Number of items: 24.
B
Bartley, S.
(2021)
UK people’s theatres: performing civic functions in a time of austerity.
Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1).
pp. 171-186.
ISSN 1470-112X
doi: https://doi.org/10.1080/13569783.2020.1853516
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Adventures between TV and film, and between Britain and America.
Ecrans, 15 (1).
pp. 27-42.
ISSN 2267 4357
doi: https://doi.org/10.48611/isbn.978-2-406-12259-3.p.0027
(Special issue "Mémoire et réécritures dans les séries télévisées")
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Articulations of voice and medium in Beckett’s screen work.
In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.)
Beckett’s Voices / Voicing Beckett.
Themes in Theatre, 12.
Brill, Leiden, pp. 280-294.
ISBN 9789004468382
doi: https://doi.org/10.1163/9789004468382_021
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Beckett and television: anachronism as innovation.
In: Kiryushina, G., Adar, E. and Nixon, M.
ORCID: https://orcid.org/0000-0002-3730-1785 (eds.)
Samuel Beckett and Technology.
Edinburgh University Press, Edinburgh.
ISBN 9781474463287
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Cringe histories: Harold Pinter and the Steptoes.
Humanities, 10 (2).
83.
ISSN 2076-0787
doi: https://doi.org/10.3390/h10020083
Bode, L., Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740 and Golding, D., eds.
(2021)
The digital face and deepfakes on screen.
Convergence: The International Journal of Research into New Media Technologies, 27 (4).
Sage Publications, pp. 849-854.
(Special Issue)
Byrne, S.
ORCID: https://orcid.org/0009-0002-8607-2429
(2021)
Livecasting without the live: the multiple temporalities of National Theatre at Home.
Connessioni Remote, 12 (3).
pp. 57-76.
ISSN 2724-2722
doi: https://doi.org/10.54103/connessioni/16818
C
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2021)
‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory.
In:
Thresholds: Interwar Lens Media Cultures 1919-1939.
Walther Koenig, Cologne, pp. 101-122.
ISBN 9783753300009
Cox-Stanton, T. and Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2021)
Audiovisual scholarship and experiments in non-linear film history.
The Cine-Files (15).
ISSN 2156-9096
G
Ghosh, S.
(2021)
We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00105309
Ghosh, S.
(2021)
The disability and film-making community in film practice-as-research: the case of we make film.
In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.)
Many Voices, Many Worlds : Critical Perspectives on Community Media in India.
SAGE Publications India Pvt. Ltd., pp. 143-156.
ISBN 9789391138479
H
Hegarty Lovett, J.
(2021)
Staging Beckett’s Prose: A Practice As Research Analysis
of Staging How It Is.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00100315
K
Kenward, J.
ORCID: https://orcid.org/0000-0002-3513-9585
(2021)
The right to be forgotten: confronting the past in post-millennial cinema.
In: Carranza, A. J. (ed.)
Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998-2019.
McFarland, Jefferson, North Carolina, pp. 182-195.
ISBN 9781476679310
L
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740, Bashford-Rogers, T. and Keppel-Palmer, M.
(2021)
The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama.
Convergence: The International Journal of Research into New Media Technologies, 27 (4).
pp. 954-973.
ISSN 1354-8565
doi: https://doi.org/10.1177/13548565211030452
(Special Issue: 'The Digital Face and Deepfakes on Screen')
M
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2021)
Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works.
Cambridge University Press, Cambridge, pp67.
ISBN 9781108959056
doi: https://doi.org/10.1017/9781108938990
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2021)
Technology and the voices of the more than human in Samuel Beckett’s All That Fall.
In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.)
Beckett's Voices / Voicing Beckett.
Brill, Netherlands, pp. 158-174.
ISBN 9789004468399
doi: https://doi.org/10.1163/9789004468382_013
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149
(2021)
Unsweetened: Ode to Biscuits.
[Video]
N
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2021)
The elusive form of film.
NECSUS.
ISSN 2213-0217
O
O'Brien, A.
ORCID: https://orcid.org/0000-0002-9527-4076
(2021)
Central Park and its provision.
Open Screens, 41 (1).
ISSN 2516-2888
doi: https://doi.org/10.16995/os.47
P
Player, M.
ORCID: https://orcid.org/0000-0002-8785-488X
(2021)
Japanese film production during the punk era: independence,
intermediality and mediascapes.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00109805
R
Radinger Field, L.
(2021)
Women and home in cinema: film practice and gendered spaces.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00101682
S
Sexton, M. and Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2021)
Seeing it on television: televisuality in the contemporary U.S. 'High-End' series.
Bloomsbury Academic, London, pp192.
ISBN 9781501359422
V
Varadi, A. J.
(2021)
Reconstructing the 1980s on contemporary American television.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00101660
Y
Young, M.
(2021)
Beholding Beauty: Aesthetics, Style
and Sensation in US Quality
Television Political Thrillers.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00106867
This list was generated on Fri Aug 16 12:44:38 2024 UTC.