Number of items: 44.
Balló, J. and Elduque, A.
(2018)
Imperio y Estrellita, el ascenso por amor.
In: Bou, N. and Pérez, X. (eds.)
El cuerpo erótico de la actriz bajo los fascismos.
Cátedra, Madrid, pp. 97-108.
ISBN 9788437638416
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Children of the world on British television: national and transnational representations.
Strenae, 13.
ISSN 2109-9081
doi: https://doi.org/10.4000/strenae.1966
(Special issue: Le '68 des enfants / The Children's 68)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
James Bond’s forgotten beginnings: television adaptations.
In: Strong, J. (ed.)
James Bond Uncovered.
Palgrave Studies in Adaptation and Visual Culture.
Palgrave Macmillan, Basingstoke, pp. 41-60.
ISBN 9783319761220
doi: https://doi.org/10.1007/978-3-319-76123-7_3
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Performing television history.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 262-279.
ISSN 1749-6039
doi: https://doi.org/10.1177/1749602018782860
Cassany, R., Cortiñas, S. and Elduque, A.
(2018)
Communicating science: the profile of science journalists in Spain.
Comunicar, 26 (55).
pp. 9-18.
ISSN 1134-3478
doi: https://doi.org/10.3916/C55-2018-01
Cassidy, G.
(2018)
The rehearsal process of playwright/director Anthony Neilson.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00079996
Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Phil Davis: the process of acting.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 315-332.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018785833
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2018)
Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film.
In:
Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives.
Rowman & Littlefield International, London, pp. 187-208.
ISBN 9781786603739
Elduque, A.
(2018)
Flesh and costumes: the watermelon in 'Vereda Tropical'.
In: Baltar, M. (ed.)
E pornô, tem pornô? A Panorama of Brazilian Porn.
Mimesis International, Milan, pp. 115-137.
ISBN 9788869770234
Elduque, A.
(2018)
Géneros fluidos: familias, amores, sueños.
In: Montero, J. F. (ed.)
John Cassavetes. Interior noche.
Shangrila Textos Aparte, Santander, pp. 310-332.
ISBN 9788494761690
Elduque, A. and Araújo, M.
(2018)
Ecos de revueltas lejanas: Fassbinder, Glauber Rocha y 'El viaje a Niklashausen' (1970).
In: Rodrigo García, J. (ed.)
Rainer Werner Fassbinder. Solo quiero que me amen.
Shangrila Textos Aparte, Santander, pp. 174-195.
ISBN 9788494875052
Elduque, A.
(2018)
Suspiros de España: la censura del sexo en el primer franquismo.
In: Bou, N. and Pérez, X. (eds.)
El cuerpo erótico de la actriz bajo los fascismos.
Cátedra, Madrid, pp. 13-23.
ISBN 9788437638416
Garin, M. and Elduque, A.
(2018)
Playing the holes. Notes on the Ozuesque gag.
In: Choi, J. (ed.)
Reorienting Ozu: A Master and His Influence.
Oxford University Press, Oxford, pp. 197-214.
ISBN 9780190254988
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2018)
Reevaluating The Phantom Carriage.
[Project]
(Collection)
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2018)
The Phantom Carriage (Körkarlen) (1921).
In:
Silent Features.
Exeter University Press, Exeter, pp. 73-90.
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Reck Miranda, S.
(2018)
Playing at the margins.
[in]Transition, 5 (2).
ISSN 2469-4312
Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756
(2018)
Theatre, performance and politics in Chile: the citizens’ turn.
PhD thesis, King's College London.
doi: https://doi.org/10.48683/1926.00095596
Hobden, F. and Wrigley, A., eds.
(2018)
Ancient Greece on British television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp272.
ISBN 9781474412599
Hobden, F. and Wrigley, A.
(2018)
Broadcasting Greece: an introduction to Greek Antiquity on
the small screen.
In: Hobden, F. and Wrigley, A. (eds.)
Ancient Greece on British Television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp. 1-23.
ISBN 9781474412599
Jeffery, L.
(2018)
Beckett: art, music and the creative process.
PhD thesis, University of Reading.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Crossing broadcasters: the transatlantic exchange between Sylvester ‘Pat’ Weaver and Sir Ian Jacob, 1955-1956.
Historical Journal of Film, Radio and Television, 38 (4).
pp. 843-862.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2017.1412920
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Exploring the casting of British and Irish actors in contemporary US film and television.
In: Cantrell, T. and Hogg, C. (eds.)
Exploring television acting.
Bloomsbury, London, pp. 154-170.
ISBN 9781474248594
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Shameless, the push-pull of transatlantic fiction format adaptation, and star casting.
