Items where Division is "Film, Theatre & Television" and Year is 2019

Group by: Creators/Editors | Item Type | No Grouping

Number of items: 38.

Article

Angelaki, V. (2019) Performing migration in Vienna: the Volkstheater Trilogy. Performing Ethos, 9 (1). pp. 9-22. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00002_1

Bartley, S. (2019) Gendering welfare: acts of reproductive labour in applied performance practice. Contemporary Theatre Review, 29 (3). pp. 305-319. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2019.1615901

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) Performing the identity of the medium: adaptation and television historiography. Adaptation, 12 (2). pp. 149-164. ISSN 1755-0645 doi: https://doi.org/10.1093/adaptation/apz017

Butler, A. (2019) Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema. Screen, 60 (1). pp. 128-136. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy060

Elduque Busquets, A. (2019) Between film and photography: the bubble of blood in 'The Family of Disorder'. Screen, 60 (1). pp. 148-159. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy069

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell. Movie: A Journal of Film Criticism (8). pp. 38-71. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) ‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history. Movie: A Journal of Film Criticism, 8. ISSN 2047-1661

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) The unwitting pioneer of transatlantic format adaptation: Beryl Vertue. Historical Journal of Film, Radio and Television, 39 (2). pp. 341-365. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2018.1522790

Lees, D. (2019) Improvisation as a research methodology: Exploring links between filmmakers’ practice and traditions of enquiry across the academy. Media Practice and Education, 20 (2). pp. 134-146. ISSN 2574-1136 doi: https://doi.org/10.1080/25741136.2019.1605675

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2019) Peeling onions with Granny: on being moved to collaborate. Performing Ethos, 9 (1). pp. 37-53. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00004_1

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2019) Multimedia identities: an analysis of How Tasty Was My Little Frenchman. Screen, 60 (1). pp. 160-171. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy067

O'Brien, A. (2019) Energy and eventhood: the infrastructural set piece. Journal of Aesthetics & Culture, 11 (1). 1697551. ISSN 2000-4214 doi: https://doi.org/10.1080/20004214.2019.1697551

Purse, L. (2019) Square-jawed strength: gender and resilience in the female astronaut film. Science Fiction Film and Television, 12 (1). pp. 53-72. ISSN 1754-3770

Reid, T. (2019) The dystopian near-future in contemporary British drama. Journal of Contemporary Drama in English, 7 (1). pp. 72-88. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2019-0006

Sexton, M. and Lees, D. (2019) Fargo: seeing the significance of style in television poetics? Critical Studies in Television: The International Journal of Television Studies, 14 (3). pp. 343-361. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602019853792

Tyler, L. (2019) “Responding to the thing that it is”: a study of new play development in English theatres. Studies in Theatre and Performance, 39 (1). pp. 38-53. ISSN 1468-2761 doi: https://doi.org/10.1080/14682761.2017.1348682

Woods, F. (2019) Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag. Communication, Culture and Critique, 12 (2). pp. 194-212. ISSN 1753-9129 doi: https://doi.org/10.1093/ccc/tcz014

Woods, F. (2019) Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright. Journal of British Cinema and Television, 16 (3). pp. 346-366. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0481

Book or Report Section

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) “Do you really enjoy the modern play?”: Beckett on commercial television. In: Stewart, P. and Pattie, D. (eds.) Pop Beckett: Intersections with Popular Culture. Samuel Beckett in Company, 7. Ibidem, Stuttgart, pp. 63-84. ISBN 9783838211930

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) Meta-commentary and mythology: "Episodes" as a performance of transatlantic TV. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 163-180. ISBN 9780190663124

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) The performing lives of things: animals, puppets, models and effects. In: Walters, J. and Donaldson, L. F. (eds.) Television Performance. Red Globe Press, London, pp. 43-60. ISBN 9781137608192

Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) An actor diversifies: a diachronic examination of the work and career of Tony Curran. In: Fife Donaldson, L. and Walters, J. (eds.) Television Performance. Red Globe Press, London, pp. 168-187. ISBN 9781137608192

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2019) Ageless: Akerman’s avatars'. In: Schmid, M. and Wilson, E. (eds.) Chantal Akerman: Afterlives. MHRA/Legenda, Oxford, pp. 54-65. ISBN 9781781886397 doi: https://doi.org/10.2307/j.ctv16km0vw.11

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Cassidy, G. (2019) Game of Thrones: investigating British acting. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 181-202. ISBN 9780190663124

Lees, D. (2019) Many ways of directing a film: teaching the ‘modes of creative practice’. In: Mourao, M. D., Semerdjiev, S., Mello, C. and Taylor, A. (eds.) The 21st Century Film, TV and Media School Book – Volume 2: Directing the future. CILECT - the International Association of Film and Television Schools, Sofia, pp. 28-39. ISBN 9786197358087

Petruska, K. and Woods, F. (2019) Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem. In: Hilmes, M., Hills, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, pp. 49-68. ISBN 9780190663124 doi: https://doi.org/10.1093/oso/9780190663124.003.0004

Purse, L. (2019) The new dominance: action-fantasy hybrids and the new superhero in 2000s action cinema. In: Kendrick, J. (ed.) A Companion to the Action Film. Wiley Blackwell, Chichester, West Sussex, pp. 55-73. ISBN 9781119100492 doi: https://doi.org/10.1002/9781119100744.ch3

Book

Angelaki, V. (2019) Theatre & environment. Theatre &. Palgrave Macmillan/Red Globe Press, pp90. ISBN 9781137609830

Butler, A. (2019) Displacements: reading space and time in moving image installations. Close Readings. Palgrave Macmillan, London, pp178. ISBN 9783030304607

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H. (2019) Friends: a reading of the sitcom. Palgrave Macmillan. ISBN 9783030254285 doi: https://doi.org/10.1007/978-3-030-25429-2

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds. (2019) Intermediality in Brazilian cinema: the case of Tropicália. Screen, 60 (1). Oxford Academic. doi: https://doi.org/10.1093/screen/hjy064

Purse, L. and Palmer, L., eds. (2019) When the astronaut is a woman. Science Fiction Film and Television (Special Issue), 12 (1). Liverpool University Press.