Number of items: 93.
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2025)
Beckett and televisual ecosystems: dramas of the vast wasteland.
In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.)
Samuel Beckett and Ecology.
Bloomsbury, London.
ISBN 9781350366022
(In Press)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Television: from pre-production to programme making and dissemination.
In: Beloborodova, O. and Van Hulle, D. (eds.)
Toward a Comparative History of the Literary Draft in Europe.
John Benjamins, Amsterdam, pp. 473-486.
ISBN 9789027215260
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Technology.
In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (eds.)
The Oxford Handbook of Samuel Beckett.
Oxford Handbooks.
Oxford University Press, Oxford.
(In Press)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
The absence of television: broadcasting and war in Britain, 1939-45.
In: Dickason, R. and Haigron, D. (eds.)
Issues and Singularity in the British Media.
Palgrave Macmillan, Cham, pp. 71-93.
ISBN 9783031606526
doi: https://doi.org/10.1007/978-3-031-60653-3_4
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Samuel Beckett’s television plays.
In: Bennett, M. Y. (ed.)
The Routledge Companion to Absurdist Literature.
Routledge Literature Companions.
Routledge, London.
ISBN 9781032188126
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L., eds.
(2023)
Epic / everyday: moments in television.
The Television Series.
Manchester University Press, Manchester, pp264.
ISBN 9781526170224
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
The epic in the everyday: television and Doctor Who, ‘The Chase’.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. (eds.)
Epic / Everyday: Moments in Television.
The Television Series.
Manchester University Press, Manchester.
ISBN 9781526170224
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Entanglements of intermediality: Polanski, Pinter, Steptoe and Son.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.)
The Moving Form of Film: Historicising the Medium through Other Media.
Oxford University Press, Oxford, pp. 267-280.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0017
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P., eds.
(2023)
Beckett's afterlives: adaptation, remediation, appropriation.
Manchester University Press, Manchester, pp288.
ISBN 9781526178961
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Adaptation and convergence: Beckett on film.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P. (eds.)
Beckett’s Afterlives: Adaptation, Remediation, Appropriation.
Manchester University Press, Manchester, pp. 34-49.
ISBN 9781526153791
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
An introduction to television studies. 4th edition.
Routledge, London, pp336.
ISBN 9781138665811
doi: https://doi.org/10.4324/9781315619675
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Complexity/simplicity: moments in television.
The Television Series.
Manchester University Press, Manchester, pp280.
ISBN 9781526148759
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Sound/image: moments in television.
The Television Series.
Manchester University Press, Manchester, pp248.
ISBN 9781526149190
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Substance/style: moments in television.
The Television Series.
Manchester University Press, Manchester, pp258.
ISBN 9781526148780
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Sound/image.
The Television Series.
Manchester University Press, Manchester, pp. 15-37, 248 pages.
ISBN 9781526149190
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Grand designs: television, style and substance in The Time Tunnel.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Substance/style.
The Television Series.
Manchester University Press, Manchester, pp. 202-224, 258 pages.
ISBN 9781526148780
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Screen and stage space in Beckett’s theatre plays on television.
In: Wrigley, A. and Wyver, J. (eds.)
Screen Plays: Theatre Plays on British Television.
Manchester University Press, Manchester, pp. 226-245.
ISBN 9780719097928
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Vanity Fair (1967) and the contradictions of colour.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Complexity/simplicity.
The Television Series.
Manchester University Press, Manchester, pp. 192-215, 280 pages.
ISBN 9781526148759
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Black screens: Beckett and television technologies.
In: Rapcsak, B., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P. (eds.)
Beckett and Media.
Manchester University Press, Manchester, pp. 177-194, 248.
ISBN 9781526145833
doi: https://doi.org/10.7765/9781526145840.00018
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Adventures between TV and film, and between Britain and America.
Ecrans, 15 (1).
pp. 27-42.
