Items where Division is "Film, Theatre & Television" and Year is 2021
Number of items: 25. BBartley, Sarah (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi: https://doi.org/10.1080/13569783.2020.1853516
Bignell, Jonathan
Bignell, Jonathan Bignell, Jonathan (2021) Beckett and television: anachronism as innovation. In: Kiryushina, Galina, Adar, Einat and Nixon, Mark (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287
Bignell, Jonathan
Bignell, Jonathan Bode, Lisa, Lees, Dominic and Golding, Dan, eds. (2021) The digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4). Sage Publications, pp. 849-854. (Special Issue) C
Chamarette, Jenny
Cox-Stanton, Tracy and Gibbs, John GGhosh, Shweta (2021) We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00105309 Ghosh, Shweta (2021) The disability and film-making community in film practice-as-research: the case of we make film. In: Ullah, Faiz, Monteiro, Anjali and Jayasankar, K. P. (eds.) Many Voices, Many Worlds : Critical Perspectives on Community Media in India. SAGE Publications India Pvt. Ltd., pp. 143-156. ISBN 9789391138479 HHegarty Lovett, Judy (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100315 K
Kenward, James LLees, Dominic, Bashford-Rogers, Tom and Keppel-Palmer, Marcus (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: https://doi.org/10.1177/13548565211030452 (Special Issue: 'The Digital Face and Deepfakes on Screen') MMcMullan, Anna (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990 McMullan, Anna (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, Laurens, Tanaka, Mariko Hori and Johnson, Nicholas (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013
Murjas, Teresa N
Nagib, Lucia OO'Brien, Adam (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi: https://doi.org/10.16995/os.47 P
Player, Mark
Player, Mark RRadinger Field, Louise (2021) Women and home in cinema: film practice and gendered spaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101682 SSexton, Max and Lees, Dominic (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422 VVaradi, Anna Johanna (2021) Reconstructing the 1980s on contemporary American television. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101660 YYoung, Michael (2021) Beholding Beauty: Aesthetics, Style and Sensation in US Quality Television Political Thrillers. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00106867 |