B

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) And the rest is history: Lew Grade, the creation myth and television historiography. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 57-70. ISBN 9780335217298

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Big brother: reality TV in the twenty-first century. Palgrave Macmillan, Basingstoke, pp256. ISBN 9781403916846

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Exemplarity, pedagogy and television history. New Review of Film and Television Studies, 3 (1). pp. 15-32. ISSN 1740-7923 doi: 10.1080/17400300500037324

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Familiar aliens: 'Teletubbies' and postmodern childhood. Screen, 46 (3). pp. 373-388. ISSN 1460-2474 doi: 10.1093/screen/46.3.373

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 42-52. ISBN 9780719065248

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Space for "quality": negotiating with the Daleks. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 76-92. ISBN 9780719069321

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds. (2005) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp240. ISBN 9780719069321

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Orlebar, J. (2005) The television handbook. 3rd edition. Routledge, London and New York, pp340. ISBN 9780415342513

Buckley, S. (2005) 1979. [Show/Exhibition]

Bull, J. (2005) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY.

Bull, J. (2005) John Bull - 'Serjeant Musgrave Dances to a Different Tune': John McGrath's adaptation of John Arden's 'Serjeant Musgrave's Dance'. In: Bradby, D. and Capon, S. (eds.) Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television,. University of Exeter Press, Exeter, pp. 39-54. ISBN 9780859897488

Bull, J. (2005) Introduction: on interventionist and community theatre. In: Billingham, P. (ed.) Radical Initiatives in Interventionist and Community Theatre. New Directions in Drama and Performance (Volume 1). Intellect, Exeter. ISBN 9781841500683

Butler, A. (2005) Feminist film in the gallery: 'If 6 was 9'. Camera Obscura: Feminism, Culture, and Media Studies, 20 (1 58). pp. 1-31. ISSN 1529-1510 doi: 10.1215/02705346-20-1_58-1

C

Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition]

Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance]

Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition]

Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition]

Chare, N. (2005) Book review of 'Built to win: the female athlete as cultural icon'. Feminist Theory, 6 (3). pp. 369-371. ISSN 1741-2773 doi: 10.1177/146470010500600309

Chare, N. J. (2005) Execrable speech: Louis Ferdinand Céline’s 'Bagatelles pour un massacre'. In: Fahraeus, A. and Jonsson, A. (eds.) Textual ethos studies- or locating ethics. Critical studies, 26. Rodopi, Amsterdam, pp. 53-66. ISBN 9789042017979

Chare, N. J. (2005) Animal magic: Giorgio Agamben’s 'The Open'. Journal of Visual Culture, 4 (2). pp. 267-270. ISSN 1741-2994 doi: 10.1177/1470412905057351

Chare, N. J. (2005) Pain in camera: Susan Sontag 'Regarding the pain of others'. Parallax, 11 (1). pp. 88-89. ISSN 1460-700X doi: 10.1080/1353464052000321128

Chare, N. J. (2005) Regarding the pain: noise in the art of Francis Bacon. Angelaki: Journal of Theoretical Humanities, 10 (3). pp. 133-143. ISSN 1469-2899 doi: 10.1080/09697250500424395

D

Davies, P. and Hemsoll, D. (2005) Vincenzo Scamozzi: pianta della villa Laurentina di Plinio. In: Beltramini, G. and Burn, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 201-203. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) “La Soranza” a Treville. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 284-286. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Le ville di Plinio il Giovane e la loro influenza sui progetti di villa veneti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice , pp. 201-203. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Un 'fortissimo palazzo': Castello Bevilacqua. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 282-284. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa Soranza: modello ligneo e il disegno di Giovanni Battista Berti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 286-288. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa della Torre a Fumane. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 288-291. ISBN 9788831786409

Dobraszczyk, P. (2005) Sewers, wood engraving and the sublime: picturing London's main drainage system in the Illustrated London News, 1895-62. Victorian Periodicals Review, 38 (4). 349-378 . ISSN 1712-526X

Dronsfield, J. L. (2005) I am in the liber: remarks on the question of theorising art. In: Perez, Y., Rodriguez, M. A. and Saladini, E. (eds.) Espazos de Creacion Contemporanea. Concello de Santiago, Santiago de Compostella, pp. 183-195.

Dronsfield, J. L. (2005) Memories of underdevelopment: the collages and sculptures of Melita Couta. In: Danos, A. (ed.) Somatópia: Mapping Sites, Siting Bodies. The Hellenic Centre, London and Ministry of Education & Culture, Cyprus, London and Cyprus, pp. 34-43.

Dronsfield, J. L. (2005) The resistance of the question to phenomenological reduction: Husserl, Fink, and the adequacy of the Sixth Cartesian Meditation as a response to Heidegger. In: Tymieniecka, A.-T. (ed.) Analecta Husserliana. Springer, Dordrecht, pp. 293-305. ISBN 1402036787

Dronsfield, J. L. (2005) The question lacking at the end of art: Heidegger and Danto. Philosophy Today, 49 (5). pp. 153-160. ISSN 0031-8256

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877

G

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Gillieson, K. (2005) Genetics of the 'open text'. Eye, 57. pp. 26-35.

Golden, P. (2005) Nothing personal. [Show/Exhibition]

Golden, P. (2005) The word. [Show/Exhibition]

Golden, P. R. (2005) The word. Onestar press, Paris, France.

H

Hillier, J. M. (2005) Swimming and sinking: form and meaning in an avant-garde film. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 155-166. ISBN 9780719065248

K

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2005) Ishihara. Eye Magazine, 56. pp. 18-23. ISSN 0960-779X

L

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2005) Adobe Garamond Premier Pro Greek. University of Reading.

