Items where Division is "Art"
Number of items at this level: 834. 2023
Chamarette, J.
Clausen, S. Renshaw, T. (2023) The larger in/and the smaller. [Show/Exhibition] 2022
Chamarette, J.
Chamarette, J.
Chamarette, J.
Clausen, S.
Clausen, S.
Clausen, S.
Frearson, A. Frearson, A. (2022) Frankenstein economy. [Show/Exhibition]
Garfield, R.
Garfield, R. Roithmayr, F. (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799 Russell, J. (2022) CAVAPOOL. [Show/Exhibition] Russell, J. (2022) Catechism. [Show/Exhibition] Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition] Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition] 2021Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F., Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114
Chamarette, J.
Chamarette, J.
Chamarette, J. Clausen, S. (2021) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. In: Sheleff, M. and Spies, S. (eds.) (Un)commoning voices and (non)communal bodies. OnCurating.org, Zurich, Switzerland, pp. 98-107. ISBN 9798744646660
Clausen, S.
Clausen, S. Frearson, A. (2021) being eaten by a lion. [Show/Exhibition]
Garfield, R.
Garfield, R.
Patrick, M. and Richter, D. Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104550
Richter, D.
Richter, D. Richter, D. and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN 9798478092658 (Fluxus, Contemporary Art, worldwide research) Richter, D. and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)
Richter, D. Richter, D., Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)
Richter, D. Roithmayr, F. (2021) waves. [Performance]
Rowlands, A., Clausen, S.
Rowlands, A., Clausen, S. Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition] Russell, J. (2021) Core. [Show/Exhibition] Russell, J. (2021) EARLEY. [Show/Exhibition] Russell, J. (2021) Party de Campagne. [Show/Exhibition] Russell, J. (2021) Well. [Show/Exhibition] 2020
Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089322 Allen, K. (2020) Tate lates power of bubble. [Show/Exhibition] Allen, K., Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research. Smithsonian. ISBN 9780970835888 Brixey-Williams, J. (2020) Traces of the invisible: how an alternative reading of The Sleeping Beauty fashioned a bookwork heightening awareness of the role of the anesthetist. Journal of Medical Humanities, 41 (1). pp. 41-51. ISSN 1573-3645 doi: https://doi.org/10.1007/s10912-019-09597-3 Clausen, S. (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance] Clausen, S. (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue. Clausen, S. (2020) Reading International. [Project] (Collection)
Clausen, S.
Garfield, R. Kolb, R. (2020) Zurich issue: dark matter, grey zones, red light and bling bling. OnCurating Issues, 48 (48). OnCurating, Zurich, pp248. ISBN 9798682580316 (Contemporary Art, Funding, Financing, Art History, Switzerland,) Renshaw, T. (2020) Phase IV intersections - art/architecture. [Show/Exhibition] Richter, D. and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues, 45 (45). OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history) Roithmayr, F. (2020) Waves - research residency. [Project] (Unpublished) Roithmayr, F. (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4) Roithmayr, F. (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525 Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104246 2019Al-Taee, N. (2019) Live canvas: digital interface as creative medium. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084824 Allen, K. (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition] Allen, K. (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition] Allen, K. (2019) Sensory Objects. [Project] (Collection) Allen, K. and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project] Allen, K. and Minnion, A. (2019) Pride of place. [Show/Exhibition] Allen, K., Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact] Allen, K., Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition]
Chamarette, J. Chau, H. Y. (2019) The contemporary relevance of split portraiture: rereading Marlene Dumas and Francis Bacon. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088721 Clausen, S. (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance] Clausen, S. (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance] Clausen, S. (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition] Clausen, S. (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance] Clausen, S. (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition] Clausen, S. (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition] Clausen, S. (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance] Clausen, S. (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance] Clausen, S. (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition] Clausen, S. (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection) Clausen, S. (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition] Connor, V. and O'Connell, T. (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition] Frearson, A. (2019) Sic. [Show/Exhibition]
Garfield, R. Garfield, R. (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005 Kolb, R. (2019) Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization. OnCurating Issues, 43 (43). OnCurating, Zurich, pp122. ISBN 9781672015431 (Black Mountain College, Contemporary Art, Curating, Experimental Education)
Kolb, R., Krivanek, E., Regli, C. and Richter, D. Kollectiv, G. and Kollectiv, P. (2019) EuroNoize. [Show/Exhibition] Kollectiv, P. and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition] Renshaw, T. (2019) Come and go. Halt extreme left. [Show/Exhibition] Renshaw, T. (2019) Drift. [Show/Exhibition] Renshaw, T. (2019) Phase III - Le Modulor. [Show/Exhibition] Richter, D. (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14. Richter, D. (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse. Transcript Verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: https://doi.org/10.14361/9783839442043-010 Roithmayr, F. (2019) International El Kurru project. [Project] (In Press) Roithmayr, F. (2019) Simply untitled. [Show/Exhibition] Roithmayr, F. (2019) A Strange Weave of Time and Space. [Show/Exhibition] Roithmayr, F., Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition] Roithmayr, F., Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition] Roithmayr, F. (2019) The humility of Plaster. [Show/Exhibition] Roithmayr, F. (2019) The humility of plaster. [Project] (Collection) Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition] Russell, J. (2019) Bergen Assembly. [Show/Exhibition] Russell, J. (2019) SUMMA. [Show/Exhibition] Russell, J. (2019) Sick Monday. [Show/Exhibition] Russell, J. (2019) Tainted Love. [Show/Exhibition] Russell, J. (2019) Screens. [Show/Exhibition] Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085600 Willems, S. (2019) How not to disappear completely: characterising the role of anonymity in contemporary figurative painting. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088070 2018Allen, K. (2018) Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS. Edinburgh Napier University, Edinburgh. Allen, K. and Andy, M. (2018) PurpleSTARS present to the Disability History Conference London Metropolitan Archive. [Show/Exhibition] Allen, K. and Minnion, A. (2018) PurpleSTARS present at Preparing for Adulthood. [Show/Exhibition] Allen, K. and Minnion, A. (2018) #Purplelightup international persons with a disability day British Museum. [Show/Exhibition] Allen, K., Andy, M. and Headon, K. (2018) Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum. [Show/Exhibition] (Unpublished)
Chamarette, J. Clausen, S. (2018) Reading Internationa #10: The Outside In - Steve Claydon at MERL. [Show/Exhibition] Clausen, S. (2018) Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel. [Show/Exhibition] Clausen, S. (2018) Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen. [Show/Exhibition] Clausen, S. (2018) Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins. [Show/Exhibition] Clausen, S. (2018) Reading International 9: creating ruin - online video screening. [Show/Exhibition] Clausen, S. (2018) Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex. [Performance] Clausen, S. and Fance, T. (2018) Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex. [Performance] Clausen, S. and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Artefact] Clausen, S. and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Show/Exhibition] Ellison, C. (2018) Micro soft words (for dummies and enlightened beings). [Performance] Feldman, A. (2018) After the law: towards judicial-visual activism. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089068 Frearson, A. (2018) Sic. [Project] (Collection) Hellings, J. (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245 Kollectiv, G. and Kollectiv, P. (2018) Second annual report from the strategic sanctuary for the destruction of free will. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2018) The missing body of J. T. Leroy. In: Beber, E. (ed.) The Bodies that Remain. Dead Letter Office, 1. Punctum, London, pp. 251-262. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00 Kollectiv, P. and Kollectiv, G. (2018) Rainbow pixels. In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.) Taste. Law and the Senses, 1. University of Westminster Press, London, pp. 239-243. ISBN 9781911534327 doi: https://doi.org/10.16997/book21 Kollectiv, P. and Kollectiv, G. (2018) Re-enacting the archive: untimely meditations on the use and abuse of repetition. In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.) Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance. Routledge, London, pp. 144-150. ISBN 9781138915381 Kwon, H. (2018) Narrativisation of site and spatialisation of narrative. PhD thesis, University of Reading. Lawrence, J., Jenner, M., Drew, B., Frearson, A., Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T. (2018) Oh: link zone. [Show/Exhibition] O'Connell, T. (2018) Sublimation 2018. [Video] Park, J. (2018) Surface layer time: the process of portraying time in image. PhD thesis, University of Reading. Renshaw, T. (2018) Cosmic Laziness. [Show/Exhibition] Renshaw, T. (2018) Cosmic Laziness (Notebook Painting). [Project] (Collection) Renshaw, T. (2018) Notebook Formism. [Project] (Collection) Renshaw, T. (2018) Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B. [Show/Exhibition] Renshaw, T. (2018) Phase 2 imagining architecture. [Show/Exhibition] Renshaw, T. (2018) Plan Unplan (Outside Architecture Projects). [Project] (Collection) Renshaw, T. (2018) What is Seen, What is Shown. [Show/Exhibition] Renshaw, T. (2018) Notebook Architecture. [Project] (Collection) Roithmayr, F. (2018) Aftercast. tenderbooks, London, pp186. ISBN 9781999712433 Roithmayr, F. (2018) Concrete sculpture. BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London. (Unpublished) Roithmayr, F. (2018) Florian Roithmayr - the humility of plaster. [Project] Roithmayr, F. (2018) More than is needed so as not to be caught short. In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge. Roithmayr, F. (2018) Premio Lissone 2018. [Show/Exhibition] Roithmayr, F. (2018) Something infinitely distant and strange. [Show/Exhibition] Roithmayr, F. (2018) These here withins. [Show/Exhibition] Roithmayr, F., Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S. (2018) Group Portrait with Garden. [Show/Exhibition] Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition] Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition] Rowlands, A. (2018) Curating Fictions. [Project] (Collection) Rowlands, A. and Williams, M. (2018) In the reading room of hell. [Show/Exhibition] Rowlands, A. (2018) Novel Upstairs. [Project] (Collection) Russell, J. (2018) As much about forgetting. [Show/Exhibition] Russell, J. (2018) CONDO: Emalin (hosting Galerie Gregor Staiger). [Show/Exhibition] Russell, J. (2018) Cellular world: cyborg-human-avatar-horror. [Show/Exhibition] Russell, J. (2018) GOLD. [Show/Exhibition] Russell, J. (2018) It's all the same fucking day, man. [Show/Exhibition] Russell, J. (2018) Land and sea. [Show/Exhibition] Russell, J. (2018) SOFA. [Video] Russell, J. (2018) The island of flowers. Song Cycle. Song Cycle and Bridget Donahue Gallery: New York, pp12. Russell, J. (2018) AQUARIUM PROLETARIUM. [Project] (Collection) Russell, J. (2018) DOGGO. [Artefact] Russell, J. (2018) DOGGO. [Project] (Collection) Russell, J. (2018) DOGGO II. [Show/Exhibition] Russell, J. (2018) SQRRL. [Project] (Collection) Undro, M. D. (2018) Portrait of a process. PhD thesis, University of Reading. 