Article

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D. (2025) The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code. Quarterly Review of Film and Video, 42 (1). pp. 157-184. ISSN 1543-5326 doi: https://doi.org/10.1080/10509208.2024.2410530 (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

Book or Report Section

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) Beckett and televisual ecosystems: dramas of the vast wasteland. In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.) Samuel Beckett and Ecology. Bloomsbury, London. ISBN 9781350366022 (In Press)

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2025) Artificial Intelligence in documentary filmmaking: the ethics of deepfakes. In: Piotrowska, A. (ed.) The Ethics of Documentary Film. Edinburgh University Press, Edinburgh, pp. 296-318. ISBN 9781399534857 (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2025) Women and the contemporary Scottish stage. In: Fragkou, M. and Benzie, R. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Bloomsbury, UK, pp. 263-276. ISBN 9781350360259 (In Press)

Book

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Tuboly, A. T. (2025) Otto Neurath in Britain. Cambridge University Press, Cambridge, pp328. ISBN 9781009376297 doi: https://doi.org/10.1017/9781009376280

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2025) Sound strategies: music as ideological apparatus. Strange Attractor / MIT, London. ISBN 9781917319010 (In Press)

Thesis

Speretta, T. (2025) From the logic of the lure to the force of the erotic: cruising a personal AIDS video archive from a curatorial perspective. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00120353