notebook architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Phase 1. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Shed at Naming Rights. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Feminist perspectives in curating. OnCurating (27). pp. 64-75. ISSN 2673-2904 (Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Feminist perspectives on curating. In: Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Learning from Dhaka. In: Garcia-Anton, K., Cataldo, A. and Betancourt, D. C. (eds.) Critical Writing Ensembles. Mousse Publishing, Milan, pp. 234-247. ISBN 9788867492701

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) My glam, your glam, we glam. In: Marchetti, L. (ed.) La mode exposée / Fashion curating. HEAD, Geneve, pp. 213-218. ISBN 9782940510146

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Performance Kunst kuratieren? In: Gebhardt Fink, S., Mathis, ‎M. and von Büren, M. (eds.) Performance Chronik Basel: Erinnern und Erzählen (1987-2006). Diaphanes Verlag, Zürich/Berlin, pp. 43-51. ISBN 9783037346341

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) (Un)Dinge, oder warum die Sehnsucht nach dem Ding immer reaktionär ist. Interdisziplinäres Ausstellen, 16 (1-2). pp. 8-15. ISSN 1015-6720

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) Breath rider. [Performance]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) EndStart. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) Prague Quadrennial - shared space. [Project] (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) Service. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Anderson, R. and Eldret, L. (2016) Foreign Objects. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Arancio, S., Austin, M., Faramawy, A., Finlay, S., Thompson, M. and Teichmann, E. (2016) Inland Far. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Stevens, M., Prouvé, J., Marino di Teana, F., Kobylarz, S., Schlemmer, O., House, S., Morellet, F. and Chardon, N. (2016) Bauhaus + Around. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2016) NOVEL Upstairs. NOVEL, 5. NOVEL - Bergen Kunsthall, Bergen, Norway, pp90. ISBN 9781527203754

Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition]

Russell, J. (2016) Le Bourgeois. [Show/Exhibition]

Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition]

Russell, J. (2016) Tetragrammaton. [Show/Exhibition]

Stupart, L. (2016) Virus. ARCADIA MISSA PRESS, London, pp139. ISBN 0992674786

Trampe, T., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stassi, E., eds. (2016) Work, Migration, Memes and Personal Geopolitics. On-Curating, 30 (30). On-Curating, Zurich, pp152. ISBN ISBN-13: 978-1533448392

2015

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Seminar: access all areas. In: Access all areas, 11 November 2011, Whitworth Art Gallery, Manchester.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Seminar: sensory objects. In: Sensory objects, 25 February 2015, Sackler Rooms, British Museum.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Sensory objects at the British Museum. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A., (2015) Sensory objects: a case study. Disability Cooperative Network

Banks, M., Ivison, T., Jacobi, S., Theodoropoulou, L., Adams, J., Smith, M., Moonasinghe, H., Monsisyan, A. and Kontopoulou, A. (2015) New terms: radical education workshops. [Project]

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) Visible and invisible institutions: cinema in the French Art Museum. In: International Handbooks of Museum Studies: Museum Media. Wiley Blackwell, Oxford, pp. 95-119. ISBN 9781118829059 doi: 10.1002/9781118829059.wbihms305

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) The “new” experimentalism? Women in/and/on film. In: Feminisms. Amsterdam University Press, Amsterdam, pp. 125-140. ISBN 9789048523634 doi: 10.1515/9789048523634-013

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust at ICA. [Show/Exhibition]

Dzuverovic, L. (2015) Contribution to The World Goes Pop exhibition catalogue. In: Morgan, J. and Frigeri, F. (eds.) The world goes pop. Tate Publishing, London, pp272. ISBN 9781849762700

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Ridinghouse, London, pp. 19-26. ISBN 9781909932135

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) The struggle II: opening up. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) The struggle. [Project] (Collection)

Healy, C. (2015) Thin place exhibition. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2015) Bureaucracy. In: Bureaucracy, 1/7/2015, ICA, London.