2017Allen, K. and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project] Allen, K. and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition] Allen, K., Hwang, F. and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project] Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. (2017) Decorative dormitories for sleep workers. [Show/Exhibition] Clausen, S. (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition] Clausen, S. (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition] Clausen, S. (2017) Reading International 5: the critic as artist. [Show/Exhibition] Clausen, S. (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716 Clausen, S. and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Soviart. [Show/Exhibition] Clausen, S., Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709 Clausen, S. (2017) Reading International. [Project] Clausen, S. (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition] Clausen, S. (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition] Clausen, S. (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006 Clausen, S. (2017) Rehearsing Szuper Gallery. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Bonobo. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition] Clausen, S., Worley, M., King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723 Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection) Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: https://doi.org/10.1080/14714787.2017.1353438 Frearson, A. (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612 Frearson, A. (2017) Wollstonochlincraft. [Project] (Collection) Frearson, A. (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328 Frearson, A. (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875 Garfield, R. (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180 Garfield, R. (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: https://doi.org/10.1080/14725886.2016.1242313 Garfield, R. (2017) This way out of England: Gallery House in retrospect. Raven Row. Garfield, R. (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066 Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: https://doi.org/10.1386/aps.6.1-2.69_1 Kim, C. J. H. (2017) Painting in the expanded field from the perspective of Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches. PhD thesis, University of Reading. Kolb, R., Richter, D., Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating, 35 (35). On-Curating, Zurich, pp142. ISBN 9781981991747 Kollectiv, G. and Kollectiv, P. (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610 Kollectiv, P. and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777 Kollectiv, P. and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition] Kontopoulou, A. (2017) Democracy. [Project] (Collection) Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98. O'Connell, T. (2017) All that is data that melts into air. [Show/Exhibition] O'Connell, T. (2017) Study for a pavilion: Askeaton. [Show/Exhibition] O'Connell, T. (2017) Temporal Data Study. [Project] (Collection) Renshaw, T. (2017) Notebook architecture at Kunstgriff. [Show/Exhibition] Renshaw, T. (2017) Plan Unplan. [Show/Exhibition] Richter, D. (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. (eds.) documenta. Curating the History of the Present. On-Curating, 33 (33). On-Curating, Zurich, pp. 76-88. ISBN 9781546946120 Richter, D. (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, , Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170 Richter, D. (2017) Learning from Dhaka. OnCurating (35). pp. 61-71. ISSN 2673-2904 (Decolonizing Art Institutions) Richter, D. (2017) Propositions on curating, or how much curating is involved in social change. In: Krämer, N. and Müller, P. (eds.) With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines. Connecting Spaces, Zurich University of the Arts, Zürich. Richter, D., Kolb, R., Clausen / Szuper Gallery, S., Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z. (2017) De-Colonizing Art Institutions: Artists’ Book. On-Curating, 34 (34). On-Curating, Zurich, pp108. ISBN 9781982088897 Roithmayr, F. (2017) Chelsea Embankment - London. [Project] Roithmayr, F. (2017) Home is not a Place. [Show/Exhibition] Roithmayr, F. (2017) Ir re par sur. [Show/Exhibition] Roithmayr, F. (2017) They call us screamers. [Show/Exhibition] Roithmayr, F. (2017) With, and, or, without. [Project] (Collection) Rowlands, A. and Williams, M. (2017) On Reading. [Project] Rowlands, A. (2017) Our words return in patterns. [Project] (Collection) Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition] Russell, J. (2017) Against interpretation. [Show/Exhibition] Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition] Russell, J. (2017) Encore! [Show/Exhibition] Russell, J. (2017) DOGGO. [Show/Exhibition] Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020 2016Allen, K. and Hollinworth, N. (2016) Interactive sensory cow for the Museum of English Rural Life (MERL). [Project] Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles. Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38. doi: https://doi.org/10.18848/1835-2014/CGP/v09i01/21-38 Clausen, S. (2016) Slapping scenes. ONCURATING.ORG, Zurich. Clausen, S. (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition] Clausen, S. and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich. Cooke, K., Harezlak, A., Bizon, M., Bligh, S., Cawkwell, C., Coyle, P., Berman Duff, D., Frearson, A., Klee, S., Guro Larsmon, A. and Schoen, K. (2016) Concrete plastic. [Show/Exhibition] Cooke, K. S. (2016) Art ontologyvalue: staging the ontology of art within systems of value. PhD thesis, University of Reading. Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary. Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition] Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082 Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: https://doi.org/10.1086/687091 Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in 'Her Noise'. Women and Music: A Journal of Gender and Culture, 20 (1). pp. 88-95. ISSN 1090-7505 doi: https://doi.org/10.1353/wam.2016.0005 Frearson, A. (2016) Attempty. [Image] (Armseye Magazine, Issue 2, pp 18-19) Frearson, A. (2016) Frankenstein 2. [Project] (Collection) Frearson, A. (2016) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1758-9185 doi: https://doi.org/10.1080/14702029.2016.1228807 Garfield, R. (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825 Garfield, R. (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw006 Garfield, R. (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt. Garfield, R. S. (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: https://doi.org/10.1080/13507486.2016.1203880 Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (Unpublished) Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality. (Unpublished) Kollectiv, G. and Kollectiv, P. (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2016) The Immigrants. [Project] (Collection) Kollectiv, G. and Kollectiv, P. (2016) Reports from the strategic sanctuary for the destruction of free will. [Project] (Collection) Kontopoulou, A. (2016) The democratic table. [Show/Exhibition] O'Connell, T. (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre. O'Connell, T. (2016) The Shift, eight years of flat time house. [Show/Exhibition] O'Connell, T. (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium. O'Connell, T. and White , N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition] O'Connell, T. and White, N. (2016) 9 Events. [Show/Exhibition] O'Connell, T. and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition] Renshaw, T. (2016) Phase 1. [Show/Exhibition] Renshaw, T. (2016) Shed at Naming Rights. [Show/Exhibition] Renshaw, T. (2016) Notebook architecture. [Show/Exhibition]
Richter, D. Richter, D. (2016) Feminist perspectives on curating. In: Richter, D., Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386 Richter, D. (2016) Learning from Dhaka. In: Garcia-Anton, K., Cataldo, A. and Betancourt, D. C. (eds.) Critical Writing Ensembles. Mousse Publishing, Milan, pp. 234-247. ISBN 9788867492701 Richter, D. (2016) My glam, your glam, we glam. In: Marchetti, L. (ed.) La mode exposée / Fashion curating. HEAD, Geneve, pp. 213-218. ISBN 9782940510146 Richter, D. (2016) Performance Kunst kuratieren? In: Gebhardt Fink, S., Mathis, M. and von Büren, M. (eds.) Performance Chronik Basel: Erinnern und Erzählen (1987-2006). Diaphanes Verlag, Zürich/Berlin, pp. 43-51. ISBN 9783037346341 Richter, D. (2016) (Un)Dinge, oder warum die Sehnsucht nach dem Ding immer reaktionär ist. Interdisziplinäres Ausstellen, 16 (1-2). pp. 8-15. ISSN 1015-6720 Roithmayr, F. (2016) Breath rider. [Performance] Roithmayr, F. (2016) Prague Quadrennial - shared space. [Project] (Unpublished) Roithmayr, F. (2016) Service. [Show/Exhibition] Roithmayr, F., Anderson, R. and Eldret, L. (2016) Foreign Objects. [Show/Exhibition] Roithmayr, F., Arancio, S., Austin, M., Faramawy, A., Finlay, S., Thompson, M. and Teichmann, E. (2016) Inland Far. [Show/Exhibition] Roithmayr, F., Stevens, M., Prouvé, J., Marino di Teana, F., Kobylarz, S., Schlemmer, O., House, S., Morellet, F. and Chardon, N. (2016) Bauhaus + Around. [Show/Exhibition] Roithmayr, F. (2016) EndStart. [Show/Exhibition] Rowlands, A. and Williams, M., eds. (2016) NOVEL Upstairs. NOVEL, 5. NOVEL - Bergen Kunsthall, Bergen, Norway, pp90. ISBN 9781527203754 Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition] Russell, J. (2016) Le Bourgeois. [Show/Exhibition] Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition] Russell, J. (2016) Tetragrammaton. [Show/Exhibition] Trampe, T., Richter, D. and Stassi, E., eds. (2016) Work, Migration, Memes and Personal Geopolitics. On-Curating, 30 (30). On-Curating, Zurich, pp152. ISBN ISBN-13: 978-1533448392 2015Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: access all areas. In: Access all areas, 11 November 2011, Whitworth Art Gallery, Manchester. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: sensory objects. In: Sensory objects, 25 February 2015, Sackler Rooms, British Museum. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Sensory objects at the British Museum. [Show/Exhibition] Allen, K., Hollinworth, N., Hwang, F. and Minnion, A., (2015) Sensory objects: a case study. Disability Cooperative Network Banks, M., Ivison, T., Jacobi, S., Theodoropoulou, L., Adams, J., Smith, M., Moonasinghe, H., Monsisyan, A. and Kontopoulou, A. (2015) New terms: radical education workshops. [Project]
Chamarette, J.
