Number of items: 23.
Angelaki, V.
(2012)
The plays of Martin Crimp: making theatre strange.
Palgrave Macmillan, Basingstoke, pp238.
ISBN 9780230293717
Beauchamp, A.
(2012)
A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter.
Journal of Media Practice, 12 (3).
pp. 235-244.
ISSN 1468-2753
doi: https://doi.org/10.1386/jmpr.12.3.235_1
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2012)
An introduction to television studies. 3rd edition.
Routledge, London , pp348.
ISBN 9780415598163
Butler, A.
(2012)
Eija-Liisa Ahtila's Cinematic Worlds.
In:
Eija-Liisa Ahtila: Parallel Worlds.
Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2012)
Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema.
Palgrave Macmillan.
ISBN 9781349335220
doi: https://doi.org/10.1057/9781137283740
Donaldson, L. F.
(2012)
Effort and affect: engaging with film performance.
In: Reason, M. and Reynolds, D. (eds.)
Kinesthetic Empathy in Creative and Cultural Practices.
Intellect Books, Bristol, pp. 159-174.
ISBN 9781841504919
Elduque, A.
(2012)
Sangue e carne no cinema de Joaquim Pedro de Andrade.
Revista Movimento, 2.
pp. 1-24.
ISSN 2238-8699
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2012)
Balancing act: exploring the tone of The Life Aquatic with Steve Zissou.
New Review of Film and Television Studies, 10 (1).
pp. 132-151.
ISSN 1740-0309
doi: https://doi.org/10.1080/17400309.2011.635035
(special issue: Wes Anderson and Co.)
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2012)
Masterpiece Theatre and British drama imports on US television: discourses of tension.
Critical Studies in Television, 7 (1).
pp. 29-48.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.7.1.5
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2012)
Samuel Beckett's scenographic collaboration with Jocelyn Herbert.
Degrés, 149-150.
pp. 1-17.
ISSN 0770-8378
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2012)
Surviving Objects.
[Performance]
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Além da diferença: a mulher no Cinema da Retomada.
Devires, 9 (1).
pp. 14-29.
ISSN 2179-6483
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Oshima, corporeal realism and the eroticized apparatus.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R. (eds.)
Theorizing world cinema.
I.B. Tauris, London, pp. 161-182.
ISBN 9781848854932
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves.
In: Prager, B. (ed.)
A companion to Werner Herzog.
Wiley-Blackwell, Oxford, pp. 58-79.
ISBN 978-1-4051-9440-2
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R., eds.
(2012)
Theorizing world cinema.
Tauris World Cinema Series.
I.B. Tauris, London, pp288.
ISBN 9781848854932
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2012)
When a film remembers its filming: the new Hollywood zoom.
Journal of Media Practice, 13 (3).
pp. 227-237.
ISSN 2574-1136
doi: https://doi.org/10.1386/jmpr.13.3.227_1
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2012)
Anthony Neilson.
In: Sierz, A. (ed.)
Modern British Playwriting: The 1990s.
Decades of Modern British Playwriting.
Bloomsbury, London, pp. 137-163.
ISBN 9781408129265
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2012)
Theatre & Scotland.
Theatre &.
Palgrave MacMillan, UK, pp120.
ISBN 9780230292611
Saunders, G.
(2012)
Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition.
History Research, 2 (6).
pp. 391-397.
ISSN 2159-550X
Saunders, G.
(2012)
The freaks roll call: live art and the Arts Council 1968-1973.
Contemporary Theatre Review, 22 (1).
pp. 32-45.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2011.645229
Saunders, G. J.
(2012)
Mark Ravenhill.
In: Sierz, A. (ed.)
Modern British playwriting: the 1990s: voices, documents, new interpretations.
Methuen Drama, London, UK.
ISBN 9781408129265
Smart, B.
(2012)
Brechtian television: theatricality and adaptation of the stage play.
In: Loiselle, A. and Maron, J. (eds.)
Stages of reality: theatricality in cinema.
University of Toronto Press, Toronto, pp. 30-52.
ISBN 9781442643529
Smart, B.
(2012)
Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965).
Critical Studies in Television, 7 (1).
pp. 49-63.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.7.1.6
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