Kontopoulou, A. (2015) Democracy and community. [Project]

Macbeth, R., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Riviere, S. (2015) Resource: uncreative writing. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2015) Distressed geometry. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) Things that tumble twice. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) With, and, or, without. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) With, and, or, without. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) The imprint. In: Norwich University of the Arts Annual Fine Art Conference: DIALOGUES 2015: Speculative Matters, Norwich University of the Arts. (Unpublished)

Russell, J. (2015) UNSPECIFIED [Performance]

Russell, J. (2015) Animation 1-15, a-P. In: Osbaldeston, D. (ed.) Inflection sandwich. Onomatopee, London, pp. 17-32. ISBN 9789491677281

Russell, J. (2015) Eton. [Show/Exhibition]

Russell, J. (2015) Lofoten international art festival 2015: disappearing acts. [Show/Exhibition]

Russell, J. (2015) Plague of diagrams. [Show/Exhibition]

Russell, J. and Mitchell, D. (2015) Black Forest Magic. [Show/Exhibition]

Russell, J. (2015) Bruce Willis, irigaray, and the aesthetics of space travel. EROS Journal, 6. pp. 56-70. ISSN 2048-8352

Russell, J. (2015) SQRRL. [Show/Exhibition]

Russell, J. (2015) SQRRL. Rhizome.

2014

Allahyari, M., Nilchiani, M., Rourke, D. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Bitrates. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol.

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2014) Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond. Modern & Contemporary France, 22 (1). pp. 85-102. ISSN 0963-9489 doi: 10.1080/09639489.2013.867152

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) I will survive. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) ..Or maybe it's the same for everyone. In: Lawrence, J. (ed.) ...Or maybe it's the same for everyone. Pavilionary Press, London, UK, pp. 1-4.

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) Remains. [Performance] (Unpublished)

Crabtree, J. and Evans, W. (2014) Antonio Bay. [Show/Exhibition]

Crabtree, J. and Evans, W. (2014) Hyper Bole. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Frankenstein2: review of 'I, Frankenstein' on Rotten Tomatoes. [Artefact]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) I. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: 10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781

Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458

Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester.

Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35.

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2014) Concrete gown for immaterial flows. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2014) Radical Conservatism. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318, Kollectiv, G., Vasseur, R. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Filmarmalade presents... [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Hidden. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Nowhere. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Screens. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) The Assistants and the Schoolmaster. In: The 100 Hours Forum, University College, London, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) The Assistants. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Cave. Where do you see yourself in 25 years?. pp. 9-12.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) EndStart. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Matter of engagement. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Speculative sculpture in Italy. In: Foreign Artists in Rome, The International Discourse on the Prix De Rome, The Royal Netherlands Institute in Rome, Italy. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Tacit knowledge of materials. In: Alternative Methods: Art and Education, Wysing Arts Centre, Cambridge, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, An Endless Supply, ., Beale, R., Blightman, J., Brierley, B., Conderelli, C., Flood-Paddock, J., Root, P., Pantane, S., Provost, L., Spooner, C., The Grantchester Pottery, ., Pirecki, P., Price, E., Waller, M. A., White, N. and Wilkens, L. (2014) The Influence of Furniture on Love. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Angell, A., Atkins, E., Baldock, J., Burdis, E., Baseman, J., Deshayes, N., Dean, M., Hart, E., Flood-Paddock, J., Holden, A., Kefford, D., Owens, K., Projects, J., Panayiotou, C., Provost, L., Round, G., Sokhanvari, S., Shovlin, J., Summers, A., Wendling, C., Wilson, B. and Wine, J. (2014) Hey I’m Mr. Poetic. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Barham, A., Beckett, J., Cutter, K., Evens, C. B., Dean, M., Metzger, G., Norfolk, R., Osbaldeston, D., Patane, S. and Prodger, C. (2014) Annals of the Twenty-Ninth Century. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Gander, R., Mirza, H., Pradeau, F., Prouvost, L., Walther, F. E. and Cameron-Weir, E. (2014) ...and the stage darkens (or this voice is a big whale). [Show/Exhibition]

Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition]

Russell, J. (2014) The Good Shepherd. [Show/Exhibition]

Russell, J. (2014) Judgement. [Show/Exhibition]

Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition]

Russell, J. (2014) A speculum that shines. [Show/Exhibition]

Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition]

Stupart, L. (2014) Rematerializing feminism. In: Brooke, A., Smith, G. and Farkas, R. (eds.) Re-materialising Feminism. Arcadia Missa Press, London. ISBN 9780992674748

2013

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Sensory stories. [Show/Exhibition]

Blatnik, A., Bodman, S., Bohr, B., Cascella, D., Couch, A., Desjardin, A., Fontcuberta, J., Hulse, M., Dicker, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Helgason Gallagher, S., Jaeger, P., Jeff, P., Jenkins, L., Johanknecht, S., Meynell, K., Kaiser, M., Kivland, S., Thurston, N., Mathieu, D., Mikulinsky, R., Nicolas, C., Roush, P., Lusitano, M., Sanderson, M., Schimag, S. A., Schmidt, A., Speck, D. W., Lice, S. o., Soulellis, P., Szczelkun, S. and Zoller, R. (2013) 'Frankenstein2...' in The Book is Alive! In: Waeckerlé, E. and Sawdon-Smith, R. (eds.) The Book is Alive! RGAP, England, pp. 142-149. ISBN 9780956902450

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema, 13 (3). pp. 257-271. ISSN 1471-5880 doi: 10.1386/sfc.13.3.257_1

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) The disappearing work: Chantal Akerman and phenomenologies of the ephemeral. Contemporary French and Francophone Studies, 17 (3). pp. 347-356. ISSN 1740-9292 doi: 10.1080/17409292.2013.790631

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2013) Rehearsing Szuper Gallery. [Show/Exhibition]

Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition]

Davies, P. and Hemsoll, D. (2013) The Paper Museum of Cassiano Dal Pozzo. A.X. renaissance and later architecture and ornament. The Paper Museum of Cassiano dal Pozzo. The Royal Collection in association with Harvey Miller, London, pp746. ISBN 9781905375776

Davies, P., Howard, D. and Pullan, W., eds. (2013) Architecture and pilgrimage 1000-1500: the southern Mediterranean and beyond. Ashgate, Aldershot, pp304. ISBN 9781472410832

Davies, P. (2013) Framing the miraculous: the devotional functions of perspective in Italian Renaissance tabernacle design. Art History, 36 (5). pp. 898-921. ISSN 1467-8365 doi: 10.1111/1467-8365.12032

Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza. [Performance]

Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza [Performance text]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep)

Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face). [Performance]

Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face) [Poster digital print on paper]. Royal College of Art, London. (13 March)

Dronsfield, J. L. (2013) The Swerve of Freedom after Spinoza, §5, ‘The inadequacy of the chance encounter and the need to go beyond it’ [Digital print A3 poster]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep)

Dronsfield, J. L. (2013) Waiting for. [Digital print A3 poster]. Wilkinson Gallery, London. (Derek Jarman: Waiting for Waiting for Godot, 15 Oct - 22 Dec)

Dronsfield, J. L. (2013) Where Narrative Stops. [Show/Exhibition] (co-curated with Amanda Wilkinson)

Dronsfield, J. L. (2013) Where Narrative Stops, An interview. Wilkinson Gallery, London.

Dronsfield, J. L. (2013) The performativity of art. In: Carbone, M. (ed.) Performatives after deconstruction. Bloomsbury, London, pp. 169-185. ISBN 9781441123466

Dronsfield, J. L. (2013) The seminars. In: Elkins, J. (ed.) What do artists know? The Stone Art Theory Institutes. Penn State University Press, pp. 7-121. ISBN 9780271054247 (Dronsfield, J.L. et al)

Dronsfield, J. L., Critchley, S., Mirza, H., Cussans, J. and Birrell, R. (2013) I'm on my way [Vinyl record]. Focal Point Gallery, Southend.

