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Article

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869, Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38. doi: https://doi.org/10.18848/1835-2014/CGP/v09i01/21-38

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62 (4). pp. 484-511. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjab051

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Dwoskin: disability, diaspora, dysphoria. Jewish Film and New Media, 10 (2). ISSN 2169-0332 doi: https://doi.org/10.1353/jfn.2022.a914337

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema, 13 (3). pp. 257-271. ISSN 1471-5880 doi: https://doi.org/10.1386/sfc.13.3.257_1

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) The disappearing work: Chantal Akerman and phenomenologies of the ephemeral. Contemporary French and Francophone Studies, 17 (3). pp. 347-356. ISSN 1740-9292 doi: https://doi.org/10.1080/17409292.2013.790631

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) ‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. MIRAJ: Moving Image Review & Art Journal, 11 (1). pp. 10-33. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00081_1

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue.

Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10.

Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: https://doi.org/10.1086/687091

Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in 'Her Noise'. Women and Music: A Journal of Gender and Culture, 20 (1). pp. 88-95. ISSN 1090-7505 doi: https://doi.org/10.1353/wam.2016.0005

Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: https://doi.org/10.1080/14714787.2017.1353438

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1758-9185 doi: https://doi.org/10.1080/14702029.2016.1228807

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: https://doi.org/10.1080/14725886.2016.1242313

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2020) Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown. MIRAJ: Moving Image Review & Art Journal, 9 (2). pp. 270-275. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00052_1

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw006

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2022) The suburban trilogy: Abigail Child's cake and stake. Found Footage Magazine (8). pp. 35-37. ISSN 2462-2885

Garfield, R. S. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: https://doi.org/10.1080/13507486.2016.1203880

Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: https://doi.org/10.1386/aps.6.1-2.69_1

Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (Unpublished)

Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality. (Unpublished)

Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Messages in a bottle and other things lost to the sea: the other side of critical theory or a reevaluation of Adorno's aesthetic theory. Telos, 2012 (160). pp. 77-97. ISSN 1940-459X doi: https://doi.org/10.3817/0912160077

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2013) Precautions against fan(atic)s: a re-evaluation of Adorno’s uncompromising philosophy of popular culture. New German Critique, 40 (1). pp. 149-174. ISSN 1558-1462 doi: https://doi.org/10.1215/0094033X-1812604

Kollectiv, G. and Kollectiv, P. (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163

Lloyd, K. (2022) You. Art Review Oxford, 4. pp. 5-7.

Lloyd, K. and valentine, j. (2024) An oral history with jina valentine by Kelly Lloyd. BOMB Magazine, 166. ISSN 0743-3204

MacLean, M. (2007) Considering if…then…else…. Journal of Visual Art Practice, 6 (3). pp. 257-267. ISSN 1758-9185 doi: https://doi.org/10.1386/jvap.6.3.257_1

O'Connell, T. and White, N. (2024) A multispecies red-light district for Amsterdam: a propositional image. Cultural Politics, 20 (1). pp. 155-165. ISSN 1751-7435 doi: https://doi.org/10.1215/17432197-10969279

Patrick, M. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Editorial: Fluxus perspectives. Fluxus Perspectives (51). pp. 1-5. ISSN ‎ 979-8478092658

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Feminist perspectives in curating. OnCurating (27). pp. 64-75. ISSN 2673-2904 (Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Flux us now! Fluxus explored with a camera. Fluxus Perspectives, 51 (51). pp. 6-24. ISSN 9798478092658

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Learning from Dhaka. OnCurating (35). pp. 61-71. ISSN 2673-2904 (Decolonizing Art Institutions)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14.

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Spoiler alert: instituting feminism will not work without a fight. Instituting Feminism, 52 (52). pp. 47-60. ISSN 9798774294657

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) (Un)Dinge, oder warum die Sehnsucht nach dem Ding immer reaktionär ist. Interdisziplinäres Ausstellen, 16 (1-2). pp. 8-15. ISSN 1015-6720

Roithmayr, F. (2014) Cave. Where do you see yourself in 25 years?. pp. 9-12.

Roithmayr, F. (2012) I don’t feel like it: The indifference of objects.

Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6).

Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112.

Russell, J. (2015) Bruce Willis, irigaray, and the aesthetics of space travel. EROS Journal, 6. pp. 56-70. ISSN 2048-8352

Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2

Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X

Russell, J. (2012) Jexus. Metamute.org.

Russell, J. (2015) SQRRL. Rhizome.

Stratton, S. R., Lloyd, K., Kaczynski, K. and Jeffery, M. (2021) Living within the play. Public, 31 (61). pp. 60-81.

Stupart, L. (2021) Thawing, dissolving, disappearing, bleeding etc.: a scientific study of trauma, time travel and the melting polar ice caps. Art + Australia, 8 (57:1). pp. 118-125. ISSN 1837-2422

Stupart, L. and Dillon, T. (2019) Turning the tables: the table as utopian object for future struggle. Studies in Arts and Humanities, 5 (1). pp. 24-39. ISSN 2009-8278 doi: https://doi.org/10.18193/sah.v5i1.168

Book or Report Section

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research. Smithsonian. ISBN 9780970835888

Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F., Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114

Blatnik, A., Bodman, S., Bohr, B., Cascella, D., Couch, A., Desjardin, A., Fontcuberta, J., Hulse, M., Dicker, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Helgason Gallagher, S., Jaeger, P., Jeff, P., Jenkins, L., Johanknecht, S., Meynell, K., Kaiser, M., Kivland, S., Thurston, N., Mathieu, D., Mikulinsky, R., Nicolas, C., Roush, P., Lusitano, M., Sanderson, M., Schimag, S. A., Schmidt, A., Speck, D. W., Lice, S. o., Soulellis, P., Szczelkun, S. and Zoller, R. (2013) 'Frankenstein2...' in The Book is Alive! In: Waeckerlé, E. and Sawdon-Smith, R. (eds.) The Book is Alive! RGAP, England, pp. 142-149. ISBN 9780956902450

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) Honour. In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.) Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism. Peter Lang, Oxford, pp. 21-40. ISBN 9781789976397

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) ‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory. In: Thresholds: Interwar Lens Media Cultures 1919-1939. Walther Koenig, Cologne, pp. 101-122. ISBN 9783753300009

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. In: Sheleff, M. and Spies, S. (eds.) (Un)commoning voices and (non)communal bodies. OnCurating.org, Zurich, Switzerland, pp. 98-107. ISBN 9798744646660

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2007) Szuper gallery. In: Culture Shock. The Artists' Studio, London, pp. 70-79. ISBN 9780954699955

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) ..Or maybe it's the same for everyone. In: Lawrence, J. (ed.) ...Or maybe it's the same for everyone. Pavilionary Press, London, UK, pp. 1-4.