New Review of Film and Television Studies, 16 (3).
pp. 295-323.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400309.2018.1487130
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Lacey, S., eds.
(2018)
Acting on television: analytical methods and approaches.
Critical Studies in Television, 13 (3).
SAGE.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E., eds.
(2018)
European cultures of production.
Critical Studies in Television, 13 (2).
SAGE.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E.
(2018)
European cultures of production.
Critical Studies in Television, 13 (2).
pp. 133-136.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018763202
Lacey, S. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Acting on television: analytical methods and approaches.
Critical Studies in Television, 13 (3).
pp. 257-261.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018782046
Leavitt, C.
(2018)
Notes on the end of 'Rome Open City'.
Journal of Italian Cinema and Media Studies, 6 (3).
pp. 359-372.
ISSN 20477368
doi: https://doi.org/10.1386/jicms.6.3.359_1
Lodhi, A. and Wrigley, A.
(2018)
Introduction: radio modernisms: features, cultures and the BBC.
Media History, 24 (2).
pp. 159-165.
ISSN 1469-9729
doi: https://doi.org/10.1080/13688804.2018.1473134
Lodhi, A. and Wrigley, A.
(2018)
Radio modernisms: features, cultures and the BBC.
Taylor & Francis, London.
doi: https://doi.org/10.1080/13688804.2018.1473134
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Saunders, G., eds.
(2018)
Special issue on staging Beckett and contemporary theatre and performance cultures.
Contemporary Theatre Review, 28 (1).
Taylor and Francis.
doi: https://doi.org/10.1080/10486801.2017.1405393
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2018)
Nobody walks: Hitchcock's first impressions of Hollywood.
In: Gottlieb, S. (ed.)
Hitchcock Annual.
Columbia University Press, pp. 74-81.
ISBN 9780231190459
doi: https://doi.org/10.1353/hit.2018.0002
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2018)
Passages: travelling in and out of film through Brazilian geography.
Rumores: Revista Online de Comunicação, Linguagem e Mídias, 12 (24).
pp. 19-40.
ISSN 1982-677X
doi: https://doi.org/10.11606/issn.1982-677X.rum.2018.148836
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Sousa, R. L. d. and Brandão, A. S.
(2018)
Introduction to the dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal).
Aniki: Portuguese Journal of the Moving Image, 5 (2).
pp. 306-310.
ISSN 2183-1750
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Souza, R. L. d. and Brandão, A. S., eds.
(2018)
Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal).
Aniki: Portuguese Journal of the Moving Image, 5 (2).
AIM - AIM - Associação de Investigadores da Imagem em Movimento.
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2018)
In and around The Bay: water, fish, infrastructure.
Film Studies, 19 (1).
pp. 20-33.
ISSN 1469-0314
doi: https://doi.org/10.7227/FS.19.0003
Purse, L.
(2018)
Layered encounters: mainstream cinema and the disaggregate digital composite.
Film-Philosophy, 22 (2).
pp. 148-167.
ISSN 1466-4615
doi: https://doi.org/10.3366/film.2018.0070
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2018)
'Killing joy as a world making project' : anger in the work of debbie tucker green.
Contemporary Theatre Review, 28 (3).
pp. 390-400.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2018.1475356
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2018)
The theatre of Anthony Neilson.
Critical Companions.
Bloomsbury, London, pp224.
ISBN 9781472570307
Rocha, G.
(2018)
On cinema.
Bloomsbury, x-xiv.
ISBN 9781780767031
Taylor, L.
(2018)
Negotiating theatrical space in performances of Marguerite Duras's later plays.
In: Noonan, M. and Pagès-Pindon, J. (eds.)
Marguerite Duras: Un Théâtre de Voix/A Theatre of Voices.
Études de Langue et Littérature Françaises (420).
Brill, Leiden/Boston, pp. 118-134.
ISBN 9789004360969
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2018)
Youth television and platform neutral public service broadcasting.
In: Johnson, D. (ed.)
From Networks to Netflix: : A Guide to Changing Channels.
Routledge, Abingdon, UK, pp. 297-307, Chapter 28.
ISBN 9781138998490
Wrigley, A.
(2018)
Afterlives of BBC Radio features.
Media History, 24 (2).
pp. 266-282.
ISSN 1469-9729
doi: https://doi.org/10.1080/13688804.2018.1479636
Wrigley, A.
(2018)
Tragedy for teens: Ancient Greek tragedy on BBC and ITV schools television in the 1960s.
In: Hobden, F. and Wrigley, A. (eds.)
Ancient Greece on British television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp. 84-108.
ISBN 9781474412599
This list was generated on Fri Nov 22 06:19:55 2024 UTC.