Chamarette, J. Clausen, S. (2015) Liquid trust at ICA. [Show/Exhibition] Clausen, S. (2015) Bonobo. [Show/Exhibition] Clausen, S. (2015) Liquid trust. [Show/Exhibition] Clausen, S. (2015) Liquid trust. [Project] (Collection) Dzuverovic, L. (2015) Contribution to The World Goes Pop exhibition catalogue. In: Morgan, J. and Frigeri, F. (eds.) The world goes pop. Tate Publishing, London, pp272. ISBN 9781849762700 Garfield, R. (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Ridinghouse, London, pp. 19-26. ISBN 9781909932135 Garfield, R. (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition] Garfield, R. (2015) The struggle II: opening up. [Video] Garfield, R. (2015) The struggle. [Project] (Collection) Healy, C. (2015) Thin place exhibition. [Show/Exhibition] Kollectiv, P. and Kollectiv, G. (2015) Bureaucracy. In: Bureaucracy, 1/7/2015, ICA, London. Kontopoulou, A. (2015) Democracy and community. [Project] Macbeth, R., Frearson, A. and Riviere, S. (2015) Resource: uncreative writing. [Show/Exhibition] Renshaw, T. (2015) Distressed geometry. [Show/Exhibition] Roithmayr, F. (2015) Things that tumble twice. [Show/Exhibition] Roithmayr, F. (2015) The imprint. In: Norwich University of the Arts Annual Fine Art Conference: DIALOGUES 2015: Speculative Matters, Norwich University of the Arts. (Unpublished) Roithmayr, F. (2015) With, and, or, without. [Project] Roithmayr, F. (2015) With, and, or, without. [Show/Exhibition] Russell, J. (2015) UNSPECIFIED [Performance] Russell, J. (2015) Animation 1-15, a-P. In: Osbaldeston, D. (ed.) Inflection sandwich. Onomatopee, London, pp. 17-32. ISBN 9789491677281 Russell, J. (2015) Eton. [Show/Exhibition] Russell, J. (2015) Lofoten international art festival 2015: disappearing acts. [Show/Exhibition] Russell, J. (2015) Plague of diagrams. [Show/Exhibition] Russell, J. and Mitchell, D. (2015) Black Forest Magic. [Show/Exhibition] Russell, J. (2015) Bruce Willis, irigaray, and the aesthetics of space travel. EROS Journal, 6. pp. 56-70. ISSN 2048-8352 Russell, J. (2015) SQRRL. [Show/Exhibition] Russell, J. (2015) SQRRL. Rhizome. 2014Allahyari, M., Nilchiani, M., Rourke, D. and Frearson, A. (2014) Bitrates. [Show/Exhibition] Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition] Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol.
Chamarette, J. Clausen, S. and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813 Clausen, S. (2014) I will survive. [Show/Exhibition] Clausen, S. (2014) Work, Arbeit, Rabota. [Show/Exhibition] Coyle, P., Westwood, M., Frearson, A. and Kane, L. (2014) Remains. [Performance] (Unpublished) Coyle, P., Westwood, M., Frearson, A. and Kane, L. (2014) ..Or maybe it's the same for everyone. In: Lawrence, J. (ed.) ...Or maybe it's the same for everyone. Pavilionary Press, London, UK, pp. 1-4. Frearson, A. (2014) Frankenstein2: review of 'I, Frankenstein' on Rotten Tomatoes. [Artefact] Frearson, A. (2014) I. [Show/Exhibition] Garfield, R. (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain") Garfield, R. (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781 Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458 Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester. Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712 Hellings, J. (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885 Hellings, J. (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35. Hellings, J. (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625 Kollectiv, G. and Kollectiv, P. (2014) Concrete gown for immaterial flows. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2014) Radical Conservatism. [Show/Exhibition] Kollectiv, P., Kollectiv, G., Vasseur, R. and Frearson, A. (2014) Filmarmalade presents... [Show/Exhibition] Renshaw, T. (2014) Hidden. [Show/Exhibition] Renshaw, T. (2014) Nowhere. [Show/Exhibition] Renshaw, T. (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished) Renshaw, T. (2014) Screens. [Show/Exhibition] Roithmayr, F. (2014) The Assistants and the Schoolmaster. In: The 100 Hours Forum, University College, London, UK. (Unpublished) Roithmayr, F. (2014) The Assistants. [Artefact] Roithmayr, F. (2014) Matter of engagement. [Show/Exhibition] Roithmayr, F. (2014) Speculative sculpture in Italy. In: Foreign Artists in Rome, The International Discourse on the Prix De Rome, The Royal Netherlands Institute in Rome, Italy. (Unpublished) Roithmayr, F. (2014) Tacit knowledge of materials. In: Alternative Methods: Art and Education, Wysing Arts Centre, Cambridge, UK. (Unpublished) Roithmayr, F., An Endless Supply, ., Beale, R., Blightman, J., Brierley, B., Conderelli, C., Flood-Paddock, J., Root, P., Pantane, S., Provost, L., Spooner, C., The Grantchester Pottery, ., Pirecki, P., Price, E., Waller, M. A., White, N. and Wilkens, L. (2014) The Influence of Furniture on Love. [Show/Exhibition] Roithmayr, F., Angell, A., Atkins, E., Baldock, J., Burdis, E., Baseman, J., Deshayes, N., Dean, M., Hart, E., Flood-Paddock, J., Holden, A., Kefford, D., Owens, K., Projects, J., Panayiotou, C., Provost, L., Round, G., Sokhanvari, S., Shovlin, J., Summers, A., Wendling, C., Wilson, B. and Wine, J. (2014) Hey I’m Mr. Poetic. [Show/Exhibition] Roithmayr, F., Barham, A., Beckett, J., Cutter, K., Evens, C. B., Dean, M., Metzger, G., Norfolk, R., Osbaldeston, D., Patane, S. and Prodger, C. (2014) Annals of the Twenty-Ninth Century. [Show/Exhibition] Roithmayr, F., Gander, R., Mirza, H., Pradeau, F., Prouvost, L., Walther, F. E. and Cameron-Weir, E. (2014) ...and the stage darkens (or this voice is a big whale). [Show/Exhibition] Roithmayr, F. (2014) Cave. Where do you see yourself in 25 years?. pp. 9-12. Roithmayr, F. (2014) EndStart. [Show/Exhibition] Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339 Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition] Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition] Russell, J. (2014) The Good Shepherd. [Show/Exhibition] Russell, J. (2014) Judgement. [Show/Exhibition] Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition] Russell, J. (2014) A speculum that shines. [Show/Exhibition] Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition] 2013Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Sensory stories. [Show/Exhibition] Blatnik, A., Bodman, S., Bohr, B., Cascella, D., Couch, A., Desjardin, A., Fontcuberta, J., Hulse, M., Dicker, B., Frearson, A., Helgason Gallagher, S., Jaeger, P., Jeff, P., Jenkins, L., Johanknecht, S., Meynell, K., Kaiser, M., Kivland, S., Thurston, N., Mathieu, D., Mikulinsky, R., Nicolas, C., Roush, P., Lusitano, M., Sanderson, M., Schimag, S. A., Schmidt, A., Speck, D. W., Lice, S. o., Soulellis, P., Szczelkun, S. and Zoller, R. (2013) 'Frankenstein2...' in The Book is Alive! In: Waeckerlé, E. and Sawdon-Smith, R. (eds.) The Book is Alive! RGAP, England, pp. 142-149. ISBN 9780956902450
Chamarette, J.