Dronsfield, J. L. (2013) Democracy headless. In: Year (2013). Komplot, Brussels. ISBN 9782960120738

Dronsfield, J. L. (2013) Douglasistic democracy. In: Year (2013). Komplot, Brussels. ISBN 9782960120738

Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Show/Exhibition]

Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Performance]

Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. In: Ian Kiaer. Le Centre international d'art et du paysage, Ile de Vassiviere, pp. 333-336. ISBN 9782910850593

Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. [Performance]

Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition]

Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: 10.5456/issn.5050-3679/2013s06rg

Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Proceedings and other publications. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623311

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2013) Precautions against fan(atic)s: a re-evaluation of Adorno’s uncompromising philosophy of popular culture. New German Critique, 40 (1). pp. 149-174. ISSN 1558-1462 doi: 10.1215/0094033X-1812604

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2013) A Guide to Office Clerical Time Standards. [Performance]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2013) Suck the living labour. [Show/Exhibition]

Lee, S. (2013) A newly discovered portrait of Napoleon by Jacques-Louis David. Burlington Magazine, 155 (1327). pp. 687-692. ISSN 0007-6287

Malvern, S. (2013) Rethinking 'Inside the Visible'. In: Dimitrakaki , A. and Perry, L. (eds.) Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Liverpool University Press, Liverpool, pp. 104-119. ISBN 9781846318931

Malvern, S. (2013) Femininity, feminism and the representation of torture. In: Knapp, A. and Footitt, H. (eds.) Liberal democracies at war: conflict and representation. Bloomsbury, London, pp. 219-232. ISBN 9781441156051

Malvern, S. (2013) Femininity, feminism and the terrorist. In: Malvern, S. and Koureas, G. (eds.) Terrorist Transgressions. Gendered representations of the terrorist in visual culture. I B Tauris, London; New York, pp. 39-55. ISBN 9781780767017

Malvern, S. and Koureas, G., eds. (2013) Terrorist transgressions: gendered representations of the terrorist in visual culture. I.B. Tauris, London; New York, pp226. ISBN 9781780767017

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition]

Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) The Y. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) assault. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 and Heim, A. (2013) Burg. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition]

Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition]

Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition]

Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6).

Russell, J. (2013) Dog days II. [Show/Exhibition]

Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition]

Russell, J. (2013) She – a factory. [Show/Exhibition]

Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition]

Russell, J. (2013) To the reader. [Show/Exhibition]

Russell, J. (2013) The banquette years. [Show/Exhibition]

Russell, J. (2013) The hecklers. [Show/Exhibition]

Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition]

Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X

Russell, J. (2013) O chair o flesh. [Show/Exhibition]

2012

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2012) Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema. Palgrave Macmillan. ISBN 9781349335220 doi: 10.1057/9781137283740

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2012) Performance as social practice. [Show/Exhibition]

Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011

Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea.

Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457

Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance]

Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120

Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012)

Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256

Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666

Ellison, C., (2012) Agency of Noise. Christine Ellison

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2012) The Straggle. [Video]

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Messages in a bottle and other things lost to the sea: the other side of critical theory or a reevaluation of Adorno's aesthetic theory. Telos, 2012 (160). pp. 77-97. ISSN 1940-459X doi: 10.3817/0912160077

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Shocking (Rancière’s) spectators. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual: Provocation. Transmission Annual (2). Artwords Press, London. ISBN 9781906441272

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Social practice: fo(u)r shades of grey. In: The Magic City (Presented as part of Liverpool Biennial). Liverpool Biennal 2012 / Birmingham City University, pp. 26-27. ISBN 9781906753313

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318, (2012) Against human nature. Umelec. Divus, Prague.

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2012) File Transfer Protocol. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701

Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) As if sunglasses were not necessary. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) I don’t feel like it: The indifference of objects.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) Like plugging in. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition]

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]

Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Russell, J. (2012) Jexus. [Show/Exhibition]

Russell, J. (2012) Jexus. Metamute.org.

