Number of items: 164.
Article
Barreiro, M. S. and Elduque, A.
(2017)
La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'.
Cinémas d’Amérique Latine, 25.
pp. 144-155.
ISSN 1267-4397
Bartley, S.
(2017)
Hard labour and punitive welfare: the unemployed body at work in participatory performance.
Research in Drama Education, 22 (1).
pp. 62-75.
ISSN 1356-9783
doi: https://doi.org/10.1080/13569783.2016.1263559
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Broadcasting children's music.
InFormation: Nordic Journal of Art and Research, 6 (2).
pp. 1-16.
ISSN 1893-2479
doi: https://doi.org/10.7577/information.v6i2.2275
(Special issue: Children's Music)
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
Formal writing, artist typefaces, and bread-and-butter type (part 2).
Forum (33).
pp. 7-10.
ISSN 1472-0604
Elduque Busquets, A.
(2017)
Primer Plano: the popular face of censorship.
L'Atalante. Revista de Estudios Cinematograficos, 23.
pp. 49-62.
ISSN 2340-6992
Elduque, A.
(2017)
Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption.
Screen, 58 (2).
pp. 119-140.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjx014
Ellison, C.
(2017)
Workshop: making beyond the post-medium condition.
Visual Culture in Britain, 18 (2).
pp. 133-162.
ISSN 1941-8361
doi: https://doi.org/10.1080/14714787.2017.1353438
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
Deflationary tactics with the archive of life: contemporary Jewish art and popular culture.
Journal of Modern Jewish Studies, 16 (1).
pp. 38-56.
ISSN 1472-5886
doi: https://doi.org/10.1080/14725886.2016.1242313
Garnett, R.
(2017)
Address: Critical irony, neo-authenticity and humour in the art we call public.
Art and the Public Sphere, 1 (6).
pp. 69-79.
ISSN 2042-793X
doi: https://doi.org/10.1386/aps.6.1-2.69_1
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2017)
Opening choices: Notorious (audiovisual essay).
Movie: a journal of film criticism (7).
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2017)
The Phantom Carriage: a revaluation (audiovisual essay).
Movie: a journal of film criticism (7).
ISSN 2047-1661
Lickiss, M., Mulder, K. J., Black, A., Charlton-Perez, A. J.
ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. A.
ORCID: https://orcid.org/0000-0003-2333-9640 and Chandler, R.
(2017)
Developing a quick guide on presenting data and uncertainty.
Weather, 72 (9).
pp. 266-269.
ISSN 1477-8696
doi: https://doi.org/10.1002/wea.2998
McFrederick, M.
ORCID: https://orcid.org/0000-0002-4816-8465
(2017)
Beckett at the Young Vic.
Samuel Beckett Today / Aujourd'hui, 29 (2).
pp. 243-255.
ISSN 0927-3131
doi: https://doi.org/10.1163/18757405-02902003
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2017)
Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project.
Samuel Beckett Today / Aujourd'hui, 29 (2).
pp. 361-374.
ISSN 0927-3131
doi: https://doi.org/10.1163/18757405-02902012
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746 and Pattie, D.
(2017)
Introduction: staging Beckett at the margins.
Samuel Beckett Today / Aujourd'hui, 29 (2).
pp. 227-230.
ISSN 0927-3131
doi: https://doi.org/10.1163/18757405-02902001
Miller, H. K.
ORCID: https://orcid.org/0000-0001-5255-3764
(2017)
Cinema 66–8: the original London film-makers.
The Moving Image Review & Art Journal (MIRAJ), 6 (1).
pp. 8-23.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj.6.1-2.8_1
Miller, H. K.
ORCID: https://orcid.org/0000-0001-5255-3764
(2017)
Vent d'est.
Critical Quarterly, 59 (1).
pp. 7-28.
ISSN 0011-1562
doi: https://doi.org/10.1111/criq.12319
Mulder, K. J., Lickiss, M., Harvey, N.
ORCID: https://orcid.org/0000-0003-0973-5794, Black, A., Charlton-Perez, A.