ISSN 2267 4357
doi: https://doi.org/10.48611/isbn.978-2-406-12259-3.p.0027
(Special issue "Mémoire et réécritures dans les séries télévisées")
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Beckett and television: anachronism as innovation.
In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.)
Samuel Beckett and Technology.
Edinburgh University Press, Edinburgh.
ISBN 9781474463287
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Articulations of voice and medium in Beckett’s screen work.
In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.)
Beckett’s Voices / Voicing Beckett.
Themes in Theatre, 12.
Brill, Leiden, pp. 280-294.
ISBN 9789004468382
doi: https://doi.org/10.1163/9789004468382_021
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Cringe histories: Harold Pinter and the Steptoes.
Humanities, 10 (2).
83.
ISSN 2076-0787
doi: https://doi.org/10.3390/h10020083
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
“Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas.
In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.)
Influencing Beckett / Beckett Influencing.
Collection Karoli.
L'Harmattan, Budapest & Paris, pp. 61-74.
ISBN 9782343219110
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Television biopics: Questions of genre, nation, and medium.
In: Cartmell, D. and Polasek, A. D. (eds.)
A Companion to the Biopic.
Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60.
ISBN 9781119554813
doi: https://doi.org/10.1002/9781119554783.ch4
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Children’s television and radio.
In: Fournier, G. (ed.)
La BBC et le service public de l'audiovisuel, 1922-1995.
Agregation Anglais.
Editions Ellipses, Paris, pp. 111-128.
ISBN 9782340041127
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Specially for television? Eh Joe, intermediality and Beckett’s drama.
Samuel Beckett Today/Aujourd’hui, 32 (1).
pp. 41-54.
ISSN 1875-7405
doi: https://doi.org/10.1163/18757405-03201004
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
When Beckett on Film migrated to television.
Књижевна историја (Literary History), 51 (169).
pp. 97-108.
ISSN 0350-6428
doi: https://doi.org/10.18485/kis.2019.51.169.5
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W.
(2020)
Introduction: Harold Pinter’s transmedial histories.
Historical Journal of Film, Radio & Television, 40.
pp. 481-498.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2020.1778314
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Pinter, authorship and entrepreneurship in 1960s British cinema: the economics of "The Quiller Memorandum".
Historical Journal of Film, Radio & Television, 40 (3).
pp. 533-550.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2020.1778316
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
“Do you really enjoy the modern play?”: Beckett on commercial television.
In: Stewart, P. and Pattie, D. (eds.)
Pop Beckett: Intersections with Popular Culture.
Samuel Beckett in Company, 7.
Ibidem, Stuttgart, pp. 63-84.
ISBN 9783838211930
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
The performing lives of things: animals, puppets, models and effects.
In: Walters, J. and Donaldson, L. F. (eds.)
Television Performance.
Red Globe Press, London, pp. 43-60.
ISBN 9781137608192
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
Meta-commentary and mythology: "Episodes" as a performance of transatlantic TV.
In: Hills, M., Hilmes, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, Oxford, pp. 163-180.
ISBN 9780190663124
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
Performing the identity of the medium: adaptation and television historiography.
Adaptation, 12 (2).
pp. 149-164.
ISSN 1755-0645
doi: https://doi.org/10.1093/adaptation/apz017
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Performing television history.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 262-279.
ISSN 1749-6039
doi: https://doi.org/10.1177/1749602018782860
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Children of the world on British television: national and transnational representations.
Strenae, 13.
ISSN 2109-9081
doi: https://doi.org/10.4000/strenae.1966
(Special issue: Le '68 des enfants / The Children's 68)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
James Bond’s forgotten beginnings: television adaptations.
In: Strong, J. (ed.)
James Bond Uncovered.
Palgrave Studies in Adaptation and Visual Culture.
Palgrave Macmillan, Basingstoke, pp. 41-60.
ISBN 9783319761220
doi: https://doi.org/10.1007/978-3-319-76123-7_3
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Children’s television and public service in contemporary Britain.