2011

Brown, T. (2011) Spectacle and value in classical Hollywood cinema. In: Hubner, L. (ed.) Valuing Films: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 49-68. ISBN 9780230229686

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) The Cave: Etant Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) Étant Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2011) Ballet-Granite. [Performance]

Dronsfield, J. L. (2011) Exchange encounter. In: Mircan, M. (ed.) Hans van Houwelingen: undone. Jap Sam Books, Heijningen, pp. 91-105. ISBN 9789490322342

Dronsfield, J. L. (2011) The Goldmine Ten theses on music (rhythm)[Poster digital print on paper]. Focal Point Gallery, Southend-on-Sea. (Thames Delta: 16 Apr - 30 Jun)

Dronsfield, J. L. (2011) Philosophers enowning that there be no own (voice) [Poster digital print on paper]. Wilkinson Gallery, London, London. (Where Language Stops: 15 Jul - 14 Aug)

Dronsfield, J. L. (2011) Philosophers enowning that there be no own (words) [Poster digital print on paper]. Extra City Kunsthal Antwerp, Belgium.

Dronsfield, J. L. (2011) Where Language Stops [Digital print on card]. Wilkinson Gallery, London. (Where Language Stops, 15 Jul - 14 Aug)

Dronsfield, J. L. (2011) The face of an artist, if there is such a thing. In: Stappert, A. (ed.) Under the radar: photographs 1983-2011. Kerber, Berlin, pp. 180-181. ISBN 9783866785687

Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, contents [Poster digital print on paper]. Stroom Den Haag, Holland.

Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, page 308. [Performance]

Dronsfield, J. L. and Wilkinson, A. (2011) Where language stops. [Show/Exhibition]

Dronsfield, J. L. (2011) Art philosophy differend. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 43-71. ISBN 9781873352991

Dronsfield, J. L., ed. (2011) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991

Dronsfield, J. L. (2011) A note on the materiality of theory. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991

Dronsfield, J. L. (2011) A picture of French literature. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 73-95. ISBN 9781873352991

Dronsfield, J. L. (2011) A picture of French literature. [Performance]

Dronsfield, J. L. (2011) A picture of French literature. Extra City, Kunsthal Antwerp. (25 March - 01 May)

Dronsfield, J. L. (2011) A picture of French literature. Wilkinson Gallery, London. (Where Language Stops 15 Jul - 14 Aug)

Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance]

Gruetzner Robins, A. (2011) 'J'arrive de London': Jane Avril and Britain. In: Ireson, N. (ed.) Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. The Courtauld Gallery in Association with Paul Holberton Publishing, London, pp. 11-26. ISBN 978907372247

Gruetzner Robins, A. (2011) Marketing Post-Impressionism: Roger Fry's commercial exhibitions. In: Fletcher, P. and Helmreich, A. (eds.) The rise of the modern art market in London, 1850-1939. Manchester University Press, Manchester and New York, pp. 85-97. ISBN 9780719084607

Gruetzner Robins, A. (2011) 'Performing with a pick-axe': the first Vorticist exhibition at the Dore Galleries. In: Antliff , M., Greene, V. and Upstone, R. (eds.) The Vorticists, rebel artists in London and New York, 1914-1918. Tate Publishing, London, UK, pp. 59-68. ISBN 978185439788

Gruetzner Robins, A. (2011) Gwen John: two albums of watercolours. Princeton University Library Chronicle, LXXII (3). pp. 641-682. ISSN 0032 -8456

Gruetzner Robins, A. (2011) Toulouse-Lautrec in Catford: new information about 'La Chaine Simpson'. The Burlington Magazine, 1302 (153). pp. 572-573. ISSN 0007-6287

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2011) Eros and knowledge: wishful thinking? In: Quinn, M. and Gomersall, C. (eds.) Rigorous Holes: Perspectives in Psychoanalytic Theory in Art and Performance Research. CCW Graduate School, London. ISBN 9780955862878

Ker, D., Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Du Sautoy, M. (2011) Everything and nothing project. [Project]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2011) xero, kline & coma. [Project]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance]

Lodder, M. (2011) The myths of modern primitivism. European Journal of American Culture, 30 (2). pp. 99-111. ISSN 1758-9118 doi: 10.1386/ejac.30.2.99_1

Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition]

MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition]

Marie, B. and Dronsfield, J. (2011) The aesthetics of differends: an introduction. In: Marie, B. (ed.) Ontology of the There Is. Rosascape, Paris, pp. 28-34.

