Article

Bartley, S. (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi: https://doi.org/10.1080/13569783.2020.1853516

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Adventures between TV and film, and between Britain and America. Ecrans, 15 (1). pp. 27-42. ISSN 2267 4357 doi: https://doi.org/10.48611/isbn.978-2-406-12259-3.p.0027 (Special issue "Mémoire et réécritures dans les séries télévisées")

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Cringe histories: Harold Pinter and the Steptoes. Humanities, 10 (2). 83. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020083

Byrne, S. (2021) Livecasting without the live: the multiple temporalities of National Theatre at Home. Connessioni Remote, 12 (3). pp. 57-76. ISSN 2724-2722 doi: https://doi.org/10.54103/connessioni/16818

Cox-Stanton, T. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2021) A commentary on: Reappropriation of gendered Irish Sign Language in one family. Visible Language, 55 (3). pp. 28-35. ISSN 0022-2224 doi: https://doi.org/10.34314/vl.v55i3.4671

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) معمّای نخستین کتاب فارسی چاپ‌شده با حروف سربی در ایران (Enigma of the first Persian book printed in Iran with movable type). Jahan-e Ketab, 26 (1–3). pp. 41-47. ISSN 1681-9705

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ghazi-zadeh, A.-A. (2021) سرآغاز چاپ و حروف‌ریزی فارسی در اروپا (The beginning of Persian printing and typefounding in Europe). Jahan-e Ketab, 25 (9–10). pp. 40-52. ISSN 1681-9705

Lees, D., Bashford-Rogers, T. and Keppel-Palmer, M. (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: https://doi.org/10.1177/13548565211030452 (Special Issue: 'The Digital Face and Deepfakes on Screen')

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2021) The elusive form of film. NECSUS. ISSN 2213-0217

O'Brien, A. (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi: https://doi.org/10.16995/os.47

Patrick, M. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Editorial: Fluxus perspectives. Fluxus Perspectives (51). pp. 1-5. ISSN ‎ 979-8478092658

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Flux us now! Fluxus explored with a camera. Fluxus Perspectives, 51 (51). pp. 6-24. ISSN 9798478092658

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Spoiler alert: instituting feminism will not work without a fight. Instituting Feminism, 52 (52). pp. 47-60. ISSN 9798774294657

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Invisible hands: tracing the origins and development of the Linotype Devanagari digital fonts. Journal of the Printing Historical Society, 3 (2). pp. 111-153. ISSN 0079-5321

Stupart, L. (2021) Thawing, dissolving, disappearing, bleeding etc.: a scientific study of trauma, time travel and the melting polar ice caps. Art + Australia, 8 (57:1). pp. 118-125. ISSN 1837-2422

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Halai, M., Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 and Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 (2021) Beat bad microbes: raising public awareness of antibiotic resistance in Rwanda. Information Design Journal, 26 (1). pp. 17-32. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.20023.wal

Book or Report Section

Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F., Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Articulations of voice and medium in Beckett’s screen work. In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.) Beckett’s Voices / Voicing Beckett. Themes in Theatre, 12. Brill, Leiden, pp. 280-294. ISBN 9789004468382 doi: https://doi.org/10.1163/9789004468382_021

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) The absence of television: broadcasting and war in Britain, 1939-45. In: Dickason, R. (ed.) Issues and Singularity in the British Media. Atlande, Paris. (In Press)

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Von der Wiener methode der bildstatistik zu isotype. In: Waldner, G. (ed.) Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath. Mandelbaum Verlag, Vienna, pp. 35-49. ISBN 9783854769668

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) Honour. In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.) Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism. Peter Lang, Oxford, pp. 21-40. ISBN 9781789976397

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) ‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory. In: Thresholds: Interwar Lens Media Cultures 1919-1939. Walther Koenig, Cologne, pp. 101-122. ISBN 9783753300009

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. In: Sheleff, M. and Spies, S. (eds.) (Un)commoning voices and (non)communal bodies. OnCurating.org, Zurich, Switzerland, pp. 98-107. ISBN 9798744646660

Ghosh, S. (2021) The disability and film-making community in film practice-as-research: the case of we make film. In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.) Many Voices, Many Worlds : Critical Perspectives on Community Media in India. SAGE Publications India Pvt. Ltd., pp. 143-156. ISBN 9789391138479

Kenward, J. ORCID: https://orcid.org/0000-0002-3513-9585 (2021) The right to be forgotten: confronting the past in post-millennial cinema. In: Carranza, A. J. (ed.) Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998-2019. McFarland, Jefferson, North Carolina, pp. 182-195. ISBN 9781476679310

Kollectiv, P. and Kollectiv, G. (2021) A thousand kitchen tables. In: Bajec, M., Holert, T. and Smith, M. (eds.) Pause. Fervour. Reflections on a Pandemic. Harun Farocki Institut & Journal of Visual Culture, pp. 119-122. ISBN 9781527295445

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Collections-based research to underpin best practice in typeface design for diverse scripts. In: Satalecka, E. and Połczyński, M. (eds.) Future Graphic Language: New Directions in Verbal Communication. Polish-Japanese Academy of Information Technology, Warsaw, pp. 72-83. ISBN 9788366831

Sandhu, K. (2021) From 'Third month of the meteorological winter' and 'Cluster of words'. In: Judith: Women Making Visual Poetry. Timglaset Editions.