In: Dinter, S. and Schneider, R. (eds.)
Transdisciplinary Perspectives on Childhood in Contemporary Britain.
Studies in Childhood, 1700 to the Present.
Routledge, London, UK, pp. 87-102.
ISBN 9781138232105
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Myth.
In: Ouellette, L. and Gray, J. (eds.)
Keywords for Media Studies.
New York University Press, New York, pp. 123-125.
ISBN 9781479859610
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Burchardt, J. ORCID: https://orcid.org/0000-0001-9483-1494
(2017)
Agents, beneficiaries and victims: picturing people on the land.
In: Haigron, D. (ed.)
The English Countryside: Representations, Identities, Mutations.
Palgrave Macmillan, Basingstoke, pp. 61-82.
ISBN 9783319532721
doi: https://doi.org/10.1007/978-3-319-53273-8
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Broadcasting children's music.
InFormation: Nordic Journal of Art and Research, 6 (2).
pp. 1-16.
ISSN 1893-2479
doi: https://doi.org/10.7577/information.v6i2.2275
(Special issue: Children's Music)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Cars, places and spaces in police drama.
In: McElroy, R. (ed.)
Contemporary British Television Crime Drama: Cops on the Box.
Routledge Advances in Television Studies.
Routledge, London, pp. 123-136.
ISBN 9781472454935
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Representing violence, playing control: warring constructions of masculinity in Action Man toys.
In: Wesseling, E. (ed.)
The Child Savage, 1890–2010. From Comics to Games.
Ashgate Studies in Childhood, 1700 to the Present.
Routledge, London, pp. 189-202.
ISBN 9781409455981
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Authenticity and performance of class in British factual TV series.
In: Cloarec, N., Haigron, D. and Letort, D. (eds.)
Social Class on British and American Screens: Essays on Cinema and Television.
McFarland, Jefferson, USA, pp. 58-73.
ISBN 9781476662343
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2015)
Performing right: legal constraints and Beckett’s plays on BBC television.
Samuel Beckett Today / Aujourd'hui, 27.
129- 142.
ISSN 0927-3131
doi: https://doi.org/10.1163/9789004309937_011
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2014)
The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style.
Historical Journal of Film, Radio and Television, 34 (3).
pp. 369-389.
ISSN 0143-9685
doi: https://doi.org/10.1080/01439685.2014.937182
(Special issue "Production, site and style")
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds.
(2014)
British television drama: past, present and future. 2nd edition.
Palgrave Macmillan, Basingstoke, pp272.
ISBN 9781137327567
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2013)
The look: style, technology and televisuality in the New Who.
In: O'Day, A. (ed.)
Doctor Who: the eleventh hour.
Who watching.
I. B. Tauris, London and New York, pp. 123-140.
ISBN 9781780760193
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2013)
Realism and reality formats.
In: Ouellette, L. (ed.)
A companion to reality television.
Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115.
ISBN 9780470659274
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2012)
An introduction to television studies. 3rd edition.
Routledge, London , pp348.
ISBN 9780415598163
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2011)
Television for children: problems of national specificity and globalisation.
In: Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (ed.)
Children in Culture, Revisited: Further Approaches to Childhood.
Palgrave Macmillan, Basingstoke, pp. 167-185.
ISBN 9780230275546
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2011)
‘Anything can happen in the next half-hour’: Gerry Anderson’s transnational science fiction.
In: Hochscherf, T. and Leggott, J. (eds.)
British Science Fiction Film and Television: Critical Essays.
Critical Explorations in Science Fiction and Fantasy (29).
McFarland, Jefferson (North Carolina) & London, pp. 73-84.
ISBN 9780786446216
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2011)
Docudramatizing the real: developments in British TV docudrama since 1990.
Studies in Documentary Film, 4 (3).
pp. 195-208.
ISSN 1750-3280
doi: https://doi.org/10.1386/sdf.4.3.195_1
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Paget, D. J., Sutherland, H. A. and Taylor, L.
