Number of items at this level: 723.
Article
Adamou, C.
(2004)
Karolos Koun's reading of Greek drama.
Filologos, 117.
pp. 425-432.
Angelaki, V.
(2014)
"Alles Weitere kennen Sie aus dem Kino": Martin Crimp at the cutting edge of representation.
Contemporary Theatre Review, 24 (3).
pp. 315-330.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2014.921050
Angelaki, V.
(2015)
From history to “Ourstories” in Martin Crimp’s metanarratives.
Journal of Contemporary Drama in English, 3 (1).
pp. 142-155.
ISSN 2195-0156
doi: https://doi.org/10.1515/jcde-2015-0010
Angelaki, V.
(2014)
Introduction: dealing with Martin Crimp.
Contemporary Theatre Review, 24 (3).
pp. 309-314.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2014.921031
Angelaki, V.
(2010)
‘Lessons from Harold Pinter’.
Studies in Theatre and Performance, 30 (3).
pp. 267-273.
ISSN 2040-0616
Angelaki, V.
(2011)
‘Martin Crimp and border crossing: The Australian turn’.
Contemporary Theatre Review, 21 (4).
pp. 544-546.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2011.617521
Angelaki, V.
(2019)
Performing migration in Vienna: the Volkstheater Trilogy.
Performing Ethos, 9 (1).
pp. 9-22.
ISSN 1757-1987
doi: https://doi.org/10.1386/peet_00002_1
Angelaki, V.
(2015)
(Up)setting the scene: 'Open Court' as staging and spectating intervention.
Contemporary Theatre Review, 25 (4).
pp. 472-487.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2015.1078321
Angelaki, V.
(2013)
Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage.
Sillages Critiques, 16.
ISSN 1969-6302
Angelaki, V.
(2016)
The space and culture of translation: Ferdinand Bruckner’s 'Pains of Youth' by Martin Crimp and Katie Mitchell.
Journal of Adaptation in Film & Performance, 9 (1).
pp. 67-82.
ISSN 1753-6421
doi: https://doi.org/10.1386/jafp.9.1.67_1
Barreiro, M. S. and Elduque, A.
(2017)
La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'.
Cinémas d’Amérique Latine, 25.
pp. 144-155.
ISSN 1267-4397
Bartley, S.
(2019)
Gendering welfare: acts of reproductive labour in applied performance practice.
Contemporary Theatre Review, 29 (3).
pp. 305-319.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2019.1615901
Bartley, S.
(2017)
Hard labour and punitive welfare: the unemployed body at work in participatory performance.
Research in Drama Education, 22 (1).
pp. 62-75.
ISSN 1356-9783
doi: https://doi.org/10.1080/13569783.2016.1263559
Bartley, S.
(2021)
UK people’s theatres: performing civic functions in a time of austerity.
Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1).
pp. 171-186.
ISSN 1470-112X
doi: https://doi.org/10.1080/13569783.2020.1853516
Beauchamp, A.
(2012)
A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter.
Journal of Media Practice, 12 (3).
pp. 235-244.
ISSN 1468-2753
doi: https://doi.org/10.1386/jmpr.12.3.235_1
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Adventures between TV and film, and between Britain and America.
Ecrans, 15 (1).
pp. 27-42.
ISSN 2267 4357
doi: https://doi.org/10.48611/isbn.978-2-406-12259-3.p.0027
(Special issue "Mémoire et réécritures dans les séries télévisées")
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Broadcasting children's music.
InFormation: Nordic Journal of Art and Research, 6 (2).
pp. 1-16.
ISSN 1893-2479
doi: https://doi.org/10.7577/information.v6i2.2275
(Special issue: Children's Music)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Children of the world on British television: national and transnational representations.
Strenae, 13.
ISSN 2109-9081
doi: https://doi.org/10.4000/strenae.1966
(Special issue: Le '68 des enfants / The Children's 68)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Cringe histories: Harold Pinter and the Steptoes.
Humanities, 10 (2).
83.
ISSN 2076-0787
doi: https://doi.org/10.3390/h10020083
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2011)
Docudramatizing the real: developments in British TV docudrama since 1990.
Studies in Documentary Film, 4 (3).
pp. 195-208.
ISSN 1750-3280
doi: https://doi.org/10.1386/sdf.4.3.195_1
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Exemplarity, pedagogy and television history.
New Review of Film and Television Studies, 3 (1).
pp. 15-32.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400300500037324
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Familiar aliens: 'Teletubbies' and postmodern childhood.
Screen, 46 (3).
pp. 373-388.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/46.3.373
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
How to watch television? Pedagogy and paedocracy in Beckett’s television plays.
Samuel Beckett Today / Aujourd'hui, 15.
pp. 281-293.
ISSN 0927-3131
(Historicising Beckett / Issues of Performance)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2002)
John McGrath and the dialogues of television studies.
International Journal of Scottish Theatre, 3 (2).
ISSN 1471-5198
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(1993)
Lost messages: The Handmaid’s Tale, novel and film.
British Journal of Canadian Studies, 8 (1).
pp. 71-84.
ISSN 1757-8078
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2015)
Performing right: legal constraints and Beckett’s plays on BBC television.
Samuel Beckett Today / Aujourd'hui, 27.
129- 142.
ISSN 0927-3131
doi: https://doi.org/10.1163/9789004309937_011
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Performing television history.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 262-279.
ISSN 1749-6039
doi: https://doi.org/10.1177/1749602018782860
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
Performing the identity of the medium: adaptation and television historiography.
Adaptation, 12 (2).
pp. 149-164.
ISSN 1755-0645
doi: https://doi.org/10.1093/adaptation/apz017
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Pinter, authorship and entrepreneurship in 1960s British cinema: the economics of "The Quiller Memorandum".
Historical Journal of Film, Radio & Television, 40 (3).
pp. 533-550.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2020.1778316
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Specially for television? Eh Joe, intermediality and Beckett’s drama.
Samuel Beckett Today/Aujourd’hui, 32 (1).
pp. 41-54.
ISSN 1875-7405
doi: https://doi.org/10.1163/18757405-03201004
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Television and the popular: viewing from the British perspective.
Journal of Literary Theory, 4 (2).
pp. 181-198.
ISSN 1862-5290
doi: https://doi.org/10.1515/JLT.2010.012
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series.
Media History, 16 (1).
pp. 53-65.
ISSN 1469-9729
doi: https://doi.org/10.1080/13688800903395460
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2002)
Writing the child in media theory.
The Yearbook of English Studies, 32.
pp. 127-139.
ISSN 0306-2473
doi: https://doi.org/10.2307/3509052
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2014)
The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style.
Historical Journal of Film, Radio and Television, 34 (3).
pp. 369-389.
ISSN 0143-9685
doi: https://doi.org/10.1080/01439685.2014.937182
(Special issue "Production, site and style")
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W.
(2020)
Introduction: Harold Pinter’s transmedial histories.
Historical Journal of Film, Radio & Television, 40.
pp. 481-498.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2020.1778314
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Weissmann, E.
(2008)
Cultural difference? Not so different after all.
