Items where Division is "School of Arts and Communication Design" and Year is 2006
Number of items: 71. AAndrews, M. (2006) The stuff of everday life: a brief introduction to the history and definition of printed ephemera. Art Libraries Journal, 31 (4). pp. 5-8. ISSN 0302-4722 BBignell, J. (2006) Programmes and canons. Critical Studies in Television, 1 (1). pp. 31-36. ISSN 1749-6020 Bull, J. (2006) Left in front: David Edgar's political theatre. In: Luckhurst, M. (ed.) A Companion to Modern British and Irish Drama 1880-2005. Blackwell Companions: Literature and Culture. Blackwell, Oxford, pp. 441-453. ISBN 9781405122283 Butler, A. (2006) Gender. In: Grant, B. K. (ed.) Schirmer Encyclopedia of Film. Schirmer/Gale, New York. ISBN 9780028657912 CChaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition] Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition] Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition] Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition] Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition] Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition] Chare, N. (2006) Book review: revolution in poetic sign language [review of R.Sutton-Spence 'Analysing sign language poetry']. Sign Language Studies, 6 (3). pp. 347-354. ISSN 1533-6263 Chare, N. (2006) Passages to paint: Francis Bacon’s studio practice. Parallax, 12 (4). pp. 83-98. ISSN 1460-700X doi: https://doi.org/10.1080/13534640600956032 Chare, N. (2006) The gap in context: Giorgio Agamben's 'Remnants of Auschwitz'. Cultural Critique, 64. pp. 40-68. ISSN 0882-4371 Chare, N. (2006) Testimony. The year's work in critical and cultural theory, 14 (1). pp. 283-291. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbl016 DDavies, P. (2006) The tempietti on the Ponte Sant’Angelo and the Renaissance of architecture in Rome. In: Eriksen, R. and Tschudi, V.P. (eds.) Ashes to ashes : art in Rome between humanism and maniera. Edizioni dell'Ateneo, Rome, pp. 11-40. ISBN 8884761034 Dobraszczyk, P. (2006) Historicizing iron: Charles Driver and the Abbey Mills pumping station (1865-68). Architectural History, 49. pp. 223-256. ISSN 0066-622X Dronsfield, J. (2006) On the very idea of sustainable art. Praesens: Central European Contemporary Art Review, 1. pp. 74-79. ISSN 1588-5534 Dronsfield, J. L. (2006) The condition of film as philosophy: or, how can a film ask a question? Film and Philosophy, 10. pp. 135-150. Dunsby, J. (2006) Making words sing: nineteenth- and twentieth-century song. Cambridge University Press, Cambridge. ISBN 9780511207181 Dyson, M., Lonsdale, M. and Papaefthimiou, M. (2006) Student perspectives on a virtual learning environment: lessons for einstructors. Blended learning: promoting dialogue in innovation and practice. pp. 137-144. EEllison, C. (2006) Craftwork. [Performance] Esbester, M. (2006) "No good reason for the Government to interfere": the State and Railway Employee Safety in Britain, c. 1900-1939. Business and Economic History Online, 4. ISSN 0849-6825 FFadel, L. M. and Dyson, M. C. (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: https://doi.org/10.1109/VLHCC.2006.15 Fadel, L. and Dyson, M. C. (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria. GGibbs, J. and Pye, D., eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571 Gibbs, J. (2006) Filmmakers' choices. In: Close-Up 01. Wallflower Press, London, pp. 1-87. ISBN 1904764665 Gillieson, K. (2006) The book abstracted. Dot Dot Dot. ISSN 1615-1968 Gillieson, K., Andrew, A. and MacKinnon, E. (2006) Start where you are: Graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616 Gillieson, K., Andrew, A. and Mackinnon, E. (2006) 'Start where you are': graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616 KKindel, E. (2006) Cheap Jack Flash. Eye, 60. pp. 46-51. Kindel, E. (2006) Patents progress: the Adjustable Stencil. Journal of the Printing Historical Society, 9 (new ser. pp. 65-92. Knox, S. (2006) Reading the ungraspable double-codedness of: the Simpsons. Journal of Popular Film and Television, 34 (2). pp. 73-81. ISSN 1930-6458 doi: https://doi.org/10.3200/JPFT.34.2.73-81 Kollectiv, P. and Kollectiv, G. (2006) Flatpack revolution. [Project] Kollectiv, P. and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition] LLee, S. (2006) Review of 'The legacy of Homer: four centuries of art from the École Nationale Supérieure des Beaux-Arts, Paris' by E.Schwartz, G.Steiner and P.Senechal. The Art Book, 13 (4). pp. 51-52. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2006.00739.x
