A

Allen, K. and Hollinworth, N. (2016) Interactive sensory cow for the Museum of English Rural Life (MERL). [Project]

Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles.

Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38. doi: https://doi.org/10.18848/1835-2014/CGP/v09i01/21-38

Angelaki, V. (2016) The space and culture of translation: Ferdinand Bruckner’s 'Pains of Youth' by Martin Crimp and Katie Mitchell. Journal of Adaptation in Film & Performance, 9 (1). pp. 67-82. ISSN 1753-6421 doi: https://doi.org/10.1386/jafp.9.1.67_1

B

Bignell, J. (2016) Authenticity and performance of class in British factual TV series. In: Cloarec, N., Haigron, D. and Letort, D. (eds.) Social Class on British and American Screens: Essays on Cinema and Television. McFarland, Jefferson, USA, pp. 58-73. ISBN 9781476662343

Bignell, J. (2016) Cars, places and spaces in police drama. In: McElroy, R. (ed.) Contemporary British Television Crime Drama: Cops on the Box. Routledge Advances in Television Studies. Routledge, London, pp. 123-136. ISBN 9781472454935

Bignell, J. (2016) Representing violence, playing control: warring constructions of masculinity in Action Man toys. In: Wesseling, E. (ed.) The Child Savage, 1890–2010. From Comics to Games. Ashgate Studies in Childhood, 1700 to the Present. Routledge, London, pp. 189-202. ISBN 9781409455981

Blacksell, R. (2016) From visual to textual: typography in/as conceptual art. In: Glasmeier, M. and Prill, T. (eds.) Typografie als Kunstlerisches Ereignis. Textem Verlag, Hamburg, pp. 113-141. ISBN 9783864851254

Blacksell, R. and Walker, S., eds. (2016) Architecture and the spaces of information. Architecture and Culture, 4 (1). Taylor & Francis.

Blacksell, R. and Walker, S. (2016) Introduction: architecture and the spaces of information. Architecture and Culture, 4 (1). pp. 1-8. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2016.1153241

Blacksell, R. E. (2016) Categories & order systems: Claude Parent and The Serving Library. Intersections of architecture, art and editorial design. Architecture and Culture, 4 (1). pp. 73-89. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2015.1094229

Burke, C. (2016) Formal writing, artist typefaces, and bread-and-butter type (part 1). Forum (32). pp. 8-13. ISSN 1472-0604

Burke, C. (2016) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 256-260. ISBN 9783874398930

Burke, C. (2016) Jan Tschichold und Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 206-209. ISBN 9783874398930

Burke, C. (2016) Krise 1933 – Politisierung der Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 226-235. ISBN 9783874398930

Burke, C. (2016) München als typografisches Zentrum. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 201-205. ISBN 9783874398930

Burke, C. (2016) Otto Neurath und die Wiener Methode der Bildstatistik. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 252-255. ISBN 9783874398930

Burke, C. (2016) Wie kam die Futura auf dem Mond? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 350-365. ISBN 9783874398930

C

Clausen, S. (2016) Slapping scenes. ONCURATING.ORG, Zurich.

Clausen, S. (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition]

Clausen, S. and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich.

Cooke, K., Harezlak, A., Bizon, M., Bligh, S., Cawkwell, C., Coyle, P., Berman Duff, D., Frearson, A., Klee, S., Guro Larsmon, A. and Schoen, K. (2016) Concrete plastic. [Show/Exhibition]

Cooke, K. S. (2016) Art ontologyvalue: staging the ontology of art within systems of value. PhD thesis, University of Reading.

Courage, T. (2016) Kelly Reichardt: lost in Oregon. In: Berra, J. (ed.) Directory of World Cinema: American Independent 3. University of Chicago Press, Chicago, pp. 219-223. ISBN 9781783206568

D

Dyson, M. C. and Beier, S. (2016) Investigating typographic differentiation: italics are more subtle than bold for emphasis. Information Design Journal, 22 (1). pp. 3-18. ISSN 0142-5471 doi: https://doi.org/10.175/idj.22.1.02dys

Dyson, M. C. and Suen, C. Y., eds. (2016) Digital fonts and reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems: Volume 1. World Scientific. ISBN 9789814759533

Dyson, M. C., Tam, K., Leake, C. and Kwok, B. (2016) How does expertise contribute to the recognition of Latin and Chinese characters? In: Dyson, M. C. and Suen, C. Y. (eds.) Digital fonts and reading. World Scientific , Singapore, pp. 193-208. ISBN 9789814759533

Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary.

Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition]

Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082

Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: https://doi.org/10.1086/687091

Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in 'Her Noise'. Women and Music: A Journal of Gender and Culture, 20 (1). pp. 88-95. ISSN 1090-7505 doi: https://doi.org/10.1353/wam.2016.0005

E

Elduque Busquets, A. (2016) Hunger and rotten flesh: Cinema Novo, Pasolini, Eisenstein. [Video]

Elduque Busquets, A. and Salvadó, A. (2016) Aesthetical and narrative uses of the trench in the Hollywood cinema of 1918-1930. L'Atalante. Revista de Estudios Cinematográficos, 21. pp. 93-103. ISSN 2340-6992

Elduque Busquets, A. (2016) El vuelo del buitre: Ruy Guerra y la historia de las repeticiones. La Furia Umana, 30. ISSN 2037-0431

Elduque, A. (2016) La comida en familia. In: Balló, J. and Bergala, A. (eds.) Motivos visuales del cine. Galaxia Gutenberg, Barcelona, pp. 77-81. ISBN 9788416495504

Elduque, A. (2016) Pasolini and Third World hunger: an approach to Cinema Novo through 'La ricotta'. Journal of Italian Cinema and Media Studies, 4 (3). pp. 369-385. ISSN 20477368 doi: https://doi.org/10.1386/jicms.4.3.335_7

Elduque, A. (2016) The necessary amateur. Cinema, education and politics. Interview with Cezar Migliorin. Cinema Comparat/ive Cinema, 4 (9). pp. 36-42. ISSN 2014-8933

F

Frearson, A. (2016) Attempty. [Image] (Armseye Magazine, Issue 2, pp 18-19)

Frearson, A. (2016) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1758-9185 doi: https://doi.org/10.1080/14702029.2016.1228807

Frearson, A. (2016) Frankenstein 2. [Project] (Collection)

G

Garfield, R. (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825

Garfield, R. (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw006

Garfield, R. (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt.

Garfield, R. S. (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: https://doi.org/10.1080/13507486.2016.1203880

Garin, M. and Elduque, A. (2016) Quantitative meta-analysis of visual motifs throughout film history. El profesional de la información, 25 (6). pp. 883-892. ISSN 1699-2407

Gibbs, J. (2016) Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay). [in]Transition, 3 (2). ISSN 2469-4312

H

Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (Unpublished)

Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality. (Unpublished)

Hellmich, C. and Purse, L. (2016) Knowing war: moving images and the politics of erasure in the post 9/11 world. E-international relations.

Hudson, J. and Ross, F. (2016) Murty Sanskrit typeface. Harvard University Press.

K

Kollectiv, G. and Kollectiv, P. (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2016) The Immigrants. [Project] (Collection)

Kollectiv, G. and Kollectiv, P. (2016) Reports from the strategic sanctuary for the destruction of free will. [Project] (Collection)

Kontopoulou, A. (2016) The democratic table. [Show/Exhibition]

Kshetrimayum, N. and Ross, F. (2016) ABP extra bold Bengali typeface. Ananda Bazar Patrika, Kolkata.

L

Lamberg, J. J. J. (2016) Clothing the paper: on the state of newspaper design, redesigns, and art directors’ perspectives in contemporary quality and popular newspapers. PhD thesis, University of Reading.

