A

Adamou, C. (2004) Karolos Koun's reading of Greek drama. Filologos, 117. pp. 425-432.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2004) Installation. [Project]

Archer, C., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Reynolds, L. (2004) Typography in nineteenth-century children's readers: the Otley connection. In: Mckay, B., Hinks, J. and Bell, M. (eds.) Light on the book trade: essays in honour of Peter Isaac. Print Networks (6). British Library and Oak Knoll Press, London, pp. 118-129. ISBN 9780712347976

B

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2004) Another time, another space: modernity, subjectivity and the time machine. In: Redmond, S. (ed.) Liquid Metal: The Science Fiction Reader. Wallflower, London, pp. 136-144. ISBN 9781903364888

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2004) An introduction to television studies. 1st edition. Routledge, London & New York. ISBN 0415261120

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and O'Day, A. (2004) Terry Nation. Manchester University Press, Manchester. ISBN 9780719065460

Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition]

Buckley, S. (2004) Narratives. [Show/Exhibition]

Bull, J. (2004) What the butler did see: Joe Orton and Oscar Wilde. In: Coppa, F. (ed.) Joe Orton: A Casebook. Casebooks on Modern Dramatists. Routledge, London & New York, pp. 45-60. ISBN 9780815336273

Bull, J. (2004) Barry [née Street; other married names Dancer, Crawford], Ann [Anne] (bap. 1733, d. 1801). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Barry, Spranger (bap. 1717, d. 1777). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Nossiter, Maria Isabella (1735–1759). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Palmer, John (1728–1768). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Palmer, John (1744–1798). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) The establishment of British mainstream theatre 1945-1979. In: Kershaw, B. (ed.) British Theatre Since 1895. Cambridge History of British Theatre (3). Cambridge University Press, pp. 326-348. ISBN 9780521651325 doi: https://doi.org/10.2277/0521651328

C

Cerne-Oven, P. (2004) Analogno/digitalno. Klik, 61. pp. 30-31. ISSN 1408-7936

Cerne-Oven, P. (2004) Ranko Novak: arhitekt na (ne)zacasnem delu v oblikovanju. Oris, VI. pp. 132-141.

Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition]

Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition]

Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition]

Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10.

D

Davies, P. (2004) Santa Maria del Calcinaio a Cortona come architettura di pellegrinaggio. In: Fiore, F.P. (ed.) Francesco di Giorgio alla corte di Federico da Montefeltro. Olschki, Florence, Italy, pp. 679-702. ISBN 8822253221

Davies, P. and Hemsoll, D. (2004) Michele Sanmicheli. Electa, Milan, Italy. ISBN 9788837028046

Davies, P. (2004) The lighting of pilgrimage shrines in Renaissance Italy. Analecta Romana Instituti Danici, Supplementum, 35. pp. 125-148. ISSN 2035-2506

Dunsby, J. (2004) Music-analytical trends of the twentieth century. In: Dejans, P. (ed.) Order and Disorder: music-theoretical strategies in 20th Century Music. Leuven University Press, Leuven, pp. 11-28. ISBN 9789058673695

Dunsby, J. (2004) The battle of Chronos and Orpheus: essays in applied semiology. Oxford University Press, Oxford.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2004) How physical text layout affects reading from screen. Behaviour and Information Technology, 23 (6). pp. 377-393. ISSN 1362-3001 doi: https://doi.org/10.1080/01449290410001715714

G

Gillieson, K. (2004) On revolutions. Dot Dot Dot. pp. 57-61. ISSN 1615-1968

Gillieson, K. (2004) Semantics of British culture: towards a representation of the English breakfast as a modular system. Dot Dot Dot. pp. 62-64. ISSN 1615-1968

K

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2004) Worlds of moiré. Eye, 52. pp. 18-27.

L

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2004) Not just a pretty face: the contribution of typography to lexicography. In: 11th EURALEX International Congress, 6-10 July 2004, Lorient, France, pp. 847-858.