Crabtree, J., Evans, W. and Hattrick, A. (2021) A particularly pernicious weed. In: Hasham, L. and Rawcliffe, C. (eds.) Mine Searching Yours. Forma, London, UK. ISBN 9781838246204

Dzuverovic, L. (2015) Contribution to The World Goes Pop exhibition catalogue. In: Morgan, J. and Frigeri, F. (eds.) The world goes pop. Tate Publishing, London, pp272. ISBN 9781849762700

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Ridinghouse, London, pp. 19-26. ISBN 9781909932135

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984

Gold, S., Lloyd, K. and Shumate, M. L. (2021) HAIR CLUB: a case study for socially engaged art history. In: Persinger, C. and Rejaie, A. (eds.) Socially Engaged Art History and Beyond. Palgrave Macmillan, Cham, pp. 225-233. ISBN 9783030436087 doi: https://doi.org/10.1007/978-3-030-43609-4_17

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) Alexander Kluge’s ‘Film in the mind of the spectator,’ or after-(dialectical)-images in News from Ideological Antiquity: Marx – Eisenstein – Capital. In: Graça, A. R., Baggio, E. and Penafria, M. (eds.) Filmmakers on Film: Global Perspectives. Bloomsbury / BFI, London, pp. 139-148. ISBN 9781839024870 doi: https://doi.org/10.5040/9781839024900.ch-13

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35.

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2011) Eros and knowledge: wishful thinking? In: Quinn, M. and Gomersall, C. (eds.) Rigorous Holes: Perspectives in Psychoanalytic Theory in Art and Performance Research. CCW Graduate School, London. ISBN 9780955862878

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) One-dimensional man? A reply to Alain Badiou. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, New York, pp. 21-28. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0003

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Shocking (Rancière’s) spectators. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual: Provocation. Transmission Annual (2). Artwords Press, London. ISBN 9781906441272

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Social practice: fo(u)r shades of grey. In: The Magic City (Presented as part of Liverpool Biennial). Liverpool Biennal 2012 / Birmingham City University, pp. 26-27. ISBN 9781906753313

Kollectiv, G. and Kollectiv, P. (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, G. and Kollectiv, P. (2018) The missing body of J. T. Leroy. In: Beber, E. (ed.) The Bodies that Remain. Dead Letter Office, 1. Punctum, London, pp. 251-262. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00

Kollectiv, P. and Kollectiv, G. (2018) Re-enacting the archive: untimely meditations on the use and abuse of repetition. In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.) Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance. Routledge, London, pp. 144-150. ISBN 9781138915381

Kollectiv, P. and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777

Kollectiv, P. and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701

Kollectiv, P. and Kollectiv, G. (2018) Rainbow pixels. In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.) Taste. Law and the Senses, 1. University of Westminster Press, London, pp. 239-243. ISBN 9781911534327 doi: https://doi.org/10.16997/book21

Kollectiv, P. and Kollectiv, G. (2021) A thousand kitchen tables. In: Bajec, M., Holert, T. and Smith, M. (eds.) Pause. Fervour. Reflections on a Pandemic. Harun Farocki Institut & Journal of Visual Culture, pp. 119-122. ISBN 9781527295445

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98.

Lloyd, K. (2018) Dear Theaster... In: Scott, K. (ed.) Theaster Gates: How to Build a House Museum. Art Gallery of Ontario, Toronto. ISBN 9781894243933

Lloyd, K. (2021) Do-for-self works: tear-off flyers & billboards. In: Crawford, R. (ed.) Fleeting Monuments for the Wall of Respect. The Green Lantern Press, Chicago, pp. 202-211. ISBN 9780997416596

Lloyd, K. (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

Lloyd, K. (2022) This is the end of high entertainment: tiny furniture and this is the end. In: Trifonova, T. (ed.) Screening the Art World. Film Culture in Transition. Amsterdam University Press, Amsterdam. ISBN 9789463724852

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (eds.) documenta. Curating the History of the Present. On-Curating, 33 (33). On-Curating, Zurich, pp. 76-88. ISBN 9781546946120

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Feminist perspectives on curating. In: Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse. Transcript Verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: https://doi.org/10.14361/9783839442043-010

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, , Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Learning from Dhaka. In: Garcia-Anton, K., Cataldo, A. and Betancourt, D. C. (eds.) Critical Writing Ensembles. Mousse Publishing, Milan, pp. 234-247. ISBN 9788867492701

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) My glam, your glam, we glam. In: Marchetti, L. (ed.) La mode exposée / Fashion curating. HEAD, Geneve, pp. 213-218. ISBN 9782940510146

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Performance Kunst kuratieren? In: Gebhardt Fink, S., Mathis, ‎M. and von Büren, M. (eds.) Performance Chronik Basel: Erinnern und Erzählen (1987-2006). Diaphanes Verlag, Zürich/Berlin, pp. 43-51. ISBN 9783037346341

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Propositions on curating, or how much curating is involved in social change. In: Krämer, N. and Müller, P. (eds.) With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines. Connecting Spaces, Zurich University of the Arts, Zürich.

Roithmayr, F. (2004) Flights. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Ruth Hӧflich, Munich, Germany.

Roithmayr, F. (2011) Like portable scaffolding. In: Vermoortel, S. and Vermoortel, P. (eds.) Buro II - RE-Visiting RE-Inventing. Sun Architecture, Amsterdam, Netherlands, pp. 145-161. ISBN 9789461053374

Roithmayr, F. (2004) Table of contents. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Guestroom, London and Munich, Munich, Germany.