ORCID: https://orcid.org/0000-0001-8179-6220, Dacre, H.
ORCID: https://orcid.org/0000-0003-4328-9126 and McCloy, R.
ORCID: https://orcid.org/0000-0003-2333-9640
(2017)
Visualizing volcanic ash forecasts: scientist and stakeholder decisions using different graphical representations and conflicting forecasts.
Weather, Climate and Society, 9 (3).
pp. 333-348.
ISSN 1948-8327
doi: https://doi.org/10.1175/WCAS-D-16-0062.1
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Antropofagia e intermidialidade: o caso de como era gostoso o meu francês.
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (1).
ISSN 2316-9230
doi: https://doi.org/10.22475/rebeca.v6n1.479
(REBECA 11)
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Kuarup, o filme.
La Furia Umana, 30.
ISSN 2037-0431
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes.
Archives, 109 (111).
pp. 48-52.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Mysteries of Lisbon and intermedial history-telling.
Aniki: Portuguese Journal of the Moving Image, 4 (2).
pp. 375-391.
ISSN 2183-1750
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles.
Enfoco (52).
pp. 22-33.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Yaaba, cinefilia e realismo sem fronteiras.
Revista África(s), 4 (7).
pp. 61-70.
ISSN 2446-7375
Purse, L.
(2017)
Digital visceral: textural play and the flamboyant gesture in digital screen violence.
Journal of Popular Film & Television, 45 (1).
pp. 16-25.
ISSN 0195-6051
doi: https://doi.org/10.1080/01956051.2017.1270137
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2017)
Theatre without walls: the National Theatre of Scotland.
Journal of Contemporary Drama in English, 5 (1).
pp. 86-97.
ISSN 2195-0156
doi: https://doi.org/10.1515/jcde-2017-0007
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Learning from Dhaka.
OnCurating (35).
pp. 61-71.
ISSN 2673-2904
(Decolonizing Art Institutions)
Singh, V.
(2017)
From handwritten copy to the printed page in Devanagari: investigating the curious case of Friedrich Max Müller.
Journal of the Printing Historical Society (26).
pp. 11-22.
ISSN 0079-5321
Smart, B.
(2017)
‘Drama for people ‘in the know’: Television World Theatre (BBC 1957-59) and Festival (BBC 1963-64).
Historical Journal of Film, Radio and Television, 37 (1).
pp. 34-48.
ISSN 0143-9685
doi: https://doi.org/10.1080/01439685.2016.1272810
Waldeck Villas Boas, M.
ORCID: https://orcid.org/0000-0002-4822-632X
(2017)
Perfect unbinding: the production and circulation of Beau Geste Press editions.
Journal of Artists' Books, 41.
pp. 4-13.
ISSN 1085-1461
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836
(2017)
Research in graphic design.
The Design Journal, 20 (5).
pp. 549-559.
ISSN 1460-6925
doi: https://doi.org/10.1080/14606925.2017.1347416
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2017)
Streaming British youth television: online BBC Three as a transitional mome.
Cinema Journal, 57 (1).
pp. 140-146.
ISSN 1527-2087
doi: https://doi.org/10.1353/cj.2017.0065
Wrigley, A.
(2017)
Higher education and public engagement: Open University and BBC drama co-productions on BBC2 in the 1970s.
Journal of British Cinema and Television, 14 (3).
pp. 377-393.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2017.0379
Book or Report Section
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Children’s television and public service in contemporary Britain.
In: Dinter, S. and Schneider, R. (eds.)
Transdisciplinary Perspectives on Childhood in Contemporary Britain.
Studies in Childhood, 1700 to the Present.
Routledge, London, UK, pp. 87-102.
ISBN 9781138232105
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Myth.
In: Ouellette, L. and Gray, J. (eds.)
Keywords for Media Studies.
New York University Press, New York, pp. 123-125.
ISBN 9781479859610
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Burchardt, J.
