Items where Division is "School of Arts and Communication Design" and Year is 2008
Number of items: 65. AAngelaki, V. (2008) Subtractive forms and composite contents: Martin Crimp’s Fewer Emergencies. In: Schnierer, P. P. and Redling, E. (eds.) Contemporary Drama in English. Wissenschaftlicher Verlag Trier, pp. 31-46. Angelaki, V. (2008) Taking a bite of the Big Apple: Martin Crimp’s The Treatment. In: Angel-Perez, E. and Poulain, A. (eds.) Hunger on the Stage. Cambridge Scholars Publishing, pp. 257-267.
Aranda, J., Bumsteinas, A., Garbstiene, L., Bunic, P., Cesarco, A., Dahlberg, K., Deball, M. C., Fontaine, C., Dowd, S., Roithmayr, F. B
Banham, R.
Banham, R.
Banham, R. Bennett, J. and Brown, T., eds. (2008) Film and television after DVD. Routledge research in cultural and media studies (15). Routledge, New York, pp202. ISBN 9780415962414
Bignell, J.
Bignell, J. Brown, T. (2008) Spectacle/gender/history: the case of Gone with the Wind. Screen, 49 (2). pp. 157-178. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjn023 Bull, J. (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Redling, E. and Schnierer, P. P. (eds.) Non-Standard Forms of Contemporary Drama and Theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408 Butler, A. (2008) Feminist perspectives in film studies. In: Donald , J. and Renov , M. (eds.) The Sage Handbook of Film Studies. Sage , London, pp. 391-407. ISBN 9780761943266 CChare, N. (2008) Testimony. The year's work in critical and cultural theory, 16 (1). pp. 288-301. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbn005 Chare, N. (2008) Testimony on trial: reviewing rape in 'The Accused'. Southern Review: Communication, Politics and Culture, 40 (3). pp. 68-83. ISSN 0038-4526
Clausen, S.
Clausen, S. DDavies, P. (2008) Modello del Tempietto Barbaro. In: Beltramini, G. and Burns, H. (eds.) Palladio. Royal Academy of Arts, London, UK, pp. 242-243. ISBN 9781905711246 Davies, P. (2008) Palladio, l'architettura e la peste. In: Barbieri, F. (ed.) Palladio 1508-2008: Il simposio del cinquecentenario. Marsilio, Venice, Italy, pp. 189-195. ISBN 9788831796262 Davies, P. (2008) A re-reading of Antonio Labacco's drawing of San Sebastiano in Mantua. In: Poeschke, J. and Syndikus, C. (eds.) Leon Battista Alberti: humanist, architekt, kunsttheoretiker. Rhema, Munster, Germany, pp. 299-314. ISBN 9783930454662 Dronsfield, J. (2008) Between Heidegger and Deleuze there never is any difference. In: Raffoul, F. and Pettigrew, D. (eds.) French Interpretations of Heidegger: An Exceptional Reception. SUNY series in Contemporary French Thought. State University of New York Press, Albany, pp. 151-165. ISBN 9780791475591 Dronsfield, J. L. (2008) Funny heterogeneous. In: Maass, G. and Nayoungim, (eds.) It's nice to be nice; try it. Caustic Window, Seoul, S. Korea, pp. 122-126. ISBN 8995646427 Dronsfield, J. L. (2008) Nowhere is aesthetics contra ethics: Rancière the other side of Lyotard. Art&Research, 2 (1). ISSN 1752-6388 Dronsfield, J. L., Rancière, J. and Wright, S. (2008) An exchange with Jacques Rancière. Art&Research, 2 (1). ISSN 1752-6388
de Souza, J. M. B. and Dyson, M. EEllison, C. (2008) RGBOHP. [Performance] FFife, L. (2008) Human monstrosity: rape, ambiguity and performance in Rosemary’s Baby (Roman Polanski, 1968). In: Baumgartner, H. and Davis, R. (eds.) Hosting the Monster. At the Interface/Probing the Boundaries (52). Rodopi, Amsterdam / New York, pp. 43-62. ISBN 9042024860 G