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2011) House in the Shape of a Stretcher. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2011) Like portable scaffolding. In: Vermoortel, S. and Vermoortel, P. (eds.) Buro II - RE-Visiting RE-Inventing. Sun Architecture, Amsterdam, Netherlands, pp. 145-161. ISBN 9789461053374

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2011) Sculpture unlimited. In: Fall-out: new notes on sculpture research conference, The University of London, Goldsmiths College, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2011) You want to borrow my shades, don’t complain about their tint. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Allen, K., Bloor, S. & T., Burt, T., Chisholm, R., Clarke, C., Davies, K., Edwards, S., Flynn, J., Ghazi, B., Grace, T., Harrington, J., Hawley, S., Housley, P., Longly, G. H., Marquiss, D., Mirza, H., Mosley, R., Musgrave, E., Pyman, J., Richards, J., Round, G., Smith, M., Staton, S., Stonehouse, G., Syed, S., Traina, R., Wermers, N., Westerman, J. and Woods, K. (2011) Fifteen. [Show/Exhibition]

Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018

Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566

Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition]

Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition]

Russell, J. (2011) Praying Mantiss. [Show/Exhibition]

Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2

Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151

2010

Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition]

Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Festival VideoDanzaBa. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Moves 10 - Framing Motion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Szuper Gallery materials. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Work/Arbeit/Работа. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition]

Davies, P. and Hemsoll, D. (2010) Fourteen sheets of drawings by Sebastiano Serlio. In: Beltramini, G. and Elam, C. (eds.) Some degree of happiness: studi di storia dell’architettura in onore di Howard Burns. Edizioni della Normale, Pisa, Italy, pp. 273-296. ISBN 9788876423727

Davies, P. and Hemsoll, D. (2010) Sebastiano Serlio, progetti per una villa fortificata / projects for a fortified villa. In: Faliva, A. (ed.) Ville del Rinascimento padano. I bastioni, il portico e la fattoria / the bastions the portico and the farmyard. Mondadori Electa, Milan, Italy, pp. 97-99. ISBN 9788837077457

Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2010) Continous movement of ideas. [Show/Exhibition]

Dronsfield, J. (2010) Philosophers enowning that there will be no own. [Performance]

Dronsfield, J. (2010) The work of art. In: Davis, B. W. (ed.) Martin Heidegger: key concepts. Acumen Publishing, Durham, pp. 128-139. ISBN 9781844651983

Dronsfield, J. L. (2010) Headless in Hirschorn's Classroom. In: Walwin, J. (ed.) Searching for art's new publics. Intellect, Bristol, pp. 127-136. ISBN 9781841503110

Dronsfield, J. L. (2010) "...where the re-imagined is the repeated". In: Bull, S. and Miletic, D. (eds.) Cities re-imagined. Vojvodina Museum of Contemporary Art, Novi Sad, Serbia, pp. 13-19. ISBN 9788684773687

Dronsfield, J. L. (2010) Pedagogy of the written image. Journal of French and Francophone Philosophy, 18 (2). pp. 87-105. ISSN 2155-1162

Dronsfield, J. L. (2010) Theory as art practice: outnotes for indiscipline. Art&Research, 3 (1). ISSN 1752-6388

Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287

Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. ORCID: https://orcid.org/0000-0003-0224-428X and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) No Haus Like Bau. [Project]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) WE. [Performance]

MacLean, M. and Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2010) Architectural Fictions. [Show/Exhibition]

Malvern, S. B. (2010) Outside in: the after-life of the plaster cast in contemporary culture. In: Frederiksen, R. and Marchand, E. (eds.) Plaster casts: making, collecting and displaying from classical antiquity to the present. Transformationen der antike. De Gruyter, Berlin, Germany, pp. 351-358. ISBN 9783110208566

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2010) Returns. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition]

Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition]

Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151

Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753

Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107

Russell, J. (2010) Explain death to very young children. [Show/Exhibition]

Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13.

Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition]

Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact]

Russell, J. (2010) Vermillion Vortex. [Video]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition]

Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151

2009

Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition]

Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition]

Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition]

Butler, J., Chapman, J., Chapman, D., Harding, A., Harvey, M., Hirst, D., James, M., Jones, P., Krut, A., Miller, H., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition]

Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition]

Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition]

Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition]

Chare, N. (2009) Illuminating the past: reflections on teaching The Name of the Rose. In: Ganze, A. (ed.) Postscript to the middle ages: teaching medieval studies through The Name of the Rose. Syracuse University Press, Syracuse, US, pp. 84-96. ISBN 9780815632344

Chare, N. (2009) Sports unillustrated: the female athlete as representational absence. In: Kevin, C. (ed.) Feminism and the body: interdisciplinary perspectives. Cambridge Scholars Publishing, Newcastle, UK, pp. 178-193. ISBN 9781443809863

Chare, N. (2009) Sexing the canvas: calling on the medium. Art History, 32 (4). pp. 664-689. ISSN 1467-8365 doi: 10.1111/j.1467-8365.2009.00697.x

Chare, N. (2009) Testimony. The year's work in critical and cultural theory, 17 (1). pp. 194-221. ISSN 1471-681X doi: 10.1093/ywcct/mbp005

Chare, N. (2009) Upon the scents of paint: Bacon and synaesthesia. Visual Culture in Britain, 10 (3). pp. 255-272. ISSN 1941-8361 doi: 10.1080/14714780903265572

Chare, N. (2009) Warring pixels: cultural memory, digital testimony, and the conflict in Iraq. Convergence, 15 (3). pp. 333-345. ISSN 1748-7382

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Ballet. [Video]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Suck. Swallow. Breathe. [Video]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Suck. Swallow. Breathe. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Translation paradoxes and misunderstandings. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) The artist's studio. [Show/Exhibition]

Cooper, D., Gourvil, O., Krisanamis, U., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Smith, D. and Suarez-Universal, V. (2009) Baroque reason. [Show/Exhibition]

Crabtree, J., Evans, W. and Bailey, J. (2009) Jetty 'Double Feature'. [Show/Exhibition]

Davies, P. (2009) The palace of Charles V in Granada and two drawings from the school of Raphael. In: Eriksen, R. and Malmanger, M. (eds.) Imitation, representation and printing in the Italian Renaissance. Fabrizio Serra Editore, Pisa and Rome, Italy, pp. 157-190. ISBN 9788862271110

Davies, P. (2009) Review of 'Tempo novo: Venezia e il quattrocento' by E. Concina. Annali di Architettura, 21. pp. 183-184. ISSN 1124-7169

Dronsfield, J. (2009) Continuum. In: REWIND + PLAY: an anthology of early British video art. Lux, London, pp. 36-37.

Dronsfield, J. (2009) Philosophies of art. In: Mullarkey, J. and Lord, B. (eds.) The Continuum Companion to Continental Philosophy. Continuum Companions. Continuum, London, pp. 219-237. ISBN 9780826498304

Dronsfield, J. (2009) Theory as art practice: notes for discipline. Art&Research, 2 (2). ISSN 1752-6388

Dronsfield, J. L. (2009) Before the camera. Parallax, 15 (4). pp. 94-106. ISSN 1460-700X doi: 10.1080/13534640903208966

Ellison, C. (2009) Reconstructing The Incredible. [Audio]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984

Kaina, P. (2009) [Review of] 'Picasso: challenging the past' by E.Cowling et al. The Art Book, 16 (4). p. 20. ISSN 1467-8357 doi: 10.1111/j.1467-8357.2009.01058_1.x

Kaina, P. (2009) [Review of] 'The lure of the East: British Orientalist painting' by Nicholas Tromans (ed). The Art Book, 16 (2). pp. 16-21. ISSN 1467-8357 doi: 10.1111/j.1467-8357.2009.01025_4.x

Kaina, P. (2009) [Review of] Edgar Degas: intimität und pose. Nineteenth Century Art Worldwide, 8 (2). ISSN 1543-1002

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds.

