2020

Mayhew, E., Davies, M., Millmore, A. ORCID: https://orcid.org/0000-0002-8626-0713, Thompson, L. and Pena, A. (2020) The impact of audience response platform Mentimeter on the student and staff learning experience. Research In Learning Technology, 28. ISSN 2156-7077 doi: https://doi.org/10.25304/rlt.v28.2397

2019

Davies, M. (2019) Engagement parties: staff-student partnerships in the department of English Literature at the University of Reading. The Journal of Educational Innovation, Partnership and Change, 5 (1). ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v5i1.984

2018

Davies, M. (2018) The SLL Resilience Programme: fostering wellbeing skills at the University of Reading. Student Engagement in Higher Education Journal, 2 (1). ISSN 2399-1836

2017

Davies, M. (2017) Self/image: reading the visual in Atwood's fictive autobiographies. Contemporary Women's Writing, 11 (3). pp. 373-390. ISSN 1754-1476 doi: https://doi.org/10.1093/cww/vpx021

2012

Davies, M. (2012) Rebecca's womb: irony and gynaecology in 'Rebecca'. In: Mangham, A. and Depledge, G. (eds.) The Female Body in Medicine and Literature. Liverpool University Press, Liverpool. ISBN 9781846318528

2006

Davies, M. (2006) Margaret Atwood's female bodies. In: Howells, C. A. (ed.) The Cambridge companion to Margaret Atwood. Cambridge University Press, Cambridge, pp. 58-72. ISBN 9780521839662

2000

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M., eds. (2000) British television drama: past, present and future. 1st edition. Macmillan, Basingstoke. ISBN 9780333774953

MacMurraugh-Kavanagh, M. (2000) Peter Shaffer. In: British and Irish Dramatists Since World War ll. Buccoli Clark, New York.

MacMurraugh-Kavanagh, M. (2000) Too secret for words: circulating and receiving coded dissent in female-authored drama of 'The Wednesday Play', 1964-1970. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M. (eds.) British Television Drama: Past, Present and Future. Macmillan, Basingstoke. ISBN 9780333774953

MacMurraugh-Kavanagh, M. K. (2000) What's all this then? The ideology of identity in 'The Cops'. In: Llewellyn-Jones, M. and Carson, B. (eds.) Frames and Fiction on Television: The Politics of Identity Within Drama. Intellect Books, Exeter. ISBN 9781841500096

MacMurraugh-Kavanagh, M. (2000) York Advanced Note, 'Cat's Eye'. York Press, York.

1999

MacMurraugh-Kavanagh, M. (1999) Boys on top: gender and authorship on 'The Wednesday Play', 1964-1970. Media, Culture & Society, 21 (3). pp. 409-425. ISSN 1460-3675

MacMurraugh-Kavanagh, M. (1999) Who framed Theatre? The moment of change in television drama. New Theatre Quarterly, XV (57). pp. 58-74. ISSN 0266-464X

MacMurraugh-Kavanagh, M. (1999) Bearing witness: Tony Garnett on 'Cops', the community, and the TV audience. Vertigo (9). pp. 21-22.

1998

MacMurraugh-Kavanagh, M. (1998) Myth-making and myth-breaking: an interview with Peter Shaffer - part two. Plays International, 13 (6).

MacMurraugh-Kavanagh, M. (1998) The BBC Wednesday Play, 1964-1970: researching and interpreting a formative moment in British television drama. Media Education Journal, 23. pp. 10-14.

MacMurraugh-Kavanagh, M. (1998) "Kicking Over the Traces": An interview with Tony Garnett. Media Education Journal (24). pp. 23-30.

MacMurraugh-Kavanagh, M. (1998) The plays of Peter Shaffer: theatre and drama. Macmillan, Basingstoke.

1997

MacMurraugh-Kavanagh, M. (1997) Culture, chameleons...and critics: an interview with Peter Shaffer - part one. Plays International, 13 (4).

MacMurraugh-Kavanagh, M. (1997) "Drama" into "News": strategies of intervention in 'The Wednesday Play'. Screen, 38 (3). pp. 247-259. ISSN 1460-2474

MacMurraugh-Kavanagh, M. (1997) The BBC and the birth of "The Wednesday Play" (1962-1966): institutional containment versus "Agitational Contemporaneity". Historical Journal of Film, Radio and Television, 17 (3). pp. 367-381. ISSN 0143-9685

MacMurraugh-Kavanagh, M. (1997) "Through a Glass Darkly": fields of vision, identity and metaphor in Margaret Atwood's 'Cat's Eye' and Shakespeare's 'King Lear'. The British Journal of Canadian Studies, 12 (1). pp. 78-91.