Garfield, R. Gillieson, K. (2008) A framework for graphic description in book design. PhD thesis, University of Reading. Gillieson, K. (2008) Limits of reading: the book in action. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 60-63. ISBN 9783899552096 Gillieson, K. (2008) Limits of the book: forethoughts on book design. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 2-5. ISBN 9783899552096 Gillieson, K. (2008) Limits of the book: the book about books. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 28-31. ISBN 9783899552096 H
Heim, A., Roithmayr, F. K
Knox, S. Kollectiv, G. and Kollectiv, P. (2008) Another Proof of the Preceding Theory. [Video] Kollectiv, G. and Kollectiv, P. (2008) Future Monument. [Project] Kollectiv, G. and Kollectiv, P. (2008) The Institute of Psychoplasmics. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2008) Svetlana. [Show/Exhibition] MMalvern, S. (2008) The spaces of British art: patronage, institutions, audiences. In: Stephens, C. (ed.) The history of British art 1870-now. The history of British art, 3. Tate Publishing, London, pp. 198-221. ISBN 9781854376527
McMullan, A. Mosley, J. (2008) The materials of typefounding: a list of surviving collections. Printing History, NS 4 (4). Mosley, J. (2008) Médailles sur les principaux événements du règne de Louis le Grand 1702, the making of the book. Bulletin du bibliophile, 2. pp. 296-350. ISSN 0399-9742
Murjas, T. R
Reid, T.
Reid, T.
Renshaw, T.
Richter, D. Robertson, C. (2008) Patronage rivalries: cardinals Odoardo Farnese and Pietro Aldobrandini. In: Burke, J. and Bury, M. (eds.) Art and identity in early modern Rome. Ashgate Press, Aldershot, UK, pp. 95-111. ISBN 9780754656906 Robertson, C. (2008) The invention of Annibale Carracci. Silvana Editoriale, Milan, Italy, pp417. ISBN 9788836609741 Robertson, E. C. (2008) Review of 'Medici women: portraits of power, love and betrayal' by Gabrielle Langdon. The Burlington Magazine, 150. ISSN 0007-6287
Ross, F. Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599 Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition] Rowlands, A. (2008) NOVEL. [Show/Exhibition] Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077 Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969 SSaunders, G. (2008) From resistance to witness: changing spectatorship in the theatre of Sarah Kane. In: Hunkeler, T., Fournier Kiss, C. and Luthi, A. (eds.) Place au public: les spectateurs du theatre contemporain. MétisPresses, Geneva, pp. 153-165. ISBN 9782940406050 Saunders, G. (2008) Patrick Marber’s 'Closer'. Continuum Modern Theatre Guides. Continuum, London, pp118. ISBN 9780826492487 Saunders, G. (2008) Getting closer: Patrick Marber’s excursions into the Pinteresque. Critical Engagements, 2 (2). pp. 150-164. ISSN 1754-0984 Saunders, G. (2008) The persistence of the 'well made play'. In: Redling, E. and Schnierer, P. P. (eds.) Non-standard forms of contemporary drama and theatre. Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 11-21. ISBN 9783868210408 Smart, B. (2008) Simon Gray, 1936–2008: In other words. Contemporary Theatre Review, 18 (4). pp. 542-544. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800802492855 TTwyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X WWilliams, D. (2008) Circulating antisemitism: the men of 1914. In: Durão, F. and Williams, D. (eds.) Modernist group dynamics: the politics and poetics of friendship. Cambridge Scholars Publishing, Newcastle, UK, pp. 43-68. ISBN 9781847185082 Williams, D. (2008) Fighting on different fronts: Isaac Rosenberg and John Rodker in the Great War. In: Dickson, R. , Liddiard, J., MacDougall, S., Wilson, J. M. and Williams, D. (eds.) Whitechapel at war: Isaac Rosenberg and his circle. Ben Uri Gallery, The London Jewish Museum of Art, London, UK, pp. 95-98. ISBN 780900157097
Woods, F.
Woods, F. |