Chamarette, J. Clausen, S. (2013) Rehearsing Szuper Gallery. [Show/Exhibition] Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition] Davies, P. and Hemsoll, D. (2013) The Paper Museum of Cassiano Dal Pozzo. A.X. renaissance and later architecture and ornament. The Paper Museum of Cassiano dal Pozzo. The Royal Collection in association with Harvey Miller, London, pp746. ISBN 9781905375776 Davies, P., Howard, D. and Pullan, W., eds. (2013) Architecture and pilgrimage 1000-1500: the southern Mediterranean and beyond. Ashgate, Aldershot, pp304. ISBN 9781472410832 Davies, P. (2013) Framing the miraculous: the devotional functions of perspective in Italian Renaissance tabernacle design. Art History, 36 (5). pp. 898-921. ISSN 1467-8365 doi: https://doi.org/10.1111/1467-8365.12032 Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza. [Performance] Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza [Performance text]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep) Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face). [Performance] Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face) [Poster digital print on paper]. Royal College of Art, London. (13 March) Dronsfield, J. L. (2013) The Swerve of Freedom after Spinoza, §5, ‘The inadequacy of the chance encounter and the need to go beyond it’ [Digital print A3 poster]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep) Dronsfield, J. L. (2013) Waiting for. [Digital print A3 poster]. Wilkinson Gallery, London. (Derek Jarman: Waiting for Waiting for Godot, 15 Oct - 22 Dec) Dronsfield, J. L. (2013) Where Narrative Stops. [Show/Exhibition] (co-curated with Amanda Wilkinson) Dronsfield, J. L. (2013) Where Narrative Stops, An interview. Wilkinson Gallery, London. Dronsfield, J. L. (2013) The performativity of art. In: Carbone, M. (ed.) Performatives after deconstruction. Bloomsbury, London, pp. 169-185. ISBN 9781441123466 Dronsfield, J. L. (2013) The seminars. In: Elkins, J. (ed.) What do artists know? The Stone Art Theory Institutes. Penn State University Press, pp. 7-121. ISBN 9780271054247 (Dronsfield, J.L. et al) Dronsfield, J. L., Critchley, S., Mirza, H., Cussans, J. and Birrell, R. (2013) I'm on my way [Vinyl record]. Focal Point Gallery, Southend. Dronsfield, J. L. (2013) Democracy headless. In: Year (2013). Komplot, Brussels. ISBN 9782960120738 Dronsfield, J. L. (2013) Douglasistic democracy. In: Year (2013). Komplot, Brussels. ISBN 9782960120738 Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Show/Exhibition] Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Performance] Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. In: Ian Kiaer. Le Centre international d'art et du paysage, Ile de Vassiviere, pp. 333-336. ISBN 9782910850593 Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. [Performance] Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition] Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition] Garfield, R. (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Proceedings and other publications. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623311 Kollectiv, G. and Kollectiv, P. (2013) A Guide to Office Clerical Time Standards. [Performance] Kollectiv, G. and Kollectiv, P. (2013) Suck the living labour. [Show/Exhibition] Lee, S. (2013) A newly discovered portrait of Napoleon by Jacques-Louis David. Burlington Magazine, 155 (1327). pp. 687-692. ISSN 0007-6287 Malvern, S. (2013) Rethinking 'Inside the Visible'. In: Dimitrakaki , A. and Perry, L. (eds.) Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Liverpool University Press, Liverpool, pp. 104-119. ISBN 9781846318931 Malvern, S. (2013) Femininity, feminism and the representation of torture. In: Knapp, A. and Footitt, H. (eds.) Liberal democracies at war: conflict and representation. Bloomsbury, London, pp. 219-232. ISBN 9781441156051 Malvern, S. (2013) Femininity, feminism and the terrorist. In: Malvern, S. and Koureas, G. (eds.) Terrorist Transgressions. Gendered representations of the terrorist in visual culture. I B Tauris, London; New York, pp. 39-55. ISBN 9781780767017 Malvern, S. and Koureas, G., eds. (2013) Terrorist transgressions: gendered representations of the terrorist in visual culture. I.B. Tauris, London; New York, pp226. ISBN 9781780767017 Renshaw, T. (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition] Renshaw, T. (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994 Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A., O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition] Roithmayr, F. (2013) The Y. [Show/Exhibition] Roithmayr, F. (2013) assault. [Show/Exhibition] Roithmayr, F. and Heim, A. (2013) Burg. [Show/Exhibition] Roithmayr, F. (2013) Florian Roithmayr. [Show/Exhibition] Roithmayr, F. (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished) Roithmayr, F., Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition] Roithmayr, F., Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition] Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition] Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition] Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6). Russell, J. (2013) Dog days II. [Show/Exhibition] Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition] Russell, J. (2013) She – a factory. [Show/Exhibition] Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition] Russell, J. (2013) To the reader. [Show/Exhibition] Russell, J. (2013) The banquette years. [Show/Exhibition] Russell, J. (2013) The hecklers. [Show/Exhibition] Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition] Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X Russell, J. (2013) O chair o flesh. [Show/Exhibition] 2012
Chamarette, J. Clausen, S. (2012) Performance as social practice. [Show/Exhibition] Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011 Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea. Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457 Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance] Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120 Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012) Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256 Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666 Ellison, C., (2012) Agency of Noise. Christine Ellison Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project] Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance] Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video] Garfield, R. (2012) The Straggle. [Video] Kollectiv, G. and Kollectiv, P., (2012) Against human nature. Umelec. Divus, Prague. Kollectiv, G. and Kollectiv, P. (2012) File Transfer Protocol. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2012) Terminal: a miracle play with popular music from the end of the world. [Project] Kollectiv, P. and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701 Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354 O'Connell, T. and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project] Renshaw, T., Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition] Roithmayr, F. (2012) As if sunglasses were not necessary. [Artefact] Roithmayr, F. (2012) Like plugging in. [Show/Exhibition] Roithmayr, F., Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition] Roithmayr, F. (2012) I don’t feel like it: The indifference of objects. Roithmayr, F., Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition] Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition] Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681 Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition] Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition] Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition] Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175 Russell, J. (2012) Jexus. [Show/Exhibition] Russell, J. (2012) Jexus. Metamute.org. 2011Brown, T. (2011) Spectacle and value in classical Hollywood cinema. In: Hubner, L. (ed.) Valuing Films: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 49-68. ISBN 9780230229686 Clausen, S. (2011) The Cave: Etant Ballet. [Show/Exhibition] Clausen, S. (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition] Clausen, S. (2011) Étant Ballet. [Show/Exhibition] Clausen, S. and Kerestey, P. (2011) Ballet-Granite. [Performance] Clausen, S. (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857 Dronsfield, J. L. (2011) Exchange encounter. In: Mircan, M. (ed.) Hans van Houwelingen: undone. Jap Sam Books, Heijningen, pp. 91-105. ISBN 9789490322342 Dronsfield, J. L. (2011) The Goldmine Ten theses on music (rhythm)[Poster digital print on paper]. Focal Point Gallery, Southend-on-Sea. (Thames Delta: 16 Apr - 30 Jun) Dronsfield, J. L. (2011) Philosophers enowning that there be no own (voice) [Poster digital print on paper]. Wilkinson Gallery, London, London. (Where Language Stops: 15 Jul - 14 Aug) Dronsfield, J. L. (2011) Philosophers enowning that there be no own (words) [Poster digital print on paper]. Extra City Kunsthal Antwerp, Belgium. Dronsfield, J. L. (2011) Where Language Stops [Digital print on card]. Wilkinson Gallery, London. (Where Language Stops, 15 Jul - 14 Aug) Dronsfield, J. L. (2011) The face of an artist, if there is such a thing. In: Stappert, A. (ed.) Under the radar: photographs 1983-2011. Kerber, Berlin, pp. 180-181. ISBN 9783866785687 Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, contents [Poster digital print on paper]. Stroom Den Haag, Holland. Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, page 308. [Performance] Dronsfield, J. L. and Wilkinson, A. (2011) Where language stops. [Show/Exhibition] Dronsfield, J. L. (2011) Art philosophy differend. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 43-71. ISBN 9781873352991 Dronsfield, J. L., ed. (2011) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991 Dronsfield, J. L. (2011) A note on the materiality of theory. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991 Dronsfield, J. L. (2011) A picture of French literature. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 73-95. ISBN 9781873352991 Dronsfield, J. L. (2011) A picture of French literature. [Performance] Dronsfield, J. L. (2011) A picture of French literature. Extra City, Kunsthal Antwerp. (25 March - 01 May) Dronsfield, J. L. (2011) A picture of French literature. Wilkinson Gallery, London. (Where Language Stops 15 Jul - 14 Aug) Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance] Gruetzner Robins, A. (2011) 'J'arrive de London': Jane Avril and Britain. In: Ireson, N. (ed.) Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. The Courtauld Gallery in Association with Paul Holberton Publishing, London, pp. 11-26. ISBN 978907372247 Gruetzner Robins, A. (2011) Marketing Post-Impressionism: Roger Fry's commercial exhibitions. In: Fletcher, P. and Helmreich, A. (eds.) The rise of the modern art market in London, 1850-1939. Manchester University Press, Manchester and New York, pp. 85-97. ISBN 9780719084607 Gruetzner Robins, A. (2011) 'Performing with a pick-axe': the first Vorticist exhibition at the Dore Galleries. In: Antliff , M., Greene, V. and Upstone, R. (eds.) The Vorticists, rebel artists in London and New York, 1914-1918. Tate Publishing, London, UK, pp. 59-68. ISBN 978185439788 Gruetzner Robins, A. (2011) Gwen John: two albums of watercolours. Princeton University Library Chronicle, LXXII (3). pp. 641-682. ISSN 0032 -8456 Gruetzner Robins, A. (2011) Toulouse-Lautrec in Catford: new information about 'La Chaine Simpson'. The Burlington Magazine, 1302 (153). pp. 572-573. ISSN 0007-6287 Ker, D., Allen, K. and Du Sautoy, M. (2011) Everything and nothing project. [Project] Kollectiv, G. and Kollectiv, P. (2011) xero, kline & coma. [Project] Kollectiv, G. and Kollectiv, P. (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163 Kollectiv, P. and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance] Lodder, M. (2011) The myths of modern primitivism. European Journal of American Culture, 30 (2). pp. 99-111. ISSN 1758-9118 doi: https://doi.org/10.1386/ejac.30.2.99_1 Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition] MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition] Marie, B. and Dronsfield, J. (2011) The aesthetics of differends: an introduction. In: Marie, B. (ed.) Ontology of the There Is. Rosascape, Paris, pp. 28-34. Renshaw, T. (2011) House in the Shape of a Stretcher. [Show/Exhibition] Roithmayr, F. (2011) Like portable scaffolding. In: Vermoortel, S. and Vermoortel, P. (eds.) Buro II - RE-Visiting RE-Inventing. Sun Architecture, Amsterdam, Netherlands, pp. 145-161. ISBN 9789461053374 Roithmayr, F. (2011) Sculpture unlimited. In: Fall-out: new notes on sculpture research conference, The University of London, Goldsmiths College, UK. (Unpublished) Roithmayr, F. (2011) You want to borrow my shades, don’t complain about their tint. [Show/Exhibition] Roithmayr, F., Allen, K., Bloor, S. & T., Burt, T., Chisholm, R., Clarke, C., Davies, K., Edwards, S., Flynn, J., Ghazi, B., Grace, T., Harrington, J., Hawley, S., Housley, P., Longly, G. H., Marquiss, D., Mirza, H., Mosley, R., Musgrave, E., Pyman, J., Richards, J., Round, G., Smith, M., Staton, S., Stonehouse, G., Syed, S., Traina, R., Wermers, N., Westerman, J. and Woods, K. (2011) Fifteen. [Show/Exhibition] Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018 Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566 Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition] Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition] Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition] Russell, J. (2011) Praying Mantiss. [Show/Exhibition] Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2 Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151 2010Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F., Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition] Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition] Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition] Clausen, S. (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition] Clausen, S. (2010) Festival VideoDanzaBa. [Show/Exhibition] Clausen, S. (2010) Moves 10 - Framing Motion. [Show/Exhibition] Clausen, S. (2010) Szuper Gallery materials. [Show/Exhibition] Clausen, S. (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition] Clausen, S. (2010) Work/Arbeit/Работа. [Show/Exhibition] Clausen, S. (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition] Clausen, S. (2010) Ballet. [Show/Exhibition] Davies, P. and Hemsoll, D. (2010) Fourteen sheets of drawings by Sebastiano Serlio. In: Beltramini, G. and Elam, C. (eds.) Some degree of happiness: studi di storia dell’architettura in onore di Howard Burns. Edizioni della Normale, Pisa, Italy, pp. 273-296. ISBN 9788876423727 Davies, P. and Hemsoll, D. (2010) Sebastiano Serlio, progetti per una villa fortificata / projects for a fortified villa. In: Faliva, A. (ed.) Ville del Rinascimento padano. I bastioni, il portico e la fattoria / the bastions the portico and the farmyard. Mondadori Electa, Milan, Italy, pp. 97-99. ISBN 9788837077457 Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. (2010) Continous movement of ideas. [Show/Exhibition] Dronsfield, J. (2010) Philosophers enowning that there will be no own. [Performance] Dronsfield, J. (2010) The work of art. In: Davis, B. W. (ed.) Martin Heidegger: key concepts. Acumen Publishing, Durham, pp. 128-139. ISBN 9781844651983 Dronsfield, J. L. (2010) Headless in Hirschorn's Classroom. In: Walwin, J. (ed.) Searching for art's new publics. Intellect, Bristol, pp. 127-136. ISBN 9781841503110 Dronsfield, J. L. (2010) "...where the re-imagined is the repeated". In: Bull, S. and Miletic, D. (eds.) Cities re-imagined. Vojvodina Museum of Contemporary Art, Novi Sad, Serbia, pp. 13-19. ISBN 9788684773687 Dronsfield, J. L. (2010) Pedagogy of the written image. Journal of French and Francophone Philosophy, 18 (2). pp. 87-105. ISSN 2155-1162 Dronsfield, J. L. (2010) Theory as art practice: outnotes for indiscipline. Art&Research, 3 (1). ISSN 1752-6388 Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287 Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031 Kollectiv, G. and Kollectiv, P. (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video] Kollectiv, G. and Kollectiv, P. (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance] Kollectiv, G. and Kollectiv, P. (2010) No Haus Like Bau. [Project] Kollectiv, G. and Kollectiv, P. (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2010) WE. [Performance] MacLean, M. and Renshaw, T. (2010) Architectural Fictions. [Show/Exhibition] Malvern, S. B. (2010) Outside in: the after-life of the plaster cast in contemporary culture. In: Frederiksen, R. and Marchand, E. (eds.) Plaster casts: making, collecting and displaying from classical antiquity to the present. Transformationen der antike. De Gruyter, Berlin, Germany, pp. 351-358. ISBN 9783110208566 O'Connell, T., White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact] Renshaw, T., MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition] Roithmayr, F. (2010) Returns. [Artefact] Roithmayr, F., Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition] Roithmayr, F., Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition] Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition] Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151 Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753 Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition] Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107 Russell, J. (2010) Explain death to very young children. [Show/Exhibition] Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13. Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition] Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact] Russell, J. (2010) Vermillion Vortex. [Video] Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition] Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151 2009Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition] Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition] Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition] Butler, J., Chapman, J. , Chapman, D. , Harding , A., Harvey , M., Hirst, D. , James, M., Jones , P. , Krut, A., Miller, H. , Renshaw, T., Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition] Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition] Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition] Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition] Chare, N. (2009) Illuminating the past: reflections on teaching The Name of the Rose. In: Ganze, A. (ed.) Postscript to the middle ages: teaching medieval studies through The Name of the Rose. Syracuse University Press, Syracuse, US, pp. 84-96. ISBN 9780815632344 Chare, N. (2009) Sports unillustrated: the female athlete as representational absence. In: Kevin, C. (ed.) Feminism and the body: interdisciplinary perspectives. Cambridge Scholars Publishing, Newcastle, UK, pp. 178-193. ISBN 9781443809863 Chare, N. (2009) Sexing the canvas: calling on the medium. Art History, 32 (4). pp. 664-689. ISSN 1467-8365 doi: https://doi.org/10.1111/j.1467-8365.2009.00697.x Chare, N. (2009) Testimony. The year's work in critical and cultural theory, 17 (1). pp. 194-221. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbp005 Chare, N. (2009) Upon the scents of paint: Bacon and synaesthesia. Visual Culture in Britain, 10 (3). pp. 255-272. ISSN 1941-8361 doi: https://doi.org/10.1080/14714780903265572 Chare, N. (2009) Warring pixels: cultural memory, digital testimony, and the conflict in Iraq. Convergence, 15 (3). pp. 333-345. ISSN 1748-7382 Clausen, S. (2009) Translation paradoxes and misunderstandings. [Show/Exhibition] Clausen, S. (2009) The artist's studio. [Show/Exhibition] Clausen, S. (2009) Ballet. [Video] Clausen, S. (2009) Suck. Swallow. Breathe. [Video] Clausen, S. (2009) Suck. Swallow. Breathe. [Show/Exhibition] Cooper, D., Gourvil, O. , Krisanamis, U. , Renshaw, T., Smith, D. and Suarez-Universal , V. (2009) Baroque reason. [Show/Exhibition] Davies, P. (2009) The palace of Charles V in Granada and two drawings from the school of Raphael. In: Eriksen, R. and Malmanger, M. (eds.) Imitation, representation and printing in the Italian Renaissance. Fabrizio Serra Editore, Pisa and Rome, Italy, pp. 157-190. ISBN 9788862271110 Davies, P. (2009) Review of 'Tempo novo: Venezia e il quattrocento' by E. Concina. Annali di Architettura, 21. pp. 183-184. ISSN 1124-7169 Dronsfield, J. (2009) Continuum. In: REWIND + PLAY: an anthology of early British video art. Lux, London, pp. 36-37. Dronsfield, J. (2009) Philosophies of art. In: Mullarkey, J. and Lord, B. (eds.) The Continuum Companion to Continental Philosophy. Continuum Companions. Continuum, London, pp. 219-237. ISBN 9780826498304 Dronsfield, J. (2009) Theory as art practice: notes for discipline. Art&Research, 2 (2). ISSN 1752-6388 Dronsfield, J. L. (2009) Before the camera. Parallax, 15 (4). pp. 94-106. ISSN 1460-700X doi: https://doi.org/10.1080/13534640903208966 Ellison, C. (2009) Reconstructing The Incredible. [Audio] Garfield, R. (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984 Kaina, P. (2009) [Review of] 'Picasso: challenging the past' by E.Cowling et al. The Art Book, 16 (4). p. 20. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2009.01058_1.x Kaina, P. (2009) [Review of] 'The lure of the East: British Orientalist painting' by Nicholas Tromans (ed). The Art Book, 16 (2). pp. 16-21. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2009.01025_4.x Kaina, P. (2009) [Review of] Edgar Degas: intimität und pose. Nineteenth Century Art Worldwide, 8 (2). ISSN 1543-1002 Kollectiv, G. and Kollectiv, P. (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds. MacLean, M., Renshaw, T. and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition] Malvern, S. (2009) [Review of] 'Art history after 9/11' by Werckmeister, O.K., Mirzoeff, N., Eisenman, S.F., Reinhardt, M., Edwards, H. and Duganne, E. Art History, 32 (2). pp. 387-399. ISSN 1467-8365 doi: https://doi.org/10.1111/j.1467-8365.2009.00672.x Malvern, S. and Marchand, E. (2009) Sculpture in Arcadia. Studies in the History of Gardens & Designed Landscapes, 29 (1-2). 1 - 12. ISSN 1943-2186 doi: https://doi.org/10.1080/14601170701806908 O'Connell, T. (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact] O'Connell, T. (2009) Step by step. [Show/Exhibition] O'Connell, T. (2009) The wager with the office of experiments. [Show/Exhibition] Robertson, C. (2009) Entries on drawings by Tiberio Calcagni and Giovanni de' Vecchi. In: Franklin, D. (ed.) From Raphael to the Carracci: the art of Papal Rome. National Gallery of Canada, Ottawa, Canada, pp482. ISBN 9780888848673 Robins, A. G. (2009) Walter Sickert and the language of art. In: Brockington, G. (ed.) Internationalism and the arts in Britain and Europe at the fin de siècle. Cultural interactions: studies in the relationship between the arts (4). Peter Lang, Oxford, UK, pp. 27-48. ISBN 9783039111282 Roithmayr, F., LeWitt, S., Penone, G., Dean, M., Cornaro, I., Mattiacci, E., Buttner, A., Serra, R., Houseago, T., Dybbroe Møller, S. and Rodzielski, C. (2009) The young people visiting our ruins see nothing but a style. [Show/Exhibition] Roithmayr, F. (2009) Florian Roithmayr. [Show/Exhibition] Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695 Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition] Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition] Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition] Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743 Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091 Russell, J. (2009) EAST International. [Show/Exhibition] Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image] Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112. Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107. Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition] Toren, A. (2009) Carrots. [Show/Exhibition] Toren, A. (2009) Don't look away. [Show/Exhibition] Toren, A. (2009) Refreshments. [Show/Exhibition] 2008Aranda, J., Bumsteinas, A., Garbstiene, L., Bunic, P., Cesarco, A., Dahlberg, K., Deball, M. C., Fontaine, C., Dowd, S., Roithmayr, F., Dujmušic, I., Van Harskamp, N., Ergun, K., Kanajet, M., Esquivias, P., Ferri, J., Torres, M. G., Gavran, D., Grubic, I., Harskamp, N. V., Haus, S., Hiseni, A., Bioskop, I., Ilic, S., Jansa, J., Noir, J., Katic, B., Kovac, I., Tepavcevic, N., Kurcubic, N., Labrovic, S., Lagomarsino, R., Latin, I., Markovic, M., Milak, R., Muresan, C., Nevarez, A., Tevere, V., Ogut, A., Ocko, D., Panayiotou, C., Rascic, L., Richardson, J., Roncevic, D., Suler, K., Takala, P., Tsivopoulos, S., Tur, N., Vatamanu, M. and Tudor, F. (2008) Salon of revolution. [Show/Exhibition] Chare, N. (2008) Testimony. The year's work in critical and cultural theory, 16 (1). pp. 288-301. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbn005 Chare, N. (2008) Testimony on trial: reviewing rape in 'The Accused'. Southern Review: Communication, Politics and Culture, 40 (3). pp. 68-83. ISSN 0038-4526 Clausen, S. (2008) Curatorial vaudeville. [Show/Exhibition] Clausen, S. (2008) The Extras Regina, 2008. [Show/Exhibition] Davies, P. (2008) Modello del Tempietto Barbaro. In: Beltramini, G. and Burns, H. (eds.) Palladio. Royal Academy of Arts, London, UK, pp. 242-243. ISBN 9781905711246 Davies, P. (2008) Palladio, l'architettura e la peste. In: Barbieri, F. (ed.) Palladio 1508-2008: Il simposio del cinquecentenario. Marsilio, Venice, Italy, pp. 189-195. ISBN 9788831796262 Davies, P. (2008) A re-reading of Antonio Labacco's drawing of San Sebastiano in Mantua. In: Poeschke, J. and Syndikus, C. (eds.) Leon Battista Alberti: humanist, architekt, kunsttheoretiker. Rhema, Munster, Germany, pp. 299-314. ISBN 9783930454662 Dronsfield, J. (2008) Between Heidegger and Deleuze there never is any difference. In: Raffoul, F. and Pettigrew, D. (eds.) French Interpretations of Heidegger: An Exceptional Reception. SUNY series in Contemporary French Thought. State University of New York Press, Albany, pp. 151-165. ISBN 9780791475591 Dronsfield, J. L. (2008) Funny heterogeneous. In: Maass, G. and Nayoungim, (eds.) It's nice to be nice; try it. Caustic Window, Seoul, S. Korea, pp. 122-126. ISBN 8995646427 Dronsfield, J. L. (2008) Nowhere is aesthetics contra ethics: Rancière the other side of Lyotard. Art&Research, 2 (1). ISSN 1752-6388 Dronsfield, J. L., Rancière, J. and Wright, S. (2008) An exchange with Jacques Rancière. Art&Research, 2 (1). ISSN 1752-6388 Ellison, C. (2008) RGBOHP. [Performance] Garfield, R., (2008) L’Encyclopédie Noveaux Médias: Zineb Sedira. Centre Georges Pompidou, Paris. Heim, A., Roithmayr, F. and Round, G. (2008) Feeling gave way to structure. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2008) Another Proof of the Preceding Theory. [Video] Kollectiv, G. and Kollectiv, P. (2008) Future Monument. [Project] Kollectiv, G. and Kollectiv, P. (2008) The Institute of Psychoplasmics. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2008) Svetlana. [Show/Exhibition] Malvern, S. (2008) The spaces of British art: patronage, institutions, audiences. In: Stephens, C. (ed.) The history of British art 1870-now. The history of British art, 3. Tate Publishing, London, pp. 198-221. ISBN 9781854376527 Renshaw, T. (2008) Images in the vaguest sense. [Show/Exhibition] Richter, D., (2008) ONCURATING.org. Dorothee Richter Robertson, C. (2008) Patronage rivalries: cardinals Odoardo Farnese and Pietro Aldobrandini. In: Burke, J. and Bury, M. (eds.) Art and identity in early modern Rome. Ashgate Press, Aldershot, UK, pp. 95-111. ISBN 9780754656906 Robertson, C. (2008) The invention of Annibale Carracci. Silvana Editoriale, Milan, Italy, pp417. ISBN 9788836609741 Robertson, E. C. (2008) Review of 'Medici women: portraits of power, love and betrayal' by Gabrielle Langdon. The Burlington Magazine, 150. ISSN 0007-6287 Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599 Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition] Rowlands, A. (2008) NOVEL. [Show/Exhibition] Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077 Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969 Williams, D. (2008) Circulating antisemitism: the men of 1914. In: Durão, F. and Williams, D. (eds.) Modernist group dynamics: the politics and poetics of friendship. Cambridge Scholars Publishing, Newcastle, UK, pp. 43-68. ISBN 9781847185082 Williams, D. (2008) Fighting on different fronts: Isaac Rosenberg and John Rodker in the Great War. In: Dickson, R. , Liddiard, J., MacDougall, S., Wilson, J. M. and Williams, D. (eds.) Whitechapel at war: Isaac Rosenberg and his circle. Ben Uri Gallery, The London Jewish Museum of Art, London, UK, pp. 95-98. ISBN 780900157097 2007Allen, K. (2007) Auraproject. [Project] Allen, K. (2007) Grangerparklife: Online project. [Project] Blackadder, E., Buckley, S., Carter, J., Coates, T., Forster, N., Hollyras, K., Mccrae, J., Mitchell, J. and Sutton, T. (2007) Critic's choice. [Show/Exhibition] Chaimowicz, M. (2007) The ruin: RAW among the ruins. [Show/Exhibition] Chaimowicz, M. (2007) The secret public: the last days of the British underground 1978-1988. [Show/Exhibition] Chaimowicz, M. C. (2007) 16 ans! [Show/Exhibition] Chaimowicz, M. C. (2007) Summer's song. [Show/Exhibition]