Roithmayr, F. (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525

Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018

Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599

Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624

Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57.

Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695

Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76.

Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Rowlands, A. (2007) The movement began with a scandal. In: Rugg, J. and Sedgwick, M. (eds.) Issues in Curating Contemporary Art and Performance. Intellect, pp. 175-184. ISBN 9781841501628

Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566

Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151

Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743

Rowlands, A. (2007) Temporäre Autonome Zone. In: Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (eds.) Liftarchiv. Revolver, Frankfurt, pp. 55-65. ISBN 9783865884039

Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753

Russell, J. (2015) Animation 1-15, a-P. In: Osbaldeston, D. (ed.) Inflection sandwich. Onomatopee, London, pp. 17-32. ISBN 9789491677281

Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13.

Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Russell, J. (2007) Ocean pose. In: Ocean Pose: catalogue. Matts Gallery, London, pp. 2-11.

Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107.

Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'Third month of the meteorological winter' and 'Cluster of words'. In: Judith: Women Making Visual Poetry. Timglaset Editions.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Shifting perspectives: the space, the work and the body. In: Untitled (1956) - Red, Green and Yellow - Gone Fishing. Flat Time House and Roberts Institute of Art.

Segal, N. (2003) "Then some had rather it were she than I": sexing the textual body. In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp. 93-110. ISBN 9780333949696

Stupart, L. (2018) Kathy's body. In: Beber, E. (ed.) The Bodies that Remain. Punctum Books and University of California Santa Barbara, Brooklyn, NY, pp. 225-229. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00

Stupart, L. (2014) Rematerializing feminism. In: Brooke, A., Smith, G. and Farkas, R. (eds.) Re-materialising Feminism. Arcadia Missa Press, London. ISBN 9780992674748

Conference or Workshop Item

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Seminar: access all areas. In: Access all areas, 11 November 2011, Whitworth Art Gallery, Manchester.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Seminar: sensory objects. In: Sensory objects, 25 February 2015, Sackler Rooms, British Museum.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869, Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles.

Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary.

Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester.

Kollectiv, G. and Kollectiv, P. (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds.

Kollectiv, P. and Kollectiv, G. (2015) Bureaucracy. In: Bureaucracy, 1/7/2015, ICA, London.

Roithmayr, F. (2014) The Assistants and the Schoolmaster. In: The 100 Hours Forum, University College, London, UK. (Unpublished)

Roithmayr, F. (2007) Distributed matter. In: Theory in Practice - Practice as Research Conference, Gallery Lazaretti, Dubrovnik, Croatia. (Unpublished)

Roithmayr, F. (2018) More than is needed so as not to be caught short. In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge.

Roithmayr, F. (2011) Sculpture unlimited. In: Fall-out: new notes on sculpture research conference, The University of London, Goldsmiths College, UK. (Unpublished)

Roithmayr, F. (2014) Speculative sculpture in Italy. In: Foreign Artists in Rome, The International Discourse on the Prix De Rome, The Royal Netherlands Institute in Rome, Italy. (Unpublished)

Roithmayr, F. (2014) Tacit knowledge of materials. In: Alternative Methods: Art and Education, Wysing Arts Centre, Cambridge, UK. (Unpublished)

Roithmayr, F. (2015) The imprint. In: Norwich University of the Arts Annual Fine Art Conference: DIALOGUES 2015: Speculative Matters, Norwich University of the Arts. (Unpublished)

Roithmayr, F. (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4)

Roithmayr, F. (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished)

Book

Alfandari, N., Asante, B., Bailey, A., Barton, C., Barokka, K., Bei, Z. and Bennett, B. (2023) How we hold: rehearsals for art and social change. Serpentine, London. ISBN 9783753305035

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P., eds. (2007) Liftarchiv. Revolver, Frankfurt, pp120. ISBN 9783865884039

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Grabowska, N., Huang, C., Ingawanij, M. A., Teo, W. and Yuan, C. Z. (2023) Chris Zhongtian Yuan, no door, one window, only light - home is where the music is. OnCurating, Zurich. ISBN 9798864939451

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Rowlands, A., Sheleff, M. and Spiess, S. (2020) Reading International - the book. Reading International / OnCurating.org, Reading, pp211. ISBN 9781912115686

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) Experimental filmmaking and punk: feminist audio visual culture in the 1970s and 80s. Bloomsbury, London, pp288. ISBN 9781350293083

Golden, P. R. (2005) The word. Onestar press, Paris, France.

Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885

Kolb, R. (2019) Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization. OnCurating Issues, 43 (43). OnCurating, Zurich, pp122. ISBN 9781672015431 (Black Mountain College, Contemporary Art, Curating, Experimental Education)

Kolb, R. (2020) Zurich issue: dark matter, grey zones, red light and bling bling. OnCurating Issues, 48 (48). OnCurating, Zurich, pp248. ISBN 9798682580316 (Contemporary Art, Funding, Financing, Art History, Switzerland,)

Kolb, R., Krivanek, E., Regli, C. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2019) Centres⁄Peripheries – Complex Constellations. OnCurating Issues, 41 (41). OnCurating, Zurich, pp176. ISBN 9781070906966

Kolb, R., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating, 35 (35). On-Curating, Zurich, pp142. ISBN 9781981991747

Kollectiv, P. and Kollectiv, G. (2023) Subversive performance in the age of human capital. Palgrave Macmillan, Switzerland, pp281. ISBN 9783031358142 doi: https://doi.org/10.1007/978-3-031-35815-9

Pittuck, S., Clarkin, A. and Clarkin, J., eds. (2003) Miser and now. Volume 1-4. Keith Talent Gallery, London.