Critical Studies in Television: scholarly studies in small screen fictions, 3 (1).
pp. 93-98.
ISSN 1749-6020
Brown, T.
(2007)
'The DVD of attractions'? The Lion King and the digital theme park.
Convergence: The International Journal of Research into New Media Technologies, 13 (2).
pp. 169-183.
ISSN 1354-8565
doi: https://doi.org/10.1177/1354856507075243
Brown, T.
(2008)
Spectacle/gender/history: the case of Gone with the Wind.
Screen, 49 (2).
pp. 157-178.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjn023
Bull, J.
(2003)
From Illyria to Arcadia: uses of pastoral in Modern English theater.
TriQuarterly, 116.
pp. 57-72.
Butler, A.
(2009)
Yesterday girls: Prinzessin.
Rouge, 13.
Butler, A.
(2019)
Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema.
Screen, 60 (1).
pp. 128-136.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjy060
Butler, A.
(2005)
Feminist film in the gallery: 'If 6 was 9'.
Camera Obscura: Feminism, Culture, and Media Studies, 20 (1 58).
pp. 1-31.
ISSN 1529-1510
doi: https://doi.org/10.1215/02705346-20-1_58-1
Butler, A.
(2007)
'Motor-driven metaphysics': movement, time and action in the films of Maya Deren.
Screen, 48 (1).
pp. 1-23.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjm001
Butler, A.
(2013)
Spiral jetty, thirty seven years later: the cinematic time of James Benning.
MIRAJ: Moving Image Review & Art Journal, 2 (2).
pp. 174-186.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj.2.2.174_1
Butler, A.
(2010)
A deictic turn: space and location in contemporary gallery film and video installation.
Screen, 51 (4).
pp. 305-323.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjq031
Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429
(2021)
Livecasting without the live: the multiple temporalities of National Theatre at Home.
Connessioni Remote, 12 (3).
pp. 57-76.
ISSN 2724-2722
doi: https://doi.org/10.54103/connessioni/16818
Cassany, R., Cortiñas, S. and Elduque, A.
(2018)
Communicating science: the profile of science journalists in Spain.
Comunicar, 26 (55).
pp. 9-18.
ISSN 1134-3478
doi: https://doi.org/10.3916/C55-2018-01
Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Phil Davis: the process of acting.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 315-332.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018785833
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2014)
Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond.
Modern & Contemporary France, 22 (1).
pp. 85-102.
ISSN 0963-9489
doi: https://doi.org/10.1080/09639489.2013.867152
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism.
Film Quarterly, 76 (2).
pp. 16-24.
ISSN 1533-8630
doi: https://doi.org/10.1525/fq.2022.76.2.16
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
Screen, 62 (4).
pp. 484-511.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjab051
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Dwoskin: disability, diaspora, dysphoria.
Jewish Film and New Media, 10 (2).
ISSN 2169-0332
doi: https://doi.org/10.1353/jfn.2022.a914337
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2007)
Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank.
Paragraph, 30 (2).
pp. 34-49.
ISSN 0264-8334
doi: https://doi.org/10.3366/prg.2007.0018
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2013)
Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran.
Studies in French Cinema, 13 (3).
pp. 257-271.
ISSN 1471-5880
doi: https://doi.org/10.1386/sfc.13.3.257_1
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2013)
The disappearing work: Chantal Akerman and phenomenologies of the ephemeral.
Contemporary French and Francophone Studies, 17 (3).
pp. 347-356.
ISSN 1740-9292
doi: https://doi.org/10.1080/17409292.2013.790631
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
MIRAJ: Moving Image Review & Art Journal, 11 (1).
pp. 10-33.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj_00081_1
Cocks, N.
(2023)
"…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real.
Textual Practice.
pp. 1-19.
ISSN 1470-1308
doi: https://doi.org/10.1080/0950236X.2023.2214122
Costa, F. C. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2020)
Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950).
Alphaville: Journal of Film and Screen Media, 19.
pp. 28-30.
ISSN 2009-4078
doi: https://doi.org/10.33178/alpha.19.03
Cox-Stanton, T. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2021)
Audiovisual scholarship and experiments in non-linear film history.
The Cine-Files (15).
ISSN 2156-9096
Donaldson, L. F.
(2010)
Access and excess in The Texas Chain Saw Massacre.
Movie: a journal of film criticism (1).
ISSN 2047-1661
Donaldson, L. F.
(2011)
“Normality is threatened by the Monster”: Robin Wood, Romero and zombies.
CineAction (84).
pp. 24-31.
ISSN 0826-9866
Donaldson, L. F.
(2011)
“The suffering black male body and the threatened white female body": ambiguous bodies in Candyman.
Irish Journal of Gothic and Horror Studies (9).
ISSN 2009-0374
Donaldson, L. F., Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G.
(2022)
Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism.
Movie: a journal of film criticism (10).
pp. 116-136.
ISSN 2047-1661
Elduque Busquets, A.
(2019)
Between film and photography: the bubble of blood in 'The Family of Disorder'.
Screen, 60 (1).
pp. 148-159.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjy069
Elduque Busquets, A.
(2016)
El vuelo del buitre: Ruy Guerra y la historia de las repeticiones.
La Furia Umana, 30.
ISSN 2037-0431
Elduque Busquets, A.
(2017)
Primer Plano: the popular face of censorship.
L'Atalante. Revista de Estudios Cinematograficos, 23.
pp. 49-62.
ISSN 2340-6992
Elduque Busquets, A. and Salvadó, A.
(2016)
Aesthetical and narrative uses of the trench in the Hollywood cinema of 1918-1930.
L'Atalante. Revista de Estudios Cinematográficos, 21.
pp. 93-103.
ISSN 2340-6992
Elduque I Busquets, A.
(2013)
La nina i el ninot al cinema de Marco Ferreri.
Quaderns de Cine, 8.
pp. 55-62.
ISSN 1888-4571
doi: https://doi.org/10.14198/QdCINE.2013.8.07
Elduque, A.
(2017)
Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption.
Screen, 58 (2).
pp. 119-140.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjx014
Elduque, A.
(2015)
O touro fica: anotações sobre 'O Testamento de Dom Quixote'.
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 4 (7).
pp. 455-465.
ISSN 2316-9230
Elduque, A.
(2016)
Pasolini and Third World hunger: an approach to Cinema Novo through 'La ricotta'.
Journal of Italian Cinema and Media Studies, 4 (3).
pp. 369-385.
ISSN 20477368
doi: https://doi.org/10.1386/jicms.4.3.335_7
Elduque, A.
(2012)
Sangue e carne no cinema de Joaquim Pedro de Andrade.
Revista Movimento, 2.
pp. 1-24.
ISSN 2238-8699
Elduque, A.
(2016)
The necessary amateur. Cinema, education and politics. Interview with Cezar Migliorin.
Cinema Comparat/ive Cinema, 4 (9).
pp. 36-42.
ISSN 2014-8933
Garin, M. and Elduque, A.
(2016)
Quantitative meta-analysis of visual motifs throughout film history.
El profesional de la información, 25 (6).
pp. 883-892.