Chamarette, J. Chare, N. (2007) Puncture / punctum: representations of women with AIDS. In: Pollock, G. (ed.) Conceptual odysseys: passages to cultural analysis. I.B. Tauris, London, pp. 91-102. ISBN 9781845115227 Chare, N. (2007) Robert Rauschenberg’s undoing: reversibility and irreversibility in erased de Kooning drawing. In: Schreier, B. (ed.) Studies in irreversibility: texts and contexts. Cambridge Scholars Publishing, Newcastle, UK, pp. 118-133. ISBN 9781847182050 Chare, N. (2007) Imaging contingency: an interview with Mary Ann Doane. Parallax, 13 (4). pp. 16-25. ISSN 1460-700X doi: https://doi.org/10.1080/13534640701682743 Chare, N. (2007) Testimony. The year's work in critical and cultural theory, 15 (1). pp. 287-297. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbm016 Chare, N. (2007) The grain of the interview: introducing Diamanda Galás. Parallax, 13 (1). pp. 56-64. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094874 Chare, N. (2007) The skin of the photograph: representing the murdered women of Juárez. West Coast Line 53, 41 (1). pp. 26-31. ISSN 1182-4271 Chare, N., Ferrett, D. and Galas, D. (2007) Entwined voices: an interview with Diamanda Galás. Parallax, 13 (1). pp. 65-73. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094890 Clausen, S. (2007) Bohemian work out. [Show/Exhibition] Clausen, S. (2007) Curating degree zero. [Show/Exhibition] Clausen, S. and Tervaniemi, S. (2007) Loving revolution. [Show/Exhibition] Clausen, S. (2007) Szuper gallery. In: Culture Shock. The Artists' Studio, London, pp. 70-79. ISBN 9780954699955 Clausen, S. and Kerestey, P. (2007) I will survive. [Performance] Clausen, S. and Kerestey, P. (2007) I will survive. [Show/Exhibition] Clausen, S. and Kerestey, P., eds. (2007) Liftarchiv. Revolver, Frankfurt, pp120. ISBN 9783865884039 Clausen, S. and Kerestrey, P. (2007) Szuper gallery. [Show/Exhibition] Davies, P. (2007) Representing Siena: an image of the city as ex-voto model. In: Sivefors, P. (ed.) Urban preoccupations: mental and material landscapes. Early modern and modern studies, 2. Fabrizio Serra Editore, Pisa, pp. 197-203. ISBN 9788862270960 Davies, P. (2007) Review of exhibition 'Spectacular miracles. Images of supernatural power from Northwest Italy'. Renaissance Studies, 21 (1). pp. 110-113. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2007.00374.x Demircan, S., Holzfeind, H., Kobro, K., Lloyd, H., Pozarek, V., Schmidt Hansen, L., Solmsdorf, J. and Roithmayr, F. (2007) Die Blaue Blume. [Show/Exhibition] Dronsfield, J. (2007) Art and a ‘People to Come': Heidegger and Deleuze. In: McNeill, W. and Kirkland, S. (eds.) Proceedings of the 41st North American Heidegger Conference (DePaul University, Chicago, 3-5 May 2007). Xavier University, Cincinnati, OH, pp. 119-125. Dronsfield, J. (2007) Cryptochromism. Jan van Eyck Academie, Maastricht. Dronsfield, J. L. (2007) Jacques Derrida (1930-2004). In: Costello, D. and Vickery, J. (eds.) Art: Key Contemporary Thinkers. Berg, pp. 121-124. ISBN 9781845203207 Dronsfield, J. L. (2007) The sublime... 'if there is such a thing'. In: Mircan, M. (ed.) Sublime Objects: Collections sans frontières VI. Institut francais de Bucarest and Muzeul National da Arta Contemporana (MNAC), Paris and Bucharest, pp. 1-31. Dronsfield, J. L. (2007) Kopflos I Hirschorns Klassrum. Die Paletten, 266 (4). pp. 50-53. ISSN 0031-0352 Dronsfield, J. L. (2007) A face apart. Arhitext, 170 (4). pp. 46-49. ISSN 1224-886X Ellison, C. (2007) Record. [Performance] Ellison, C. (2007) iPolly Shuffle. [Performance] Golden, P. (2007) Love and hysteria. [Show/Exhibition] Golden, P. (2007) Thoughts. [Show/Exhibition] Golden, P. R. (2007) Le recollets Paris. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2007) Asparagus: a horticultural ballet. [Project] Lee, S. (2007) Napoleon amongst the shopkeepers. David’s 1815 exhibition on London. In: Ledbury, M. (ed.) David after David: essays on the later work. Sterling and Francine Clark Art Institute, Williamstown, USA, pp. 326-341. ISBN 9780931102691 MacLean, M. (2007) Before. [Show/Exhibition] MacLean, M. (2007) Inspiration to order. [Show/Exhibition] MacLean, M. (2007) Considering if…then…else…. Journal of Visual Art Practice, 6 (3). pp. 257-267. ISSN 1758-9185 doi: https://doi.org/10.1386/jvap.6.3.257_1 Malvern, S. B. (2007) C.R.W. Nevinson's "bad boy" modernisms and fascism in the 1930s. In: Walsh, M. J. K. (ed.) A dilemma of English modernism: visual and verbal politics in the life and work of C. R. W. Nevinson (1899-1946). University of Delaware Press, Newark, USA, pp. 182-188. ISBN 9780874139426 Malvern, S. B. (2007) The fourth plinth or the vicissitudes of public sculpture. In: Gerstein, A. (ed.) Display and displacement : sculpture and the pedestal from Renaissance to post-Modern. Paul Holberton Publishing, London, pp. 130-150. ISBN 9781903470305 Marchand, E. (2007) Reproducing relief: the use and status of plaster casts in the Italian renaissance. In: Cooper, D. and Leino, M. (eds.) Depth of field: relief sculpture in Renaissance Italy. Peter Lang, Oxford, UK, pp. 191-223. ISBN 9783039111114 Renshaw, T. (2007) Cocheme Fellows exhibition. [Show/Exhibition] Renshaw, T. (2007) Painting unlimited. [Show/Exhibition] Robins, A. G. (2007) A fragile modernism: Whistler and his impressionist followers. Yale University Press, New Haven, USA and London, UK, pp239. ISBN 9780300135459 Robins, A. G. (2007) George Moore’s 'A modern lover': introducing the French Impressionists to London. French Studies, 61 (1). pp. 47-56. ISSN 1468-2931 doi: https://doi.org/10.1093/fs/knl232 Roithmayr, F. (2007) Distributed matter. In: Theory in Practice - Practice as Research Conference, Gallery Lazaretti, Dubrovnik, Croatia. (Unpublished) Roithmayr, F. (2007) Eventually Everything Happens. [Show/Exhibition] Roithmayr, F. (2007) Go I Know Not Whither And Fetch I Know Not What. [Show/Exhibition] Roithmayr, F. and Reid, C. (2007) Aspen 11. [Show/Exhibition] Roithmayr, F., Behr, B., Farmer, G., Haugaard Madsen, L., Henry Longly, G. and Kratz, T. (2007) Ice trade. [Show/Exhibition] Roithmayr, F., Syed, S. and Wake, A. (2007) When something becomes nothing. [Show/Exhibition] Rowlands, A. (2007) 3 Communiqués. Bookworks, London, pp105. ISBN 9781870699914 Rowlands, A. (2007) The movement began with a scandal. In: Rugg, J. and Sedgwick, M. (eds.) Issues in Curating Contemporary Art and Performance. Intellect, pp. 175-184. ISBN 9781841501628 Rowlands, A. (2007) Aspen 11 (part 1). [Show/Exhibition] Rowlands, A. (2007) Aspen 11 (part 2). [Show/Exhibition] Rowlands, A. (2007) Aspen 11 (part 3). [Show/Exhibition] Rowlands, A. (2007) Temporäre Autonome Zone. In: Clausen, S. and Kerestey, P. (eds.) Liftarchiv. Revolver, Frankfurt, pp. 55-65. ISBN 9783865884039 Russell, J., ed. (2007) Frozen tears III. ARTicle Press, Birmingham: University of Central England, pp928. ISBN 9781873352595 Russell, J. (2007) Frozen tears vs Dexter Sinister. [Performance] Russell, J. (2007) Fusion now. [Show/Exhibition] Russell, J. (2007) Into position. [Show/Exhibition] Russell, J. (2007) Lost in the thinking. [Show/Exhibition] Russell, J. and Audeoud, F. (2007) Intrusions au Petit Palais. [Show/Exhibition] Russell, J. and Audeoud, F. (2007) John Russell kills Fabienne Audeoud... [Performance] Russell, J. and Audeoud, F. (2007) Off modern. [Show/Exhibition] Russell, J. (2007) Ocean pose. In: Ocean Pose: catalogue. Matts Gallery, London, pp. 2-11. Russell, J. (2007) Ocean pose. [Show/Exhibition] Stiff, P. (2007) Edward Wright: design work. [Show/Exhibition] 2006Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition] Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition] Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition] Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition] Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition] Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition] Chare, N. (2006) Book review: revolution in poetic sign language [review of R.Sutton-Spence 'Analysing sign language poetry']. Sign Language Studies, 6 (3). pp. 347-354. ISSN 1533-6263 Chare, N. (2006) Passages to paint: Francis Bacon’s studio practice. Parallax, 12 (4). pp. 83-98. ISSN 1460-700X doi: https://doi.org/10.1080/13534640600956032 Chare, N. (2006) Testimony. The year's work in critical and cultural theory, 14 (1). pp. 283-291. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbl016 Chare, N. (2006) The gap in context: Giorgio Agamben's 'Remnants of Auschwitz'. Cultural Critique, 64. pp. 40-68. ISSN 0882-4371 Davies, P. (2006) The tempietti on the Ponte Sant’Angelo and the Renaissance of architecture in Rome. In: Eriksen, R. and Tschudi, V.P. (eds.) Ashes to ashes : art in Rome between humanism and maniera. Edizioni dell'Ateneo, Rome, pp. 11-40. ISBN 8884761034 Dronsfield, J. (2006) On the very idea of sustainable art. Praesens: Central European Contemporary Art Review, 1. pp. 74-79. ISSN 1588-5534 Dronsfield, J. L. (2006) The condition of film as philosophy: or, how can a film ask a question? Film and Philosophy, 10. pp. 135-150. Ellison, C. (2006) Craftwork. [Performance] Kollectiv, P. and Kollectiv, G. (2006) Flatpack revolution. [Project] Kollectiv, P. and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition] Lee, S. (2006) Review of 'The legacy of Homer: four centuries of art from the École Nationale Supérieure des Beaux-Arts, Paris' by E.Schwartz, G.Steiner and P.Senechal. The Art Book, 13 (4). pp. 51-52. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2006.00739.x Robertson, C. (2006) Julian Kliemann und Michael Rohlmann, wandmalerei in Italien. Hochrenaissance und Manierismus, 1510-1600. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, 59 (1). pp. 20-22. ISSN 0023-5474 Robertson, E. C. (2006) Cardinals Odoardo Farnese and Pietro Aldobrandini as patrons of landscape painting. In: Cappelletti, F. (ed.) Archivi dello sguardo: origini e momenti della pittura di paesaggio in Italia. Le Lettere, Florence, pp. 243-263. ISBN 8871669827 Robins, A. G. (2006) 'Slabs of pink and lumps of brown': the critical reaction to the exhibition of a Monet Grainstack painting in Britain in 1893. In: Fowle, F. (ed.) Monet and French landscape, Vétheuil and Normandy. National Galleries of Scotland, Scotland, pp. 159-171. ISBN 9781903278918 Robins, A. G. (2006) Some newly discovered sketches by Walter Sickert of Gatti's Hungerford palace of varieties. The Burlington Magazine, 148 (1237). pp. 269-272. ISSN 0007-6287 Roithmayr, F. (2006) Glass Bead Game. [Show/Exhibition] Roithmayr, F. (2006) New contemporaries. [Show/Exhibition] Roithmayr, F. (2006) Toyama X. [Show/Exhibition] Roithmayr, F. (2006) Treasure hunt. [Show/Exhibition] Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57. Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76. Rowlands, A. (2006) The glass bead game. [Show/Exhibition] Toren, A. (2006) Drawing breath. [Show/Exhibition] Toren, A. (2006) Houses in motion. [Show/Exhibition] Toren, A. (2006) Narrative painting #1. [Show/Exhibition] Toren, A. (2006) Received wisdom. [Show/Exhibition] Toren, A. (2006) Ten last drawings. [Show/Exhibition] 2005Buckley, S. (2005) 1979. [Show/Exhibition] Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition] Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance] Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition] Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition] Chare, N. (2005) Book review of 'Built to win: the female athlete as cultural icon'. Feminist Theory, 6 (3). pp. 369-371. ISSN 1741-2773 doi: https://doi.org/10.1177/146470010500600309 Chare, N. J. (2005) Execrable speech: Louis Ferdinand Céline’s 'Bagatelles pour un massacre'. In: Fahraeus, A. and Jonsson, A. (eds.) Textual ethos studies- or locating ethics. Critical studies, 26. Rodopi, Amsterdam, pp. 53-66. ISBN 9789042017979 Chare, N. J. (2005) Animal magic: Giorgio Agamben’s 'The Open'. Journal of Visual Culture, 4 (2). pp. 267-270. ISSN 1741-2994 doi: https://doi.org/10.1177/1470412905057351 Chare, N. J. (2005) Pain in camera: Susan Sontag 'Regarding the pain of others'. Parallax, 11 (1). pp. 88-89. ISSN 1460-700X doi: https://doi.org/10.1080/1353464052000321128 Chare, N. J. (2005) Regarding the pain: noise in the art of Francis Bacon. Angelaki: Journal of Theoretical Humanities, 10 (3). pp. 133-143. ISSN 1469-2899 doi: https://doi.org/10.1080/09697250500424395 Davies, P. and Hemsoll, D. (2005) Vincenzo Scamozzi: pianta della villa Laurentina di Plinio. In: Beltramini, G. and Burn, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 201-203. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) “La Soranza” a Treville. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 284-286. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Le ville di Plinio il Giovane e la loro influenza sui progetti di villa veneti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice , pp. 201-203. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Un 'fortissimo palazzo': Castello Bevilacqua. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 282-284. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Villa Soranza: modello ligneo e il disegno di Giovanni Battista Berti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 286-288. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Villa della Torre a Fumane. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 288-291. ISBN 9788831786409 Dronsfield, J. L. (2005) I am in the liber: remarks on the question of theorising art. In: Perez, Y., Rodriguez, M. A. and Saladini, E. (eds.) Espazos de Creacion Contemporanea. Concello de Santiago, Santiago de Compostella, pp. 183-195. Dronsfield, J. L. (2005) Memories of underdevelopment: the collages and sculptures of Melita Couta. In: Danos, A. (ed.) Somatópia: Mapping Sites, Siting Bodies. The Hellenic Centre, London and Ministry of Education & Culture, Cyprus, London and Cyprus, pp. 34-43. Dronsfield, J. L. (2005) The resistance of the question to phenomenological reduction: Husserl, Fink, and the adequacy of the Sixth Cartesian Meditation as a response to Heidegger. In: Tymieniecka, A.-T. (ed.) Analecta Husserliana. Springer, Dordrecht, pp. 293-305. ISBN 1402036787 Dronsfield, J. L. (2005) The question lacking at the end of art: Heidegger and Danto. Philosophy Today, 49 (5). pp. 153-160. ISSN 0031-8256 Golden, P. (2005) Nothing personal. [Show/Exhibition] Golden, P. (2005) The word. [Show/Exhibition] Golden, P. R. (2005) The word. Onestar press, Paris, France. MacLean, M. (2005) The way we work now. [Show/Exhibition] Malvern, S. B. (2005) Monographs, canons, omissions. Sculpture Journal, 13 (1). pp. 143-146. ISSN 1756-9923 doi: https://doi.org/10.3828/sj.13.1.9 Marchand, E. (2005) Review of 'From Flanders to Florence: the impact of Netherlandish painting 1400-1500' by Paula Nuttall. Apollo, CLXI (516 (new s). 74-75 . ISSN 0003-6536 Marchand, E. (2005) Review of exhibition 'Ich, Lovis Corinth: Die Selbstbildnisse' (Nov 2004-Feb 2005). Apollo, CLXI (515). pp. 80-81. ISSN 0003-6536 Renshaw, T. (2005) Short stories about painting. [Show/Exhibition] Robertson, E.C. (2005) Phoenix romanus: Rome 1534-1565. In: Hall, M.B. (ed.) Rome: artistic centers of the Italian renaissance. Cambridge University Press, Cambridge, 184-245 . ISBN 9780521624459 Robertson, E.C. (2005) Silvio Antoniano and the painted decoration of the Villa Belvedere at Frascat. Römisches Jahrbuch der Bibliotheca Hertziana, 35. 415-430 . ISSN 0342-2046 Robertson, E.C. (2005) Review of L. Zirpolo, 'Ave papa, ave papabile. The Sacchetti family, their art patronage, and political aspirations'. The Burlington Magazine, 147 (1232). p. 758. ISSN 0007-6287 Robertson, E.C. (2005) Review of the exhibitions 'Caravaggio. L'ultimo tempo, 1606-1610' (Naples, Museo di Capodimonte), and 'Caravaggio: the final years' (London, National Gallery). Renaissance Studies, 19 (4). pp. 556-560. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2005.0118c.x Robins, A. G. (2005) Suddenly last summer: Walter Sickert and Degas’s six friends at Dieppe. In: O'Brien, M., Roberts, J., Gruetzner Robins, A. E. and Catano, L. (eds.) Edgar Degas: six friends at Dieppe. Museum of Art, Rhode Island School of Design, Providence, USA, pp. 49-64. ISBN 9780911517804 Robins, A. G. and Thomson, R. (2005) Degas, Sickert and Toulouse Lautrec: London and Paris 1870-1910. Tate Publishing, London. ISBN 9781854376343 Rowlands, A. (2005) Growing up absurd. [Show/Exhibition] Toren, A. (2005) New works. [Show/Exhibition] Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition] 2004Allen, K. (2004) Installation. [Project] Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition] Buckley, S. (2004) Narratives. [Show/Exhibition] Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition] Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition] Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition] Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10. Davies, P. (2004) Santa Maria del Calcinaio a Cortona come architettura di pellegrinaggio. In: Fiore, F.P. (ed.) Francesco di Giorgio alla corte di Federico da Montefeltro. Olschki, Florence, Italy, pp. 679-702. ISBN 8822253221 Davies, P. and Hemsoll, D. (2004) Michele Sanmicheli. Electa, Milan, Italy. ISBN 9788837028046 Davies, P. (2004) The lighting of pilgrimage shrines in Renaissance Italy. Analecta Romana Instituti Danici, Supplementum, 35. pp. 125-148. ISSN 2035-2506 MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition] Malvern, S. B. (2004) 'For King and country': Frampton's Edith Cavell (1915-1920) and the writing of gender in memorials to the Great War. In: Getsy, D. (ed.) Sculpture and the pursuit of a modern ideal in Britain c. 1880-1930. British art and visual culture since 1750 new readings. Ashgate, Aldershot, UK, pp. 219-244. ISBN 9780754609964 Malvern, S. B. (2004) Modern art, Britain and the Great War: witnessing, testimony and remembrance. Paul Mellon centre for studies in British art . Yale University Press, New Haven, USA. ISBN 9780300105766 Malvern, S. B. (2004) Antibodies: Rachel Whiteread's Water Tower. In: Perry, G. (ed.) Difference and excess in contemporary art: the visibility of women's practice. Blackwell, Oxford, UK, pp. 74-87. ISBN 9781405112024 Marchand, E. (2004) Exemplary gestures and 'authentic' physiognomies: an interpretation of Ghirlandaio's 'Famous Men' in the Palazzo Vecchio, Florence. Apollo. pp. 3-11. ISSN 0003-6536 Marchand, E. (2004) Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Kunstgeschichte, 79. Lit Verlag, Muenster. ISBN 9783825877507 O'Connell, T. (2004) Tina O'Connell. [Show/Exhibition] Renshaw, T. (2004) John Moores 23. [Show/Exhibition] Robertson, C. (2004) New documents for the tomb of Paul III. Romisches Jahrbuch fur Kunstgeschichte, 34. pp. 201-220. ISSN 0342-2046 Robins, A. G. (2004) Line 'pregnant with meaning'. In: Smith, A. (ed.) Walter Sickert: 'drawing is the thing'. The Whitworth Art Gallery, Manchester, UK, pp. 6-10. ISBN 9780903261548 Roithmayr, F. (2004) Flights. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Ruth Hӧflich, Munich, Germany. Roithmayr, F. (2004) Solar dreams. [Show/Exhibition] Roithmayr, F. (2004) Table of contents. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Guestroom, London and Munich, Munich, Germany. Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624 Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition] Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883 Toren, A. (2004) Clouds in trousers. [Show/Exhibition] 2003Allen, K. (2003) alter. [Show/Exhibition] Chaimowicz, M. C. (2003) MCC. [Show/Exhibition] Chaimowicz, M. C. (2003) Ten banners. [Show/Exhibition] Chaimowicz, M. C. (2003) Une exposition pour Cluny. [Show/Exhibition] Golden, P. (2003) In portraiture irrelevance is ugliness. [Show/Exhibition] MacLean, M. (2003) Home from home. [Show/Exhibition] Malvern, S. B. (2003) Eric Kennington 1888-1960. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: a guide to sculptors in the Leeds collections. Henry Moore Institute, Leeds, UK, pp. 185-186. ISBN 1900081040 Malvern, S. B. (2003) Griselda Pollock. In: Murray, C. (ed.) Key writers on art: the twentieth century. Routledge, London, UK, pp. 228-234. ISBN 9780415222013 Malvern, S. B. (2003) The identity of the sculptor 1925-1950. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: identity, infrastructures, aesthetics, display, reception. Henry Moore Institute, Leeds, UK, pp. 77-87. ISBN 9781900081986 Malvern, S. B. (2003) Antibodies: Rachel Whiteread's water tower. Art History, 26 (3). pp. 392-405. ISSN 1467-8365 doi: https://doi.org/10.1111/j.0141-6790.2003.02603004.x Malvern, S. B. (2003) Baedeker ruins. Review of 'War damage in Western Europe: the destruction of historic monuments during the Second World War' by N. Lambourne. Art History, 26 (1). pp. 118-120. ISSN 1467-8365 Pittuck, S., Clarkin, A. and Clarkin, J., eds. (2003) Miser and now. Volume 1-4. Keith Talent Gallery, London. Renshaw, T. (2003) Painting year zero. [Show/Exhibition] Robertson, C. (2003) El Greco e Italia: arte, patrocinio y teoría. In: El Greco. Círculo de Lectores, Barcelona, Spain, pp. 85-98. ISBN 8481094595 Russell, J., ed. (2003) Frozen tears I. Article Press, Univ. of Central England, Birmingham. ISBN 1873352689 Segal, N. (2003) "Then some had rather it were she than I": sexing the textual body. In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp. 93-110. ISBN 9780333949696 Segal, N., Taylor, L. and Cook, R. J. R. (2003) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp256. ISBN 9780333949696 Toren, A. (2003) Golem. [Show/Exhibition] 1997Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (1997) Rude Britannia: British Comic Art. [Show/Exhibition] |