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN ‎9798478092658 (Fluxus, Contemporary Art, worldwide research)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues, 45 (45). OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Clausen / Szuper Gallery, S. ORCID: https://orcid.org/0000-0002-6536-6236, Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z. (2017) De-Colonizing Art Institutions: Artists’ Book. On-Curating, 34 (34). On-Curating, Zurich, pp108. ISBN 9781982088897

Roithmayr, F. (2018) Aftercast. tenderbooks, London, pp186. ISBN 9781999712433

Roithmayr, F. (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799

Rowlands, A. (2007) 3 Communiqués. Bookworks, London, pp105. ISBN 9781870699914

Rowlands, A. and Williams, M., eds. (2016) NOVEL Upstairs. NOVEL, 5. NOVEL - Bergen Kunsthall, Bergen, Norway, pp90. ISBN 9781527203754

Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077

Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091

Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Barnard, L. and Bayerdörfer, M. (2021) On Waiting … For Their Words To Leave Our Mouth. Strauhof Museum, Zurich, pp132. ISBN 9783952523230

Russell, J., ed. (2007) Frozen tears III. ARTicle Press, Birmingham: University of Central England, pp928. ISBN 9781873352595

Russell, J. (2018) The island of flowers. Song Cycle. Song Cycle and Bridget Donahue Gallery: New York, pp12.

Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020

Russell, J., ed. (2003) Frozen tears I. Article Press, Univ. of Central England, Birmingham. ISBN 1873352689

Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883

Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) Baby 19. Intergraphia.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Poetic fragments from the irritating archive. Guillemot Press. ISBN 9781913749255

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) young girls! the 87 press. ISBN 9781838069872

Segal, N., Taylor, L. and Cook, R. J. R. (2003) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp256. ISBN 9780333949696

Stupart, L. (2016) Virus. ARCADIA MISSA PRESS, London, pp139. ISBN 0992674786

Trampe, T., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stassi, E., eds. (2016) Work, Migration, Memes and Personal Geopolitics. On-Curating, 30 (30). On-Curating, Zurich, pp152. ISBN ISBN-13: 978-1533448392

Thesis

Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089322

Cooke, K. S. (2016) Art ontologyvalue: staging the ontology of art within systems of value. PhD thesis, University of Reading.

Herron Coleman, K. (2023) If they be two: relationships in women’s coauthored experimental film and video. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00114670

O'Donoghue, D. (2022) The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116385

Park, J. (2018) Surface layer time: the process of portraying time in image. PhD thesis, University of Reading.

Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104550

Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104246

Stupart, L. (2017) Becoming object: positioning a feminist art practice. PhD thesis, Goldsmiths, University of London. doi: https://doi.org/10.25602/GOLD.00020117

Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085600

Artefact

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2021) Liquid Trust, edition 2021. [Artefact]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Artefact]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Frankenstein2: review of 'I, Frankenstein' on Rotten Tomatoes. [Artefact]

O'Connell, T. (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact]

O'Connell, T., White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact]

Roithmayr, F. (2012) As if sunglasses were not necessary. [Artefact]

Roithmayr, F. (2014) The Assistants. [Artefact]

Roithmayr, F. (2010) Returns. [Artefact]

Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact]

Russell, J. (2018) DOGGO. [Artefact]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Elmer's One-Day Project. [Artefact]

Show/Exhibition

Allahyari, M., Nilchiani, M., Rourke, D. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Bitrates. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2020) Tate lates power of bubble. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2003) alter. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Andy, M. (2018) PurpleSTARS present to the Disability History Conference London Metropolitan Archive. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2019) Pride of place. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) PurpleSTARS present at Preparing for Adulthood. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) #Purplelightup international persons with a disability day British Museum. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Andy, M. and Headon, K. (2018) Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum. [Show/Exhibition] (Unpublished)

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Sensory objects at the British Museum. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Sensory stories. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition]

Aranda, J., Bumsteinas, A., Garbstiene, L., Bunic, P., Cesarco, A., Dahlberg, K., Deball, M. C., Fontaine, C., Dowd, S., Roithmayr, F., Dujmušic, I., Van Harskamp, N., Ergun, K., Kanajet, M., Esquivias, P., Ferri, J., Torres, M. G., Gavran, D., Grubic, I., Harskamp, N. V., Haus, S., Hiseni, A., Bioskop, I., Ilic, S., Jansa, J., Noir, J., Katic, B., Kovac, I., Tepavcevic, N., Kurcubic, N., Labrovic, S., Lagomarsino, R., Latin, I., Markovic, M., Milak, R., Muresan, C., Nevarez, A., Tevere, V., Ogut, A., Ocko, D., Panayiotou, C., Rascic, L., Richardson, J., Roncevic, D., Suler, K., Takala, P., Tsivopoulos, S., Tur, N., Vatamanu, M. and Tudor, F. (2008) Salon of revolution. [Show/Exhibition]

Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F., Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition]

Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition]

Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition]

Bennett, B. (2017) Dissonance. [Show/Exhibition]

Bennett, B. (2022) Nation's Finest, Putting Down Roots and Birthing. [Show/Exhibition]

Bennett, B. (2023) Simon Says/Dadda. [Show/Exhibition]

Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition]

Blackadder, E., Buckley, S., Carter, J., Coates, T., Forster, N., Hollyras, K., Mccrae, J., Mitchell, J. and Sutton, T. (2007) Critic's choice. [Show/Exhibition]

Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition]

Buckley, S. (2005) 1979. [Show/Exhibition]

Buckley, S. (2004) Narratives. [Show/Exhibition]

Butler, J., Chapman, J., Chapman, D., Harding, A., Harvey, M., Hirst, D., James, M., Jones, P., Krut, A., Miller, H., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition]

Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition]

Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition]

Chaimowicz, M. (2007) The ruin: RAW among the ruins. [Show/Exhibition]

Chaimowicz, M. (2007) The secret public: the last days of the British underground 1978-1988. [Show/Exhibition]

Chaimowicz, M. C. (2007) 16 ans! [Show/Exhibition]

Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition]

Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition]

Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition]

Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition]

Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition]

Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition]

Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition]

Chaimowicz, M. C. (2003) MCC. [Show/Exhibition]

Chaimowicz, M. C. (2007) Summer's song. [Show/Exhibition]

Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition]

Chaimowicz, M. C. (2003) Ten banners. [Show/Exhibition]

Chaimowicz, M. C. (2003) Une exposition pour Cluny. [Show/Exhibition]

Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition]

Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition]

Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition]

Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition]

Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition]

Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition]

Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Decorative dormitories for sleep workers. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2007) Bohemian work out. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) The Cave: Etant Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2007) Curating degree zero. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2008) Curatorial vaudeville. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2008) The Extras Regina, 2008. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Festival VideoDanzaBa. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) I will survive. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust at ICA. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Moves 10 - Framing Motion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2012) Performance as social practice. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading Internationa #10: The Outside In - Steve Claydon at MERL. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 9: creating ruin - online video screening. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – film screening and panel discussion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – Chris Zhongtian Yuan. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2013) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Suck. Swallow. Breathe. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Szuper Gallery materials. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Translation paradoxes and misunderstandings. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Work/Arbeit/Работа. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) The artist's studio. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) 'The strength of the system, my experience of it...'. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) Étant Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2007) I will survive. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, 571 Oxford Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Ukraine relief. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2023) Ukrainian wartime posters, exhibition, 571 Oxford Road Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestrey, P. (2007) Szuper gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Tervaniemi, S. (2007) Loving revolution. [Show/Exhibition]

Connor, V. and O'Connell, T. (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition]

Cooke, K., Harezlak, A., Bizon, M., Bligh, S., Cawkwell, C., Coyle, P., Berman Duff, D., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Klee, S., Guro Larsmon, A. and Schoen, K. (2016) Concrete plastic. [Show/Exhibition]

Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition]

Cooper, D., Gourvil, O., Krisanamis, U., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Smith, D. and Suarez-Universal, V. (2009) Baroque reason. [Show/Exhibition]

Crabtree, J. and Evans, W. (2021) Slip. [Show/Exhibition]

Crabtree, J., Evans, W., Chodzko, A., Bhriain, A. N., Marshall, A., Shah, A., Akingbade, A., Drew, B., Wright, C., Land, I., Shearing, J., Packer, J., Baldock, J., Brennan, M., Fahmy, M., Sami, M., Ho, M.-T. T., Macotela, O. V., Becker, P., Evans, R., Orme, R., Wolbers, S. O., Abbas, S. and Middleton, S. (2020) Towner International. [Show/Exhibition]

Demircan, S., Holzfeind, H., Kobro, K., Lloyd, H., Pozarek, V., Schmidt Hansen, L., Solmsdorf, J. and Roithmayr, F. (2007) Die Blaue Blume. [Show/Exhibition]

Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. (2010) Continous movement of ideas. [Show/Exhibition]

Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition]

Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition]

Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Cubitt30. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Frankenstein economy. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) I. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2019) Sic. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) being eaten by a lion. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) The Struggle a trilogy. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. and Kollectiv, G. (2022) Do they owe us a living? [Show/Exhibition]

Golden, P. (2003) In portraiture irrelevance is ugliness. [Show/Exhibition]

Golden, P. (2007) Love and hysteria. [Show/Exhibition]

Golden, P. (2005) Nothing personal. [Show/Exhibition]

Golden, P. (2007) Thoughts. [Show/Exhibition]

Golden, P. (2005) The word. [Show/Exhibition]

Golden, P. R. (2007) Le recollets Paris. [Show/Exhibition]

Healy, C. (2015) Thin place exhibition. [Show/Exhibition]

Heim, A., Roithmayr, F. and Round, G. (2008) Feeling gave way to structure. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2014) Concrete gown for immaterial flows. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2019) EuroNoize. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2012) File Transfer Protocol. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2008) The Institute of Psychoplasmics. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2014) Radical Conservatism. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2018) Second annual report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2013) Suck the living labour. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2008) Svetlana. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2023) Elks in the Rear Window. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2023) Fossils. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition]

Kollectiv, P., Kollectiv, G., Vasseur, R. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Filmarmalade presents... [Show/Exhibition]

Kontopoulou, A. (2016) The democratic table. [Show/Exhibition]

Lawrence, J., Jenner, M., Drew, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T. (2018) Oh: link zone. [Show/Exhibition]

Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition]

MacLean, M. (2007) Before. [Show/Exhibition]

MacLean, M. (2003) Home from home. [Show/Exhibition]

MacLean, M. (2007) Inspiration to order. [Show/Exhibition]

MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition]

MacLean, M. (2005) The way we work now. [Show/Exhibition]

MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition]

MacLean, M. and Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2010) Architectural Fictions. [Show/Exhibition]

MacLean, M., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition]

Macbeth, R., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Riviere, S. (2015) Resource: uncreative writing. [Show/Exhibition]

O'Connell, T. (2017) All that is data that melts into air. [Show/Exhibition]

O'Connell, T. (2016) The Shift, eight years of flat time house. [Show/Exhibition]

O'Connell, T. (2009) Step by step. [Show/Exhibition]

O'Connell, T. (2017) Study for a pavilion: Askeaton. [Show/Exhibition]

O'Connell, T. (2004) Tina O'Connell. [Show/Exhibition]

O'Connell, T. (2009) The wager with the office of experiments. [Show/Exhibition]

O'Connell, T. and White , N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition]

O'Connell, T. and White, N. (2016) 9 Events. [Show/Exhibition]

O'Connell, T. and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) Close corners. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2007) Cocheme Fellows exhibition. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Come and go. Halt extreme left. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2015) Distressed geometry. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Drift. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Hidden. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2011) House in the Shape of a Stretcher. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2008) Images in the vaguest sense. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2004) John Moores 23. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Notebook architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Notebook architecture at Kunstgriff. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Nowhere. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2007) Painting unlimited. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2003) Painting year zero. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Phase 1. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Phase 2 imagining architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Phase III - Le Modulor. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2020) Phase IV intersections - art/architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Plan Unplan. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Screens. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Shed at Naming Rights. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2005) Short stories about painting. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) What is Seen, What is Shown. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) The larger in/and the smaller. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition]

Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition]

Roithmayr, F. (2007) Eventually Everything Happens. [Show/Exhibition]

Roithmayr, F. (2006) Glass Bead Game. [Show/Exhibition]

Roithmayr, F. (2007) Go I Know Not Whither And Fetch I Know Not What. [Show/Exhibition]

Roithmayr, F. (2017) Home is not a Place. [Show/Exhibition]

Roithmayr, F. (2017) Ir re par sur. [Show/Exhibition]

Roithmayr, F. (2012) Like plugging in. [Show/Exhibition]