(2011)
Narrativising the facts: acting in screen and stage docudrama.
In: Tönnies, M. and Flotmann, C. (eds.)
Narrative in Drama.
Contemporary Drama in English (18).
Wissenschaftlicher Verlag Trier, Trier, pp. 21-52.
ISBN 9783868213157
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Spies, style and the Cold War: James Bond in the sixties and seventies.
In: Ahrens, R., Stierstorfer, K. and Dickason, R. (eds.)
Symbolism: an international annual of critical aesthetics. Special focus: propaganda.
AMS Press, New York, USA, pp. 81-92.
ISBN 9780404635701
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Television and the popular: viewing from the British perspective.
Journal of Literary Theory, 4 (2).
pp. 181-198.
ISSN 1862-5290
doi: https://doi.org/10.1515/JLT.2010.012
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Docudrama performance: realism, recognition and representation.
In: Cornea, C. (ed.)
Genre and performance: film and television.
Manchester University Press, Manchester, UK, pp. 59-75.
ISBN 9780719079801
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Into the void: Beckett's television plays and the idea of broadcasting.
In: Caselli, D. (ed.)
Beckett and nothing: trying to understand Beckett.
Manchester University Press, Manchester, UK, pp. 125-142.
ISBN 9780719080197
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Star Wars (1977): back and forth in time and space.
In: Brown, T. and Walters, J. (eds.)
Film moments: criticism, history, theory.
British Film Institute and Palgrave, London, UK, pp. 111-115.
ISBN 9781844573363
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series.
Media History, 16 (1).
pp. 53-65.
ISSN 1469-9729
doi: https://doi.org/10.1080/13688800903395460
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2009)
Beckett on screen: the television plays.
Manchester University Press, Manchester, pp230.
ISBN 9780719064203
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2009)
The police series.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Close-Up 03.
Wallflower, London, pp. 1-66.
ISBN 9781905674787
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fickers, A., eds.
(2008)
A European television history.
Wiley-Blackwell, New York, pp288.
ISBN 9781405163392
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Weissmann, E.
(2008)
Cultural difference? Not so different after all.
Critical Studies in Television: scholarly studies in small screen fictions, 3 (1).
pp. 93-98.
ISSN 1749-6020
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Citing the classics: constructing British television drama history in publishing and pedagogy.
In: Wheatley, H. (ed.)
Re-viewing Television History: Critical Issues in Television Historiography.
I B Tauris, London, pp. 27-39.
ISBN 9781845111885
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
The child as addressee, viewer and consumer in mid-1960s 'Doctor Who'.
In: Butler, D. (ed.)
Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who.
Manchester University Press, Manchester, pp. 43-55.
ISBN 9780719076817
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
An introduction to television studies. 2nd edition.
Routledge, London, New York, pp368.
ISBN 9780415419178
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Masculinité, musique et politique dans 'Excalibur'.
In: Sipiere, D. and Cohen, A. J.-J. (eds.)
Les autres arts dans l'art du cinéma.
Le Spectaculaire Cinéma.
University of Rennes Press, Rennes, pp. 141-152.
ISBN 9782753503885
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Seeing and knowing: reflexivity and quality.
In: Mccabe, J. and Akass, K. (eds.)
Quality TV: contemporary American television and beyond.
Reading Contemporary Television.
I B Tauris, London, pp. 145-157.
ISBN 9781845115104
doi: https://doi.org/10.5040/9780755696376.ch-012
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Une lettre en souffrance: l'adaptation de 'La Servante écarlate/The Handmaid's Tale' de Margaret Atwood au cinéma.
In: Cloarec, N. (ed.)
Lettres de cinéma: de la missive au film-lettre.
University of Rennes Press, Rennes, pp. 175-187.
ISBN 9782753505308
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2006)
Programmes and canons.
Critical Studies in Television, 1 (1).
pp. 31-36.
