Number of items: 18.
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Samuel Beckett’s television plays.
In: Bennett, M. Y. (ed.)
The Routledge Companion to Absurdist Literature.
Routledge Literature Companions.
Routledge, London.
ISBN 9781032188126
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Technology.
In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (eds.)
The Oxford Handbook of Samuel Beckett.
Oxford Handbooks.
Oxford University Press, Oxford.
(In Press)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Television: from pre-production to programme making and dissemination.
In: Beloborodova, O. and Van Hulle, D. (eds.)
Toward a Comparative History of the Literary Draft in Europe.
John Benjamins, Amsterdam, pp. 473-486.
ISBN 9789027215260
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
The absence of television: broadcasting and war in Britain, 1939-45.
In: Dickason, R. and Haigron, D. (eds.)
Issues and Singularity in the British Media.
Palgrave Macmillan, Cham, pp. 71-93.
ISBN 9783031606526
doi: https://doi.org/10.1007/978-3-031-60653-3_4
Burbridge, A. L. M.
(2024)
A study of hegemonic masculinity in select plays by Harold Pinter.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119400
Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429
(2024)
Both Grand & Intimate: UK
Livecasting From 2009 to Now.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00117335
Cochrane, C., Goddard, L., Hindson, C. and Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778, eds.
(2024)
The Routledge companion to twentieth century British theatre and performance volume one: 1900–1950.
Routledge Companion, One.
Routledge, UK, pp404.
ISBN 9780367487898
Daou, M.
(2024)
Film editing: knowledge, practice, and scholarship.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119550
Duane, C.
(2024)
The stage and beyond: scenography and audience experience in post-millennial stagings of Samuel Beckett’s works.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119549
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2024)
Video essay: choosing death row songs.
Music, Sound and the Moving Image, 18 (1).
pp. 3-5.
ISSN 1753-0776
doi: https://doi.org/10.3828/msmi.2024.2
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740,
(2024)
Synthetic Media Research Network — written evidence (ACT0011) to the House of Lords Communications and Digital Select Committee inquiry: Scaling Up: AI and creative tech.
Scaling Up - AI and Creative Tech.
Report.
UK Parliament, Westminster.
pp7.
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2024)
World cinema and the ethics of realism.
In: Vaysman, M. and Bowers, K. (eds.)
The Oxford Handbook of Global Realisms.
Oxford Handbooks.
Oxford University Press, Oxford.
ISBN 9780197610640
doi: https://doi.org/10.1093/oxfordhb/9780197610640.013.22
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2024)
No river: a prosthetic flashback.
[Video]
([in]Transition, 11 (2))
Park, H.
(2024)
Media archaeology in Samuel Beckett’s television plays.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119130
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2024)
The Cheviot and its legacies: dramaturgies of the Left in Scottish theatre.
In: Jestrovic, S. and Dutt, B. (eds.)
Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World.
Manchester University Press, Manchester.
(In Press)
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2024)
Theatre and performance in contemporary Scotland.
Palgrave Macmillan, UK, pp252.
ISBN 9783031611902
Tweed, Z.
(2024)
Matrix of shame: a feminist reading of shame, the body and radical disruption in the performance works of Marina Abramović, Samuel Beckett and Ana Mendieta.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00117065
Tyler, L.
(2024)
Commodity trailing contemporary performance: Sh!t Theatre’s DollyWould and Selina Thompson’s salt.
Contemporary Theatre Review, 34 (2).
pp. 133-151.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2024.2334246
This list was generated on Thu Dec 26 15:57:21 2024 UTC.