Number of items: 35.
A
Angelaki, V.
(2016)
The space and culture of translation: Ferdinand Bruckner’s 'Pains of Youth' by Martin Crimp and Katie Mitchell.
Journal of Adaptation in Film & Performance, 9 (1).
pp. 67-82.
ISSN 1753-6421
doi: https://doi.org/10.1386/jafp.9.1.67_1
B
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Authenticity and performance of class in British factual TV series.
In: Cloarec, N., Haigron, D. and Letort, D. (eds.)
Social Class on British and American Screens: Essays on Cinema and Television.
McFarland, Jefferson, USA, pp. 58-73.
ISBN 9781476662343
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Cars, places and spaces in police drama.
In: McElroy, R. (ed.)
Contemporary British Television Crime Drama: Cops on the Box.
Routledge Advances in Television Studies.
Routledge, London, pp. 123-136.
ISBN 9781472454935
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Representing violence, playing control: warring constructions of masculinity in Action Man toys.
In: Wesseling, E. (ed.)
The Child Savage, 1890–2010. From Comics to Games.
Ashgate Studies in Childhood, 1700 to the Present.
Routledge, London, pp. 189-202.
ISBN 9781409455981
C
Courage, T.
(2016)
Kelly Reichardt: lost in Oregon.
In: Berra, J. (ed.)
Directory of World Cinema: American Independent 3.
University of Chicago Press, Chicago, pp. 219-223.
ISBN 9781783206568
E
Elduque Busquets, A.
(2016)
Hunger and rotten flesh: Cinema Novo, Pasolini, Eisenstein.
[Video]
Elduque Busquets, A.
(2016)
El vuelo del buitre: Ruy Guerra y la historia de las repeticiones.
La Furia Umana, 30.
ISSN 2037-0431
Elduque Busquets, A. and Salvadó, A.
(2016)
Aesthetical and narrative uses of the trench in the Hollywood cinema of 1918-1930.
L'Atalante. Revista de Estudios Cinematográficos, 21.
pp. 93-103.
ISSN 2340-6992
Elduque, A.
(2016)
La comida en familia.
In: Balló, J. and Bergala, A. (eds.)
Motivos visuales del cine.
Galaxia Gutenberg, Barcelona, pp. 77-81.
ISBN 9788416495504
Elduque, A.
(2016)
Pasolini and Third World hunger: an approach to Cinema Novo through 'La ricotta'.
Journal of Italian Cinema and Media Studies, 4 (3).
pp. 369-385.
ISSN 20477368
doi: https://doi.org/10.1386/jicms.4.3.335_7
Elduque, A.
(2016)
The necessary amateur. Cinema, education and politics. Interview with Cezar Migliorin.
Cinema Comparat/ive Cinema, 4 (9).
pp. 36-42.
ISSN 2014-8933
G
Garin, M. and Elduque, A.
(2016)
Quantitative meta-analysis of visual motifs throughout film history.
El profesional de la información, 25 (6).
pp. 883-892.
ISSN 1699-2407
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2016)
Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay).
[in]Transition, 3 (2).
ISSN 2469-4312
H
Hellmich, C. and Purse, L.
(2016)
Knowing war: moving images and the politics of erasure in the post 9/11 world.
E-international relations.
M
McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465
(2016)
Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios.
In: Tucker, D. and McTighe, T. (eds.)
Staging Beckett in Great Britain.
Bloomsbury, Methuen Drama, London, pp. 37-55.
ISBN 9781474240178
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2016)
Staging Beckett in Ireland: scenographic remains.
In: McTighe, T. and Tucker, D. (eds.)
Staging Beckett in Ireland and Northern Ireland.
Bloomsbury Methuen, London, pp. 103-119.
ISBN 9781474240550
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2016)
Film studies before film studies: Derek Jarman at the Slade.
Screen, 57 (3).
pp. 371-378.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjw032
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2016)
The documentary version of film history.
In: Aitken, I. (ed.)
The Major Realist Film Theorists.
