A

Andrews, M. (2006) The stuff of everday life: a brief introduction to the history and definition of printed ephemera. Art Libraries Journal, 31 (4). pp. 5-8. ISSN 0302-4722

B

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2006) Programmes and canons. Critical Studies in Television, 1 (1). pp. 31-36. ISSN 1749-6020

Bull, J. (2006) Left in front: David Edgar's political theatre. In: Luckhurst, M. (ed.) A Companion to Modern British and Irish Drama 1880-2005. Blackwell Companions: Literature and Culture. Blackwell, Oxford, pp. 441-453. ISBN 9781405122283

Butler, A. (2006) Gender. In: Grant, B. K. (ed.) Schirmer Encyclopedia of Film. Schirmer/Gale, New York. ISBN 9780028657912

C

Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition]

Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition]

Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition]

Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition]

Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition]

Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition]

Chare, N. (2006) Book review: revolution in poetic sign language [review of R.Sutton-Spence 'Analysing sign language poetry']. Sign Language Studies, 6 (3). pp. 347-354. ISSN 1533-6263

Chare, N. (2006) Passages to paint: Francis Bacon’s studio practice. Parallax, 12 (4). pp. 83-98. ISSN 1460-700X doi: https://doi.org/10.1080/13534640600956032

Chare, N. (2006) Testimony. The year's work in critical and cultural theory, 14 (1). pp. 283-291. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbl016

Chare, N. (2006) The gap in context: Giorgio Agamben's 'Remnants of Auschwitz'. Cultural Critique, 64. pp. 40-68. ISSN 0882-4371

D

Davies, P. (2006) The tempietti on the Ponte Sant’Angelo and the Renaissance of architecture in Rome. In: Eriksen, R. and Tschudi, V.P. (eds.) Ashes to ashes : art in Rome between humanism and maniera. Edizioni dell'Ateneo, Rome, pp. 11-40. ISBN 8884761034

Dobraszczyk, P. (2006) Historicizing iron: Charles Driver and the Abbey Mills pumping station (1865-68). Architectural History, 49. pp. 223-256. ISSN 0066-622X

Dronsfield, J. (2006) On the very idea of sustainable art. Praesens: Central European Contemporary Art Review, 1. pp. 74-79. ISSN 1588-5534

Dronsfield, J. L. (2006) The condition of film as philosophy: or, how can a film ask a question? Film and Philosophy, 10. pp. 135-150.

Dunsby, J. (2006) Making words sing: nineteenth- and twentieth-century song. Cambridge University Press, Cambridge. ISBN 9780511207181

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312, Lonsdale, M. and Papaefthimiou, M. (2006) Student perspectives on a virtual learning environment: lessons for einstructors. Blended learning: promoting dialogue in innovation and practice. pp. 137-144.

E

Ellison, C. (2006) Craftwork. [Performance]

Esbester, M. (2006) "No good reason for the Government to interfere": the State and Railway Employee Safety in Britain, c. 1900-1939. Business and Economic History Online, 4. ISSN 0849-6825

F

Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: https://doi.org/10.1109/VLHCC.2006.15

Fadel, L. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria.

G

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2006) Filmmakers' choices. In: Close-Up 01. Wallflower Press, London, pp. 1-87. ISBN 1904764665

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571

Gillieson, K. (2006) The book abstracted. Dot Dot Dot. ISSN 1615-1968

Gillieson, K., Andrew, A. and MacKinnon, E. (2006) Start where you are: Graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616

Gillieson, K., Andrew, A. and Mackinnon, E. (2006) 'Start where you are': graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616

K

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2006) Cheap Jack Flash. Eye, 60. pp. 46-51.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2006) Patents progress: the Adjustable Stencil. Journal of the Printing Historical Society, 9 (new ser. pp. 65-92.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2006) Reading the ungraspable double-codedness of: the Simpsons. Journal of Popular Film and Television, 34 (2). pp. 73-81. ISSN 1930-6458 doi: https://doi.org/10.3200/JPFT.34.2.73-81

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2006) Flatpack revolution. [Project]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition]

L

Lee, S. (2006) Review of 'The legacy of Homer: four centuries of art from the École Nationale Supérieure des Beaux-Arts, Paris' by E.Schwartz, G.Steiner and P.Senechal. The Art Book, 13 (4). pp. 51-52. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2006.00739.x