ISSN 1699-2407
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2012)
Balancing act: exploring the tone of The Life Aquatic with Steve Zissou.
New Review of Film and Television Studies, 10 (1).
pp. 132-151.
ISSN 1740-0309
doi: https://doi.org/10.1080/17400309.2011.635035
(special issue: Wes Anderson and Co.)
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2023)
Creative geography, creative connections: Candyman.
Movie: a journal of film criticism, 11.
pp. 19-21.
ISSN 2047-1661
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell.
Movie: A Journal of Film Criticism (8).
pp. 38-71.
ISSN 2047-1661
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2016)
Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay).
[in]Transition, 3 (2).
ISSN 2469-4312
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history.
Movie: A Journal of Film Criticism, 8.
ISSN 2047-1661
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2001)
Sequence and the archaeology of British film criticism.
Journal of Popular British Cinema (4).
pp. 14-29.
ISSN 1461-104X
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2010)
Sleeping with half open eyes: dreams and realities in The Cry of the Owl.
Movie: A Journal of Film Criticism (1).
pp. 1-17.
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2024)
Video essay: choosing death row songs.
Music, Sound and the Moving Image, 18 (1).
pp. 3-5.
ISSN 1753-0776
doi: https://doi.org/10.3828/msmi.2024.2
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2011)
The cry of the owl: investigating decision-making in a contemporary feature film.
Movie: a Journal of Film Criticism (3).
pp. 80-93.
ISSN 2047-1661
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2022)
Le Plaisir: voices and viewpoints.
NECSUS, Spring '22.
ISSN 2213-0217
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2017)
Opening choices: Notorious (audiovisual essay).
Movie: a journal of film criticism (7).
ISSN 2047-1661
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2017)
The Phantom Carriage: a revaluation (audiovisual essay).
Movie: a journal of film criticism (7).
ISSN 2047-1661
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Reck Miranda, S.
(2018)
Playing at the margins.
[in]Transition, 5 (2).
ISSN 2469-4312
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D.
(2023)
The Miracle of Morgan’s Creek (1944):
three perspectives on Preston Sturges and the Production Code.
Quarterly Review of Film and Video.
ISSN 1543-5326
(In Press)
(Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)
Greene, A.‐m. ORCID: https://orcid.org/0000-0002-0695-3182, Dean, D., Bartley, S. and McAvinchey, C.
(2022)
Locked up and down: incarceration, care, and art in a pandemic.
Gender, Work & Organization, 29 (4).
pp. 1346-1359.
ISSN 1468-0432
doi: https://doi.org/10.1111/gwao.12801
Guan, C. and O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2020)
Natural aesthetics: environments and perspectives in contemporary film theory.
Screen, 61 (2).
pp. 331-333.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjaa020
Hellmich, C. and Purse, L.
(2016)
Knowing war: moving images and the politics of erasure in the post 9/11 world.
E-international relations.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2020)
Bringing the battle to Britain: Band of Brothers and television runaway production in the UK.
Journal of British Cinema and Television, 17 (3).
pp. 313-333.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2020.0531
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Crossing broadcasters: the transatlantic exchange between Sylvester ‘Pat’ Weaver and Sir Ian Jacob, 1955-1956.
Historical Journal of Film, Radio and Television, 38 (4).
pp. 843-862.
ISSN 1465-3451
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Paget, D.
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Acts of commitment: activist arts, the rehearsed reading, and documentary theatre.
New Theatre Quarterly, 26 (2).
pp. 173-193.
ISSN 0266-464X
doi: https://doi.org/10.1017/S0266464X10000308
Paget, D.
(2004)
Jeremy Sandford: a docu-retrospect containing an explanation, an (undelivered) funeral oration, divers reminiscences, a draft treatment for a docudrama (and some Shandyan digressions.
New Theatre Quarterly, 20 (1).
pp. 45-58.
ISSN 1474-0613
doi: https://doi.org/10.1017/S0266464X03000320
Panos, L.
(2013)
Chaos, culture and fantasy: The television plays of Howard Schuman.
Journal of Screenwriting, 4 (3).
pp. 287-303.
ISSN 1759-7137
doi: https://doi.org/10.1386/josc.4.3.287_1
Panos, L.
(2011)
'Days of Hope' and 'culturalism'.
Journal of British Cinema and Television, 8 (1).
pp. 44-61.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2011.0005
Panos, L.
(2014)
Postmodernism, culture and feminism: the aesthetics of space and performance in Rock Follies and Rock Follies of '77.
Journal of British Cinema and Television, 11 (1).
pp. 41-67.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2014.0191
Panos, L.
(2010)
Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio.
New Theatre Quarterly, 26 (3).
pp. 273-286.
ISSN 0266-464X
doi: https://doi.org/10.1017/S0266464X10000461
Panos, L.
(2013)
Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s.
Critical Studies in Television, 8 (3).
pp. 1-17.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.8.3.2
Panos, L.
(2013)
Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio.
Journal of British Cinema and Television, 10 (1).
pp. 151-170.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2013.0127
Phillips, A.
(2003)
Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro.
Screen, 44 (2).
pp. 154-166.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/44.2.154
Player, M. ORCID: https://orcid.org/0000-0002-8785-488X
(2023)
UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture.
Japan Forum, 35 (3).
pp. 314-343.
ISSN 1469-932X
doi: https://doi.org/10.1080/09555803.2021.1895283
Purse, L.
(2016)
Affective trajectories: locating diegetic velocity in the cinema experience.
Cinema Journal, 55 (2).
pp. 151-157.
ISSN 0009-7101
(IN FOCUS: Speed)
Purse, L.
(2017)
Digital visceral: textural play and the flamboyant gesture in digital screen violence.
Journal of Popular Film & Television, 45 (1).
pp. 16-25.
ISSN 0195-6051
doi: https://doi.org/10.1080/01956051.2017.1270137
Purse, L.
(2018)
Layered encounters: mainstream cinema and the disaggregate digital composite.
Film-Philosophy, 22 (2).
pp. 148-167.
ISSN 1466-4615
doi: https://doi.org/10.3366/film.2018.0070
Purse, L.
(2015)
Rotational aesthetics: Michael Bay and contemporary cinema’s machine movement.
Senses of Cinema (75).
ISSN 1443-4059
Purse, L.
(2019)
Square-jawed strength: gender and resilience in the female astronaut film.
Science Fiction Film and Television, 12 (1).
pp. 53-72.
ISSN 1754-3770
Pye, D.
(2004)
Being a clown: curious coupling in 'The Pirate'.
CineAction, 63.
pp. 4-13.
Pye, D.
(2004)
In and around 'The Paradine Case'.
Rouge, 4.
Pye, D.
(2010)
At the border: the limits of knowledge in The Three Burials of Melquiades Estrada and No Country for Old Men.
Movie: a journal of film criticism, 1.
ISSN 2047-1661
Pye, D.
(2001)
Des femmes qui tombent, des narrateurs qui défaillent.
1895. Mille huit cent quatre-vingt-quinze, 34-35.
pp. 99-120.
ISSN 0769-0959
doi: https://doi.org/10.4000/1895.173
Pye, D. and Luppa, I.