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: 10.2277/052184844X

M

MacLean, M. (2005) The way we work now. [Show/Exhibition]

Malvern, S. B. (2005) Monographs, canons, omissions. Sculpture Journal, 13 (1). pp. 143-146. ISSN 1756-9923 doi: 10.3828/sj.13.1.9

Marchand, E. (2005) Review of 'From Flanders to Florence: the impact of Netherlandish painting 1400-1500' by Paula Nuttall. Apollo, CLXI (516 (new s). 74-75 . ISSN 0003-6536

Marchand, E. (2005) Review of exhibition 'Ich, Lovis Corinth: Die Selbstbildnisse' (Nov 2004-Feb 2005). Apollo, CLXI (515). pp. 80-81. ISSN 0003-6536

Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2005) Strindberg i England. Fallet Fröken Julie. Strindbergiana, 20. pp. 93-115.

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2005) The man. [Performance]

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2005) Cinema Novo, Glauber, Herzog. In: Silva, M. A. (ed.) Glauber par Glauber. Magic Cinema, Paris, pp. 88-90.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2005) The trilogy of John of God. In: Mira, A. (ed.) The cinema of Spain and Portugal. Wallflower, London, pp. 188-197. ISBN 9781904764441

P

Paget, D. (2005) Chris Wilkinson (1941-). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 307-312.

Paget, D. (2005) Dramadoc/docudrama: the law and regulation. In: Rosenthal, A. and Corner, J. (eds.) New Challenges for Documentary. Manchester University Press, Manchester, pp. 435-452. ISBN 9780719068980

Paget, D. (2005) Ted Willis (1918-1992). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 313-320.

Paget, D. (2005) Death of a Princess. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Paget, D. (2005) Documentary drama: a critical overview. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Phillips, A. (2005) The 400 Blows (1959), François Truffaut. In: Geiger, J. and Rutsky, R. L. (eds.) Film Analysis: A Norton Reader. W.W. Norton and Company, New York and London , pp. 550-565. ISBN 9780393979831

Purse, L. (2005) The new spatial dynamics of the bullet-time effect. In: King, G. (ed.) The Spectacle of the Real: From Hollywood to Reality TV and Beyond. Intellect, Exeter, pp. 151-160. ISBN 9781841501208

R

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2005) Short stories about painting. [Show/Exhibition]

Robertson, E.C. (2005) Phoenix romanus: Rome 1534-1565. In: Hall, M.B. (ed.) Rome: artistic centers of the Italian renaissance. Cambridge University Press, Cambridge, 184-245 . ISBN 9780521624459

Robertson, E.C. (2005) Silvio Antoniano and the painted decoration of the Villa Belvedere at Frascat. Römisches Jahrbuch der Bibliotheca Hertziana, 35. 415-430 . ISSN 0342-2046

Robertson, E.C. (2005) Review of L. Zirpolo, 'Ave papa, ave papabile. The Sacchetti family, their art patronage, and political aspirations'. The Burlington Magazine, 147 (1232). p. 758. ISSN 0007-6287

Robertson, E.C. (2005) Review of the exhibitions 'Caravaggio. L'ultimo tempo, 1606-1610' (Naples, Museo di Capodimonte), and 'Caravaggio: the final years' (London, National Gallery). Renaissance Studies, 19 (4). pp. 556-560. ISSN 1477-4658 doi: 10.1111/j.1477-4658.2005.0118c.x

Robins, A. G. (2005) Suddenly last summer: Walter Sickert and Degas’s six friends at Dieppe. In: O'Brien, M., Roberts, J., Gruetzner Robins, A. E. and Catano, L. (eds.) Edgar Degas: six friends at Dieppe. Museum of Art, Rhode Island School of Design, Providence, USA, pp. 49-64. ISBN 9780911517804

Robins, A. G. and Thomson, R. (2005) Degas, Sickert and Toulouse Lautrec: London and Paris 1870-1910. Tate Publishing, London. ISBN 9781854376343

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2005) Beyond Latin: a glimpse into the subject of Arabic and Indic lettershapes and digital typeforms. Circular, 13.

Rowlands, A. (2005) Growing up absurd. [Show/Exhibition]

S

Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559

Stiff, P. (2005) Co mozna wymarzyc, co trzeba rozwazyc (Dreams and Reasoning). 2+3D, 14 (1). pp. 18-19.

Stiff, P. (2005) Zrozumiec czytanie! (Understand reading!). 2+3D, 17 (4). pp. 69-71.

Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299

Stiff, P. (2005) Some documents for a history of information design. Information Design Journal, 13 (3). pp. 216-228. ISSN 1569-979X doi: 10.1075/idjdd.13.3.06sti

Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299

T

Taylor, L. (2005) 'Eden Cinema' by Marguerite Duras. [Performance]

Thorpe, A. (2005) Only joking? The relationship between the clown and percussion in Jingju. Asian Theatre Journal, 22 (2). pp. 269-292. ISSN 1527-2109 doi: 10.1353/atj.2005.0034

Toren, A. (2005) New works. [Show/Exhibition]

Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition]

W

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) 'The books nobody sees': typography in children's reading books. Baseline, 48. pp. 25-32.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) The books that nobody sees: typography in children's reading books. Baseline (48). pp. 25-32. ISSN 0954-9226

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Connare, V. and Scaglione, J. (2005) Fabula: type design. University of Reading.

Walker, S. F. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) The songs the letters sing: typography and children's reading. National Centre for Language and Literacy, Reading, pp23. ISBN 9780704998469

Wheatley, H. (2005) Haunted houses, hidden rooms: women, domesticity and the female Gothic adaptation on television. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 149-165. ISBN 9780719069321

Wheatley, H. (2005) Rooms within rooms: ITV and the studio heritage drama of the 1970s. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 143-158. ISBN 9780335217298