Roithmayr, F. (2014) Matter of engagement. [Show/Exhibition]

Roithmayr, F. (2006) New contemporaries. [Show/Exhibition]

Roithmayr, F. (2018) Premio Lissone 2018. [Show/Exhibition]

Roithmayr, F. (2016) Service. [Show/Exhibition]

Roithmayr, F. (2019) Simply untitled. [Show/Exhibition]

Roithmayr, F. (2004) Solar dreams. [Show/Exhibition]

Roithmayr, F. (2018) Something infinitely distant and strange. [Show/Exhibition]

Roithmayr, F. (2019) A Strange Weave of Time and Space. [Show/Exhibition]

Roithmayr, F. (2018) These here withins. [Show/Exhibition]

Roithmayr, F. (2017) They call us screamers. [Show/Exhibition]

Roithmayr, F. (2015) Things that tumble twice. [Show/Exhibition]

Roithmayr, F. (2006) Toyama X. [Show/Exhibition]

Roithmayr, F. (2006) Treasure hunt. [Show/Exhibition]

Roithmayr, F. (2013) The Y. [Show/Exhibition]

Roithmayr, F. (2011) You want to borrow my shades, don’t complain about their tint. [Show/Exhibition]

Roithmayr, F. (2013) assault. [Show/Exhibition]

Roithmayr, F. and Heim, A. (2013) Burg. [Show/Exhibition]

Roithmayr, F. and Reid, C. (2007) Aspen 11. [Show/Exhibition]

Roithmayr, F., Allen, K., Bloor, S. & T., Burt, T., Chisholm, R., Clarke, C., Davies, K., Edwards, S., Flynn, J., Ghazi, B., Grace, T., Harrington, J., Hawley, S., Housley, P., Longly, G. H., Marquiss, D., Mirza, H., Mosley, R., Musgrave, E., Pyman, J., Richards, J., Round, G., Smith, M., Staton, S., Stonehouse, G., Syed, S., Traina, R., Wermers, N., Westerman, J. and Woods, K. (2011) Fifteen. [Show/Exhibition]

Roithmayr, F., An Endless Supply, ., Beale, R., Blightman, J., Brierley, B., Conderelli, C., Flood-Paddock, J., Root, P., Pantane, S., Provost, L., Spooner, C., The Grantchester Pottery, ., Pirecki, P., Price, E., Waller, M. A., White, N. and Wilkens, L. (2014) The Influence of Furniture on Love. [Show/Exhibition]

Roithmayr, F., Anderson, R. and Eldret, L. (2016) Foreign Objects. [Show/Exhibition]

Roithmayr, F., Angell, A., Atkins, E., Baldock, J., Burdis, E., Baseman, J., Deshayes, N., Dean, M., Hart, E., Flood-Paddock, J., Holden, A., Kefford, D., Owens, K., Projects, J., Panayiotou, C., Provost, L., Round, G., Sokhanvari, S., Shovlin, J., Summers, A., Wendling, C., Wilson, B. and Wine, J. (2014) Hey I’m Mr. Poetic. [Show/Exhibition]

Roithmayr, F., Arancio, S., Austin, M., Faramawy, A., Finlay, S., Thompson, M. and Teichmann, E. (2016) Inland Far. [Show/Exhibition]

Roithmayr, F., Barham, A., Beckett, J., Cutter, K., Evens, C. B., Dean, M., Metzger, G., Norfolk, R., Osbaldeston, D., Patane, S. and Prodger, C. (2014) Annals of the Twenty-Ninth Century. [Show/Exhibition]

Roithmayr, F., Behr, B., Farmer, G., Haugaard Madsen, L., Henry Longly, G. and Kratz, T. (2007) Ice trade. [Show/Exhibition]

Roithmayr, F., Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition]

Roithmayr, F., Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition]

Roithmayr, F., Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition]

Roithmayr, F., Gander, R., Mirza, H., Pradeau, F., Prouvost, L., Walther, F. E. and Cameron-Weir, E. (2014) ...and the stage darkens (or this voice is a big whale). [Show/Exhibition]

Roithmayr, F., LeWitt, S., Penone, G., Dean, M., Cornaro, I., Mattiacci, E., Buttner, A., Serra, R., Houseago, T., Dybbroe Møller, S. and Rodzielski, C. (2009) The young people visiting our ruins see nothing but a style. [Show/Exhibition]

Roithmayr, F., Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S. (2018) Group Portrait with Garden. [Show/Exhibition]

Roithmayr, F., Stevens, M., Prouvé, J., Marino di Teana, F., Kobylarz, S., Schlemmer, O., House, S., Morellet, F. and Chardon, N. (2016) Bauhaus + Around. [Show/Exhibition]

Roithmayr, F., Syed, S. and Wake, A. (2007) When something becomes nothing. [Show/Exhibition]

Roithmayr, F., Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition]

Roithmayr, F. (2016) EndStart. [Show/Exhibition]

Roithmayr, F. (2014) EndStart. [Show/Exhibition]

Roithmayr, F. (2013) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. (2009) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. (2015) With, and, or, without. [Show/Exhibition]

Roithmayr, F. (2019) The humility of Plaster. [Show/Exhibition]

Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F., Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition]

Roithmayr, F., Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition]

Roithmayr, F., Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Roithmayr, F., Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition]

Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition]

Rowlands, A. (2005) Growing up absurd. [Show/Exhibition]

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition]

Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition]

Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition]

Rowlands, A. (2006) The glass bead game. [Show/Exhibition]

Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition]

Rowlands, A. and Williams, M. (2018) In the reading room of hell. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition]

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 1). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 2). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 3). [Show/Exhibition]

Rowlands, A. (2008) NOVEL. [Show/Exhibition]

Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition]

Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition]

Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition]

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Ellison, C. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) On Waiting … For Their Words To Leave Our Mouth. [Show/Exhibition]

Russell, J. (2017) Against interpretation. [Show/Exhibition]

Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition]

Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition]

Russell, J. (2018) As much about forgetting. [Show/Exhibition]

Russell, J. (2019) Bergen Assembly. [Show/Exhibition]

Russell, J. (2018) CONDO: Emalin (hosting Galerie Gregor Staiger). [Show/Exhibition]

