Number of items: 38.
A
Angelaki, V.
(2019)
Theatre & environment.
Theatre &.
Palgrave Macmillan/Red Globe Press, pp90.
ISBN 9781137609830
Angelaki, V.
(2019)
Performing migration in Vienna: the Volkstheater Trilogy.
Performing Ethos, 9 (1).
pp. 9-22.
ISSN 1757-1987
doi: https://doi.org/10.1386/peet_00002_1
B
Bartley, S.
(2019)
Gendering welfare: acts of reproductive labour in applied performance practice.
Contemporary Theatre Review, 29 (3).
pp. 305-319.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2019.1615901
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
“Do you really enjoy the modern play?”: Beckett on commercial television.
In: Stewart, P. and Pattie, D. (eds.)
Pop Beckett: Intersections with Popular Culture.
Samuel Beckett in Company, 7.
Ibidem, Stuttgart, pp. 63-84.
ISBN 9783838211930
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
Meta-commentary and mythology: "Episodes" as a performance of transatlantic TV.
In: Hills, M., Hilmes, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, Oxford, pp. 163-180.
ISBN 9780190663124
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
Performing the identity of the medium: adaptation and television historiography.
Adaptation, 12 (2).
pp. 149-164.
ISSN 1755-0645
doi: https://doi.org/10.1093/adaptation/apz017
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
The performing lives of things: animals, puppets, models and effects.
In: Walters, J. and Donaldson, L. F. (eds.)
Television Performance.
Red Globe Press, London, pp. 43-60.
ISBN 9781137608192
Butler, A.
(2019)
Displacements: reading space and time in moving image installations.
Close Readings.
Palgrave Macmillan, London, pp178.
ISBN 9783030304607
Butler, A.
(2019)
Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema.
Screen, 60 (1).
pp. 128-136.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjy060
C
Cassidy, G. and Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2019)
An actor diversifies: a diachronic examination of the work and career of Tony Curran.
In: Fife Donaldson, L. and Walters, J. (eds.)
Television Performance.
Red Globe Press, London, pp. 168-187.
ISBN 9781137608192
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2019)
Ageless: Akerman’s avatars'.
In: Schmid, M. and Wilson, E. (eds.)
Chantal Akerman: Afterlives.
MHRA/Legenda, Oxford, pp. 54-65.
ISBN 9781781886397
doi: https://doi.org/10.2307/j.ctv16km0vw.11
E
Elduque Busquets, A.
(2019)
Between film and photography: the bubble of blood in 'The Family of Disorder'.
Screen, 60 (1).
pp. 148-159.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjy069
G
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell.
Movie: A Journal of Film Criticism (8).
pp. 38-71.
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
New approaches to film history.
[Project]
(Collection)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history.
Movie: A Journal of Film Criticism, 8.
ISSN 2047-1661
K
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2019)
Representations of British Chinese identities and British television drama: mapping the field.
Journal of British Cinema and Television, 16 (2).
pp. 125-145.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2019.0465
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2019)
The unwitting pioneer of transatlantic format adaptation: Beryl Vertue.
Historical Journal of Film, Radio and Television, 39 (2).
pp. 341-365.
ISSN 0143-9685
doi: https://doi.org/10.1080/01439685.2018.1522790
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203 and Cassidy, G.
(2019)
Game of Thrones: investigating British acting.
In: Hills, M., Hilmes, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, Oxford, pp. 181-202.
ISBN 9780190663124
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H.
(2019)
Friends: a reading of the sitcom.
Palgrave Macmillan.
ISBN 9783030254285
doi: https://doi.org/10.1007/978-3-030-25429-2
L
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Improvisation as a research methodology: Exploring links between filmmakers’ practice and traditions of enquiry across the academy.
Media Practice and Education, 20 (2).
pp. 134-146.
ISSN 2574-1136
doi: https://doi.org/10.1080/25741136.2019.1605675
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Many ways of directing a film: teaching the ‘modes of creative practice’.
In: Mourao, M. D., Semerdjiev, S., Mello, C. and Taylor, A. (eds.)
The 21st Century Film, TV and Media School Book – Volume 2: Directing the future.
CILECT - the International Association of Film and Television Schools, Sofia, pp. 28-39.
ISBN 9786197358087
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Modes of Creative Practice in the directing of independent fiction films.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00104350
M
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149
(2019)
Between.
[Performance]
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149
(2019)
I, Sheep.
[Show/Exhibition]
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149
(2019)
Peeling onions with Granny: on being moved to collaborate.
Performing Ethos, 9 (1).
pp. 37-53.
ISSN 1757-1987
doi: https://doi.org/10.1386/peet_00004_1
N
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2019)
Multimedia identities: an analysis of How Tasty Was My Little Frenchman.
Screen, 60 (1).
pp. 160-171.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjy067
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Paiva, S.
(2019)
Passages - travelling in and out of film through Brazilian geography.
[Video]
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds.
(2019)
Intermediality in Brazilian cinema: the case of Tropicália.
Screen, 60 (1).
Oxford Academic.
doi: https://doi.org/10.1093/screen/hjy064
O
O'Brien, A.
ORCID: https://orcid.org/0000-0002-9527-4076
(2019)
Energy and eventhood: the infrastructural set piece.
Journal of Aesthetics & Culture, 11 (1).
1697551.
ISSN 2000-4214
doi: https://doi.org/10.1080/20004214.2019.1697551
P
Petruska, K. and Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem.
In: Hilmes, M., Hills, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, pp. 49-68.
ISBN 9780190663124
doi: https://doi.org/10.1093/oso/9780190663124.003.0004
Purse, L.
(2019)
Square-jawed strength: gender and resilience in the female astronaut film.
Science Fiction Film and Television, 12 (1).
pp. 53-72.
ISSN 1754-3770
Purse, L.
(2019)
The new dominance: action-fantasy hybrids and the new superhero in 2000s action cinema.
In: Kendrick, J. (ed.)
A Companion to the Action Film.
Wiley Blackwell, Chichester, West Sussex, pp. 55-73.
ISBN 9781119100492
doi: https://doi.org/10.1002/9781119100744.ch3
Purse, L. and Palmer, L., eds.
(2019)
When the astronaut is a woman.
Science Fiction Film and Television (Special Issue), 12 (1).
Liverpool University Press.
R
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2019)
The dystopian near-future in contemporary British drama.
Journal of Contemporary Drama in English, 7 (1).
pp. 72-88.
ISSN 2195-0156
doi: https://doi.org/10.1515/jcde-2019-0006
S
Sexton, M. and Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Fargo: seeing the significance of style in television
poetics?
Critical Studies in Television: The International Journal of Television Studies, 14 (3).
pp. 343-361.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602019853792
T
Tyler, L.
(2019)
“Responding to the thing that it is”: a study of new play development in English theatres.
Studies in Theatre and Performance, 39 (1).
pp. 38-53.
ISSN 1468-2761
doi: https://doi.org/10.1080/14682761.2017.1348682
W
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag.
Communication, Culture and Critique, 12 (2).
pp. 194-212.
ISSN 1753-9129
doi: https://doi.org/10.1093/ccc/tcz014
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright.
Journal of British Cinema and Television, 16 (3).
pp. 346-366.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2019.0481
This list was generated on Fri Aug 16 07:16:56 2024 UTC.