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Items where Division is "School of Arts and Communication Design" and Year is 2021

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Number of items: 61.


Bartley, S. (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi:

Bignell, J. ORCID: (2021) Adventures between TV and film, and between Britain and America. Ecrans, 15 (1). pp. 27-42. ISSN 2267 4357 doi: (Special issue "Mémoire et réécritures dans les séries télévisées")

Bignell, J. ORCID: (2021) Cringe histories: Harold Pinter and the Steptoes. Humanities, 10 (2). 83. ISSN 2076-0787 doi:

Chamarette, J. ORCID: (2021) Agnès Varda and Xavier Dolan – between politics, the art house and popular culture. French Screen Studies. ISSN 2643-895X doi:

Cox-Stanton, T. and Gibbs, J. ORCID: (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

Garfield, R. ORCID: (2021) The Suburban Trilogy by Abigail Child “I thought of it as three approaches to the education of the girl child”. Found Footage Magazine (8). ISSN 2462-2885 (In Press)

Lees, D., Bashford-Rogers, T. and Keppel-Palmer, M. (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: (Special Issue: 'The Digital Face and Deepfakes on Screen')

Nagib, L. ORCID: (2021) The elusive form of film. NECSUS. ISSN 2213-0217

O'Brien, A. (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi:

Patrick, M. and Richter, D. ORCID: (2021) Editorial: Fluxus perspectives. Fluxus Perspectives (51). pp. 1-5. ISSN ‎ 979-8478092658

Player, M. ORCID: (2021) UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture. Japan Forum. ISSN 1469-932X doi:

Richter, D. ORCID: (2021) Flux us now! Fluxus explored with a camera. Fluxus Perspectives, 51 (51). pp. 6-24. ISSN 9798478092658

Richter, D. ORCID: (2021) Spoiler alert: instituting feminism will not work without a fight. Instituting Feminism, 52 (52). pp. 47-60. ISSN 9798774294657

Ross, F. (2021) Invisible hands: tracing the origins and development of the Linotype Devanagari digital fonts. Journal of the Printing Historical Society, 3 (2). pp. 111-153. ISSN 0079-5321

Walker, S. ORCID:, Halai, M., Warner, R. and Bravo, J. (2021) Beat bad microbes: raising public awareness of antibiotic resistance in Rwanda. Information Design Journal, 26 (1). ISSN 0142-5471 doi:

Book or Report Section

Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F., Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114

Bartley, S. (2021) 'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation. In: Bissell, L. and Weir, L. (eds.) Performance in a Pandemic. Routledge, London, pp. 79-86. ISBN 9780367761349

Bignell, J. ORCID: (2021) Articulations of voice and medium in Beckett’s screen work. In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.) Beckett’s Voices / Voicing Beckett. Themes in Theatre, 12. Brill, Leiden, pp. 280-294. ISBN 9789004468382 doi:

Bignell, J. (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Bignell, J. ORCID: (2021) The absence of television: broadcasting and war in Britain, 1939-45. In: Dickason, R. (ed.) Issues and Singularity in the British Media. Atlande, Paris. (In Press)

Burke, C. (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265

Burke, C. (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265

Burke, C. (2021) Von der Wiener methode der bildstatistik zu isotype. In: Waldner, G. (ed.) Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath. Mandelbaum Verlag, Vienna, pp. 35-49. ISBN 9783854769668

Kenward, J. ORCID: (2021) The right to be forgotten: confronting the past in post-millennial cinema. In: Carranza, A. J. (ed.) Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998-2019. McFarland, Jefferson, North Carolina, pp. 182-195. ISBN 9781476679310

McMullan, A. (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi:

Nagib, L. ORCID: (2021) An Intermedial Reading of Glauber Rocha's Cosmogony. In: Nagib, L. ORCID:, Corrêa de Araújo, L. and De Luca, T. (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, Edinburgh. ISBN 9781474452984 (In Press)

