Article

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Exemplarity, pedagogy and television history. New Review of Film and Television Studies, 3 (1). pp. 15-32. ISSN 1740-7923 doi: https://doi.org/10.1080/17400300500037324

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Familiar aliens: 'Teletubbies' and postmodern childhood. Screen, 46 (3). pp. 373-388. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/46.3.373

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance)

Butler, A. (2005) Feminist film in the gallery: 'If 6 was 9'. Camera Obscura: Feminism, Culture, and Media Studies, 20 (1 58). pp. 1-31. ISSN 1529-1510 doi: https://doi.org/10.1215/02705346-20-1_58-1

Chare, N. (2005) Book review of 'Built to win: the female athlete as cultural icon'. Feminist Theory, 6 (3). pp. 369-371. ISSN 1741-2773 doi: https://doi.org/10.1177/146470010500600309

Chare, N. J. (2005) Animal magic: Giorgio Agamben’s 'The Open'. Journal of Visual Culture, 4 (2). pp. 267-270. ISSN 1741-2994 doi: https://doi.org/10.1177/1470412905057351

Chare, N. J. (2005) Pain in camera: Susan Sontag 'Regarding the pain of others'. Parallax, 11 (1). pp. 88-89. ISSN 1460-700X doi: https://doi.org/10.1080/1353464052000321128

Chare, N. J. (2005) Regarding the pain: noise in the art of Francis Bacon. Angelaki: Journal of Theoretical Humanities, 10 (3). pp. 133-143. ISSN 1469-2899 doi: https://doi.org/10.1080/09697250500424395

Dobraszczyk, P. (2005) Sewers, wood engraving and the sublime: picturing London's main drainage system in the Illustrated London News, 1895-62. Victorian Periodicals Review, 38 (4). 349-378 . ISSN 1712-526X

Dronsfield, J. L. (2005) The question lacking at the end of art: Heidegger and Danto. Philosophy Today, 49 (5). pp. 153-160. ISSN 0031-8256

Gillieson, K. (2005) Genetics of the 'open text'. Eye, 57. pp. 26-35.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2005) Ishihara. Eye Magazine, 56. pp. 18-23. ISSN 0960-779X

Malvern, S. B. (2005) Monographs, canons, omissions. Sculpture Journal, 13 (1). pp. 143-146. ISSN 1756-9923 doi: https://doi.org/10.3828/sj.13.1.9

Marchand, E. (2005) Review of 'From Flanders to Florence: the impact of Netherlandish painting 1400-1500' by Paula Nuttall. Apollo, CLXI (516 (new s). 74-75 . ISSN 0003-6536

Marchand, E. (2005) Review of exhibition 'Ich, Lovis Corinth: Die Selbstbildnisse' (Nov 2004-Feb 2005). Apollo, CLXI (515). pp. 80-81. ISSN 0003-6536

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2005) Strindberg i England. Fallet Fröken Julie. Strindbergiana, 20. pp. 93-115.

Robertson, E.C. (2005) Silvio Antoniano and the painted decoration of the Villa Belvedere at Frascat. Römisches Jahrbuch der Bibliotheca Hertziana, 35. 415-430 . ISSN 0342-2046

Robertson, E.C. (2005) Review of L. Zirpolo, 'Ave papa, ave papabile. The Sacchetti family, their art patronage, and political aspirations'. The Burlington Magazine, 147 (1232). p. 758. ISSN 0007-6287

Robertson, E.C. (2005) Review of the exhibitions 'Caravaggio. L'ultimo tempo, 1606-1610' (Naples, Museo di Capodimonte), and 'Caravaggio: the final years' (London, National Gallery). Renaissance Studies, 19 (4). pp. 556-560. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2005.0118c.x

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2005) Beyond Latin: a glimpse into the subject of Arabic and Indic lettershapes and digital typeforms. Circular, 13.

Stiff, P. (2005) Co mozna wymarzyc, co trzeba rozwazyc (Dreams and Reasoning). 2+3D, 14 (1). pp. 18-19.

Stiff, P. (2005) Zrozumiec czytanie! (Understand reading!). 2+3D, 17 (4). pp. 69-71.

Stiff, P. (2005) Some documents for a history of information design. Information Design Journal, 13 (3). pp. 216-228. ISSN 1569-979X doi: https://doi.org/10.1075/idjdd.13.3.06sti

Thorpe, A. (2005) Only joking? The relationship between the clown and percussion in Jingju. Asian Theatre Journal, 22 (2). pp. 269-292. ISSN 1527-2109 doi: https://doi.org/10.1353/atj.2005.0034

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) 'The books nobody sees': typography in children's reading books. Baseline, 48. pp. 25-32.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) The books that nobody sees: typography in children's reading books. Baseline (48). pp. 25-32. ISSN 0954-9226

Book or Report Section

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) And the rest is history: Lew Grade, the creation myth and television historiography. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 57-70. ISBN 9780335217298

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 42-52. ISBN 9780719065248

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Space for "quality": negotiating with the Daleks. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 76-92. ISBN 9780719069321

Bull, J. (2005) John Bull - 'Serjeant Musgrave Dances to a Different Tune': John McGrath's adaptation of John Arden's 'Serjeant Musgrave's Dance'. In: Bradby, D. and Capon, S. (eds.) Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television,. University of Exeter Press, Exeter, pp. 39-54. ISBN 9780859897488

Bull, J. (2005) Introduction: on interventionist and community theatre. In: Billingham, P. (ed.) Radical Initiatives in Interventionist and Community Theatre. New Directions in Drama and Performance (Volume 1). Intellect, Exeter. ISBN 9781841500683

