Number of items: 6.
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2025)
Beckett and televisual ecosystems: dramas of the vast wasteland.
In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.)
Samuel Beckett and Ecology.
Bloomsbury, London.
ISBN 9781350366022
(In Press)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D.
(2025)
The Miracle of Morgan’s Creek (1944):
three perspectives on Preston Sturges and the Production Code.
Quarterly Review of Film and Video, 42 (1).
pp. 157-184.
ISSN 1543-5326
doi: https://doi.org/10.1080/10509208.2024.2410530
(Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H.
(2025)
Oblique agency: mapping the globalised workflows of television dubbing and their impact on practitioners.
Media and Communication, 13.
ISSN 2183-2439
doi: https://doi.org/10.17645/mac.9613
(In Press)
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2025)
Artificial Intelligence in documentary filmmaking: the ethics of deepfakes.
In: Piotrowska, A. (ed.)
The Ethics of Documentary Film.
Edinburgh University Press, Edinburgh, pp. 296-318.
ISBN 9781399534857
(In Press)
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2025)
Women and the contemporary Scottish stage.
In: Fragkou, M. and Benzie, R. (eds.)
The Methuen Drama Handbook of Women in Contemporary British Theatre.
Bloomsbury, UK, pp. 263-276.
ISBN 9781350360259
(In Press)
Tyler, L.
(2025)
‘Don’t fucking clap me’: applauding Bryony Kimmings and Deborah Pearson’s maternal dramaturgies in British play development.
In: Benzie, R. and Fragkou, M. (eds.)
The Methuen Drama Handbook of Women in Contemporary British Theatre.
Methuen Drama, pp. 277-290.
This list was generated on Tue Feb 25 06:03:46 2025 UTC.