Nagib, L. ORCID: (2021) The reality of art: an intermedial analysis of Ossessione. In: Bakk, Á., Blos-Jáni, M., Király, H., Lakatos, M., Pieldner, J., Sándor, K. and Virginás, A. (eds.) Intermedial Encounters. Scientia Publishing House, Cluj-Napoca. (In Press)

Savoie, A. and Ross, F. (2021) Dora Pritchett, Dora Laing, Patricia Saunders…the invisible women of Monotype’s Type Drawing Office. In: Levit, B. (ed.) Baseline Shift; Untold stories of women in graphic design history. Princeton Architectural Press, New York, pp. 110-119. ISBN 9781648960062


Burke, C. (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106

Garfield, R. ORCID: (2021) Experimental filmmaking and punk: feminist audio visual culture in the 1970s and 80s. Bloomsbury, London, pp288. ISBN 9781350293083

McMullan, A. (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge. ISBN 9781108938990 doi:

Nagib, L. ORCID:, Corrêa de Araújo, L. and De Luca, T., eds. (2021) Towards an intermedial history of Brazilian cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, pp304. ISBN 9781474452984 (In Press)

Richter, D. and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN ‎9798478092658 (Fluxus, Contemporary Art, worldwide research)

Richter, D. and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)

Richter, D., Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)

Rowlands, A., Clausen, S. ORCID:, Barnard, L. and Bayerdörfer, M. (2021) On Waiting … For Their Words To Leave Our Mouth. Strauhof Museum, Zurich, pp132. ISBN 9783952523230

Sexton, M. and Lees, D. (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422


Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading. doi:

Ghosh, S. (2021) We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India. PhD thesis, University of Reading. doi:

Hegarty Lovett, J. (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi:

Leahy, M. (2021) Reading with early-stage Alzheimer's disease. Modifications to book design as a way of supporting preserved literacy skills. PhD thesis, University of Reading. doi:

Lim, W. J. D. (2021) Networks, artefacts, and technology : nineteenth-century Muslim lithographers, missionaries, and colonialism in the Malay archipelago. PhD thesis, University of Reading. doi:

Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi:

Radinger Field, L. (2021) Women and home in cinema: film practice and gendered spaces. PhD thesis, University of Reading. doi:

Varadi, A. J. (2021) Reconstructing the 1980s on contemporary American television. PhD thesis, University of Reading. doi:

Wallers, C. ORCID: (2021) From caves to commons: DIY cinema in the UK. PhD thesis, University of Reading. doi:

Warner, R. (2021) Design for decision making: the design of information for later life housing options. PhD thesis, University of Reading. doi:


Clausen, S. ORCID: and Kerestey, P. (2021) Liquid Trust, edition 2021. [Artefact]


Clausen, S. ORCID: (2021) 'The strength of the system, my experience of it...'. [Show/Exhibition]

Frearson, A. (2021) being eaten by a lion. [Show/Exhibition]

Garfield, R. ORCID: (2021) The Struggle a trilogy. [Show/Exhibition]

Rowlands, A., Clausen, S. ORCID:, Ellison, C. and Frearson, A. (2021) On Waiting … For Their Words To Leave Our Mouth. [Show/Exhibition]

Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition]

Russell, J. (2021) Core. [Show/Exhibition]

Russell, J. (2021) EARLEY. [Show/Exhibition]

Russell, J. (2021) Party de Campagne. [Show/Exhibition]

Russell, J. (2021) Well. [Show/Exhibition]


Roithmayr, F. (2021) waves. [Performance]


Richter, D. ORCID:, Kolb, R. and Maridet, C. (2021) Situated knowledges, a cooperation with Tai Kwun, contemporary art, Hong Kong and Migros Museum, Zurich. [Project]

Richter, D. ORCID:, Kolb, R., Zwick, H., Sheleff, M., Levi, E. and Ruff, R. (2021) Curating on shaky grounds: curating in times of crisis and conflict. [Project]


Murjas, T. ORCID: (2021) Unsweetened: Ode to Biscuits. [Video]

This list was generated on Sat Jun 25 13:16:58 2022 UTC.

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