ISSN 1749-6020
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
How to watch television? Pedagogy and paedocracy in Beckett’s television plays.
Samuel Beckett Today / Aujourd'hui, 15.
pp. 281-293.
ISSN 0927-3131
(Historicising Beckett / Issues of Performance)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Big brother: reality TV in the twenty-first century.
Palgrave Macmillan, Basingstoke, pp256.
ISBN 9781403916846
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Orlebar, J.
(2005)
The television handbook. 3rd edition.
Routledge, London and New York, pp340.
ISBN 9780415342513
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
And the rest is history: Lew Grade, the creation myth and television historiography.
In: Turnock, R. and Johnson, C. (eds.)
ITV Cultures: Independent Television Over Fifty Years.
Open University Press, Buckingham, pp. 57-70.
ISBN 9780335217298
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds.
(2005)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp240.
ISBN 9780719069321
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Space for "quality": negotiating with the Daleks.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp. 76-92.
ISBN 9780719069321
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 42-52.
ISBN 9780719065248
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Exemplarity, pedagogy and television history.
New Review of Film and Television Studies, 3 (1).
pp. 15-32.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400300500037324
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Familiar aliens: 'Teletubbies' and postmodern childhood.
Screen, 46 (3).
pp. 373-388.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/46.3.373
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and O'Day, A.
(2004)
Terry Nation.
Manchester University Press, Manchester.
ISBN 9780719065460
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2004)
Another time, another space: modernity, subjectivity and the time machine.
In: Redmond, S. (ed.)
Liquid Metal: The Science Fiction Reader.
Wallflower, London, pp. 136-144.
ISBN 9781903364888
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2004)
An introduction to television studies. 1st edition.
Routledge, London & New York.
ISBN 0415261120
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2003)
Sex, confession and witness.
In: Akass, K. and Mccabe, J. (eds.)
Reading 'Sex and the City',.
I B Tauris, London & New York, pp. 161-176.
ISBN 9781850434238
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2003)
Where is Action Man's penis? Determinations of gender and the bodies of toys.
In: Segal, N., Taylor, L. and Cook, R. (eds.)
Indeterminate Bodies.
Palgrave Macmillan, Basingstoke, pp. 36-47.
ISBN 9780333949696
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2002)
John McGrath and the dialogues of television studies.
International Journal of Scottish Theatre, 3 (2).
ISSN 1471-5198
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2002)
Writing the child in media theory.
The Yearbook of English Studies, 32.
pp. 127-139.
ISSN 0306-2473
doi: https://doi.org/10.2307/3509052
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2000)
Postmodern media culture.
Edinburgh University Press, Edinburgh, pp248.
ISBN 9780748609888
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2000)
A taste of the gothic: film and television versions of Dracula.
In: Sheen, E. and Giddings, R. (eds.)
From Page to Screen: Adaptations of the Classic Novel:.
Manchester University Press, Manchester, pp. 114-130.
ISBN 9780719052316
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M., eds.
(2000)
British television drama: past, present and future. 1st edition.
Macmillan, Basingstoke.
ISBN 9780333774953
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(1998)
Territories, boundaries, identities: 'The Handmaid's Tale'.
In: Howells, C. A. and Vevaina, C. (eds.)
Margaret Atwood The Shape Shifter.
Creative New Literatures.
Indian Association for Canadian Studies, and Creative Books, New Delhi, pp. 9-25.
ISBN 9788186318515
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(1996)
Method Westerns: The Left-Handed Gun and One Eyed Jacks.
In: Cameron, I. and Pye, D. (eds.)
The Movie Book of the Western.
Movie Books.
Studio Vista (Cassell), London, pp. 99-110.
ISBN 9780289801680
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(1993)
Lost messages: The Handmaid’s Tale, novel and film.
British Journal of Canadian Studies, 8 (1).
pp. 71-84.
ISSN 1757-8078
This list was generated on Thu Dec 12 03:31:26 2024 UTC.