Abstract/Summary

This research presented in exhibition investigates the various materials involved in artistic production through a focus on chance and contingency in the procedures of the realisation and presentation of sculpture. Contributing to the discussion of contemporary sculpture, this project offers significant new ways of presenting chance and contingency as results of formations and processes of material transformations that cannot be named, but have instead the potential to accumulate and become sculpture. This exhibited research also de-stabilises the central and autonomous role of the artist and the single and distinct artwork through implicating museum and gallery staff as active participants in the economy of artistic production, and dispersing artworks across sites and exhibitions, repositioning and extending questions of authorship, trust, care and responsibility in relation to the production and display of sculpture, and stressing the importance of sprawling, collaborative networks for current artistic work.