Items where Division is "Film, Theatre & Television" and Year is 2017
Number of items: 67. AAngelaki, Vicky (2017) Social and political theatre in 21st-century Britain: staging crisis. Methuen Drama Engage. Bloomsbury, London, pp288. ISBN 9781474213172 BBarreiro, María Soliña and Elduque, Albert (2017) La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'. Cinémas d’Amérique Latine, 25. pp. 144-155. ISSN 1267-4397 Bartley, Sarah (2017) Hard labour and punitive welfare: the unemployed body at work in participatory performance. Research in Drama Education, 22 (1). pp. 62-75. ISSN 1356-9783 doi: https://doi.org/10.1080/13569783.2016.1263559 Bignell, Jonathan (2017) Myth. In: Ouellette, Laurie and Gray, Jonathan (eds.) Keywords for Media Studies. New York University Press, New York, pp. 123-125. ISBN 9781479859610 Bignell, Jonathan and Burchardt, Jeremy (2017) Agents, beneficiaries and victims: picturing people on the land. In: Haigron, David (ed.) The English Countryside: Representations, Identities, Mutations. Palgrave Macmillan, Basingstoke, pp. 61-82. ISBN 9783319532721 doi: https://doi.org/10.1007/978-3-319-53273-8 Bignell, Jonathan (2017) Broadcasting children's music. InFormation: Nordic Journal of Art and Research, 6 (2). pp. 1-16. ISSN 1893-2479 doi: https://doi.org/10.7577/information.v6i2.2275 (Special issue: Children's Music) Bignell, Jonathan (2017) Children’s television and public service in contemporary Britain. In: Dinter, Sandra and Schneider, Ralf (eds.) Transdisciplinary Perspectives on Childhood in Contemporary Britain. Studies in Childhood, 1700 to the Present. Routledge, London, UK, pp. 87-102. ISBN 9781138232105 Butler, Alison (2017) 13 ways of looking at a lake. In: Gibbs, John and Pye, Doug (eds.) The Long Take: Critical Approaches. Palgrave Macmillan, London, pp. 177-191. ISBN 9781137585721 doi: https://doi.org/10.1057/978-1-137-58573-8_12 CCourage, Tamara V. (2017) Contemporary Chinese independent cinema: urban spaces, mobility, memory. PhD thesis, University of Reading. EElduque Busquets, Albert (2017) Trilhas cantadas: circulando pelo documentário musical brasileiro. In: Suppia, Alfredo, Guimarães, Pedro Maciel and Duccini, Mariana (eds.) Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas. Urutau/Margem da Palavra, Bragança Paulista. Elduque Busquets, Albert (2017) Primer Plano: the popular face of censorship. L'Atalante. Revista de Estudios Cinematograficos, 23. pp. 49-62. ISSN 2340-6992 Elduque, Albert (2017) Canção, história e cinema. In: Carrega, Jorge and Vitorino Fernandez, Sara (eds.) A Europa e os Impérios Coloniais na Literatura e no Cinema. Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223. ISBN 9789898859242 Elduque, Albert (2017) Esperar una mirada: la representación cinematográfica de la pena de muerte. In: Montero, José Francisco and Planes Pedreño, José Antonio (eds.) Cine entre rejas. Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241. ISBN 9788494735400 Elduque, Albert (2017) Outskirts of reason: the dream in Días de papel and Chircales. In: Forrest, David, Harper, Graeme and Rayner, Jonathan (eds.) Filmurbia: Screening the Suburbs. Palgrave Macmillan, Basingstoke, pp. 149-168. ISBN 9781137531759 Elduque, Albert (2017) As Belair went by: an interview with Helena Ignez. In: Solomon, Stefan (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 123-135. ISBN 9783943620726 Elduque, Albert, ed. (2017) Contemporary Brazilian music film. University of Reading, Reading, pp115. ISBN 9780704915855 Elduque, Albert (2017) Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'. In: Solomon, Stefan (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 193-209. ISBN 9783943620726 Elduque, Albert (2017) Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption. Screen, 58 (2). pp. 119-140. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjx014 Elduque, Albert (2017) Introduction. In: Elduque, Albert (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 5-15. ISBN 9780704915855 Elduque, Albert (2017) Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'. In: Elduque, Albert (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 103-109. ISBN 9780704915855 Elduque, Albert (2017) Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'. In: Elduque, Albert (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 87-89. ISBN 9780704915855 Elduque, Albert (2017) What about the end of the history? An interview with Hernani Heffner. In: Elduque, Albert (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 17-21. ISBN 9780704915855 GGibbs, John (2017) Ophuls and film style. [Project] (Collection) Gibbs, John (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, John and Pye, Doug (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721 Gibbs, John and Pye, Doug (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661 Gibbs, John and Pye, Douglas (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661 Gibbs, John and Pye, Doug, eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721 Gonzalez Ortiz, Camila (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, Giovanna, González, Marcos and Mella, Camila (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712 HHellmich, Christina and Purse, Lisa, eds. (2017) Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world. Edinburgh University Press, Edinburgh, pp216. ISBN 9781474416566 Hellmich, Christina and Purse, Lisa (2017) Introduction: film and the epistemology of war. In: Hellmich, Christina and Purse, Lisa (eds.) Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, UK. ISBN 9781474416566 Husanovic, Edina (2017) Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’. PhD thesis, University of Reading. KKnox, Simone and Derhy Kurtz, Benjamin W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, Benjamin W. L. and Bourdaa, Melanie (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671 LLatto, Anne (2017) The fragmented text/the fragmented self: exploring the limits of storytelling practice. PhD thesis, University of Reading. MMarman, Deborah Tebogo (2017) Empowering communities through theatre: an applied theatre model for Botswana. PhD thesis, University of Reading. McFrederick, Matthew (2017) Staging Beckett: a production history of Samuel Beckett’s drama in London (1955 – 2010). PhD thesis, University of Reading. McFrederick, Matthew (2017) Beckett at the Young Vic. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 243-255. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902003 McMullan, Anna, Pattie, David and Nixon, Mark, eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden. McMullan, Anna (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012 McMullan, Anna and Pattie, David (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001
Miller, Henry K.