Savoie, A. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Dora Pritchett, Dora Laing, Patricia Saunders…the invisible women of Monotype’s Type Drawing Office. In: Levit, B. (ed.) Baseline Shift; Untold stories of women in graphic design history. Princeton Architectural Press, New York, pp. 110-119. ISBN 9781648960062

Book

Bode, L., Lees, D. and Golding, D., eds. (2021) The digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4). Sage Publications, pp. 849-854. (Special Issue)

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) Experimental filmmaking and punk: feminist audio visual culture in the 1970s and 80s. Bloomsbury, London, pp288. ISBN 9781350293083

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN ‎9798478092658 (Fluxus, Contemporary Art, worldwide research)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Barnard, L. and Bayerdörfer, M. (2021) On Waiting … For Their Words To Leave Our Mouth. Strauhof Museum, Zurich, pp132. ISBN 9783952523230

Sandhu, K. (2021) young girls! the 87 press. ISBN 9781838069872

Sexton, M. and Lees, D. (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422

Thesis

Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099060

Ghosh, S. (2021) We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00105309

Hegarty Lovett, J. (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100315

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) The early typographic representation of the Persian language. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00110763

Leahy, M. (2021) Reading with early-stage Alzheimer's disease. Modifications to book design as a way of supporting preserved literacy skills. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100747

Lim, W. J. D. (2021) Networks, artefacts, and technology : nineteenth-century Muslim lithographers, missionaries, and colonialism in the Malay archipelago. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00103819

Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104550

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2021) Japanese film production during the punk era: independence, intermediality and mediascapes. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00109805

Radinger Field, L. (2021) Women and home in cinema: film practice and gendered spaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101682

Varadi, A. J. (2021) Reconstructing the 1980s on contemporary American television. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101660

Wallers, C. ORCID: https://orcid.org/0000-0002-9843-7897 (2021) From caves to commons: DIY cinema in the UK. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104245

Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 (2021) Design for decision making: the design of information for later life housing options. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104544

Young, M. (2021) Beholding Beauty: Aesthetics, Style and Sensation in US Quality Television Political Thrillers. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00106867

Artefact

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2021) Liquid Trust, edition 2021. [Artefact]

Show/Exhibition

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) 'The strength of the system, my experience of it...'. [Show/Exhibition]

Crabtree, J. and Evans, W. (2021) Slip. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) being eaten by a lion. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) The Struggle a trilogy. [Show/Exhibition]

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Ellison, C. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) On Waiting … For Their Words To Leave Our Mouth. [Show/Exhibition]

Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition]

Russell, J. (2021) Core. [Show/Exhibition]

Russell, J. (2021) EARLEY. [Show/Exhibition]

Russell, J. (2021) Party de Campagne. [Show/Exhibition]

Russell, J. (2021) Well. [Show/Exhibition]

Sandhu, K. (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Stupart, L., Gent, C. and Anachua, K. (2021) And then, a Harrowing. [Show/Exhibition]

Performance

Roithmayr, F. (2021) waves. [Performance]

Sandhu, K. (2021) From 'young girls!'. [Performance]

Stupart, L. and Gent, C. (2021) All Us Girls Have Been Dead For So Long. [Performance]

Project

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Maridet, C. (2021) Situated knowledges, a cooperation with Tai Kwun, contemporary art, Hong Kong and Migros Museum, Zurich. [Project]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Zwick, H., Sheleff, M., Levi, E. and Ruff, R. (2021) Curating on shaky grounds: curating in times of crisis and conflict. [Project]

Video

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2021) Designing for the future: diverse and inclusive typeface design by default. [Video]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2021) Unsweetened: Ode to Biscuits. [Video]

Sandhu, K. (2021) 'The irritating archive' for Murmur reading series. [Video]

Sandhu, K. and Ormonde, R. (2021) Company of Bluewater. [Video] (Issue 78 [online])

Audio

Sandhu, K. (2021) Goddess Anuket. [Audio]

Sandhu, K. (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Audio]

Web Resource

Stupart, L., (2021) HORSES. Comissioned by Phoenix Gallery