Edinburgh University Press, pp. 172-186.
ISBN 9781474421959
doi: https://doi.org/10.3366/edinburgh/9781474402217.003.0011
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2016)
The lonely crowd: Dwoskin, Durgnat and the London Film-Makers’ Co-op.
Screen, 57 (1).
pp. 87-94.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjw011
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149,
(2016)
War Child: Meditating on an Archive.
University of Reading
(https://www.rluk.ac.uk/war-child-archive/)
N
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2016)
Non-cinema: the location of politics in film.
Film-Philosophy, 20 (1).
pp. 131-148.
ISSN 1466-4615
doi: https://doi.org/10.3366/film.2016.0007
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2016)
Regurgitated bodies: presenting and representing trauma in 'The Act of Killing'.
In: Tzioumakis, Y. and Molloy, C. (eds.)
The Routledge Companion to Film & Politics.
Routledge, Abingdon, pp. 218-230.
ISBN 9780415717397
Narberhaus, M., Da Rocha, I. and Elduque, A.
(2016)
Multilingüismo en las aulas: La producción en el Taller Integrado de Periodismo.
Opción, 10.
pp. 358-375.
ISSN 1012-1587
O
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2016)
Transactions with the world: ecocriticism and the environmental sensibility of new Hollywood.
Berghahn Books, Oxford, pp228.
ISBN 9781785330001
P
Purse, L.
(2016)
The new Hollywood, 1981–1999: special/visual effects.
In: Whissel, K. and Keil, C. (eds.)
Editing and Special/Visual Effects.
Behind the Silver Screen.
Rutgers University Press, New Brunswick, NJ, pp. 142-155.
ISBN 9780813570815
Purse, L.
(2016)
Affective trajectories: locating diegetic velocity in the cinema experience.
Cinema Journal, 55 (2).
pp. 151-157.
ISSN 0009-7101
(IN FOCUS: Speed)
R
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2016)
Scottish drama: the expanded community.
In: Lyall, S. (ed.)
Community in Modern Scottish Literature.
SCROLL: Scottish Cultural Review of Language and Literature (25).
Brill Rodopi, Leiden, Netherlands, pp. 143-159.
ISBN 9789004317444
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2016)
'Sexy kilts with attitude': Scottish theatre in the twenty-first century.
In: Adiseshiah, S. and Lepage, L. (eds.)
Twenty-First Century Drama: What Happens Now.
Palgrave MacMillan, Basingstoke, pp. 191-211.
ISBN 9781137484024
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2016)
Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall.
Contemporary Theatre Review, 26 (1).
pp. 60-70.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2015.1123701
Rossi, J.
(2016)
Collabowrighting the hyper(play)text: a postdramatic digital poetics.
PhD thesis, University of Reading.
S
Smart, B.
(2016)
‘Nats go home’: modernism, television and three BBC productions of Ibsen (1971-1974).
Ibsen Studies, 16 (1).
pp. 37-70.
ISSN 1502-1866
doi: https://doi.org/10.1080/15021866.2016.1180869
Smart, W. and Wrigley, A.
(2016)
Television history: archives, excavation and the future. A discussion.
Critical Studies in Television: The International Journal of Television Studies, 11 (1).
pp. 96-109.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602015618634
W
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
British youth television: transnational teens, industry, genre.
Palgrave, London, pp267.
ISBN 9781137445476
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
My generation(s): cycles, branding and renewal in E4’s 'Skins'.
In: Klein, A. A. and Palmer, R. B. (eds.)
Cycles, Sequels, Remakes and Reboots: Multiplicities in Film & Television.
University of Texas Press, Austin, Texas, pp. 240-259.
ISBN 9781477309001
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
Space, authenticity and utopia in the hip-hop teen dance film.
In: Evans, M. and Fogarty, M. (eds.)
Movies, Moves and Music: The Sonic World of Dance Films.
Genre, Music and Sound.
Equinox, Sheffield, pp18.
ISBN 9781845539580
This list was generated on Thu Dec 26 22:01:23 2024 UTC.