Items where Division is "School of Arts and Communication Design" and Year is 2010
Jump to: Article | Book or Report Section | Book | Artefact | Show/Exhibition | Performance | Project | Video Number of items: 94. ArticleAngelaki, V. (2010) ‘Lessons from Harold Pinter’. Studies in Theatre and Performance, 30 (3). pp. 267-273. ISSN 2040-0616 Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Television and the popular: viewing from the British perspective. Journal of Literary Theory, 4 (2). pp. 181-198. ISSN 1862-5290 doi: https://doi.org/10.1515/JLT.2010.012 Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2010) Back to basics: Otto Neurath and Isotype. Cambridge Literary Review, 1 (3). pp. 221-235. ISSN 2042-129x Butler, A. (2010) A deictic turn: space and location in contemporary gallery film and video installation. Screen, 51 (4). pp. 305-323. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjq031 Donaldson, L. F. (2010) Access and excess in The Texas Chain Saw Massacre. Movie: a journal of film criticism (1). ISSN 2047-1661 Dronsfield, J. L. (2010) Pedagogy of the written image. Journal of French and Francophone Philosophy, 18 (2). pp. 87-105. ISSN 2155-1162 Dronsfield, J. L. (2010) Theory as art practice: outnotes for indiscipline. Art&Research, 3 (1). ISSN 1752-6388 Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2010) Sleeping with half open eyes: dreams and realities in The Cry of the Owl. Movie: A Journal of Film Criticism (1). pp. 1-17. Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287 Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2010) Fit to be seen: stencils for architects, engineers and surveyors. AA Files, 61. pp. 100-109. ISSN 0261-6823 Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype revisited. Il progetto sugli aspetti meno conosciuti di Isotype. Progetto grafico, 18. pp. 48-57. ISSN 1824-1301 Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2010) Reading 'The Truman Show' inside out. Film Criticism, XXXV (1). pp. 1-23. ISSN 0163-5069 Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Adamou, C. (2010) Live and kicking: a meta-critical discourse on television and television studies. Science Fiction Film and Television, 3 (2). pp. 271-286. ISSN 1754-3770 doi: https://doi.org/10.3828/sfftv.2010.18 McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131 Paget, D. (2010) Acts of commitment: activist arts, the rehearsed reading, and documentary theatre. New Theatre Quarterly, 26 (2). pp. 173-193. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000308 Panos, L. (2010) Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio. New Theatre Quarterly, 26 (3). pp. 273-286. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000461 Pye, D. (2010) At the border: the limits of knowledge in The Three Burials of Melquiades Estrada and No Country for Old Men. Movie: a journal of film criticism, 1. ISSN 2047-1661 Taylor, L. (2010) The hanging man: death, indeterminacy and the event. Performance Research, 15 (1). pp. 4-13. ISSN 1352-8165 doi: https://doi.org/10.1080/13528165.2010.485757 Thiessen, M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) 'Clearer and better’: preferences of children with reading difficulties for the typography and illustration in literacy materials. The International Journal of Learning, 16 (12). pp. 365-384. ISSN 1447-9494 Thorpe, A. (2010) Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'. Contemporary Theatre Review, 20 (1). pp. 68-86. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800903453046 Book or Report SectionAngelaki, V. (2010) ‘Ethics take centre stage: Issues and representation for today's political theatre’. In: Meyer-Dinkgräfe , D. and Watt, D. (eds.) Ethical Encounters: Boundaries of Theatre, Performance and Philosophy. Cambridge Scholars Publishing, Cambridge, pp. 199-207. ISBN 9781443816953 Angelaki, V. (2010) Grenzen hinausschieben, Zuschauer herausfordern: zur rezeption Howard Barkers. In: Mengel, E. and Weiss, R. (eds.) Weltbühne Wien/World Stage Vienna: Die Rezeption Anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. Wissenschaftlicher Verlag Trier, pp. 297-311. Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Docudrama performance: realism, recognition and representation. In: Cornea, C. (ed.) Genre and performance: film and television. Manchester University Press, Manchester, UK, pp. 59-75. ISBN 9780719079801 Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197 Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Spies, style and the Cold War: James Bond in the sixties and seventies. In: Ahrens, R., Stierstorfer, K. and Dickason, R. (eds.) Symbolism: an international annual of critical aesthetics. Special focus: propaganda. AMS Press, New York, USA, pp. 81-92. ISBN 9780404635701 Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Star Wars (1977): back and forth in time and space. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 111-115. ISBN 9781844573363 Brown, T. (2010) 'Entertainment and dystopia': Maurice Chevalier performs Avec le sourire (1936). In: Walters, J. and Brown, T. (eds.) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK, pp. 78-84. ISBN 9781844573363 Butler, A. (2010) Must this be the place? In: De Weck, Z. A. (ed.) Eija-Liisa Ahtila: where is where? Walther Konig, Koln, Germany, pp. 88-92. ISBN 9783865607591 Butler, A. (2010) Éloge de l'amour (2001): moments in time. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 130-134. ISBN 9781844573363 Davies, P. and Hemsoll, D. (2010) Fourteen sheets of drawings by Sebastiano Serlio. In: Beltramini, G. and Elam, C. (eds.) Some degree of happiness: studi di storia dell’architettura in onore di Howard Burns. Edizioni della Normale, Pisa, Italy, pp. 273-296. ISBN 9788876423727 Davies, P. and Hemsoll, D. (2010) Sebastiano Serlio, progetti per una villa fortificata / projects for a fortified villa. In: Faliva, A. (ed.) Ville del Rinascimento padano. I bastioni, il portico e la fattoria / the bastions the portico and the farmyard. Mondadori Electa, Milan, Italy, pp. 97-99. ISBN 9788837077457 Donaldson, L. F. (2010) “There’s something very familiar about all this”: generic play and performance in the Back to the Future trilogy (Robert Zemeckis, 1985, 1989, 1990). In: Ni Fhlainn, S. (ed.) The Worlds of Back to the Future. McFarland, Jefferson, pp. 73-90. ISBN 9780786444002 Dronsfield, J. (2010) The work of art. In: Davis, B. W. (ed.) Martin Heidegger: key concepts. Acumen Publishing, Durham, pp. 128-139. ISBN 9781844651983 Dronsfield, J. L. (2010) Headless in Hirschorn's Classroom. In: Walwin, J. (ed.) Searching for art's new publics. Intellect, Bristol, pp. 127-136. ISBN 9781841503110 Dronsfield, J. L. (2010) "...where the re-imagined is the repeated". In: Bull, S. and Miletic, D. (eds.) Cities re-imagined. Vojvodina Museum of Contemporary Art, Novi Sad, Serbia, pp. 13-19. ISBN 9788684773687 Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: https://doi.org/10.4018/978-1-60566-940-3.ch004 Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, T. and Walters, J. (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356 Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, J., Hall, S. and Neale, S. (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943 Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. ORCID: https://orcid.org/0000-0003-0224-428X and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031 Malvern, S. B. (2010) Outside in: the after-life of the plaster cast in contemporary culture. In: Frederiksen, R. and Marchand, E. (eds.) Plaster casts: making, collecting and displaying from classical antiquity to the present. Transformationen der antike. De Gruyter, Berlin, Germany, pp. 351-358. ISBN 9783110208566 Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Translating Zapolska: research through practice. In: Baines, R., Marinetti, C. and Perteghella, M. (eds.) Staging and performing translation: text and theatre practice. Palgrave Macmillan, pp. 249-266. ISBN 9780230228191 Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2010) Back to the margins in search of the core: "Foreign Land"'s geography of exclusion. In: Iordanova, D., Martin-Jones, D. and Vidal, B. (eds.) Cinema at the periphery. Wayne State University Press, Detroit, pp. 190-210. ISBN 9780814333884 Purse, L. (2010) Working through the body: textual-corporeal strategies in United 93 (2006). In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 157-161. ISBN 9781844573363 Pye, D. (2010) Enter Lisa: Rear Window (1954). In: Walters, J. and Brown, T. (eds.) Film Moments: Criticism, Theory, History. British Film Institute. ISBN 9781844573356 Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2010) Indian type. In: Suarez, S.J., M. F. and Woudhuysen, H. R. (eds.) The Oxford Companion to the Book. Oxford University Press. ISBN 9780198606536 doi: https://doi.org/10.1093/acref/9780198606536.001.0001 Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151 Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753 Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13. Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151 Saunders, G. (2010) ‘The great Chinese takeaway’: the strange case of absent Orientalism in contemporary British playwriting. In: Huber, W., Rubik, M. and Novak, J. (eds.) Staging interculturality: contemporary drama in English. Wissenschaftlicher Verlag Trier, Germany, pp. 65-74. ISBN 9783868212327 Saunders, G. (2010) The Beckettian world of Sarah Kane. In: de Vos, L. and Saunders, G. (eds.) Sarah Kane in context. University of Manchester Press, Manchester, UK, pp. 68-79. ISBN 9780719077395 Saunders, G. (2010) Howard Barker’s ‘monstrous assaults’: eroticism, death and the antique text. In: Gritzner, K. (ed.) Eroticism and death in theatre and performance. University of Hertfordshire Press, UK, pp. 144-159. ISBN 9781902806921 Saunders, G. (2010) Sarah Kane: Cool Britannia's reluctant feminist. In: Hadley, L. and Ho, E. (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, Basingstoke, UK, pp. 199-220. ISBN 9780230233317 doi: https://doi.org/10.1057/9780230283169_10 Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975 BookBrown, T. and Walters, J., eds. (2010) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK. ISBN 9781844573363 Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442 McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985 Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107 ArtefactLuna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact] O'Connell, T., White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact] Roithmayr, F. (2010) Returns. [Artefact] Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact] Show/ExhibitionAtkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F., Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition] Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition] Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype: international picture language. [Show/Exhibition] Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Ballet. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Festival VideoDanzaBa. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Moves 10 - Framing Motion. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Szuper Gallery materials. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Work/Arbeit/Работа. [Show/Exhibition] Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition] Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. (2010) Continous movement of ideas. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition] MacLean, M. and Renshaw, T. (2010) Architectural Fictions. [Show/Exhibition] Renshaw, T., MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition] Roithmayr, F., Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition] Roithmayr, F., Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition] Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition] Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition] Russell, J. (2010) Explain death to very young children. [Show/Exhibition] Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition] Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition] PerformanceDronsfield, J. (2010) Philosophers enowning that there will be no own. [Performance] Kollectiv, G. and Kollectiv, P. (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance] Kollectiv, G. and Kollectiv, P. (2010) WE. [Performance] Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Ashanti. [Performance] Taylor, L. (2010) Counting Her Dresses and other plays. [Performance] ProjectKollectiv, G. and Kollectiv, P. (2010) No Haus Like Bau. [Project] VideoKollectiv, G. and Kollectiv, P. (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video] Russell, J. (2010) Vermillion Vortex. [Video] |