Russell, J. (2018) Cellular world: cyborg-human-avatar-horror. [Show/Exhibition]

Russell, J. (2013) Dog days II. [Show/Exhibition]

Russell, J. (2009) EAST International. [Show/Exhibition]

Russell, J. (2017) Encore! [Show/Exhibition]

Russell, J. (2015) Eton. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition]

Russell, J. (2010) Explain death to very young children. [Show/Exhibition]

Russell, J. (2007) Fusion now. [Show/Exhibition]

Russell, J. (2018) GOLD. [Show/Exhibition]

Russell, J. (2014) The Good Shepherd. [Show/Exhibition]

Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition]

Russell, J. (2007) Into position. [Show/Exhibition]

Russell, J. (2018) It's all the same fucking day, man. [Show/Exhibition]

Russell, J. (2014) Judgement. [Show/Exhibition]

Russell, J. (2018) Land and sea. [Show/Exhibition]

Russell, J. (2016) Le Bourgeois. [Show/Exhibition]

Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]

Russell, J. (2015) Lofoten international art festival 2015: disappearing acts. [Show/Exhibition]

Russell, J. (2007) Lost in the thinking. [Show/Exhibition]

Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition]

Russell, J. (2015) Plague of diagrams. [Show/Exhibition]

Russell, J. (2011) Praying Mantiss. [Show/Exhibition]

Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition]

Russell, J. (2019) SUMMA. [Show/Exhibition]

Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition]

Russell, J. (2013) She – a factory. [Show/Exhibition]

Russell, J. (2019) Sick Monday. [Show/Exhibition]

Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]

Russell, J. (2019) Tainted Love. [Show/Exhibition]

Russell, J. (2016) Tetragrammaton. [Show/Exhibition]

Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition]

Russell, J. (2013) To the reader. [Show/Exhibition]

Russell, J. (2013) The banquette years. [Show/Exhibition]

Russell, J. (2013) The hecklers. [Show/Exhibition]

Russell, J. (2014) A speculum that shines. [Show/Exhibition]

Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) Intrusions au Petit Palais. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) Off modern. [Show/Exhibition]

Russell, J. and Mitchell, D. (2015) Black Forest Magic. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (1997) Rude Britannia: British Comic Art. [Show/Exhibition]

Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition]

Russell, J. (2022) CAVAPOOL. [Show/Exhibition]

Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition]

Russell, J. (2022) Catechism. [Show/Exhibition]

Russell, J. (2021) Core. [Show/Exhibition]

Russell, J. (2017) DOGGO. [Show/Exhibition]

Russell, J. (2018) DOGGO II. [Show/Exhibition]

Russell, J. (2021) EARLEY. [Show/Exhibition]

Russell, J. (2012) Jexus. [Show/Exhibition]

Russell, J. (2013) O chair o flesh. [Show/Exhibition]

Russell, J. (2007) Ocean pose. [Show/Exhibition]

Russell, J. (2021) Party de Campagne. [Show/Exhibition]

Russell, J. (2015) SQRRL. [Show/Exhibition]

Russell, J. (2019) Screens. [Show/Exhibition]

Russell, J. (2021) Well. [Show/Exhibition]

Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition]

Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Gestalt!'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Runnymede International Literature Festival 2024. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Stiff, P. (2007) Edward Wright: design work. [Show/Exhibition]

Stupart, L., Gent, C. and Anachua, K. (2021) And then, a Harrowing. [Show/Exhibition]

Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition]

Toren, A. (2009) Carrots. [Show/Exhibition]

Toren, A. (2004) Clouds in trousers. [Show/Exhibition]

Toren, A. (2009) Don't look away. [Show/Exhibition]

Toren, A. (2006) Drawing breath. [Show/Exhibition]

Toren, A. (2003) Golem. [Show/Exhibition]

Toren, A. (2006) Houses in motion. [Show/Exhibition]

Toren, A. (2006) Narrative painting #1. [Show/Exhibition]

Toren, A. (2005) New works. [Show/Exhibition]

Toren, A. (2006) Received wisdom. [Show/Exhibition]

Toren, A. (2009) Refreshments. [Show/Exhibition]

Toren, A. (2006) Ten last drawings. [Show/Exhibition]

Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition]

Performance

Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Fance, T. (2018) Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2011) Ballet-Granite. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2007) I will survive. [Performance]

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) Remains. [Performance] (Unpublished)

Ellison, C. (2006) Craftwork. [Performance]

Ellison, C. (2018) Micro soft words (for dummies and enlightened beings). [Performance]

Ellison, C. (2008) RGBOHP. [Performance]

Ellison, C. (2007) Record. [Performance]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Ellison, C. (2007) iPolly Shuffle. [Performance]

Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance]

Kollectiv, G. and Kollectiv, P. (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance]

Kollectiv, G. and Kollectiv, P. (2013) A Guide to Office Clerical Time Standards. [Performance]

Kollectiv, G. and Kollectiv, P. (2010) WE. [Performance]

Kollectiv, P. and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance]

Roithmayr, F. (2016) Breath rider. [Performance]

Roithmayr, F. (2021) waves. [Performance]

Russell, J. (2015) UNSPECIFIED [Performance]

Russell, J. (2007) Frozen tears vs Dexter Sinister. [Performance]

Russell, J. and Audeoud, F. (2007) John Russell kills Fabienne Audeoud... [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Baby 19'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!', 'young girls!' and 'Poetic fragments from the irritating archive'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'young girls!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Lecture-Performance: Performing the Archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Poems from the artist's archive. [Performance]

Stupart, L. and Gent, C. (2021) All Us Girls Have Been Dead For So Long. [Performance]

Project

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2007) Auraproject. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2007) Grangerparklife: Online project. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2004) Installation. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) Sensory Objects. [Project] (Collection)

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2016) Interactive sensory cow for the Museum of English Rural Life (MERL). [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project]

Banks, M., Ivison, T., Jacobi, S., Theodoropoulou, L., Adams, J., Smith, M., Moonasinghe, H., Monsisyan, A. and Kontopoulou, A. (2015) New terms: radical education workshops. [Project]

