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Bartley, S. (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi: https://doi.org/10.1080/13569783.2020.1853516

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Adventures between TV and film, and between Britain and America. Ecrans, 15 (1). pp. 27-42. ISSN 2267 4357 doi: https://doi.org/10.48611/isbn.978-2-406-12259-3.p.0027 (Special issue "Mémoire et réécritures dans les séries télévisées")

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Articulations of voice and medium in Beckett’s screen work. In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.) Beckett’s Voices / Voicing Beckett. Themes in Theatre, 12. Brill, Leiden, pp. 280-294. ISBN 9789004468382 doi: https://doi.org/10.1163/9789004468382_021

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Cringe histories: Harold Pinter and the Steptoes. Humanities, 10 (2). 83. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020083

Bode, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 and Golding, D., eds. (2021) The digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4). Sage Publications, pp. 849-854. (Special Issue)

Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429 (2021) Livecasting without the live: the multiple temporalities of National Theatre at Home. Connessioni Remote, 12 (3). pp. 57-76. ISSN 2724-2722 doi: https://doi.org/10.54103/connessioni/16818

C

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) ‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory. In: Thresholds: Interwar Lens Media Cultures 1919-1939. Walther Koenig, Cologne, pp. 101-122. ISBN 9783753300009

Cox-Stanton, T. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

G

Ghosh, S. (2021) We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00105309

Ghosh, S. (2021) The disability and film-making community in film practice-as-research: the case of we make film. In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.) Many Voices, Many Worlds : Critical Perspectives on Community Media in India. SAGE Publications India Pvt. Ltd., pp. 143-156. ISBN 9789391138479

H

Hegarty Lovett, J. (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100315

K

Kenward, J. ORCID: https://orcid.org/0000-0002-3513-9585 (2021) The right to be forgotten: confronting the past in post-millennial cinema. In: Carranza, A. J. (ed.) Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998-2019. McFarland, Jefferson, North Carolina, pp. 182-195. ISBN 9781476679310

L

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Bashford-Rogers, T. and Keppel-Palmer, M. (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: https://doi.org/10.1177/13548565211030452 (Special Issue: 'The Digital Face and Deepfakes on Screen')

M

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2021) Unsweetened: Ode to Biscuits. [Video]

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2021) The elusive form of film. NECSUS. ISSN 2213-0217

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O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi: https://doi.org/10.16995/os.47

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Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2021) Japanese film production during the punk era: independence, intermediality and mediascapes. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00109805

R

Radinger Field, L. (2021) Women and home in cinema: film practice and gendered spaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101682

S

Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422

V

Varadi, A. J. (2021) Reconstructing the 1980s on contemporary American television. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101660

Y

Young, M. (2021) Beholding Beauty: Aesthetics, Style and Sensation in US Quality Television Political Thrillers. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00106867