Items where Division is "School of Arts and Communication Design" and Year is 2013
Number of items: 131. AAllen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Sensory stories. [Show/Exhibition] Angelaki, V., ed. (2013) Contemporary British theatre: breaking new ground. Palgrave Macmillan. ISBN 9781137010124 Angelaki, V. (2013) Introduction. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 1-8. ISBN 9781137010124 Angelaki, V. (2013) Politics for the middle classes: contemporary audiences and the violence of now. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 57-78. ISBN 9781137010124 Angelaki, V. (2013) Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage. Sillages Critiques, 16. ISSN 1969-6302 BBanham, R. (2013) The work force. In: The history of Oxford University Press. Volume 2: 1780-1896. Oxford University Press, London. ISBN 9780199543151 Bignell, J. (2013) Realism and reality formats. In: Ouellette, L. (ed.) A companion to reality television. Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115. ISBN 9780470659274 Bignell, J. (2013) The look: style, technology and televisuality in the New Who. In: O'Day, A. (ed.) Doctor Who: the eleventh hour. Who watching. I. B. Tauris, London and New York, pp. 123-140. ISBN 9781780760193 Black, A., Gibb, A., Carey, C., Barker, S., Leake, C. and Solomons, L. (2013) Designing a questionnaire to gather carer input to pain assessment for hospitalized people with dementia. Visible Language, 47 (2). pp. 37-60. ISSN 0022-2224 Blacksell, R. (2013) Typography after conceptual art: text-based conceptual art and its contribution to contemporary typographic discourse. PhD thesis, University of Sheffield. Blacksell, R. (2013) From looking to reading: text-based conceptual art and typographic discourse. Design Issues, 29 (2). pp. 60-81. ISSN 1531-4790 doi: https://doi.org/10.1162/DESI_a_00210 Blatnik, A., Bodman, S., Bohr, B., Cascella, D., Couch, A., Desjardin, A., Fontcuberta, J., Hulse, M., Dicker, B., Frearson, A., Helgason Gallagher, S., Jaeger, P., Jeff, P., Jenkins, L., Johanknecht, S., Meynell, K., Kaiser, M., Kivland, S., Thurston, N., Mathieu, D., Mikulinsky, R., Nicolas, C., Roush, P., Lusitano, M., Sanderson, M., Schimag, S. A., Schmidt, A., Speck, D. W., Lice, S. o., Soulellis, P., Szczelkun, S. and Zoller, R. (2013) 'Frankenstein2...' in The Book is Alive! In: Waeckerlé, E. and Sawdon-Smith, R. (eds.) The Book is Alive! RGAP, England, pp. 142-149. ISBN 9780956902450 Burke, C. (2013) The “Wiener Methode der Bildstatistik” (ISOTYPE): between art and design. In: Holter, M. C., Höller, B. and Wien, K. (eds.) Zeit(lose) Zeichen / Timeless signs: contemporary art in reference to Otto Neurath. Kerber, Vienna, pp. 23-29. ISBN 9783866787926 Burke, C. (2013) Animated Isotype on film, 1941–7. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 366-389. ISBN 9780907259473 Burke, C. (2013) The Gesellschafts- und Wirtschaftsmuseum in Wien (Social and Economic Museum of Vienna), 1925–34. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 20-106. ISBN 9780907259473 Burke, C. (2013) Interlude in the Netherlands, 1934–40. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 282-296. ISBN 9780907259473 Burke, C. (2013) The Isotype Institute, Oxford: war, welfare, and post-war reconstruction, 1941–8. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 354-365. ISBN 9780907259473 Burke, C. (2013) Pictogram design: Vienna and beyond. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 498-521. ISBN 9780907259473 Burke, C. (2013) The atlas Gesellschaft und Wirtschaft (society and economy), 1930. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 186-215. ISBN 9780907259473 Burke, C., Kindel, E. and Walker, S., eds. (2013) Isotype: design and contexts 1925–1971. Hyphen Press, London, pp554. ISBN 9780907259473 Butler, A. (2013) Spiral jetty, thirty seven years later: the cinematic time of James Benning. MIRAJ: Moving Image Review & Art Journal, 2 (2). pp. 174-186. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj.2.2.174_1 C
Chamarette, J. Clausen, S. (2013) Rehearsing Szuper Gallery. [Show/Exhibition] Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition] DDavies, P. (2013) Framing the miraculous: the devotional functions of perspective in Italian Renaissance tabernacle design. Art History, 36 (5). pp. 898-921. ISSN 1467-8365 doi: https://doi.org/10.1111/1467-8365.12032 Davies, P. and Hemsoll, D. (2013) The Paper Museum of Cassiano Dal Pozzo. A.X. renaissance and later architecture and ornament. The Paper Museum of Cassiano dal Pozzo. The Royal Collection in association with Harvey Miller, London, pp746. ISBN 9781905375776 Davies, P., Howard, D. and Pullan, W., eds. (2013) Architecture and pilgrimage 1000-1500: the southern Mediterranean and beyond. Ashgate, Aldershot, pp304. ISBN 9781472410832 Donaldson, L. F. (2013) Performing performers: embodiment and intertextuality in the contemporary biopic. In: Brown, T. and Vidal, B. (eds.) The Biopic in Contemporary Film Culture. AFI Film Readers. Routledge, London, pp. 103-117. ISBN 9780415899413 Donaldson, L. F. (2013) Camera and performer: energetic engagement with the shield. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 209-218. ISBN 9781441157515 Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza. [Performance] Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza [Performance text]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep) Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face). [Performance] Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face) [Poster digital print on paper]. Royal College of Art, London. (13 March) Dronsfield, J. L. (2013) The Swerve of Freedom after Spinoza, §5, ‘The inadequacy of the chance encounter and the need to go beyond it’ [Digital print A3 poster]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep) Dronsfield, J. L. (2013) Waiting for. [Digital print A3 poster]. Wilkinson Gallery, London. (Derek Jarman: Waiting for Waiting for Godot, 15 Oct - 22 Dec) Dronsfield, J. L. (2013) Where Narrative Stops. [Show/Exhibition] (co-curated with Amanda Wilkinson) Dronsfield, J. L. (2013) Where Narrative Stops, An interview. Wilkinson Gallery, London. Dronsfield, J. L. (2013) The performativity of art. In: Carbone, M. (ed.) Performatives after deconstruction. Bloomsbury, London, pp. 169-185. ISBN 9781441123466 Dronsfield, J. L. (2013) The seminars. In: Elkins, J. (ed.) What do artists know? The Stone Art Theory Institutes. Penn State University Press, pp. 7-121. ISBN 9780271054247 (Dronsfield, J.L. et al) Dronsfield, J. L., Critchley, S., Mirza, H., Cussans, J. and Birrell, R. (2013) I'm on my way [Vinyl record]. Focal Point Gallery, Southend. Dronsfield, J. L. (2013) Democracy headless. In: Year (2013). Komplot, Brussels. ISBN 9782960120738 Dronsfield, J. L. (2013) Douglasistic democracy. In: Year (2013). Komplot, Brussels. ISBN 9782960120738 Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Show/Exhibition] Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Performance] Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. In: Ian Kiaer. Le Centre international d'art et du paysage, Ile de Vassiviere, pp. 333-336. ISBN 9782910850593 Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. [Performance] Dyson, M. C. (2013) Where theory meets practice: a critical comparison of research into identifying letters and craft knowledge of type design. Design Journal, 16 (3). pp. 271-294. ISSN 1460-6925 doi: https://doi.org/10.2752/175630613X13660502571741 EElduque I Busquets, A. (2013) La nina i el ninot al cinema de Marco Ferreri. Quaderns de Cine, 8. pp. 55-62. ISSN 1888-4571 doi: https://doi.org/10.14198/QdCINE.2013.8.07 Elduque, A. and Garin, M. (2013) El que cree que saltar significa. In: Benavente, F. and Salvadó Corretger, G. (eds.) Poéticas del gesto en el cine europeo contemporáneo. Intermedio / Grup CINEMA, Barcelona, pp. 417-438. ISBN 9788461620784 Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition] Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition] GGarfield, R. (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg Gibbs, J. (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667 Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Proceedings and other publications. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623311 KKindel, E. (2013) A tradition with breaks. Eye Magazine, 22 (86). pp. 38-55. ISSN 0960-779X Kindel, E. (2013) Isotype in Africa, 1952–58. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London. ISBN 9780907259473 Kindel, E. (2013) The description of stencilling by Gilles Filleau des Billettes: transcription and translation. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 66-86. ISBN 9780907259480 Kindel, E. (2013) A reconstruction of stencilling based on the description by Gilles Filleau des Billettes. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 28-65. ISBN 9780907259480 Kindel, E. and Luna, P., eds. (2013) Typography papers, 9. Hyphen Press, London. ISBN 9780907259480 Knox, S. (2013) Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood. New Review of Film and Television Studies, 11 (3). pp. 374-389. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2013.803906 Knox, S. (2013) Reflection iii: Transnationalisation, Television Formats and the Universal. Critical Studies in Television, 8 (2). pp. 104-106. ISSN 1749-6020 Knox, S. (2013) The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television. In: O'Day, A. (ed.) Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. I. B. Tauris, London, pp. 106-120. ISBN 9781780760186 Kollectiv, G. and Kollectiv, P. (2013) A Guide to Office Clerical Time Standards. [Performance] Kollectiv, G. and Kollectiv, P. (2013) Suck the living labour. [Show/Exhibition] LLee, S. (2013) A newly discovered portrait of Napoleon by Jacques-Louis David. Burlington Magazine, 155 (1327). pp. 687-692. ISSN 0007-6287
Leonidas, G.