(2011)
M: Leading the Blind.
Movie: a journal of film criticism, 2.
pp. 1-13.
ISSN 2047-1661
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2008)
Backpages: Scottish Arts Council wields the axe.
Contemporary Theatre Review, 18 (3).
pp. 398-401.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486800802265442
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2008)
'Deformities of the frame': the theatre of Anthony Neilson.
Contemporary Theatre Review, 17 (4).
pp. 487-498.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486800701605110
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2007)
'From scenes like these old Scotia's grandeur springs': the new National Theatre of Scotland.
Contemporary Theatre Review, 17 (2).
pp. 192-201.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486800701234432
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2018)
'Killing joy as a world making project' : anger in the work of debbie tucker green.
Contemporary Theatre Review, 28 (3).
pp. 390-400.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2018.1475356
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2016)
Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall.
Contemporary Theatre Review, 26 (1).
pp. 60-70.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2015.1123701
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2017)
Theatre without walls: the National Theatre of Scotland.
Journal of Contemporary Drama in English, 5 (1).
pp. 86-97.
ISSN 2195-0156
doi: https://doi.org/10.1515/jcde-2017-0007
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2019)
The dystopian near-future in contemporary British drama.
Journal of Contemporary Drama in English, 7 (1).
pp. 72-88.
ISSN 2195-0156
doi: https://doi.org/10.1515/jcde-2019-0006
Rodriguez, V.
(2020)
The open constructed public sphere: Aeschylus’ The Suppliant Women in a version by David Greig.
Humanities, 9 (1).
21.
ISSN 2076-0787
doi: https://doi.org/10.3390/h9010021
Saunders, G.
(2004)
Edward Bond & the celebrity of exile.
Theatre Research International, 29 (3).
pp. 256-266.
ISSN 1474-0672
doi: https://doi.org/10.1017/S0307883304000665
Saunders, G.
(2008)
Getting closer: Patrick Marber’s excursions into the Pinteresque.
Critical Engagements, 2 (2).
pp. 150-164.
ISSN 1754-0984
Saunders, G.
(2003)
'Just a Word on a Page & there is the Drama': Sarah Kane’s theatrical legacy.
Contemporary Theatre Review, 13 (1).
pp. 97-110.
ISSN 1477-2264
doi: https://doi.org/10.1080/1048680031000077816
Saunders, G.
(1999)
Missing mothers & absent fathers: Howard Barker’s 'Seven Lears' & Elaine Feinstein's 'Lear's Daughters'.
Modern Drama, 43 (3).
pp. 401-410.
ISSN 1712-5286
Saunders, G.
(2004)
'Out Vile Jelly': Sarah Kane's 'Blasted' & Shakespeare's 'King Lear'.
New Theatre Quarterly, 20 (1).
pp. 69-77.
ISSN 0266-464X
doi: https://doi.org/10.1017/S0266464X03000344
Saunders, G.
(2012)
Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition.
History Research, 2 (6).
pp. 391-397.
ISSN 2159-550X
Saunders, G.
(2011)
Tickets, critics and censorship: the Royal Court, The Spectator and the Arts Council of Great Britain 1969-1970.
Theatre Notebook, 64 (3).
pp. 160-173.
ISSN 0040-5523
Saunders, G.
(2012)
The freaks roll call: live art and the Arts Council 1968-1973.
Contemporary Theatre Review, 22 (1).
pp. 32-45.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2011.645229
Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Fargo: seeing the significance of style in television
poetics?
Critical Studies in Television: The International Journal of Television Studies, 14 (3).
pp. 343-361.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602019853792
Smart, B.
(2014)
The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations.
Historical Journal of Film, Radio and Television, 34 (3).
pp. 452-462.
ISSN 0143-9685
doi: https://doi.org/10.1080/01439685.2014.937187
Smart, B.
(2012)
Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965).
Critical Studies in Television, 7 (1).
pp. 49-63.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.7.1.6
Smart, B.
(2017)
‘Drama for people ‘in the know’: Television World Theatre (BBC 1957-59) and Festival (BBC 1963-64).
Historical Journal of Film, Radio and Television, 37 (1).
pp. 34-48.
ISSN 0143-9685
doi: https://doi.org/10.1080/01439685.2016.1272810
Smart, B.
(2013)
The Life of Galileo and Brechtian television drama.
Journal of British Cinema and Television, 10 (1).
pp. 112-129.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2013.0125
Smart, B.
(2016)
‘Nats go home’: modernism, television and three BBC productions of Ibsen (1971-1974).
Ibsen Studies, 16 (1).
pp. 37-70.
ISSN 1502-1866
doi: https://doi.org/10.1080/15021866.2016.1180869
Smart, B.
(2015)
Producing classics on outside broadcast in the 1970s: The Little Minister (1975), As You Like It (1978) and Henry VIII (1979).
Critical Studies in Television, 10 (3).
pp. 67-82.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.10.3.6
Smart, B.
(2008)
Simon Gray, 1936–2008: In other words.
Contemporary Theatre Review, 18 (4).
pp. 542-544.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486800802492855
Smart, B.
(2014)
Three different Cherry Orchards, three different worlds: Chekhov at the BBC, 1962-1981.
Critical Studies in Television, 9 (3).
pp. 65-76.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.9.3.7
Smart, W. and Wrigley, A.
(2016)
Television history: archives, excavation and the future. A discussion.
Critical Studies in Television: The International Journal of Television Studies, 11 (1).
pp. 96-109.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602015618634
Solomon, S.
(2015)
Words and silk: Gerald Murnane at the cinema.
Antipodes, 29 (2).
pp. 309-320.
ISSN 0893-5580
doi: https://doi.org/10.13110/antipodes.29.2.0309
Taylor, L.
(2007)
Performed disembodiment in Duras's fictional spaces.
Body, Space & Technology Journal, 7 (1).
ISSN 1470-9120
Taylor, L.
(2013)
Voice, body and the transmission of the real in documentary theatre.
Contemporary Theatre Review, 23 (3).
pp. 368-379.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2013.806318
Taylor, L.
(2011)
The experience of immediacy: emotion and enlistment in fact-based theatre.
Studies in Theatre and Performance, 31 (2).
pp. 223-237.
ISSN 1468-2761
doi: https://doi.org/10.1386/stap.31.2.223_1
Taylor, L.
(2010)
The hanging man: death, indeterminacy and the event.
Performance Research, 15 (1).
pp. 4-13.
ISSN 1352-8165
doi: https://doi.org/10.1080/13528165.2010.485757
Taylor, L.
(2006)
The 'unhomely' stage.
Studies in Theatre & Performance, 26 (3).
pp. 205-220.
ISSN 2040-0616
doi: https://doi.org/10.1386/stap.26.3.205/1
Thorpe, A.
(2011)
"Modern theatre for the twenty-first century"? Shanghai Conservatory of Music's staging of 'The White Goddess' (2009).
Asian Theatre Journal, 28 (2).
pp. 483-504.
ISSN 1527-2109
Thorpe, A.
(2005)
Only joking? The relationship between the clown and percussion in Jingju.