Luna, P. F. ORCID: https://orcid.org/0000-0003-1556-1217 and Ragg, E. (2004) Designing the Oxford Shakespeare. In: Typography Papers. Typography Papers (5). University of Reading, Reading, pp. 5-21.

M

MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition]

Malvern, S. B. (2004) 'For King and country': Frampton's Edith Cavell (1915-1920) and the writing of gender in memorials to the Great War. In: Getsy, D. (ed.) Sculpture and the pursuit of a modern ideal in Britain c. 1880-1930. British art and visual culture since 1750 new readings. Ashgate, Aldershot, UK, pp. 219-244. ISBN 9780754609964

Malvern, S. B. (2004) Modern art, Britain and the Great War: witnessing, testimony and remembrance. Paul Mellon centre for studies in British art . Yale University Press, New Haven, USA. ISBN 9780300105766

Malvern, S. B. (2004) Antibodies: Rachel Whiteread's Water Tower. In: Perry, G. (ed.) Difference and excess in contemporary art: the visibility of women's practice. Blackwell, Oxford, UK, pp. 74-87. ISBN 9781405112024

Marchand, E. (2004) Exemplary gestures and 'authentic' physiognomies: an interpretation of Ghirlandaio's 'Famous Men' in the Palazzo Vecchio, Florence. Apollo. pp. 3-11. ISSN 0003-6536

Marchand, E. (2004) Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Kunstgeschichte, 79. Lit Verlag, Muenster. ISBN 9783825877507

May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21.

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525

Monks, A., (2004) First funny Medea: Deborah Warner's Medea. In: Weitz, E. (ed.) The Power of Laughter. Carysfort Press, Dublin. ISBN 9781904505051

Mosley, J. (2004) El rediseño de los clásicos: Matthew Carter y la interpretación de modelos históricos. tipoGráfica, 63. pp. 32-40.

Mosley, J. (2004) Baskerville, John (1706-1775). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Caslon, William, the elder (1692-1766). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Fry, Joseph (1728-1787). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Jackson, Joseph (1733-1792). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2004) Bloomers ignite: Zolaesque zealotry in British productions of Miss Julie. Studies in Theatre and Performance, 24 (2). pp. 113-128. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.24.2.113/0

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2004) Bring me the head of a greenfinch: Miss Julie in Britain. Studies in Theatre and Performance, 24 (1). pp. 37-54. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.24.1.37/0

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2004) Talking bullets: the language of violence in "City of God". Third Text, 18 (3). pp. 239-250. ISSN 1475-5297 doi: https://doi.org/10.1080/0952882042000227946

O

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2004) Tina O'Connell. [Show/Exhibition]

P

Paget, D. (2004) Case study: Theatre Workshop's 'Oh What a Lovely War', 1963. In: Kershaw, B. (ed.) British Theatre Since 1895. The Cambridge History of British Theatre (Volume 3). Cambridge University Press, Cambridge, pp. 397-411. ISBN 9780521651325 doi: https://doi.org/10.2277/0521651328

Paget, D. (2004) Jeremy Sandford: a docu-retrospect containing an explanation, an (undelivered) funeral oration, divers reminiscences, a draft treatment for a docudrama (and some Shandyan digressions. New Theatre Quarterly, 20 (1). pp. 45-58. ISSN 1474-0613 doi: https://doi.org/10.1017/S0266464X03000320

Phillips, A. (2004) Migration and exile in the classical period. In: Temple, M. and Witt, M. (eds.) The French Cinema Book. British Film Institute, London, pp. 103-117. ISBN 9781844570126

Pye, D. (2004) Being a clown: curious coupling in 'The Pirate'. CineAction, 63. pp. 4-13.

Pye, D. (2004) Double vision: miscegenation and point of view in 'The Searchers'. In: Exkstein, A. M. and Lehman, P. R. (eds.) The Searchers: Essays and Reflections on John Ford's Classic Western. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, pp. 223-239. ISBN 9780814330562

Pye, D. (2004) In and around 'The Paradine Case'. Rouge, 4.