ORCID: https://orcid.org/0000-0001-9483-1494
(2017)
Agents, beneficiaries and victims: picturing people on the land.
In: Haigron, D. (ed.)
The English Countryside: Representations, Identities, Mutations.
Palgrave Macmillan, Basingstoke, pp. 61-82.
ISBN 9783319532721
doi: https://doi.org/10.1007/978-3-319-53273-8
Black, A.
(2017)
Icons as carriers of information.
In: Black, A., Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836 (eds.)
Information design: research and practice.
Routledge, London, UK, pp. 253-269.
ISBN 9781472430700
Black, A., Bravo, J.
ORCID: https://orcid.org/0000-0002-1013-8412, Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E.
(2017)
Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement.
In:
Design for healthcare.
Design for Social Responsibility.
Gower, pp. 170-189.
ISBN 9781472457424
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
Crisis, 1933 – the politicization of Futura.
In: Eisele, P., Ludwig, A. and Naegele, I. (eds.)
Futura: the typeface.
Laurence King, London, pp. 226-235.
ISBN 9781786270931
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
Gerd Arntz.
In: Eisele, P., Ludwig, A. and Naegele, I. (eds.)
Futura: the typeface.
Laurence King, London, pp. 256-262.
ISBN 9781786270931
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
How did Futura get to the Moon?
In: Eisele, P., Ludwig, A. and Naegele, I. (eds.)
Futura: the typeface.
Laurence King, London, pp. 351-365.
ISBN 9781786270931
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
Jan Tschichold and Futura.
In: Eisele, P., Ludwig, A. and Naegele, I. (eds.)
Futura: the typeface.
Laurence King, London, pp. 206-209.
ISBN 9781786270931
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
Modernism and traditionalism: points of convergence in European typography, 1925–1950.
In:
Counter-Signals 2: Hieroglyphs of the anti-commodity.
Counter-Signals (2).
Other Forms, Chicago / Berlin, pp. 150-161.
ISBN 9780998170800
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
Munich as a centre for typography 1926–1933.
In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.)
Futura: the typeface.
Laurence King, London, pp. 201-205.
ISBN 9781786270931
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740
(2017)
Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype).
In: Esiele, P., Ludwig, A. and Naegele, I. (eds.)
Futura: the typeface.
Laurence King, London, pp. 252-255.
ISBN 9781786270931
Butler, A.
(2017)
13 ways of looking at a lake.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
The Long Take: Critical Approaches.
Palgrave Macmillan, London, pp. 177-191.
ISBN 9781137585721
doi: https://doi.org/10.1057/978-1-137-58573-8_12
Dyson C., M.
ORCID: https://orcid.org/0000-0002-0920-4312
(2017)
Information design research methods.
In: Black, A., Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836 (eds.)
Information Design: Research and Practice.
Routledge, London, pp. 435-449.
ISBN 9780415786324
doi: https://doi.org/10.4324/9781315585680
Elduque Busquets, A.
(2017)
Trilhas cantadas: circulando pelo documentário musical brasileiro.
In: Suppia, A., Guimarães, P. M. and Duccini, M. (eds.)
Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas.
Urutau/Margem da Palavra, Bragança Paulista.
Elduque, A.
(2017)
Canção, história e cinema.
In: Carrega, J. and Vitorino Fernandez, S. (eds.)
A Europa e os Impérios Coloniais na Literatura e no Cinema.
Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223.
ISBN 9789898859242
Elduque, A.
(2017)
Esperar una mirada: la representación cinematográfica de la pena de muerte.
In: Montero, J. F. and Planes Pedreño, J. A. (eds.)
Cine entre rejas.
Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241.
ISBN 9788494735400
Elduque, A.
(2017)
Outskirts of reason: the dream in Días de papel and Chircales.
In: Forrest, D., Harper, G. and Rayner, J. (eds.)
Filmurbia: Screening the Suburbs.
Palgrave Macmillan, Basingstoke, pp. 149-168.
ISBN 9781137531759
Elduque, A.
