Angelaki, V. (2010) ‘Ethics take centre stage: Issues and representation for today's political theatre’. In: Meyer-Dinkgräfe , D. and Watt, D. (eds.) Ethical Encounters: Boundaries of Theatre, Performance and Philosophy. Cambridge Scholars Publishing, Cambridge, pp. 199-207. ISBN 9781443816953

Angelaki, V. (2010) Grenzen hinausschieben, Zuschauer herausfordern: zur rezeption Howard Barkers. In: Mengel, E. and Weiss, R. (eds.) Weltbühne Wien/World Stage Vienna: Die Rezeption Anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. Wissenschaftlicher Verlag Trier, pp. 297-311.

Angelaki, V. (2010) ‘Lessons from Harold Pinter’. Studies in Theatre and Performance, 30 (3). pp. 267-273. ISSN 2040-0616

Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition]

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Docudrama performance: realism, recognition and representation. In: Cornea, C. (ed.) Genre and performance: film and television. Manchester University Press, Manchester, UK, pp. 59-75. ISBN 9780719079801

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Spies, style and the Cold War: James Bond in the sixties and seventies. In: Ahrens, R., Stierstorfer, K. and Dickason, R. (eds.) Symbolism: an international annual of critical aesthetics. Special focus: propaganda. AMS Press, New York, USA, pp. 81-92. ISBN 9780404635701

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Star Wars (1977): back and forth in time and space. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 111-115. ISBN 9781844573363

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Television and the popular: viewing from the British perspective. Journal of Literary Theory, 4 (2). pp. 181-198. ISSN 1862-5290 doi: https://doi.org/10.1515/JLT.2010.012

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460

Brown, T. (2010) 'Entertainment and dystopia': Maurice Chevalier performs Avec le sourire (1936). In: Walters, J. and Brown, T. (eds.) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK, pp. 78-84. ISBN 9781844573363

Brown, T. and Walters, J., eds. (2010) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK. ISBN 9781844573363

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2010) Back to basics: Otto Neurath and Isotype. Cambridge Literary Review, 1 (3). pp. 221-235. ISSN 2042-129x

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype: international picture language. [Show/Exhibition]

Butler, A. (2010) Must this be the place? In: De Weck, Z. A. (ed.) Eija-Liisa Ahtila: where is where? Walther Konig, Koln, Germany, pp. 88-92. ISBN 9783865607591

Butler, A. (2010) A deictic turn: space and location in contemporary gallery film and video installation. Screen, 51 (4). pp. 305-323. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjq031

Butler, A. (2010) Éloge de l'amour (2001): moments in time. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 130-134. ISBN 9781844573363

Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Festival VideoDanzaBa. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Moves 10 - Framing Motion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Szuper Gallery materials. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Work/Arbeit/Работа. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition]

Davies, P. and Hemsoll, D. (2010) Fourteen sheets of drawings by Sebastiano Serlio. In: Beltramini, G. and Elam, C. (eds.) Some degree of happiness: studi di storia dell’architettura in onore di Howard Burns. Edizioni della Normale, Pisa, Italy, pp. 273-296. ISBN 9788876423727

Davies, P. and Hemsoll, D. (2010) Sebastiano Serlio, progetti per una villa fortificata / projects for a fortified villa. In: Faliva, A. (ed.) Ville del Rinascimento padano. I bastioni, il portico e la fattoria / the bastions the portico and the farmyard. Mondadori Electa, Milan, Italy, pp. 97-99. ISBN 9788837077457

Donaldson, L. F. (2010) “There’s something very familiar about all this”: generic play and performance in the Back to the Future trilogy (Robert Zemeckis, 1985, 1989, 1990). In: Ni Fhlainn, S. (ed.) The Worlds of Back to the Future. McFarland, Jefferson, pp. 73-90. ISBN 9780786444002

Donaldson, L. F. (2010) Access and excess in The Texas Chain Saw Massacre. Movie: a journal of film criticism (1). ISSN 2047-1661

Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2010) Continous movement of ideas. [Show/Exhibition]

Dronsfield, J. (2010) Philosophers enowning that there will be no own. [Performance]

Dronsfield, J. (2010) The work of art. In: Davis, B. W. (ed.) Martin Heidegger: key concepts. Acumen Publishing, Durham, pp. 128-139. ISBN 9781844651983

Dronsfield, J. L. (2010) Headless in Hirschorn's Classroom. In: Walwin, J. (ed.) Searching for art's new publics. Intellect, Bristol, pp. 127-136. ISBN 9781841503110

Dronsfield, J. L. (2010) "...where the re-imagined is the repeated". In: Bull, S. and Miletic, D. (eds.) Cities re-imagined. Vojvodina Museum of Contemporary Art, Novi Sad, Serbia, pp. 13-19. ISBN 9788684773687

Dronsfield, J. L. (2010) Pedagogy of the written image. Journal of French and Francophone Philosophy, 18 (2). pp. 87-105. ISSN 2155-1162

Dronsfield, J. L. (2010) Theory as art practice: outnotes for indiscipline. Art&Research, 3 (1). ISSN 1752-6388

Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: https://doi.org/10.4018/978-1-60566-940-3.ch004

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, T. and Walters, J. (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2010) Sleeping with half open eyes: dreams and realities in The Cry of the Owl. Movie: A Journal of Film Criticism (1). pp. 1-17.

