Angelaki, V. (2012) The plays of Martin Crimp: making theatre strange. Palgrave Macmillan, Basingstoke, pp238. ISBN 9780230293717

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2012) Occasional publishers: producing and marketing books in England 1771–1844. Journal of Historical Research In Marketing, 4 (3). pp. 408-439. ISSN 1755-750X doi: https://doi.org/10.1108/17557501211252961

Beauchamp, A. (2012) A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter. Journal of Media Practice, 12 (3). pp. 235-244. ISSN 1468-2753 doi: https://doi.org/10.1386/jmpr.12.3.235_1

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2012) An introduction to television studies. 3rd edition. Routledge, London , pp348. ISBN 9780415598163

Black, A. and Stanbridge, K. (2012) Documents as 'critical incidents' in organisation to consumer communication. Visible Language, 46 (3). pp. 246-281. ISSN 0022-2224

Butler, A. (2012) Eija-Liisa Ahtila's Cinematic Worlds. In: Eija-Liisa Ahtila: Parallel Worlds. Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2012) Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema. Palgrave Macmillan. ISBN 9781349335220 doi: https://doi.org/10.1057/9781137283740

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2012) Performance as social practice. [Show/Exhibition]

Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011

Donaldson, L. F. (2012) Effort and affect: engaging with film performance. In: Reason, M. and Reynolds, D. (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. 159-174. ISBN 9781841504919

Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea.

Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457

Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance]

Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120

Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012)

Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256

Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Stott, C. (2012) Characterizing typographic expertise: do we process typefaces like faces? Visual Cognition, 20 (9). pp. 1082-1094. ISSN 1464-0716 doi: https://doi.org/10.1080/13506285.2012.722568

Elduque, A. (2012) Sangue e carne no cinema de Joaquim Pedro de Andrade. Revista Movimento, 2. pp. 1-24. ISSN 2238-8699

Ellison, C., (2012) Agency of Noise. Christine Ellison

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2012) The Straggle. [Video]

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679

Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact]

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Messages in a bottle and other things lost to the sea: the other side of critical theory or a reevaluation of Adorno's aesthetic theory. Telos, 2012 (160). pp. 77-97. ISSN 1940-459X doi: https://doi.org/10.3817/0912160077

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Shocking (Rancière’s) spectators. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual: Provocation. Transmission Annual (2). Artwords Press, London. ISBN 9781906441272

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Social practice: fo(u)r shades of grey. In: The Magic City (Presented as part of Liverpool Biennial). Liverpool Biennal 2012 / Birmingham City University, pp. 26-27. ISBN 9781906753313

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2012) User's manual. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition]

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2012) Masterpiece Theatre and British drama imports on US television: discourses of tension. Critical Studies in Television, 7 (1). pp. 29-48. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.5

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318, (2012) Against human nature. Umelec. Divus, Prague.

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2012) File Transfer Protocol. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) CUP Intermediate Greek-English Lexicon. Cambridge University Press, Cambridge.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Foreword. In: Macchia, E. and Brenner, M. (eds.) Type compass: charting new routes in typography. SHS Publishing, Rome, Italy, pp. 8-9. ISBN 9788890759499

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Never lost for words. Monotype Imaging Ltd, Bad Homburg, pp. 1-20.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Thoughts on a quiet master. Monotype Recorder (XI). pp. 2-11. (special issue 'Robin Nicholas edition')

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Type design and development. In: Typography, Referenced. Rockport Publishers, pp. 30-51. ISBN 9781592537020

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) You need an opinion, on top of an impulse. In: Coventon, D., Edgar, J., Williams, F. and Clifton, D. (eds.) Whatever Next: a discourse on typography. Camberwell Press, London, pp. 77-78. ISBN 9781908971098

Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

Moys, J.-L. (2012) Typographic meaning: readers’ impressions of patterns of typographic differentiation. PhD thesis, University of Reading.

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2012) Surviving Objects. [Performance]

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Além da diferença: a mulher no Cinema da Retomada. Devires, 9 (1). pp. 14-29. ISSN 2179-6483

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Oshima, corporeal realism and the eroticized apparatus. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R. (eds.) Theorizing world cinema. I.B. Tauris, London, pp. 161-182. ISBN 9781848854932

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves. In: Prager, B. (ed.) A companion to Werner Herzog. Wiley-Blackwell, Oxford, pp. 58-79. ISBN 978-1-4051-9440-2

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R., eds. (2012) Theorizing world cinema. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781848854932

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2012) When a film remembers its filming: the new Hollywood zoom. Journal of Media Practice, 13 (3). pp. 227-237. ISSN 2574-1136 doi: https://doi.org/10.1386/jmpr.13.3.227_1

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2012) Anthony Neilson. In: Sierz, A. (ed.) Modern British Playwriting: The 1990s. Decades of Modern British Playwriting. Bloomsbury, London, pp. 137-163. ISBN 9781408129265

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2012) Theatre & Scotland. Theatre &. Palgrave MacMillan, UK, pp120. ISBN 9780230292611

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) As if sunglasses were not necessary. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) I don’t feel like it: The indifference of objects.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) Like plugging in. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2012) Non-Latin scripts: key issues in type design. In: Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (eds.) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp. 125-153.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2012) From hot-metal to OpenType – the type design process for world scripts. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Holloway, T., Kshetrimayum, N. and Hudson, J. (2012) Sarkar Bengali typeface. Anandabazar Patrika, Kolkata, India.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Shaw, G. and Berry, J. (2012) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp160. ISBN 9780950416182

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]

Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Russell, J. (2012) Jexus. [Show/Exhibition]

Russell, J. (2012) Jexus. Metamute.org.

Sanocki, T. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2012) Letter processing and font information during reading: beyond distinctiveness, where vision meets design. Attention, Perception, & Psychophysics, 74 (1). pp. 132-145. ISSN 1943-3921 doi: https://doi.org/10.3758/s13414-011-0220-9

Saunders, G. (2012) Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition. History Research, 2 (6). pp. 391-397. ISSN 2159-550X

Saunders, G. (2012) The freaks roll call: live art and the Arts Council 1968-1973. Contemporary Theatre Review, 22 (1). pp. 32-45. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.645229

Saunders, G. J. (2012) Mark Ravenhill. In: Sierz, A. (ed.) Modern British playwriting: the 1990s: voices, documents, new interpretations. Methuen Drama, London, UK. ISBN 9781408129265

Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948

Smart, B. (2012) Brechtian television: theatricality and adaptation of the stage play. In: Loiselle, A. and Maron, J. (eds.) Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. 30-52. ISBN 9781442643529

Smart, B. (2012) Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965). Critical Studies in Television, 7 (1). pp. 49-63. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.6

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2012) Describing the design of children’s books: an analytical approach. Visible Language, 46 (3). ISSN 0022-2224