(2017)
As Belair went by: an interview with Helena Ignez.
In: Solomon, S. (ed.)
Tropicália and Beyond: Dialogues in Brazilian Film History.
Archive Books, Berlin, pp. 123-135.
ISBN 9783943620726
Elduque, A.
(2017)
Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'.
In: Solomon, S. (ed.)
Tropicália and Beyond: Dialogues in Brazilian Film History.
Archive Books, Berlin, pp. 193-209.
ISBN 9783943620726
Elduque, A.
(2017)
Introduction.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 5-15.
ISBN 9780704915855
Elduque, A.
(2017)
Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 103-109.
ISBN 9780704915855
Elduque, A.
(2017)
Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 87-89.
ISBN 9780704915855
Elduque, A.
(2017)
What about the end of the history? An interview with Hernani Heffner.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 17-21.
ISBN 9780704915855
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress.
In: Clayton, S. and Mulvey, L. (eds.)
Other Cinemas: Politics, Culture and British Experimental Film in the 1970s.
IB Taurus, London.
ISBN 9781784537180
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
Valences of subjectivity: the politics of personal narrative in video art.
In: Feldman, Z. (ed.)
Art and the Politics of Visibility: Contesting the Global, Local and the In-Between.
I.B.Tauris & Co. Ltd., London, UK, pp. 137-166.
ISBN 9781780769066
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2017)
Opening movements in Ophuls: long takes, leading characters and luxuries.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
The long take: critical approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, UK, pp. 89-102.
ISBN 9781137585721
Gonzalez Ortiz, C.
ORCID: https://orcid.org/0000-0002-1420-8756
(2017)
“Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano".
In: Cottin, G., González, M. and Mella, C. (eds.)
Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile.
Independent, London, pp. 37-52.
ISBN 9789563687712
Hellmich, C. and Purse, L.
(2017)
Introduction: film and the epistemology of war.
In: Hellmich, C. and Purse, L. (eds.)
Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World.
Edinburgh University Press, Edinburgh, UK.
ISBN 9781474416566
Kindel, E.
ORCID: https://orcid.org/0000-0001-9995-5891
(2017)
Future, Fortune, and the graphic design of information.
In: Black, A., Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836 (eds.)
Information Design: Research and Practice.
Routledge, pp. 127-146.
ISBN 9781472430700
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203 and Derhy Kurtz, B. W. L.
(2017)
Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom.
In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.)
The Rise of Transtexts: Challenges and Opportunities.
Routledge Research in Cultural and Media Studies.
Routledge, pp. 49-67.
ISBN 9781138944671
Kollectiv, G. and Kollectiv, P.
(2017)
Playing like a girl.
In:
Cesura // Accesso.
Cesura // Accesso, London, pp. 236-256.
ISBN 9780993024610
Kollectiv, P. and Kollectiv, G.
(2017)
Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires.
In: Sampanikou, E. D. (ed.)
Audiovisual Posthumanism.
Cambridge Scholars Publishing, Cambridge, pp. 343-354.
ISBN 9781443881777
Kontopoulou, A.
(2017)
Democracy and community.
In: Bicknell, A. (ed.)
BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community.
Tate Publishing, London, pp. 88-98.
Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268
(2017)
A reappraisal of Baskerville's Greek types.
In: Archer-Parré, C. and Dick, M. (eds.)
John Baskerville: art and industry in the Enlightenment.
The University of Liverpool Press, Liverpool, pp. 133-150.
Lloyd, K.
ORCID: https://orcid.org/0000-0001-8941-9526
(2017)
Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly.
In: Boyle, J. and Kao, W.-C. (eds.)
The Retro-Futurism of Cuteness.
Punctum Press, Santa Barbara, pp. 243-260.
ISBN 9781947447288
Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217
(2017)
Choosing type for information design.
In: Black, A., Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836 (eds.)
Information design: research and practice.
Routledge, Abingdon, pp. 479-486.
ISBN 9780415786324
Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217
(2017)
Design.