Asian Theatre Journal, 22 (2).
pp. 269-292.
ISSN 1527-2109
doi: https://doi.org/10.1353/atj.2005.0034
Thorpe, A.
(2010)
Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'.
Contemporary Theatre Review, 20 (1).
pp. 68-86.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486800903453046
Thorpe, A.
(2011)
Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity.
Studies in Theatre & Performance, 31 (3).
pp. 275-291.
ISSN 2040-0616
Thorpe, A.
(2011)
Transforming tradition: performances of Jingju ('Beijing Opera') in the UK.
Theatre Research International, 36 (01).
pp. 33-46.
ISSN 1474-0672
doi: https://doi.org/10.1017/S0307883310000702
Thorpe, A.
(2009)
The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum.
Studies in Theatre & Performance, 29 (2).
pp. 133-147.
ISSN 2040-0616
doi: https://doi.org/10.1386/stap.29.2.133_1
Thorpe, A. and Daboo, J.
(2009)
Editorial.
Studies in Theatre and Performance, 29 (2).
pp. 117-120.
ISSN 2040-0616
doi: https://doi.org/10.1386/stap.29.2.117_2
Tunbridge, L.
(2003)
Schumann's 'Manfred' in the mental theatre.
Cambridge Opera Journal, 15 (2).
pp. 153-183.
ISSN 1474-0621
doi: https://doi.org/10.1017/S0954586703001678
Tyler, L.
(2024)
Commodity trailing contemporary performance: Sh!t Theatre’s DollyWould and Selina Thompson’s salt.
Contemporary Theatre Review, 34 (2).
pp. 133-151.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2024.2334246
Tyler, L.
(2019)
“Responding to the thing that it is”: a study of new play development in English theatres.
Studies in Theatre and Performance, 39 (1).
pp. 38-53.
ISSN 1468-2761
doi: https://doi.org/10.1080/14682761.2017.1348682
Weissmann, E.
(2007)
The victim's suffering translated: CSI: Crime Scene Investigation and the crime genre.
Intensities, 4.
Wheatley, H.
(2004)
Putting the mystery back into armchair theatre.
Journal of British Cinema and Television, 1 (2).
pp. 197-201.
ISSN 1755-1714
doi: https://doi.org/10.3366/JBCTV.2004.1.2.197
Wheatley, H.
(2004)
The limits of television? Natural history programming and the transformation of public service broadcasting.
European Journal of Cultural Studies, 7 (3).
pp. 325-339.
ISSN 1460-3551
doi: https://doi.org/10.1177/1367549404044786
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Clare Balding: the televisual face of London 2012.
Journal of Popular Television, 1 (1).
pp. 137-141.
ISSN 2046-9861
doi: https://doi.org/10.1386/jptv.1.1.137_1
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2014)
Classed femininity, performativity, and camp in British structured reality programming.
Television and New Media, 15 (3).
pp. 197-214.
ISSN 1552-8316
doi: https://doi.org/10.1177/1527476412462246
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2015)
Girls talk: authorship and authenticity in the reception of Lena Dunham's Girls.
Critical Studies in Television, 10 (2).
pp. 37-54.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.10.2.4
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2008)
Nostalgia, music and the television past revisited in American dreams.
Music Sound and the Moving Image, 2 (1).
pp. 27-50.
ISSN 1753-0776
doi: https://doi.org/10.1353/msm.0.0028
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2017)
Streaming British youth television: online BBC Three as a transitional mome.
Cinema Journal, 57 (1).
pp. 140-146.
ISSN 1527-2087
doi: https://doi.org/10.1353/cj.2017.0065
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Teen TV meets T4: assimilating 'The O.C.' into British youth television.
Critical Studies in Television, 8 (1).
pp. 14-35.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.8.1.4
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2015)
Telefantasy tower blocks: space, place and social realism shake-ups in Misfits.
Journal of British Cinema and Television, 12 (2).
pp. 229-244.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2015.0259
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag.
Communication, Culture and Critique, 12 (2).
pp. 194-212.
ISSN 1753-9129
doi: https://doi.org/10.1093/ccc/tcz014
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright.
Journal of British Cinema and Television, 16 (3).
pp. 346-366.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2019.0481
Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046
(2015)
Locating an indigenous ethos in ecological performance.
Performing Ethos, 5 (1 & 2).
pp. 17-30.
ISSN 1757-1987
doi: https://doi.org/10.1386/peet.5.1-2.17_1
Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046
(2020)
Performing the bio-urban in Bonnie Ora Sherk’s The Farm and Mierle Laderman Ukeles’s Flow City.
Performance Research, 25 (2).
pp. 124-131.
ISSN 1469-9990
doi: https://doi.org/10.1080/13528165.2020.1752585
Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046
(2015)
A house of weather and a polar bear costume: ecological anthropomorphism in the work of fevered sleep.
Performance Research, 20 (2).
pp. 24-32.
ISSN 1469-9990
doi: https://doi.org/10.1080/13528165.2015.1026722
Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046, Ong, A., Beer, T., Beaupark, S., Winn-Lenetsky, J., Tangen, R. and Nicholson-Sanz, M.
(2020)
Dossier: climate change and the decolonized future of theatre.
Theatre Research International, 45 (2).
pp. 179-208.
ISSN 1474-0672
doi: https://doi.org/10.1017/S0307883320000085
Wrigley, A.
(2018)
Afterlives of BBC Radio features.
Media History, 24 (2).
pp. 266-282.
ISSN 1469-9729
doi: https://doi.org/10.1080/13688804.2018.1479636
Wrigley, A.
(2017)
Higher education and public engagement: Open University and BBC drama co-productions on BBC2 in the 1970s.
Journal of British Cinema and Television, 14 (3).
pp. 377-393.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2017.0379
Book or Report Section
Angelaki, V.
(2010)
‘Ethics take centre stage: Issues and representation for today's political theatre’.
In: Meyer-Dinkgräfe , D. and Watt, D. (eds.)
Ethical Encounters: Boundaries of Theatre, Performance and Philosophy.
Cambridge Scholars Publishing, Cambridge, pp. 199-207.
ISBN 9781443816953
Angelaki, V.
(2014)
Witness or accomplice? Unsafe spectatorship in the work of Anthony Neilson and Simon Stephens.
In: Aragay, M. and Monforte, E. (eds.)
Ethical Speculations in Contemporary British Theatre.
Palgrave Macmillan, Basingstoke, pp. 135-151.
ISBN 9781137297563
Angelaki, V.
(2009)
Breaking down barriers high and low: the case of the United Kingdom’s National Theatre.
In: Coelsch-Foisner, S. and Flothow, D. (eds.)
High Culture and/versus Popular Culture.
Winter, pp. 85-93.
Angelaki, V.
(2010)
Grenzen hinausschieben, Zuschauer herausfordern: zur rezeption Howard Barkers.
In: Mengel, E. and Weiss, R. (eds.)
Weltbühne Wien/World Stage Vienna: Die Rezeption Anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts.
Wissenschaftlicher Verlag Trier, pp. 297-311.
Angelaki, V.
(2013)
Introduction.
In: Angelaki, V. (ed.)