Chare, N. J. (2005) Execrable speech: Louis Ferdinand Céline’s 'Bagatelles pour un massacre'. In: Fahraeus, A. and Jonsson, A. (eds.) Textual ethos studies- or locating ethics. Critical studies, 26. Rodopi, Amsterdam, pp. 53-66. ISBN 9789042017979

Davies, P. and Hemsoll, D. (2005) Vincenzo Scamozzi: pianta della villa Laurentina di Plinio. In: Beltramini, G. and Burn, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 201-203. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) “La Soranza” a Treville. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 284-286. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Le ville di Plinio il Giovane e la loro influenza sui progetti di villa veneti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice , pp. 201-203. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Un 'fortissimo palazzo': Castello Bevilacqua. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 282-284. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa Soranza: modello ligneo e il disegno di Giovanni Battista Berti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 286-288. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa della Torre a Fumane. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 288-291. ISBN 9788831786409

Dronsfield, J. L. (2005) I am in the liber: remarks on the question of theorising art. In: Perez, Y., Rodriguez, M. A. and Saladini, E. (eds.) Espazos de Creacion Contemporanea. Concello de Santiago, Santiago de Compostella, pp. 183-195.

Dronsfield, J. L. (2005) Memories of underdevelopment: the collages and sculptures of Melita Couta. In: Danos, A. (ed.) Somatópia: Mapping Sites, Siting Bodies. The Hellenic Centre, London and Ministry of Education & Culture, Cyprus, London and Cyprus, pp. 34-43.

Dronsfield, J. L. (2005) The resistance of the question to phenomenological reduction: Husserl, Fink, and the adequacy of the Sixth Cartesian Meditation as a response to Heidegger. In: Tymieniecka, A.-T. (ed.) Analecta Husserliana. Springer, Dordrecht, pp. 293-305. ISBN 1402036787

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Hillier, J. M. (2005) Swimming and sinking: form and meaning in an avant-garde film. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 155-166. ISBN 9780719065248

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: https://doi.org/10.2277/052184844X

Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2005) Cinema Novo, Glauber, Herzog. In: Silva, M. A. (ed.) Glauber par Glauber. Magic Cinema, Paris, pp. 88-90.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2005) The trilogy of John of God. In: Mira, A. (ed.) The cinema of Spain and Portugal. Wallflower, London, pp. 188-197. ISBN 9781904764441

Paget, D. (2005) Chris Wilkinson (1941-). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 307-312.

Paget, D. (2005) Dramadoc/docudrama: the law and regulation. In: Rosenthal, A. and Corner, J. (eds.) New Challenges for Documentary. Manchester University Press, Manchester, pp. 435-452. ISBN 9780719068980

Paget, D. (2005) Ted Willis (1918-1992). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 313-320.

Paget, D. (2005) Death of a Princess. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Paget, D. (2005) Documentary drama: a critical overview. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Phillips, A. (2005) The 400 Blows (1959), François Truffaut. In: Geiger, J. and Rutsky, R. L. (eds.) Film Analysis: A Norton Reader. W.W. Norton and Company, New York and London , pp. 550-565. ISBN 9780393979831

Purse, L. (2005) The new spatial dynamics of the bullet-time effect. In: King, G. (ed.) The Spectacle of the Real: From Hollywood to Reality TV and Beyond. Intellect, Exeter, pp. 151-160. ISBN 9781841501208

Robertson, E.C. (2005) Phoenix romanus: Rome 1534-1565. In: Hall, M.B. (ed.) Rome: artistic centers of the Italian renaissance. Cambridge University Press, Cambridge, 184-245 . ISBN 9780521624459

Robins, A. G. (2005) Suddenly last summer: Walter Sickert and Degas’s six friends at Dieppe. In: O'Brien, M., Roberts, J., Gruetzner Robins, A. E. and Catano, L. (eds.) Edgar Degas: six friends at Dieppe. Museum of Art, Rhode Island School of Design, Providence, USA, pp. 49-64. ISBN 9780911517804

Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559

Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299

Wheatley, H. (2005) Haunted houses, hidden rooms: women, domesticity and the female Gothic adaptation on television. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 149-165. ISBN 9780719069321

Wheatley, H. (2005) Rooms within rooms: ITV and the studio heritage drama of the 1970s. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 143-158. ISBN 9780335217298

Book

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Big brother: reality TV in the twenty-first century. Palgrave Macmillan, Basingstoke, pp256. ISBN 9781403916846

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds. (2005) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp240. ISBN 9780719069321

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Orlebar, J. (2005) The television handbook. 3rd edition. Routledge, London and New York, pp340. ISBN 9780415342513

Bull, J. (2005) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY.

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Golden, P. R. (2005) The word. Onestar press, Paris, France.

Robins, A. G. and Thomson, R. (2005) Degas, Sickert and Toulouse Lautrec: London and Paris 1870-1910. Tate Publishing, London. ISBN 9781854376343

Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299

Walker, S. F. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) The songs the letters sing: typography and children's reading. National Centre for Language and Literacy, Reading, pp23. ISBN 9780704998469

Show/Exhibition

Buckley, S. (2005) 1979. [Show/Exhibition]

Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition]

Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition]

Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition]

Golden, P. (2005) Nothing personal. [Show/Exhibition]

Golden, P. (2005) The word. [Show/Exhibition]

MacLean, M. (2005) The way we work now. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2005) Short stories about painting. [Show/Exhibition]

Rowlands, A. (2005) Growing up absurd. [Show/Exhibition]

Toren, A. (2005) New works. [Show/Exhibition]

Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition]

Performance

Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2005) The man. [Performance]

Taylor, L. (2005) 'Eden Cinema' by Marguerite Duras. [Performance]

Other

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2005) Adobe Garamond Premier Pro Greek. University of Reading.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Connare, V. and Scaglione, J. (2005) Fabula: type design. University of Reading.