R

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2004) John Moores 23. [Show/Exhibition]

Reynolds, L. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2004) 'You can't see what the words say': word spacing and letter spacing in children's reading books. Journal of Research in Reading, 27 (1). pp. 87-98. ISSN 0141-0423 doi: https://doi.org/10.1111/j.1467-9817.2004.00216.x

Robertson, C. (2004) New documents for the tomb of Paul III. Romisches Jahrbuch fur Kunstgeschichte, 34. pp. 201-220. ISSN 0342-2046

Robins, A. G. (2004) Line 'pregnant with meaning'. In: Smith, A. (ed.) Walter Sickert: 'drawing is the thing'. The Whitworth Art Gallery, Manchester, UK, pp. 6-10. ISBN 9780903261548

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2004) Flights. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Ruth Hӧflich, Munich, Germany.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2004) Solar dreams. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2004) Table of contents. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Guestroom, London and Munich, Munich, Germany.

Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624

Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition]

Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883

S

Saunders, G. (2004) Edward Bond & the celebrity of exile. Theatre Research International, 29 (3). pp. 256-266. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883304000665

Saunders, G. (2004) 'Out Vile Jelly': Sarah Kane's 'Blasted' & Shakespeare's 'King Lear'. New Theatre Quarterly, 20 (1). pp. 69-77. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X03000344

Simão, M. F. F., Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Assunção, M. (2004) Enhancing social interaction in an online educational environment. In: IV Congresso Brasileiro de Computação, 2004, Itajaí, Santa Catarina, Brasil.

Smith, M. M. (2004) The pugillary of Lazzaro de' Soardi and the 'littera galante': more rivals to the Aldine classical octavo in italics. In: Biemans, J., Kuitert, L. and Verkruijsse, P. (eds.) Boek & letter: Boekwetenschappelijke bijdragen ter gelegenheid van het afscheid van profdr Frans A Janssen als hoogleraar in be Boek - en bibliotheekgeschiedenis aa de Universiteit van Amsterdam. De Buitenkant, Amsterdam, pp. 177-193. ISBN 9789076452456

Smith, M. M. (2004) Joseph Cundall and the binding design for the 'Illustrated Biographies of the Great Artists'. The Library, 5 (1). pp. 39-63. ISSN 0024-2160 doi: https://doi.org/10.1093/library/5.1.39

Souto, V. T. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2004) Location of the table of contents in web documents: same screen or separate screen. In: IADIS International Conference WWW/Internet, 6-9 October 2004, Madrid, Spain.

Stevenson, M. (2004) A conversation between Brecht and Buñuel. In: Santaolalla, I. (ed.) Bunuel Siglo XXI. Imagen y Comunicación (6). Prensas Universitarias de Zaragoza, Zaragoza, pp. 511-521. ISBN 9788477336945

Stiff, P. (2004) Why designers need to understand reading. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

T

Toren, A. (2004) Clouds in trousers. [Show/Exhibition]

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6.

W

Wheatley, H. (2004) Lifestyle television. In: Mcgown, A. (ed.) The BFI Television Handbook. BFI Publishing, pp. 142-143. ISBN 9781844570270

Wheatley, H. (2004) Putting the mystery back into armchair theatre. Journal of British Cinema and Television, 1 (2). pp. 197-201. ISSN 1755-1714 doi: https://doi.org/10.3366/JBCTV.2004.1.2.197

Wheatley, H. (2004) The limits of television? Natural history programming and the transformation of public service broadcasting. European Journal of Cultural Studies, 7 (3). pp. 325-339. ISSN 1460-3551 doi: https://doi.org/10.1177/1367549404044786

Wheatley, H. (2004) The talk show. In: Mcgown, A. (ed.) The BFI Television Handbook. BFI Publishing, pp. 148-149. ISBN 9781844570270

Woolland, B. (2004) Dark attractions: the theatre of Peter Barnes. Methuen, pp192. ISBN 9780413774422