Lee, R. and Moys, J.-L. (2016) Exploring the relationship between language and design: a study of Hong Kong newspapers. Visible Language, 50 (2). pp. 127-149. ISSN 0022-2224

Loveland, P., Moys, J.-L., Tollett, H. and Towriss, M. (2016) Typo-resource: developing T&L support materials through collaboration. The Journal of Educational Innovation, Partnership and Change, 2 (1). 238. ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v2i1.238

M

McFrederick, M. (2016) Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios. In: Tucker, D. and McTighe, T. (eds.) Staging Beckett in Great Britain. Bloomsbury, Methuen Drama, London, pp. 37-55. ISBN 9781474240178

McMullan, A. (2016) Staging Beckett in Ireland: scenographic remains. In: McTighe, T. and Tucker, D. (eds.) Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. 103-119. ISBN 9781474240550

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2016) Film studies before film studies: Derek Jarman at the Slade. Screen, 57 (3). pp. 371-378. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw032

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2016) The documentary version of film history. In: Aitken, I. (ed.) The Major Realist Film Theorists. Edinburgh University Press, pp. 172-186. ISBN 9781474421959 doi: https://doi.org/10.3366/edinburgh/9781474402217.003.0011

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2016) The lonely crowd: Dwoskin, Durgnat and the London Film-Makers’ Co-op. Screen, 57 (1). pp. 87-94. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw011

Murjas, T., (2016) War Child: Meditating on an Archive. University of Reading (https://www.rluk.ac.uk/war-child-archive/)

N

Nagib, L. (2016) Non-cinema: the location of politics in film. Film-Philosophy, 20 (1). pp. 131-148. ISSN 1466-4615 doi: https://doi.org/10.3366/film.2016.0007

Nagib, L. (2016) Regurgitated bodies: presenting and representing trauma in 'The Act of Killing'. In: Tzioumakis, Y. and Molloy, C. (eds.) The Routledge Companion to Film & Politics. Routledge, Abingdon, pp. 218-230. ISBN 9780415717397

Narberhaus, M., Da Rocha, I. and Elduque, A. (2016) Multilingüismo en las aulas: La producción en el Taller Integrado de Periodismo. Opción, 10. pp. 358-375. ISSN 1012-1587

Nemeth, T. (2016) ‘Harmonised type design’ revisited. In: Dyson, M. and Suen, C. Y. (eds.) Digital Fonts and Reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems. World Scientific, Singapore, pp. 150-172. ISBN 9789814759533 doi: https://doi.org/10.1142/9789814759540_0009

O

O'Brien, A. (2016) Transactions with the world: ecocriticism and the environmental sensibility of new Hollywood. Berghahn Books, Oxford, pp228. ISBN 9781785330001

O'Connell, T. (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre.

O'Connell, T. (2016) The Shift, eight years of flat time house. [Show/Exhibition]

O'Connell, T. (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium.

O'Connell, T. and White , N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition]

O'Connell, T. and White, N. (2016) 9 Events. [Show/Exhibition]

O'Connell, T. and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition]

P

Purse, L. (2016) Affective trajectories: locating diegetic velocity in the cinema experience. Cinema Journal, 55 (2). pp. 151-157. ISSN 0009-7101 (IN FOCUS: Speed)

Purse, L. (2016) The new Hollywood, 1981–1999: special/visual effects. In: Whissel, K. and Keil, C. (eds.) Editing and Special/Visual Effects. Behind the Silver Screen. Rutgers University Press, New Brunswick, NJ, pp. 142-155. ISBN 9780813570815

R

Reid, T. (2016) Scottish drama: the expanded community. In: Lyall, S. (ed.) Community in Modern Scottish Literature. SCROLL: Scottish Cultural Review of Language and Literature (25). Brill Rodopi, Leiden, Netherlands, pp. 143-159. ISBN 9789004317444

Reid, T. (2016) 'Sexy kilts with attitude': Scottish theatre in the twenty-first century. In: Adiseshiah, S. and Lepage, L. (eds.) Twenty-First Century Drama: What Happens Now. Palgrave MacMillan, Basingstoke, pp. 191-211. ISBN 9781137484024

Reid, T. (2016) Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall. Contemporary Theatre Review, 26 (1). pp. 60-70. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2015.1123701

Renshaw, T. (2016) Phase 1. [Show/Exhibition]

Renshaw, T. (2016) Shed at Naming Rights. [Show/Exhibition]

Renshaw, T. (2016) Notebook architecture. [Show/Exhibition]