MacLean, M., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition]

Malvern, S. (2009) [Review of] 'Art history after 9/11' by Werckmeister, O.K., Mirzoeff, N., Eisenman, S.F., Reinhardt, M., Edwards, H. and Duganne, E. Art History, 32 (2). pp. 387-399. ISSN 1467-8365 doi: 10.1111/j.1467-8365.2009.00672.x

Malvern, S. and Marchand, E. (2009) Sculpture in Arcadia. Studies in the History of Gardens & Designed Landscapes, 29 (1-2). 1 - 12. ISSN 1943-2186 doi: 10.1080/14601170701806908

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2009) Step by step. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2009) The wager with the office of experiments. [Show/Exhibition]

Robertson, C. (2009) Entries on drawings by Tiberio Calcagni and Giovanni de' Vecchi. In: Franklin, D. (ed.) From Raphael to the Carracci: the art of Papal Rome. National Gallery of Canada, Ottawa, Canada, pp482. ISBN 9780888848673

Robins, A. G. (2009) Walter Sickert and the language of art. In: Brockington, G. (ed.) Internationalism and the arts in Britain and Europe at the fin de siècle. Cultural interactions: studies in the relationship between the arts (4). Peter Lang, Oxford, UK, pp. 27-48. ISBN 9783039111282

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2009) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, LeWitt, S., Penone, G., Dean, M., Cornaro, I., Mattiacci, E., Buttner, A., Serra, R., Houseago, T., Dybbroe Møller, S. and Rodzielski, C. (2009) The young people visiting our ruins see nothing but a style. [Show/Exhibition]

Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695

Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition]

Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743

Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091

Russell, J. (2009) EAST International. [Show/Exhibition]

Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image]

Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112.

Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107.

Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition]

Toren, A. (2009) Carrots. [Show/Exhibition]

Toren, A. (2009) Don't look away. [Show/Exhibition]

Toren, A. (2009) Refreshments. [Show/Exhibition]

2008

Aranda, J., Bumsteinas, A., Garbstiene, L., Bunic, P., Cesarco, A., Dahlberg, K., Deball, M. C., Fontaine, C., Dowd, S., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Dujmušic, I., Van Harskamp, N., Ergun, K., Kanajet, M., Esquivias, P., Ferri, J., Torres, M. G., Gavran, D., Grubic, I., Harskamp, N. V., Haus, S., Hiseni, A., Bioskop, I., Ilic, S., Jansa, J., Noir, J., Katic, B., Kovac, I., Tepavcevic, N., Kurcubic, N., Labrovic, S., Lagomarsino, R., Latin, I., Markovic, M., Milak, R., Muresan, C., Nevarez, A., Tevere, V., Ogut, A., Ocko, D., Panayiotou, C., Rascic, L., Richardson, J., Roncevic, D., Suler, K., Takala, P., Tsivopoulos, S., Tur, N., Vatamanu, M. and Tudor, F. (2008) Salon of revolution. [Show/Exhibition]

Chare, N. (2008) Testimony. The year's work in critical and cultural theory, 16 (1). pp. 288-301. ISSN 1471-681X doi: 10.1093/ywcct/mbn005

Chare, N. (2008) Testimony on trial: reviewing rape in 'The Accused'. Southern Review: Communication, Politics and Culture, 40 (3). pp. 68-83. ISSN 0038-4526

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2008) Curatorial vaudeville. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2008) The Extras Regina, 2008. [Show/Exhibition]

Davies, P. (2008) Modello del Tempietto Barbaro. In: Beltramini, G. and Burns, H. (eds.) Palladio. Royal Academy of Arts, London, UK, pp. 242-243. ISBN 9781905711246