Bennett, B. (2020) South London Gallery and Hauser and Wirth. [Project]

Bennett, B. (2019) Yuh Figet Yuhself - Peckham Partnership, Peckham Platform. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection)

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Frankenstein 2. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2018) Sic. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft. [Project] (Collection)

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) The struggle. [Project] (Collection)

Ker, D., Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Du Sautoy, M. (2011) Everything and nothing project. [Project]

Kollectiv, G. and Kollectiv, P. (2007) Asparagus: a horticultural ballet. [Project]

Kollectiv, G. and Kollectiv, P. (2008) Future Monument. [Project]

Kollectiv, G. and Kollectiv, P. (2010) No Haus Like Bau. [Project]

Kollectiv, G. and Kollectiv, P. (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

Kollectiv, G. and Kollectiv, P. (2011) xero, kline & coma. [Project]

Kollectiv, G. and Kollectiv, P. (2016) The Immigrants. [Project] (Collection)

Kollectiv, G. and Kollectiv, P. (2016) Reports from the strategic sanctuary for the destruction of free will. [Project] (Collection)

Kollectiv, P. and Kollectiv, G. (2006) Flatpack revolution. [Project]

Kontopoulou, A. (2017) Democracy. [Project] (Collection)

O'Connell, T. (2017) Temporal Data Study. [Project] (Collection)

O'Connell, T. and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness (Notebook Painting). [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Architecture. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Formism. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Plan Unplan (Outside Architecture Projects). [Project] (Collection)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Maridet, C. (2021) Situated knowledges, a cooperation with Tai Kwun, contemporary art, Hong Kong and Migros Museum, Zurich. [Project]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Zwick, H., Sheleff, M., Levi, E. and Ruff, R. (2021) Curating on shaky grounds: curating in times of crisis and conflict. [Project]

Roithmayr, F. (2017) Chelsea Embankment - London. [Project]

Roithmayr, F. (2018) Florian Roithmayr - the humility of plaster. [Project]

Roithmayr, F. (2019) International El Kurru project. [Project] (In Press)

Roithmayr, F. (2016) Prague Quadrennial - shared space. [Project] (Unpublished)

Roithmayr, F. (2020) Waves - research residency. [Project] (Unpublished)

Roithmayr, F. (2015) With, and, or, without. [Project]

Roithmayr, F. (2017) With, and, or, without. [Project] (Collection)

Roithmayr, F. (2019) The humility of plaster. [Project] (Collection)

Rowlands, A. (2018) Curating Fictions. [Project] (Collection)

Rowlands, A. and Williams, M. (2017) On Reading. [Project]

Rowlands, A. (2018) Novel Upstairs. [Project] (Collection)

Rowlands, A. (2017) Our words return in patterns. [Project] (Collection)

Russell, J. (2018) AQUARIUM PROLETARIUM. [Project] (Collection)

Russell, J. (2018) DOGGO. [Project] (Collection)

Russell, J. (2018) SQRRL. [Project] (Collection)

Stupart, L. (2018) I want to show you a body: thinking through gender, bodies, and building different worlds. [Project]

Image

Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Gertler, A., Godfrey-Isaacs, L., Greenan, A., Hällsten, J., O’Neill, M. R., Haukka, M., Hodge, S., Johanknecht, S., Kivland, S., Lloyd, L., Ludwig, K., Maclennan, R., Malacart, L., Manchot, M., Mariscal, C., Meynell, K., Mitchell, J., Mitrentse, C., Mooney, S., Mullaney, M., Novaczek, R., Oechsler, M., Olsen, R., Parker, J., Parris, J., Paz, A., Peppé, H., Robertson, H., Ruggaber, K., Schwartz, L., Scott, R., Sear, H., Séraphin, L., Sherbany, A., Siderfin, N., Skelton, P., Smith, R., Spindler, S., Steed, C., Stockham, J., Taylor, D., Thompson, M., Throp, M., Thyes, M., Sutherland, R. V., Von Heyl, M., Voorsanger, J., Westerman, J., Wood, S. and Wright, E. (2020) Salon for a speculative future. [Image]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Attempty. [Image] (Armseye Magazine, Issue 2, pp 18-19)

Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Five [yellow] poems'. [Image] (Experiment-O (Issue 16))

Video

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Ballet. [Video]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Suck. Swallow. Breathe. [Video]

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2012) The Straggle. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) The Struggle III: A Glimpse. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) The struggle II: opening up. [Video]

Kollectiv, G. and Kollectiv, P. (2008) Another Proof of the Preceding Theory. [Video]

Kollectiv, G. and Kollectiv, P. (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video]

O'Connell, T. (2018) Sublimation 2018. [Video]

Russell, J. (2018) SOFA. [Video]

Russell, J. (2010) Vermillion Vortex. [Video]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) 'The irritating archive' for Murmur reading series. [Video]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 and Ormonde, R. (2021) Company of Bluewater. [Video] (Issue 78 [online])

Stupart, L. (2020) After the Ice, the Deluge. [Video]

Stupart, L. (2020) Watershed. [Video]

Audio

Ellison, C. (2009) Reconstructing The Incredible. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) Goddess Anuket. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Audio]

Web Resource

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A., (2015) Sensory objects: a case study. Disability Cooperative Network

Ellison, C., (2012) Agency of Noise. Christine Ellison

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, (2008) L’Encyclopédie Noveaux Médias: Zineb Sedira. Centre Georges Pompidou, Paris.

Kollectiv, G. and Kollectiv, P., (2012) Against human nature. Umelec. Divus, Prague.

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, (2008) ONCURATING.org. Dorothee Richter

Stupart, L., (2021) HORSES. Comissioned by Phoenix Gallery

Other

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2018) Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS. Edinburgh Napier University, Edinburgh.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2016) Slapping scenes. ONCURATING.ORG, Zurich.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) This way out of England: Gallery House in retrospect. Raven Row.

O'Connell, T. (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre.

O'Connell, T. (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium.

Roithmayr, F. (2018) Concrete sculpture. BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London. (Unpublished)

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) 'held to account'. British Art Network. (In Press)

This list was generated on Wed Jun 12 21:01:57 2024 UTC.

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