Richter, D. (2016) My glam, your glam, we glam. In: Marchetti, L. (ed.) La mode exposée / Fashion curating. HEAD, Geneve, pp. 213-218. ISBN 9782940510146

Richter, D. (2016) Performance Kunst kuratieren? In: Gebhardt Fink, S., Mathis, ‎M. and von Büren, M. (eds.) Performance Chronik Basel: Erinnern und Erzählen (1987-2006). Diaphanes Verlag, Zürich/Berlin, pp. 43-51. ISBN 9783037346341

Richter, D. (2016) (Un)Dinge, oder warum die Sehnsucht nach dem Ding immer reaktionär ist. Interdisziplinäres Ausstellen, 16 (1-2). pp. 8-15. ISSN 1015-6720

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Feminist perspectives in curating. OnCurating (27). pp. 64-75. ISSN 2673-2904 (Feminism, Curating, Contemporary Art)

Richter, D. (2016) Feminist perspectives on curating. In: Richter, D., Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386

Richter, D. (2016) Learning from Dhaka. In: Garcia-Anton, K., Cataldo, A. and Betancourt, D. C. (eds.) Critical Writing Ensembles. Mousse Publishing, Milan, pp. 234-247. ISBN 9788867492701

Roithmayr, F. (2016) Breath rider. [Performance]

Roithmayr, F. (2016) Prague Quadrennial - shared space. [Project] (Unpublished)

Roithmayr, F. (2016) Service. [Show/Exhibition]

Roithmayr, F., Anderson, R. and Eldret, L. (2016) Foreign Objects. [Show/Exhibition]

Roithmayr, F., Arancio, S., Austin, M., Faramawy, A., Finlay, S., Thompson, M. and Teichmann, E. (2016) Inland Far. [Show/Exhibition]

Roithmayr, F., Stevens, M., Prouvé, J., Marino di Teana, F., Kobylarz, S., Schlemmer, O., House, S., Morellet, F. and Chardon, N. (2016) Bauhaus + Around. [Show/Exhibition]

Roithmayr, F. (2016) EndStart. [Show/Exhibition]

Rossi, J. (2016) Collabowrighting the hyper(play)text: a postdramatic digital poetics. PhD thesis, University of Reading.

Rowlands, A. and Williams, M., eds. (2016) NOVEL Upstairs. NOVEL, 5. NOVEL - Bergen Kunsthall, Bergen, Norway, pp90. ISBN 9781527203754

Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition]

Russell, J. (2016) Le Bourgeois. [Show/Exhibition]

Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition]

Russell, J. (2016) Tetragrammaton. [Show/Exhibition]

S

Smart, B. (2016) ‘Nats go home’: modernism, television and three BBC productions of Ibsen (1971-1974). Ibsen Studies, 16 (1). pp. 37-70. ISSN 1502-1866 doi: https://doi.org/10.1080/15021866.2016.1180869

Smart, W. and Wrigley, A. (2016) Television history: archives, excavation and the future. A discussion. Critical Studies in Television: The International Journal of Television Studies, 11 (1). pp. 96-109. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602015618634

Souza Borges, R. (2016) Human figure as automaton: directing as gesture as painting. PhD thesis, University of Reading.

T

Trampe, T., Richter, D. and Stassi, E., eds. (2016) Work, Migration, Memes and Personal Geopolitics. On-Curating, 30 (30). On-Curating, Zurich, pp152. ISBN ISBN-13: 978-1533448392

Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104.

W

Woods, F. (2016) British youth television: transnational teens, industry, genre. Palgrave, London, pp267. ISBN 9781137445476

Woods, F. (2016) My generation(s): cycles, branding and renewal in E4’s 'Skins'. In: Klein, A. A. and Palmer, R. B. (eds.) Cycles, Sequels, Remakes and Reboots: Multiplicities in Film & Television. University of Texas Press, Austin, Texas, pp. 240-259. ISBN 9781477309001

Woods, F. (2016) Space, authenticity and utopia in the hip-hop teen dance film. In: Evans, M. and Fogarty, M. (eds.) Movies, Moves and Music: The Sonic World of Dance Films. Genre, Music and Sound. Equinox, Sheffield, pp18. ISBN 9781845539580