Leonidas, G. Lonsdale, M. d. S., Dyson, M. C. and Reynolds, L. (2006) Reading in examination-type situations: the effects of text layout on performance. Journal of Research in Reading, 29 (4). pp. 433-453. ISSN 1467-9817 doi: https://doi.org/10.1111/j.1467-9817.2006.00317.x MMcMullan, A. (2006) Performativity, unruly bodies and gender in Brian Friel’s drama. In: Roche, A. (ed.) Cambridge Companion to Brian Friel. Cambridge Companions to Literature. Cambridge University Press, Cambridge, pp. 142-153. ISBN 9780521853996 Moseley, J. (2006) Garamond, Griffo and others: the price of celebrity. Bibliologia, 1. pp. 17-41. Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27. Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96. Murjas, T. (2006) 'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance] NNagib, L. (2006) Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa. In: Greiner, C. and Amorim, C. (eds.) Leituras do Sexo. Annablume, São Paulo, pp. 127-140. ISBN 857419610X Nagib, L. (2006) Towards a positive definition of World Cinema. In: Dennison, S. and Lim, S. H. (eds.) Remapping world cinema: identity, culture and politics in film. Wallflower Press, London, pp. 30-37. ISBN 9781904764632 Nagib, L. (2006) A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias. Coleção Ensaios. CosacNaify, São Paulo, pp216. ISBN 8575035576 Nagib, L. (2006) The zero, the centre and the empty utopia: from Rossellini to Walter Salles. Studies in European Cinema, 3 (3). pp. 223-233. ISSN 2040-0594 doi: https://doi.org/10.1386/seci.3.3.223_1 Nagib, L. (2006) Talking bullets: the language of violence in "City of God". In: Vieira, E. R. P. (ed.) "City of God" in several voices: Brazilian social cinema as action. Critical, Cultural and Communications Press, Nottingham, pp. 32-43. ISBN 9781905510009 PPaget, D. and Roscoe, J. (2006) Giving voice: performance and authenticity in the documentary musical. Jump Cut: a Review of Contemporary Media, 48. Phillips, A. (2006) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. In: Grant, C. and Kuhn, G. E. (eds.) Screening World Cinema. The Screen Readers. Routledge, London, New York. ISBN 9780415384285 Phillips, A. and Vincendeau, G., eds. (2006) Journeys of desire: European actors in Hollywood. British Film Institute, pp350. ISBN 9781844571246 RReynolds, L., Walker, S. and Duncan, A. (2006) Children's responses to line spacing in early reading books or "Holes to tell you which line you're on". Visible Language, 40 (3). pp. 246-267. Robertson, C. (2006) Julian Kliemann und Michael Rohlmann, wandmalerei in Italien. Hochrenaissance und Manierismus, 1510-1600. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, 59 (1). pp. 20-22. ISSN 0023-5474 Robertson, E. C. (2006) Cardinals Odoardo Farnese and Pietro Aldobrandini as patrons of landscape painting. In: Cappelletti, F. (ed.) Archivi dello sguardo: origini e momenti della pittura di paesaggio in Italia. Le Lettere, Florence, pp. 243-263. ISBN 8871669827 Robins, A. G. (2006) 'Slabs of pink and lumps of brown': the critical reaction to the exhibition of a Monet Grainstack painting in Britain in 1893. In: Fowle, F. (ed.) Monet and French landscape, Vétheuil and Normandy. National Galleries of Scotland, Scotland, pp. 159-171. ISBN 9781903278918 Robins, A. G. (2006) Some newly discovered sketches by Walter Sickert of Gatti's Hungerford palace of varieties. The Burlington Magazine, 148 (1237). pp. 269-272. ISSN 0007-6287 Roithmayr, F. (2006) Glass Bead Game. [Show/Exhibition] Roithmayr, F. (2006) New contemporaries. [Show/Exhibition] Roithmayr, F. (2006) Toyama X. [Show/Exhibition] Roithmayr, F. (2006) Treasure hunt. [Show/Exhibition] Ross, F. (2006) A design for Sri Lanka. Building Letters, 3. pp. 20-23. Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57. Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76. Rowlands, A. (2006) The glass bead game. [Show/Exhibition] TTaylor, L. (2006) The 'unhomely' stage. Studies in Theatre & Performance, 26 (3). pp. 205-220. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.26.3.205/1 Toren, A. (2006) Drawing breath. [Show/Exhibition] Toren, A. (2006) Houses in motion. [Show/Exhibition] Toren, A. (2006) Narrative painting #1. [Show/Exhibition] Toren, A. (2006) Received wisdom. [Show/Exhibition] Toren, A. (2006) Ten last drawings. [Show/Exhibition] Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226. Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24. |