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2006) Languages, scripts, and typefaces. Tipografica, 70. pp. 16-17. ISSN 0328-7777

Lonsdale, M. d. S., Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Reynolds, L. (2006) Reading in examination-type situations: the effects of text layout on performance. Journal of Research in Reading, 29 (4). pp. 433-453. ISSN 1467-9817 doi: https://doi.org/10.1111/j.1467-9817.2006.00317.x

M

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2006) Performativity, unruly bodies and gender in Brian Friel’s drama. In: Roche, A. (ed.) Cambridge Companion to Brian Friel. Cambridge Companions to Literature. Cambridge University Press, Cambridge, pp. 142-153. ISBN 9780521853996

Moseley, J. (2006) Garamond, Griffo and others: the price of celebrity. Bibliologia, 1. pp. 17-41.

Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27.

Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96.

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2006) 'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) Talking bullets: the language of violence in "City of God". In: Vieira, E. R. P. (ed.) "City of God" in several voices: Brazilian social cinema as action. Critical, Cultural and Communications Press, Nottingham, pp. 32-43. ISBN 9781905510009

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa. In: Greiner, C. and Amorim, C. (eds.) Leituras do Sexo. Annablume, São Paulo, pp. 127-140. ISBN 857419610X

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) Towards a positive definition of World Cinema. In: Dennison, S. and Lim, S. H. (eds.) Remapping world cinema: identity, culture and politics in film. Wallflower Press, London, pp. 30-37. ISBN 9781904764632

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias. Coleção Ensaios. CosacNaify, São Paulo, pp216. ISBN 8575035576

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) The zero, the centre and the empty utopia: from Rossellini to Walter Salles. Studies in European Cinema, 3 (3). pp. 223-233. ISSN 2040-0594 doi: https://doi.org/10.1386/seci.3.3.223_1

P

Paget, D. and Roscoe, J. (2006) Giving voice: performance and authenticity in the documentary musical. Jump Cut: a Review of Contemporary Media, 48.

Phillips, A. (2006) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. In: Grant, C. and Kuhn, G. E. (eds.) Screening World Cinema. The Screen Readers. Routledge, London, New York. ISBN 9780415384285

Phillips, A. and Vincendeau, G., eds. (2006) Journeys of desire: European actors in Hollywood. British Film Institute, pp350. ISBN 9781844571246

R

Reynolds, L., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Duncan, A. (2006) Children's responses to line spacing in early reading books or "Holes to tell you which line you're on". Visible Language, 40 (3). pp. 246-267.

Robertson, C. (2006) Julian Kliemann und Michael Rohlmann, wandmalerei in Italien. Hochrenaissance und Manierismus, 1510-1600. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, 59 (1). pp. 20-22. ISSN 0023-5474

Robertson, E. C. (2006) Cardinals Odoardo Farnese and Pietro Aldobrandini as patrons of landscape painting. In: Cappelletti, F. (ed.) Archivi dello sguardo: origini e momenti della pittura di paesaggio in Italia. Le Lettere, Florence, pp. 243-263. ISBN 8871669827

Robins, A. G. (2006) 'Slabs of pink and lumps of brown': the critical reaction to the exhibition of a Monet Grainstack painting in Britain in 1893. In: Fowle, F. (ed.) Monet and French landscape, Vétheuil and Normandy. National Galleries of Scotland, Scotland, pp. 159-171. ISBN 9781903278918

Robins, A. G. (2006) Some newly discovered sketches by Walter Sickert of Gatti's Hungerford palace of varieties. The Burlington Magazine, 148 (1237). pp. 269-272. ISSN 0007-6287

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) Glass Bead Game. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) New contemporaries. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) Toyama X. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) Treasure hunt. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2006) A design for Sri Lanka. Building Letters, 3. pp. 20-23.

Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57.

Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76.

Rowlands, A. (2006) The glass bead game. [Show/Exhibition]

T

Taylor, L. (2006) The 'unhomely' stage. Studies in Theatre & Performance, 26 (3). pp. 205-220. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.26.3.205/1

Toren, A. (2006) Drawing breath. [Show/Exhibition]

Toren, A. (2006) Houses in motion. [Show/Exhibition]

Toren, A. (2006) Narrative painting #1. [Show/Exhibition]

Toren, A. (2006) Received wisdom. [Show/Exhibition]

Toren, A. (2006) Ten last drawings. [Show/Exhibition]

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24.