In: Robbins, K. (ed.)
The History of Oxford University Press. Volume 4: 1970–2004.
Oxford University Press, Oxford, pp. 205-217.
ISBN 9780199574797
Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217
(2017)
Technology.
In: Robbins, K. (ed.)
The History of Oxford University Press. Volume 4: 1970–2004.
Oxford University Press, Oxford, pp. 179-202.
ISBN 9780199574797
Moys, J.-L.
(2017)
Visual rhetoric in information design: designing for credibility and engagement.
In: Black, A., Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836 (eds.)
Information Design: research and practice.
Routledge, Farnham, UK.
ISBN 9780415786324
(Part 2, chapter 12)
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Bernardet visto de longe.
In: Pinto, I. and Margarido, O. (eds.)
Bernardet 80: impacto e influência no cinema brasileiro.
Paco Editorial/Abraccine, Jundiaí, pp. 21-32.
ISBN 9788546207886
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Beyond difference: female participation in the Brazilian film revival of the 1990s.
In: Shaw, D. and Martin, D. (eds.)
Latin American Women Filmmakers.
I.B. Tauris, London/New York, pp. 31-47.
ISBN 9781784537111
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Colonialism as fantastic realism in 'Tabu'.
In: Liz, M. (ed.)
Portuguese Cinema: Globalizing the Nation.
I.B. Tauris, London/New York.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Realist cinema as world cinema.
In: Stone, R. and Cooke, P. (eds.)
The Routledge Companion to World Cinema.
Routledge, Abingdon-on-Thames, pp. 310-322.
ISBN 9781138918801
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation.
In: Delgado, M. M., Hart, S. M. and Johnson, R. (eds.)
A Companion to Latin American Cinema.
Wiley Blackwell Companions to National Cinemas.
Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355.
ISBN 9781118552889
O'Brien, A.
ORCID: https://orcid.org/0000-0002-9527-4076
(2017)
Roberto Rossellini presents.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
The Long Take: Critical Approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, pp. 117-132.
ISBN 9781137585721
Purse, L.
(2017)
Ambiguity, ambivalence and absence in Zero Dark Thirty.
In: Purse, L. and Hellmich, C. (eds.)
Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World.
Edinburgh University Press, Edinburgh, pp. 131-148.
ISBN 9781474416566
Purse, L.
(2017)
Between phonographic perfection and resistance: Titãs – life even looks like a party.
In: Elduque Busquets, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 91-98.
ISBN 9780704915855
Purse, L.
(2017)
Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie.
In: Yu, S. Q. and Austin, G. (eds.)
Revisiting Star Studies: Cultures, Themes and Methods.
Edinburgh University Press, Edinburgh, pp. 162-184, 320 pages.
ISBN 9781474404310
Purse, L.
(2017)
Working space: gravity (Alfonso Cuarón) and the digital long take.
In: Pye, D. and Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 (eds.)
The Long Take: Critical Approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, pp. 221-238.
ISBN 9781137585721
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13).
In: Buurman, N. and Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764 (eds.)
documenta. Curating the History of the Present.
On-Curating, 33 (33).
On-Curating, Zurich, pp. 76-88.
ISBN 9781546946120
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Invisible philosophers, my fellow travelers.
In: Baltensperger + Siepert, , Baltensperger, S. and Siepert, D. (eds.)
Invisible philosophy.
Amsel Verlag, Zurich.
ISBN 9783906325170
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Propositions on curating, or how much curating is involved in social change.
In: Krämer, N. and Müller, P. (eds.)
With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines.
Connecting Spaces, Zurich University of the Arts, Zürich.
Solomon, S.
(2017)
Introduction.
In: Solomon, S. (ed.)
Tropicália and Beyond: Dialogues in Brazilian Film History.
Archive Books and University of Reading, Berlin, pp. 7-31.
ISBN 9783943620726
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836
(2017)
Marie Neurath: designing information books for young people.
In: Black, A., Lund, O., Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217 and Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836 (eds.)
Information design research and practice.