Contemporary British Theatre: Breaking New Ground.
Palgrave Macmillan, pp. 1-8.
ISBN 9781137010124
Angelaki, V.
(2007)
Performing Phenomenology: the theatre of Martin Crimp.
In: Meyer-Dinkgräfe, D. and Watt, D. (eds.)
Theatres of Thought.
Cambridge Scholars Publishing, pp. 6-12.
Angelaki, V.
(2013)
Politics for the middle classes: contemporary audiences and the violence of now.
In: Angelaki, V. (ed.)
Contemporary British Theatre: Breaking New Ground.
Palgrave Macmillan, pp. 57-78.
ISBN 9781137010124
Angelaki, V.
(2007)
Structuring consciousness through objects: fluctuating roles and selves in Crimp, Pinter and Ionesco.
In: Meyer-Dinkgräfe, D. (ed.)
Consciousness, Theatre, Literature and the Arts.
Cambridge Scholars Publishing, pp. 126-133.
Angelaki, V.
(2008)
Subtractive forms and composite contents: Martin Crimp’s Fewer Emergencies.
In: Schnierer, P. P. and Redling, E. (eds.)
Contemporary Drama in English.
Wissenschaftlicher Verlag Trier, pp. 31-46.
Angelaki, V.
(2008)
Taking a bite of the Big Apple: Martin Crimp’s The Treatment.
In: Angel-Perez, E. and Poulain, A. (eds.)
Hunger on the Stage.
Cambridge Scholars Publishing, pp. 257-267.
Balló, J. and Elduque, A.
(2018)
Imperio y Estrellita, el ascenso por amor.
In: Bou, N. and Pérez, X. (eds.)
El cuerpo erótico de la actriz bajo los fascismos.
Cátedra, Madrid, pp. 97-108.
ISBN 9788437638416
Bartley, S.
(2022)
'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation.
In: Bissell, L. and Weir, L. (eds.)
Performance in a Pandemic.
Routledge, London, pp. 79-86.
ISBN 9780367761349
doi: https://doi.org/10.4324/9781003165644-12
Bartley, S.
(2022)
Peopling the theatre in a time of crisis.
In: Wallace, C., Escoda, C., Monforte, E. and Ramón Prado-Pérez, J. (eds.)
Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre.
Methuen Drama Engage.
Bloomsbury, London, 256.
ISBN 9781350180857
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Adaptation and convergence: Beckett on film.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P. (eds.)
Beckett’s Afterlives: Adaptation, Remediation, Appropriation.
Manchester University Press, Manchester, pp. 34-49.
ISBN 9781526153791
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Sound/image.
The Television Series.
Manchester University Press, Manchester, pp. 15-37, 248 pages.
ISBN 9781526149190
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
And the rest is history: Lew Grade, the creation myth and television historiography.
In: Turnock, R. and Johnson, C. (eds.)
ITV Cultures: Independent Television Over Fifty Years.
Open University Press, Buckingham, pp. 57-70.
ISBN 9780335217298
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2004)
Another time, another space: modernity, subjectivity and the time machine.
In: Redmond, S. (ed.)
Liquid Metal: The Science Fiction Reader.
Wallflower, London, pp. 136-144.
ISBN 9781903364888
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2011)
‘Anything can happen in the next half-hour’: Gerry Anderson’s transnational science fiction.
In: Hochscherf, T. and Leggott, J. (eds.)
British Science Fiction Film and Television: Critical Essays.
Critical Explorations in Science Fiction and Fantasy (29).
McFarland, Jefferson (North Carolina) & London, pp. 73-84.
ISBN 9780786446216
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Articulations of voice and medium in Beckett’s screen work.
In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.)
Beckett’s Voices / Voicing Beckett.
Themes in Theatre, 12.
Brill, Leiden, pp. 280-294.
ISBN 9789004468382
doi: https://doi.org/10.1163/9789004468382_021
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Authenticity and performance of class in British factual TV series.
In: Cloarec, N., Haigron, D. and Letort, D. (eds.)
Social Class on British and American Screens: Essays on Cinema and Television.
McFarland, Jefferson, USA, pp. 58-73.
ISBN 9781476662343
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Beckett and television: anachronism as innovation.
In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.)
Samuel Beckett and Technology.
Edinburgh University Press, Edinburgh.
ISBN 9781474463287
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2025)
Beckett and televisual ecosystems: dramas of the vast wasteland.
In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.)
Samuel Beckett and Ecology.
Bloomsbury, London.
ISBN 9781350366022
(In Press)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Black screens: Beckett and television technologies.
In: Rapcsak, B., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P. (eds.)
Beckett and Media.
Manchester University Press, Manchester, pp. 177-194, 248.
ISBN 9781526145833
doi: https://doi.org/10.7765/9781526145840.00018
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Cars, places and spaces in police drama.
In: McElroy, R. (ed.)
Contemporary British Television Crime Drama: Cops on the Box.
Routledge Advances in Television Studies.
Routledge, London, pp. 123-136.
ISBN 9781472454935
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Children’s television and public service in contemporary Britain.
In: Dinter, S. and Schneider, R. (eds.)
Transdisciplinary Perspectives on Childhood in Contemporary Britain.
Studies in Childhood, 1700 to the Present.
Routledge, London, UK, pp. 87-102.
ISBN 9781138232105
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Children’s television and radio.
In: Fournier, G. (ed.)
La BBC et le service public de l'audiovisuel, 1922-1995.
Agregation Anglais.
Editions Ellipses, Paris, pp. 111-128.
ISBN 9782340041127
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Citing the classics: constructing British television drama history in publishing and pedagogy.
In: Wheatley, H. (ed.)
Re-viewing Television History: Critical Issues in Television Historiography.
I B Tauris, London, pp. 27-39.
ISBN 9781845111885
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
“Do you really enjoy the modern play?”: Beckett on commercial television.
In: Stewart, P. and Pattie, D. (eds.)
Pop Beckett: Intersections with Popular Culture.
Samuel Beckett in Company, 7.
Ibidem, Stuttgart, pp. 63-84.
ISBN 9783838211930
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Docudrama performance: realism, recognition and representation.
In: Cornea, C. (ed.)
Genre and performance: film and television.
Manchester University Press, Manchester, UK, pp. 59-75.
ISBN 9780719079801
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Entanglements of intermediality: Polanski, Pinter, Steptoe and Son.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.)
The Moving Form of Film: Historicising the Medium through Other Media.
Oxford University Press, Oxford, pp. 267-280.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0017
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 42-52.
ISBN 9780719065248
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Grand designs: television, style and substance in The Time Tunnel.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Substance/style.
The Television Series.
Manchester University Press, Manchester, pp. 202-224, 258 pages.
ISBN 9781526148780
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Into the void: Beckett's television plays and the idea of broadcasting.
In: Caselli, D. (ed.)
Beckett and nothing: trying to understand Beckett.
Manchester University Press, Manchester, UK, pp. 125-142.
ISBN 9780719080197
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
James Bond’s forgotten beginnings: television adaptations.
In: Strong, J. (ed.)
James Bond Uncovered.