Leonidas, G.
Leonidas, G. Luna, P. and Ould, M. (2013) The printed page. In: Gadd, I. (ed.) The History of Oxford University Press. Volume 1: Beginnings to 1780. Oxford University Press, Oxford. ISBN 9780199557318 Luna, P. (2013) Picture this: how illustrations define dictionaries. In: Typography papers 9. Hyphen Press, London. ISBN 9780907259480 MMalvern, S. (2013) Rethinking 'Inside the Visible'. In: Dimitrakaki , A. and Perry, L. (eds.) Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Liverpool University Press, Liverpool, pp. 104-119. ISBN 9781846318931 Malvern, S. (2013) Femininity, feminism and the representation of torture. In: Knapp, A. and Footitt, H. (eds.) Liberal democracies at war: conflict and representation. Bloomsbury, London, pp. 219-232. ISBN 9781441156051 Malvern, S. (2013) Femininity, feminism and the terrorist. In: Malvern, S. and Koureas, G. (eds.) Terrorist Transgressions. Gendered representations of the terrorist in visual culture. I B Tauris, London; New York, pp. 39-55. ISBN 9781780767017 Malvern, S. and Koureas, G., eds. (2013) Terrorist transgressions: gendered representations of the terrorist in visual culture. I.B. Tauris, London; New York, pp226. ISBN 9781780767017 McMullan, A. (2013) Dancing in translation: Irina Brook’s mise en scène of 'Danser à Lughnasa', Jean-Marie Besset’s translation of Brian Friel’s 'Dancing at Lughnasa'. Studies in Theatre & Performance, 33 (2). pp. 211-223. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.33.2.211_1 McTighe, T. (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal, 8. pp. 6-15. McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355 McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988 Murjas, T., ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148 NNagib, L. (2013) Film as literature, or the Truffaldian Malaise. In: Andrew, D. and Gillain, A. (eds.) A companion to François Truffaut. Wiley-Blackwell, Oxford, pp. 530-545. ISBN 9781405198479 Nagib, L. (2013) Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles. In: Starling, H. and Borges, A. (eds.) Imaginação da Terra: Memória e utopia no cinema brasileiro. Editora UFMG, Belo Horizonte, pp. 13-39. ISBN 9788542300079 Nagib, L. (2013) Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha. Brazil Cultural (12). pp. 12-16. Nagib, L. (2013) The politics of impurity. In: Nagib, L. and Jerslev, A. (eds.) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp. 21-40. ISBN 9781780765105 Nagib, L. and Jerslev, A., eds. (2013) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781780765112 Nagib, L. (2013) Back to the margins in search of the core: foreign land's geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988 Nagib, L. (2013) Tempo, magnitude e o mito do cinema moderno. In: Dennison, S. (ed.) World Cinema: As novas cartografias do cinema mundial. Papirus, Campinas, pp. 219-233. ISBN 9788530810603 Nemeth, T. (2013) Simplified Arabic, a new form of Arabic Type for hot-metal composition. In: Kindel, E. and Luna, P. (eds.) Typography Papers. Hyphen, London, pp. 173-189. ISBN 9780907259480 OO'Brien, A. (2013) Nonindifferent mountains: ecocriticism, the thin red line and the conditions of film fiction. Film Criticism, 38 (2). pp. 1-19. ISSN 0163-5069 O'Brien, A. (2013) Regarding things in Nashville and the exterminating angel: another path for eco-film criticism. ISLE: Interdisciplinary studies in Literature and Environment, 20 (2). pp. 258-273. ISSN 1076-0962 doi: https://doi.org/10.1093/isle/ist031 PPanos, L. (2013) Chaos, culture and fantasy: The television plays of Howard Schuman. Journal of Screenwriting, 4 (3). pp. 287-303. ISSN 1759-7137 doi: https://doi.org/10.1386/josc.4.3.287_1 Panos, L. (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.3.2 Panos, L. (2013) Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio. Journal of British Cinema and Television, 10 (1). pp. 151-170. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0127 Purse, L. (2013) Digital imaging in popular cinema. Edinburgh University Press, Edinburgh, pp208. ISBN 9780748646906 RReid, T. (2013) "Angels and modern myth": Grid Iron and the New Scottish Theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms. Intellect, Bristol, pp. 175-193. ISBN 9781783202973 Renshaw, T. (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994 Renshaw, T. (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition] Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A., O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition] Roithmayr, F. (2013) The Y. [Show/Exhibition] Roithmayr, F. (2013) assault. [Show/Exhibition] Roithmayr, F. and Heim, A. (2013) Burg. [Show/Exhibition] Roithmayr, F. (2013) Florian Roithmayr. [Show/Exhibition] Roithmayr, F. (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished) Roithmayr, F., Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition] Roithmayr, F., Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition] Rolinson, D. and Woods, F. (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, M., Godfrey, S. and Williams, M. (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392 Ross, F. (2013) Digital typeface design and font development for twenty-first century Bangla language processing. In: Karim, M. A., Kaykobad, M. and Murshed, M. (eds.) Technical Challenges and Design Issues in Bangla Language Processing. IGI Global, Pennsylvania U.S.A., pp. 1-15. doi: https://doi.org/10.4018/978-1-4666-3970-6.ch001 Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition] Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition] Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6). Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X Russell, J. (2013) Dog days II. [Show/Exhibition] Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition] Russell, J. (2013) She – a factory. [Show/Exhibition] Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition] Russell, J. (2013) To the reader. [Show/Exhibition] Russell, J. (2013) The banquette years. [Show/Exhibition] Russell, J. (2013) The hecklers. [Show/Exhibition] Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition] Russell, J. (2013) O chair o flesh. [Show/Exhibition] SSaunders, G. (2013) Foco Novo: the Icarus of British small scale touring theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations across Small-Scale British Theatre. Intellect, Bristol. ISBN 9781783202973 Smart, B. (2013) The Life of Galileo and Brechtian television drama. Journal of British Cinema and Television, 10 (1). pp. 112-129. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0125 TTaylor, L. (2013) Voice, body and the transmission of the real in documentary theatre. Contemporary Theatre Review, 23 (3). pp. 368-379. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2013.806318 Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104 UUnger, G., Grace, T. and Vlachou, I. (2013) Alverata: Latin, Greek and Cyrillic typeface. TypeTogether s.r.o., Prague. Unger, G. (2013) Romanesque capitals in inscriptions. In: Kindel, E. and Luna, P. (eds.) Typography Papers 9. Hyphen Press, London, pp. 5-25. ISBN 9780907259480 WWalker, S. (2013) Book design for children's reading: typography, picture, print. St Bride Foundation, London, pp224. ISBN 9780950416137 Walker, S. (2013) Graphic explanation for children, 1944-71. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925-1971. Hyphen Press, London, pp. 390-437. ISBN 9780907259473 Woods, F. (2013) Clare Balding: the televisual face of London 2012. Journal of Popular Television, 1 (1). pp. 137-141. ISSN 2046-9861 doi: https://doi.org/10.1386/jptv.1.1.137_1 Woods, F. (2013) Teen TV meets T4: assimilating 'The O.C.' into British youth television. Critical Studies in Television, 8 (1). pp. 14-35. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.1.4 Woods, F. (2013) Storytelling in song: television music, narrative and allusion in 'The O.C.'. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 199-208. ISBN 9781441157515 |