Miller, Henry K. NNagib, Lucia (2017) Academy visual history with Carlos Diegues. [Video] Nagib, Lucia (2017) Bernardet visto de longe. In: Pinto, Ivonete and Margarido, Orlando (eds.) Bernardet 80: impacto e influência no cinema brasileiro. Paco Editorial/Abraccine, Jundiaí, pp. 21-32. ISBN 9788546207886 Nagib, Lucia (2017) Beyond difference: female participation in the Brazilian film revival of the 1990s. In: Shaw, Deborah and Martin, Deborah (eds.) Latin American Women Filmmakers. I.B. Tauris, London/New York, pp. 31-47. ISBN 9781784537111 Nagib, Lucia (2017) Colonialism as fantastic realism in 'Tabu'. In: Liz, Mariana (ed.) Portuguese Cinema: Globalizing the Nation. I.B. Tauris, London/New York. Nagib, Lucia (2017) Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes. Archives, 109 (111). pp. 48-52. Nagib, Lucia (2017) Realist cinema as world cinema. In: Stone, R. and Cooke, P. (eds.) The Routledge Companion to World Cinema. Routledge, Abingdon-on-Thames, pp. 310-322. ISBN 9781138918801 Nagib, Lucia (2017) Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles. Enfoco (52). pp. 22-33. Nagib, Lucia (2017) The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation. In: Delgado, Maria M., Hart, Stephen M. and Johnson, Randal (eds.) A Companion to Latin American Cinema. Wiley Blackwell Companions to National Cinemas. Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355. ISBN 9781118552889 Nagib, Lucia (2017) Antropofagia e intermidialidade: o caso de como era gostoso o meu francês. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (1). ISSN 2316-9230 doi: https://doi.org/10.22475/rebeca.v6n1.479 (REBECA 11) Nagib, Lucia (2017) Kuarup, o filme. La Furia Umana, 30. ISSN 2037-0431 Nagib, Lucia (2017) Mysteries of Lisbon and intermedial history-telling. Aniki: Portuguese Journal of the Moving Image, 4 (2). pp. 375-391. ISSN 2183-1750 Nagib, Lucia (2017) Yaaba, cinefilia e realismo sem fronteiras. Revista África(s), 4 (7). pp. 61-70. ISSN 2446-7375 OO'Brien, Adam (2017) Film and the natural environment: elements and atmospheres. Short Cuts. Wallflower Press, London, pp114. ISBN 9780231182652 O'Brien, Adam (2017) Roberto Rossellini presents. In: Gibbs, John and Pye, Doug (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 117-132. ISBN 9781137585721 PPurse, Lisa (2017) Ambiguity, ambivalence and absence in Zero Dark Thirty. In: Purse, Lisa and Hellmich, Christina (eds.) Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, pp. 131-148. ISBN 9781474416566 Purse, Lisa (2017) Between phonographic perfection and resistance: Titãs – life even looks like a party. In: Elduque Busquets, Albert (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 91-98. ISBN 9780704915855 Purse, Lisa (2017) Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie. In: Yu, Sabrina Qiong and Austin, Guy (eds.) Revisiting Star Studies: Cultures, Themes and Methods. Edinburgh University Press, Edinburgh, pp. 162-184, 320 pages. ISBN 9781474404310 Purse, Lisa (2017) Digital visceral: textural play and the flamboyant gesture in digital screen violence. Journal of Popular Film & Television, 45 (1). pp. 16-25. ISSN 0195-6051 doi: https://doi.org/10.1080/01956051.2017.1270137 Purse, Lisa (2017) Working space: gravity (Alfonso Cuarón) and the digital long take. In: Pye, Doug and Gibbs, John (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 221-238. ISBN 9781137585721 RReid, Trish (2017) Theatre without walls: the National Theatre of Scotland. Journal of Contemporary Drama in English, 5 (1). pp. 86-97. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2017-0007 SSmart, Billy (2017) ‘Drama for people ‘in the know’: Television World Theatre (BBC 1957-59) and Festival (BBC 1963-64). Historical Journal of Film, Radio and Television, 37 (1). pp. 34-48. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2016.1272810 Solomon, Stefan (2017) William Faulkner in Hollywood: screenwriting for the studios. The South on Screen. University of Georgia Press, Athens, GA, pp320. ISBN 9780820351131 Solomon, Stefan (2017) Introduction. In: Solomon, Stefan (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books and University of Reading, Berlin, pp. 7-31. ISBN 9783943620726 Solomon, Stefan, ed. (2017) Tropicália and beyond: dialogues in Brazilian film history. Archive Books and University of Reading, Berlin, pp304. ISBN 9783943620726 WWoods, Faye (2017) Streaming British youth television: online BBC Three as a transitional mome. Cinema Journal, 57 (1). pp. 140-146. ISSN 1527-2087 doi: https://doi.org/10.1353/cj.2017.0065 Wrigley, Amanda (2017) Higher education and public engagement: Open University and BBC drama co-productions on BBC2 in the 1970s. Journal of British Cinema and Television, 14 (3). pp. 377-393. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2017.0379 |