Palgrave Studies in Adaptation and Visual Culture.
Palgrave Macmillan, Basingstoke, pp. 41-60.
ISBN 9783319761220
doi: https://doi.org/10.1007/978-3-319-76123-7_3
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Masculinité, musique et politique dans 'Excalibur'.
In: Sipiere, D. and Cohen, A. J.-J. (eds.)
Les autres arts dans l'art du cinéma.
Le Spectaculaire Cinéma.
University of Rennes Press, Rennes, pp. 141-152.
ISBN 9782753503885
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
Meta-commentary and mythology: "Episodes" as a performance of transatlantic TV.
In: Hills, M., Hilmes, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, Oxford, pp. 163-180.
ISBN 9780190663124
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(1996)
Method Westerns: The Left-Handed Gun and One Eyed Jacks.
In: Cameron, I. and Pye, D. (eds.)
The Movie Book of the Western.
Movie Books.
Studio Vista (Cassell), London, pp. 99-110.
ISBN 9780289801680
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2017)
Myth.
In: Ouellette, L. and Gray, J. (eds.)
Keywords for Media Studies.
New York University Press, New York, pp. 123-125.
ISBN 9781479859610
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
“Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas.
In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.)
Influencing Beckett / Beckett Influencing.
Collection Karoli.
L'Harmattan, Budapest & Paris, pp. 61-74.
ISBN 9782343219110
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2013)
Realism and reality formats.
In: Ouellette, L. (ed.)
A companion to reality television.
Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115.
ISBN 9780470659274
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2016)
Representing violence, playing control: warring constructions of masculinity in Action Man toys.
In: Wesseling, E. (ed.)
The Child Savage, 1890–2010. From Comics to Games.
Ashgate Studies in Childhood, 1700 to the Present.
Routledge, London, pp. 189-202.
ISBN 9781409455981
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Samuel Beckett’s television plays.
In: Bennett, M. Y. (ed.)
The Routledge Companion to Absurdist Literature.
Routledge Literature Companions.
Routledge, London.
ISBN 9781032188126
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Screen and stage space in Beckett’s theatre plays on television.
In: Wrigley, A. and Wyver, J. (eds.)
Screen Plays: Theatre Plays on British Television.
Manchester University Press, Manchester, pp. 226-245.
ISBN 9780719097928
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Seeing and knowing: reflexivity and quality.
In: Mccabe, J. and Akass, K. (eds.)
Quality TV: contemporary American television and beyond.
Reading Contemporary Television.
I B Tauris, London, pp. 145-157.
ISBN 9781845115104
doi: https://doi.org/10.5040/9780755696376.ch-012
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2003)
Sex, confession and witness.
In: Akass, K. and Mccabe, J. (eds.)
Reading 'Sex and the City',.
I B Tauris, London & New York, pp. 161-176.
ISBN 9781850434238
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Space for "quality": negotiating with the Daleks.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp. 76-92.
ISBN 9780719069321
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Spies, style and the Cold War: James Bond in the sixties and seventies.
In: Ahrens, R., Stierstorfer, K. and Dickason, R. (eds.)
Symbolism: an international annual of critical aesthetics. Special focus: propaganda.
AMS Press, New York, USA, pp. 81-92.
ISBN 9780404635701
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2010)
Star Wars (1977): back and forth in time and space.
In: Brown, T. and Walters, J. (eds.)
Film moments: criticism, history, theory.
British Film Institute and Palgrave, London, UK, pp. 111-115.
ISBN 9781844573363
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Technology.
In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (eds.)
The Oxford Handbook of Samuel Beckett.
Oxford Handbooks.
Oxford University Press, Oxford.
(In Press)
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Television biopics: Questions of genre, nation, and medium.
In: Cartmell, D. and Polasek, A. D. (eds.)
A Companion to the Biopic.
Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60.
ISBN 9781119554813
doi: https://doi.org/10.1002/9781119554783.ch4
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2011)
Television for children: problems of national specificity and globalisation.
In: Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (ed.)
Children in Culture, Revisited: Further Approaches to Childhood.
Palgrave Macmillan, Basingstoke, pp. 167-185.
ISBN 9780230275546
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
Television: from pre-production to programme making and dissemination.
In: Beloborodova, O. and Van Hulle, D. (eds.)
Toward a Comparative History of the Literary Draft in Europe.
John Benjamins, Amsterdam, pp. 473-486.
ISBN 9789027215260
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(1998)
Territories, boundaries, identities: 'The Handmaid's Tale'.
In: Howells, C. A. and Vevaina, C. (eds.)
Margaret Atwood The Shape Shifter.
Creative New Literatures.
Indian Association for Canadian Studies, and Creative Books, New Delhi, pp. 9-25.
ISBN 9788186318515
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
Une lettre en souffrance: l'adaptation de 'La Servante écarlate/The Handmaid's Tale' de Margaret Atwood au cinéma.
In: Cloarec, N. (ed.)
Lettres de cinéma: de la missive au film-lettre.
University of Rennes Press, Rennes, pp. 175-187.
ISBN 9782753505308
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Vanity Fair (1967) and the contradictions of colour.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Complexity/simplicity.
The Television Series.
Manchester University Press, Manchester, pp. 192-215, 280 pages.
ISBN 9781526148759
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2003)
Where is Action Man's penis? Determinations of gender and the bodies of toys.
In: Segal, N., Taylor, L. and Cook, R. (eds.)
Indeterminate Bodies.
Palgrave Macmillan, Basingstoke, pp. 36-47.
ISBN 9780333949696
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2024)
The absence of television: broadcasting and war in Britain, 1939-45.
In: Dickason, R. and Haigron, D. (eds.)
Issues and Singularity in the British Media.
Palgrave Macmillan, Cham, pp. 71-93.
ISBN 9783031606526
doi: https://doi.org/10.1007/978-3-031-60653-3_4
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
The child as addressee, viewer and consumer in mid-1960s 'Doctor Who'.
In: Butler, D. (ed.)
Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who.
Manchester University Press, Manchester, pp. 43-55.
ISBN 9780719076817
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
The epic in the everyday: television and Doctor Who, ‘The Chase’.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. (eds.)
Epic / Everyday: Moments in Television.
The Television Series.
Manchester University Press, Manchester.
ISBN 9781526170224
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2013)
The look: style, technology and televisuality in the New Who.
In: O'Day, A. (ed.)
Doctor Who: the eleventh hour.
Who watching.
I. B. Tauris, London and New York, pp. 123-140.
ISBN 9781780760193
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2019)
The performing lives of things: animals, puppets, models and effects.
In: Walters, J. and Donaldson, L. F. (eds.)
Television Performance.
Red Globe Press, London, pp. 43-60.
ISBN 9781137608192
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2009)
The police series.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Close-Up 03.
Wallflower, London, pp. 1-66.
ISBN 9781905674787
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2000)
A taste of the gothic: film and television versions of Dracula.
In: Sheen, E. and Giddings, R. (eds.)
From Page to Screen: Adaptations of the Classic Novel:.
Manchester University Press, Manchester, pp. 114-130.
