Accessibility navigation


Items where Division is "School of Arts and Communication Design" and Year is 2012

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
[tool] Batch List
Group by: Creators/Editors | Item Type | No Grouping
Number of items: 79.

Article

Banham, R. (2012) Occasional publishers: producing and marketing books in England 1771–1844. Journal of Historical Research In Marketing, 4 (3). pp. 408-439. ISSN 1755-750X doi: https://doi.org/10.1108/17557501211252961

Beauchamp, A. (2012) A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter. Journal of Media Practice, 12 (3). pp. 235-244. ISSN 1468-2753 doi: https://doi.org/10.1386/jmpr.12.3.235_1

Black, A. and Stanbridge, K. (2012) Documents as 'critical incidents' in organisation to consumer communication. Visible Language, 46 (3). pp. 246-281. ISSN 0022-2224

Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256

Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666

Dyson, M. and Stott, C. (2012) Characterizing typographic expertise: do we process typefaces like faces? Visual Cognition, 20 (9). pp. 1082-1094. ISSN 1464-0716 doi: https://doi.org/10.1080/13506285.2012.722568

Elduque, A. (2012) Sangue e carne no cinema de Joaquim Pedro de Andrade. Revista Movimento, 2. pp. 1-24. ISSN 2238-8699

Gibbs, J. (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Knox, S. (2012) Masterpiece Theatre and British drama imports on US television: discourses of tension. Critical Studies in Television, 7 (1). pp. 29-48. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.5

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Thoughts on a quiet master. Monotype Recorder (XI). pp. 2-11. (special issue 'Robin Nicholas edition')

McMullan, A. (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

Nagib, L. (2012) Além da diferença: a mulher no Cinema da Retomada. Devires, 9 (1). pp. 14-29. ISSN 2179-6483

O'Brien, A. (2012) When a film remembers its filming: the new Hollywood zoom. Journal of Media Practice, 13 (3). pp. 227-237. ISSN 2574-1136 doi: https://doi.org/10.1386/jmpr.13.3.227_1

Roithmayr, F. (2012) I don’t feel like it: The indifference of objects.

Russell, J. (2012) Jexus. Metamute.org.

Sanocki, T. and Dyson, M. C. (2012) Letter processing and font information during reading: beyond distinctiveness, where vision meets design. Attention, Perception, & Psychophysics, 74 (1). pp. 132-145. ISSN 1943-3921 doi: https://doi.org/10.3758/s13414-011-0220-9

Saunders, G. (2012) Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition. History Research, 2 (6). pp. 391-397. ISSN 2159-550X

Saunders, G. (2012) The freaks roll call: live art and the Arts Council 1968-1973. Contemporary Theatre Review, 22 (1). pp. 32-45. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.645229

Smart, B. (2012) Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965). Critical Studies in Television, 7 (1). pp. 49-63. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.6

Walker, S. (2012) Describing the design of children’s books: an analytical approach. Visible Language, 46 (3). ISSN 0022-2224

Book or Report Section

Butler, A. (2012) Eija-Liisa Ahtila's Cinematic Worlds. In: Eija-Liisa Ahtila: Parallel Worlds. Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.

Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011

Donaldson, L. F. (2012) Effort and affect: engaging with film performance. In: Reason, M. and Reynolds, D. (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. 159-174. ISBN 9781841504919

Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457

Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120

Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679

Kindel, E. (2012) User's manual. In: Kindel, E. (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152

Kollectiv, P. and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Foreword. In: Macchia, E. and Brenner, M. (eds.) Type compass: charting new routes in typography. SHS Publishing, Rome, Italy, pp. 8-9. ISBN 9788890759499

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Type design and development. In: Typography, Referenced. Rockport Publishers, pp. 30-51. ISBN 9781592537020

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) You need an opinion, on top of an impulse. In: Coventon, D., Edgar, J., Williams, F. and Clifton, D. (eds.) Whatever Next: a discourse on typography. Camberwell Press, London, pp. 77-78. ISBN 9781908971098

Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354

Nagib, L. (2012) Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves. In: Prager, B. (ed.) A companion to Werner Herzog. Wiley-Blackwell, Oxford, pp. 58-79. ISBN 978-1-4051-9440-2

Nagib, L. (2012) Oshima, corporeal realism and the eroticized apparatus. In: Nagib, L., Perriam, C. and Dudrah, R. (eds.) Theorizing world cinema. I.B. Tauris, London, pp. 161-182. ISBN 9781848854932

Reid, T. (2012) Anthony Neilson. In: Sierz, A. (ed.) Modern British Playwriting: The 1990s. Decades of Modern British Playwriting. Bloomsbury, London, pp. 137-163. ISBN 9781408129265

Ross, F. (2012) Non-Latin scripts: key issues in type design. In: Ross, F. and Singh, V. (eds.) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp. 125-153.

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Saunders, G. J. (2012) Mark Ravenhill. In: Sierz, A. (ed.) Modern British playwriting: the 1990s: voices, documents, new interpretations. Methuen Drama, London, UK. ISBN 9781408129265

Sioki, N. and Dyson, M. C. (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948

Smart, B. (2012) Brechtian television: theatricality and adaptation of the stage play. In: Loiselle, A. and Maron, J. (eds.) Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. 30-52. ISBN 9781442643529

Book

Angelaki, V. (2012) The plays of Martin Crimp: making theatre strange. Palgrave Macmillan, Basingstoke, pp238. ISBN 9780230293717

Bignell, J. (2012) An introduction to television studies. 3rd edition. Routledge, London , pp348. ISBN 9780415598163

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2012) Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema. Palgrave Macmillan. ISBN 9781349335220 doi: https://doi.org/10.1057/9781137283740

Kindel, E., ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Never lost for words. Monotype Imaging Ltd, Bad Homburg, pp. 1-20.

Nagib, L., Perriam, C. and Dudrah, R., eds. (2012) Theorizing world cinema. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781848854932

Reid, T. (2012) Theatre & Scotland. Theatre &. Palgrave MacMillan, UK, pp120. ISBN 9780230292611

Ross, F., Luna, P., Shaw, G. and Berry, J. (2012) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp160. ISBN 9780950416182

Thesis

Moys, J.-L. (2012) Typographic meaning: readers’ impressions of patterns of typographic differentiation. PhD thesis, University of Reading.

Artefact

Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact]

Roithmayr, F. (2012) As if sunglasses were not necessary. [Artefact]

Show/Exhibition

Clausen, S. (2012) Performance as social practice. [Show/Exhibition]

Kindel, E. and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2012) File Transfer Protocol. [Show/Exhibition]

Renshaw, T., Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition]

Roithmayr, F. (2012) Like plugging in. [Show/Exhibition]

Roithmayr, F., Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition]

Roithmayr, F., Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition]

Ross, F. and Singh, V. (2012) From hot-metal to OpenType – the type design process for world scripts. [Show/Exhibition]

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]

Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]

Russell, J. (2012) Jexus. [Show/Exhibition]

Performance

Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Murjas, T. (2012) Surviving Objects. [Performance]

Project

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Kollectiv, G. and Kollectiv, P. (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

O'Connell, T. and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

Video

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Garfield, R. (2012) The Straggle. [Video]

Web Resource

Ellison, C., (2012) Agency of Noise. Christine Ellison

Kollectiv, G. and Kollectiv, P., (2012) Against human nature. Umelec. Divus, Prague.

Other

Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea.

Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012)

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) CUP Intermediate Greek-English Lexicon. Cambridge University Press, Cambridge.

Ross, F., Holloway, T., Kshetrimayum, N. and Hudson, J. (2012) Sarkar Bengali typeface. Anandabazar Patrika, Kolkata, India.

This list was generated on Sat Jun 25 17:55:14 2022 UTC.

Page navigation