Routledge, pp. 117-126.
ISBN 9780415786324
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836
(2017)
The contribution of typography and information design to health communication.
In: Cooper, R. and Tsekleves, E. (eds.)
Design for health.
Routledge, pp. 92-109.
ISBN 9781472457424
Conference or Workshop Item
Tam, K.
(2017)
Trust in Chinese–English bilingual documents: a heuristic for typographic decision-making.
In: Typography Day Colombo 2017, 24–25 Feb 2017, Colombo, Sri Lanka.
Book
Angelaki, V.
(2017)
Social and political theatre in 21st-century Britain: staging crisis.
Methuen Drama Engage.
Bloomsbury, London, pp288.
ISBN 9781474213172
Black, A., Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836, eds.
(2017)
Information design: research and practice.
Routledge, London, pp600.
ISBN 9780415786324
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International: CRASH! ‘Xerox Interview Book’.
Reading International.
ISBN 9781912115716
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’.
Reading International.
ISBN 9781912115006
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B.
(2017)
Reading International: Bertie Marshall ‘Wilde Re-Write’.
Reading International.
ISBN 9781912115709
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M.
ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A.
(2017)
Reading International: CRASH! ‘A Better Britain II: Britlins’.
Reading International.
ISBN 9781912115723
Elduque, A., ed.
(2017)
Contemporary Brazilian music film.
University of Reading, Reading, pp115.
ISBN 9780704915855
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Affectation Correspondence.
Tombstone Press, London, UK, pp312.
ISBN 9780957675612
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Sic.
Y Press, London, UK, pp345.
ISBN 9781389201875
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Wollstonochlincraft 1791-1971.
The Good Reader.
MA BIBLIOTHÈQUE, London, UK, pp16.
ISBN 9781910055328
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2017)
The long take: critical approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, UK.
ISBN 9781137585721
Hellmich, C. and Purse, L., eds.
(2017)
Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world.
Edinburgh University Press, Edinburgh, pp216.
ISBN 9781474416566
Kolb, R., Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M.
(2017)
Decolonizing Art Institutions.
On-Curating, 35 (35).
On-Curating, Zurich, pp142.
ISBN 9781981991747
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746, Pattie, D. and Nixon, M.
ORCID: https://orcid.org/0000-0002-3730-1785, eds.
(2017)
Staging Beckett at the Margins / Autres scènes beckettiennes.
Samuel Beckett Today / Aujourd'hui, 29 (2).
Brill, Leiden.
Nemeth, T.
ORCID: https://orcid.org/0000-0003-3871-5792
(2017)
Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993.
Islamic Manuscripts and Books, 14.
Brill Academic Publishers, Leiden ⸱ Boston, pp509.
ISBN 9789004303775
doi: https://doi.org/10.1163/9789004349308
O'Brien, A.
ORCID: https://orcid.org/0000-0002-9527-4076
(2017)
Film and the natural environment: elements and atmospheres.
Short Cuts.
Wallflower Press, London, pp114.
ISBN 9780231182652
Poynor, R.
(2017)
National theatre posters: a design history.
Unit Editions, London, pp256.
ISBN 9780995666436
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Clausen / Szuper Gallery, S.
ORCID: https://orcid.org/0000-0002-6536-6236, Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z.
(2017)
De-Colonizing Art Institutions: Artists’ Book.
On-Curating, 34 (34).
On-Curating, Zurich, pp108.
ISBN 9781982088897
Russell, J.
(2017)
DOGGO.
Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich.
ISBN 9780997494020
Solomon, S.
(2017)
William Faulkner in Hollywood: screenwriting for the studios.
The South on Screen.
University of Georgia Press, Athens, GA, pp320.
ISBN 9780820351131
Solomon, S., ed.
(2017)
Tropicália and beyond: dialogues in Brazilian film history.
Archive Books and University of Reading, Berlin, pp304.
ISBN 9783943620726
Thesis
Courage, T. V.
(2017)
Contemporary Chinese independent cinema: urban spaces, mobility, memory.