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, J., Hall, S. and Neale, S. (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287

Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. ORCID: https://orcid.org/0000-0003-0224-428X and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2010) Fit to be seen: stencils for architects, engineers and surveyors. AA Files, 61. pp. 100-109. ISSN 0261-6823

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype revisited. Il progetto sugli aspetti meno conosciuti di Isotype. Progetto grafico, 18. pp. 48-57. ISSN 1824-1301

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2010) Reading 'The Truman Show' inside out. Film Criticism, XXXV (1). pp. 1-23. ISSN 0163-5069

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Adamou, C. (2010) Live and kicking: a meta-critical discourse on television and television studies. Science Fiction Film and Television, 3 (2). pp. 271-286. ISSN 1754-3770 doi: https://doi.org/10.3828/sfftv.2010.18

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) No Haus Like Bau. [Project]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) WE. [Performance]

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact]

MacLean, M. and Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2010) Architectural Fictions. [Show/Exhibition]

Malvern, S. B. (2010) Outside in: the after-life of the plaster cast in contemporary culture. In: Frederiksen, R. and Marchand, E. (eds.) Plaster casts: making, collecting and displaying from classical antiquity to the present. Transformationen der antike. De Gruyter, Berlin, Germany, pp. 351-358. ISBN 9783110208566

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Ashanti. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Translating Zapolska: research through practice. In: Baines, R., Marinetti, C. and Perteghella, M. (eds.) Staging and performing translation: text and theatre practice. Palgrave Macmillan, pp. 249-266. ISBN 9780230228191

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2010) Back to the margins in search of the core: "Foreign Land"'s geography of exclusion. In: Iordanova, D., Martin-Jones, D. and Vidal, B. (eds.) Cinema at the periphery. Wayne State University Press, Detroit, pp. 190-210. ISBN 9780814333884

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact]

Paget, D. (2010) Acts of commitment: activist arts, the rehearsed reading, and documentary theatre. New Theatre Quarterly, 26 (2). pp. 173-193. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000308

Panos, L. (2010) Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio. New Theatre Quarterly, 26 (3). pp. 273-286. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000461

Purse, L. (2010) Working through the body: textual-corporeal strategies in United 93 (2006). In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 157-161. ISBN 9781844573363

Pye, D. (2010) At the border: the limits of knowledge in The Three Burials of Melquiades Estrada and No Country for Old Men. Movie: a journal of film criticism, 1. ISSN 2047-1661

Pye, D. (2010) Enter Lisa: Rear Window (1954). In: Walters, J. and Brown, T. (eds.) Film Moments: Criticism, Theory, History. British Film Institute. ISBN 9781844573356

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2010) Returns. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2010) Indian type. In: Suarez, S.J., M. F. and Woudhuysen, H. R. (eds.) The Oxford Companion to the Book. Oxford University Press. ISBN 9780198606536 doi: https://doi.org/10.1093/acref/9780198606536.001.0001

Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition]

Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151

Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753

Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107

Russell, J. (2010) Explain death to very young children. [Show/Exhibition]

Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13.

Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition]

Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact]

Russell, J. (2010) Vermillion Vortex. [Video]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition]

Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151

Saunders, G. (2010) ‘The great Chinese takeaway’: the strange case of absent Orientalism in contemporary British playwriting. In: Huber, W., Rubik, M. and Novak, J. (eds.) Staging interculturality: contemporary drama in English. Wissenschaftlicher Verlag Trier, Germany, pp. 65-74. ISBN 9783868212327

Saunders, G. (2010) The Beckettian world of Sarah Kane. In: de Vos, L. and Saunders, G. (eds.) Sarah Kane in context. University of Manchester Press, Manchester, UK, pp. 68-79. ISBN 9780719077395

Saunders, G. (2010) Howard Barker’s ‘monstrous assaults’: eroticism, death and the antique text. In: Gritzner, K. (ed.) Eroticism and death in theatre and performance. University of Hertfordshire Press, UK, pp. 144-159. ISBN 9781902806921

Saunders, G. (2010) Sarah Kane: Cool Britannia's reluctant feminist. In: Hadley, L. and Ho, E. (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, Basingstoke, UK, pp. 199-220. ISBN 9780230233317 doi: https://doi.org/10.1057/9780230283169_10

Taylor, L. (2010) Counting Her Dresses and other plays. [Performance]

Taylor, L. (2010) The hanging man: death, indeterminacy and the event. Performance Research, 15 (1). pp. 4-13. ISSN 1352-8165 doi: https://doi.org/10.1080/13528165.2010.485757

Thiessen, M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) 'Clearer and better’: preferences of children with reading difficulties for the typography and illustration in literacy materials. The International Journal of Learning, 16 (12). pp. 365-384. ISSN 1447-9494

Thorpe, A. (2010) Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'. Contemporary Theatre Review, 20 (1). pp. 68-86. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800903453046

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975