Article

Aslan, E. ORCID: https://orcid.org/0000-0002-4174-5493 (2015) When the native is also a non-native: “retrodicting” the complexity of language teacher cognition. Canadian Modern Language Review, 71 (3). pp. 244-269. ISSN 1710-1131 doi: https://doi.org/10.3138/cmlr.2575

Leglu, C. (2015) The Devil’s Daughters and a question of translation between Occitan and Anglo-Norman French: ‘De las .vii. filhas del diable’ (British Library Add. MS 17920). Revue d'Etudes d'Oc: La France Latine, 160. pp. 93-123. ISSN 0222-0326

Mckeane, J. ORCID: https://orcid.org/0000-0003-2141-079X (2015) The tragedy of Roland Barthes. Barthes Studies, 1. pp. 61-77. ISSN 2058-3680

Rolland, N. and Mandis, E. (2015) ‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’. European Drama and Performance Studies, 5 (2). pp. 55-72. ISSN 2266-9035

Book or Report Section

Bryden, M. (2015) 'Bitter in the Mouth and Painful in the Head': Dennis Potter's Beckett. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J. (eds.) On In Their Company: Essays on Beckett, with Tributes and Sketches; presented to Jim Knowlson. Beckett International Foundation, Reading, pp. 47-66.

Le Saux, F. (2015) La Grande Bretagne, patrie des sciences? La representation des technologies scientifiques dans Geoffroy de Monmouth et Layamon. In: Tetrel, H. and Veysseyre, G. (eds.) L'Historia regum Britannie et les «Bruts» en Europe. Rencontres 106, Serie Civilisation medievale, 12. Classiques Garnier, Paris, pp. 157-178. ISBN 9782812433184

Leoussi, A. ORCID: https://orcid.org/0000-0001-6323-4814 (2015) The shock of the new: the reception of the Parthenon sculptures in nineteenth-century Europe. In: Jenkins, I. (ed.) Defining Beauty: The Body in Ancient Greek Art. The Trustees of the British Museum, London, pp. 50-63. ISBN 9780714122878

Leoussi, A. S. ORCID: https://orcid.org/0000-0001-6323-4814 (2015) Judaisms: cultural repertoires and historical contingencies in the making of collective identities. In: Socio-Anthropologie des Judaismes Contemporains. Bibliotheque d'Etudes juives, 1 (54). Honoré Champion, Paris, pp. 49-64. ISBN 9782745328014

Tucker, G. H. (2015) Joachim Du Bellay’s precursors and contemporaries in Italy: Pietro Alcionio, Ortensio Landi, and Diogo Pires. In: Gineste, M.-F., Novokhatko, A., Polizzi, G. and Kofler, W. (eds.) Die neulateinische Dichtung in Frankreich zur Zeit der Pléiade / La Poésie néo-latine en France au temps de la Pléiade. Narr, pp. 293-317. ISBN 9783823367024 (NeoLatina 19)

Book

Gehrhardt, M. ORCID: https://orcid.org/0000-0002-8880-4286 (2015) The men with broken faces: 'Gueules Cassées' of the First World War. Cultural History and Literary Imagination, 25. Peter Lang Ltd, Oxford, Bern, Frankfurt am Main, pp304. ISBN 9783034318693

Jones, D. H. and Gehrhardt, M. ORCID: https://orcid.org/0000-0002-8880-4286, eds. (2015) Paddy Hartley: of faces and facades. Black Dog Publishing, London. ISBN 9781910433317