PhD thesis, University of Reading.
Husanovic, E.
(2017)
Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’.
PhD thesis, University of Reading.
Kim, C. J. H.
(2017)
Painting in the expanded field from the perspective of
Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches.
PhD thesis, University of Reading.
Latto, A.
(2017)
The fragmented text/the fragmented self: exploring the limits of storytelling practice.
PhD thesis, University of Reading.
Marman, D. T.
(2017)
Empowering communities through theatre: an applied theatre model for Botswana.
PhD thesis, University of Reading.
McFrederick, M.
ORCID: https://orcid.org/0000-0002-4816-8465
(2017)
Staging Beckett: a production history of Samuel Beckett’s
drama in London (1955 – 2010).
PhD thesis, University of Reading.
Singh, V.
(2017)
Devanagari type in the twentieth century.
PhD thesis, University of Reading.
Stupart, L.
(2017)
Becoming object: positioning a feminist art practice.
PhD thesis, Goldsmiths, University of London.
doi: https://doi.org/10.25602/GOLD.00020117
Show/Exhibition
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N.
(2017)
Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition.
[Show/Exhibition]
Bennett, B.
ORCID: https://orcid.org/0009-0003-5311-6381
(2017)
Dissonance.
[Show/Exhibition]
Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Decorative dormitories for sleep workers.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 5: the critic as artist.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Rehearsing Szuper Gallery.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Bonobo.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
I will survive, video, 8:05mins.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Soviart.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Work, Arbeit, Rabota.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Work, Arbeit, Rabota.
[Show/Exhibition]
Kollectiv, P. and Kollectiv, G.
(2017)
The Immigrants.
[Show/Exhibition]
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224
(2017)
All that is data that melts into air.
[Show/Exhibition]
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224
(2017)
Study for a pavilion: Askeaton.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2017)
Notebook architecture at Kunstgriff.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2017)
Plan Unplan.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
Home is not a Place.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
Ir re par sur.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
They call us screamers.
[Show/Exhibition]
Rowlands, A. and Williams, M.
(2017)
Our words return in patterns.
[Show/Exhibition]
Russell, J.
(2017)
Against interpretation.
[Show/Exhibition]
Russell, J.
(2017)
As above, so below: portals, visions, spirits & mystics.
[Show/Exhibition]
Russell, J.
(2017)
Encore!
[Show/Exhibition]
Russell, J.
(2017)
DOGGO.
[Show/Exhibition]
Project
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N.
(2017)
‘From the Outside In’ art award box, log and workshop plans.
[Project]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F.
ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A.
(2017)
Sensory Objects Enterprise - Co-Development and Start Up project
AHRC Follow on Fund Project pupleSTARS.
[Project]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International.
[Project]
Ellison, C.
(2017)
Let's interface the music and dance.
[Project]
(Collection)
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Wollstonochlincraft.
[Project]
(Collection)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2017)
Ophuls and film style.
[Project]
(Collection)
Kontopoulou, A.
(2017)
Democracy.
[Project]
(Collection)
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224
(2017)
Temporal Data Study.
[Project]
(Collection)
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
Chelsea Embankment - London.
[Project]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
With, and, or, without.
[Project]
(Collection)
Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2017)
Fonts for classical texts in a digital age.
[Project]
(Collection)
Rowlands, A. and Williams, M.
(2017)
On Reading.
[Project]
Rowlands, A.
(2017)
Our words return in patterns.
[Project]
(Collection)
Video
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Academy visual history with Carlos Diegues.
[Video]
Other
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
This way out of England: Gallery House in retrospect.
Raven Row.
Hudson, J. and Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2017)
Murty Bangla typeface.
Harvard University Press.
Hudson, J. and Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2017)
Murty Kannada typeface.
Harvard University Press.
Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N.
(2017)
ABP 2015 Bengali typeface.
Ananda Bazar Patrika, Kolkata, India.
This list was generated on Fri Aug 16 09:55:00 2024 UTC.