ISBN 9780719052316
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Burchardt, J. ORCID: https://orcid.org/0000-0001-9483-1494
(2017)
Agents, beneficiaries and victims: picturing people on the land.
In: Haigron, D. (ed.)
The English Countryside: Representations, Identities, Mutations.
Palgrave Macmillan, Basingstoke, pp. 61-82.
ISBN 9783319532721
doi: https://doi.org/10.1007/978-3-319-53273-8
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Paget, D. J., Sutherland, H. A. and Taylor, L.
(2011)
Narrativising the facts: acting in screen and stage docudrama.
In: Tönnies, M. and Flotmann, C. (eds.)
Narrative in Drama.
Contemporary Drama in English (18).
Wissenschaftlicher Verlag Trier, Trier, pp. 21-52.
ISBN 9783868213157
Broughton, M. E.
(2009)
Nigel Kneale (1922-2006).
In: Bould, M., Butler, A. M., Roberts, A. and Vint, S. (eds.)
Fifty Key Figures in Science Fiction.
Routledge Key Guides.
Routledge, London, pp. 121-126.
ISBN 9780415439497
Brown, T.
(2007)
Les Remakes des films français: l'âge classique.
In: Viviani, C., Barnier, M. , Bastide, B. and Berthomieu, P. (eds.)
Hollywood, les Connexions françaises.
Nouveau Monde éditions, Paris, pp. 345-375.
ISBN 9782847362312
Brown, T.
(2011)
Spectacle and value in classical Hollywood cinema.
In: Hubner, L. (ed.)
Valuing Films: Shifting Perceptions of Worth.
Palgrave Macmillan, pp. 49-68.
ISBN 9780230229686
Brown, T.
(2010)
'Entertainment and dystopia': Maurice Chevalier performs Avec le sourire (1936).
In: Walters, J. and Brown, T. (eds.)
Film moments: criticism, history, theory.
British Film Institute/Palgrave Macmillan, London, UK, pp. 78-84.
ISBN 9781844573363
Bull, J.
(2005)
John Bull - 'Serjeant Musgrave Dances to a Different Tune': John McGrath's adaptation of John Arden's 'Serjeant Musgrave's Dance'.
In: Bradby, D. and Capon, S. (eds.)
Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television,.
University of Exeter Press, Exeter, pp. 39-54.
ISBN 9780859897488
Bull, J.
(2006)
Left in front: David Edgar's political theatre.
In: Luckhurst, M. (ed.)
A Companion to Modern British and Irish Drama 1880-2005.
Blackwell Companions: Literature and Culture.
Blackwell, Oxford, pp. 441-453.
ISBN 9781405122283
Bull, J.
(2007)
Telling stories: the Point Blank trilogy.
In: Tomlin, L. (ed.)
Point Blank.
Intellect Press, Bristol, pp. 9-15.
ISBN 9781841501697
Bull, J.
(2004)
What the butler did see: Joe Orton and Oscar Wilde.
In: Coppa, F. (ed.)
Joe Orton: A Casebook.
Casebooks on Modern Dramatists.
Routledge, London & New York, pp. 45-60.
ISBN 9780815336273
Bull, J.
(2004)
Barry [née Street; other married names Dancer, Crawford], Ann [Anne] (bap. 1733, d. 1801).
In: Matthew , H. C. G. and Harrison , B. (eds.)
Oxford Dictionary of National Biography.
Oxford University Press.
ISBN 9780198614111
Bull, J.
(2004)
Barry, Spranger (bap. 1717, d. 1777).
In: Matthew , H. C. G. and Harrison , B. (eds.)
Oxford Dictionary of National Biography.
Oxford University Press.
ISBN 9780198614111
Bull, J.
(2007)
'Being taken no notice of in ten million homes': David Hare's adventures in television.
In: Boon, R. (ed.)
The Cambridge Companion to David Hare.
Cambridge Companions to Literature .
Cambridge University Press, Cambridge, pp. 153-168.
ISBN 9780521615570
Bull, J.
(2005)
Introduction: on interventionist and community theatre.
In: Billingham, P. (ed.)
Radical Initiatives in Interventionist and Community Theatre.
New Directions in Drama and Performance (Volume 1).
Intellect, Exeter.
ISBN 9781841500683
Bull, J.
(2004)
Nossiter, Maria Isabella (1735–1759).
In: Matthew , H. C. G. and Harrison , B. (eds.)
Oxford Dictionary of National Biography.
Oxford University Press.
ISBN 9780198614111
Bull, J.
(2004)
Palmer, John (1728–1768).
In: Matthew , H. C. G. and Harrison , B. (eds.)
Oxford Dictionary of National Biography.
Oxford University Press.
ISBN 9780198614111
Bull, J.
(2004)
Palmer, John (1744–1798).
In: Matthew , H. C. G. and Harrison , B. (eds.)
Oxford Dictionary of National Biography.
Oxford University Press.
ISBN 9780198614111
Bull, J.
(2008)
Spectacular reconstruction: innovation and appropriation in modern British drama.
In: Redling, E. and Schnierer, P. P. (eds.)
Non-Standard Forms of Contemporary Drama and Theatre.
CDE Contemporary Drama in English (15).
Wissenschaftlicher Verlag Trier, Trier, pp. 13-29.
ISBN 9783868210408
Bull, J.
(2003)
'A deal of monstrous and forced action': Joe Orton and Ben Jonson.
In: Woolland, B. (ed.)
Jonsonians: Living Traditions.
Studies in Performance and Early Modern Drama.
Ashgate, Aldershot, England & Burlington, USA, pp. 137-152.
ISBN 9780754606109
Bull, J.
(2004)
The establishment of British mainstream theatre 1945-1979.
In: Kershaw, B. (ed.)
British Theatre Since 1895.
Cambridge History of British Theatre (3).
Cambridge University Press, pp. 326-348.
ISBN 9780521651325
doi: https://doi.org/10.2277/0521651328
Butler, A.
(2012)
Eija-Liisa Ahtila's Cinematic Worlds.
In:
Eija-Liisa Ahtila: Parallel Worlds.
Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.
Butler, A.
(2008)
Feminist perspectives in film studies.
In: Donald , J. and Renov , M. (eds.)
The Sage Handbook of Film Studies.
Sage , London, pp. 391-407.
ISBN 9780761943266
Butler, A.
(2006)
Gender.
In: Grant, B. K. (ed.)
Schirmer Encyclopedia of Film.
Schirmer/Gale, New York.
ISBN 9780028657912
Butler, A.
(2010)
Must this be the place?
In: De Weck, Z. A. (ed.)
Eija-Liisa Ahtila: where is where?
Walther Konig, Koln, Germany, pp. 88-92.
ISBN 9783865607591
Butler, A.
(2011)
Sleepwalking from New York to Miami.
In: Penz, F. and Lu, A. (eds.)
Urban Cinematics: Understanding Urban Phenomena Through the Moving Image.
Intellect, Bristol, pp. 183-195.
ISBN 9781841504285
Butler, A.
(2017)
13 ways of looking at a lake.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
The Long Take: Critical Approaches.
Palgrave Macmillan, London, pp. 177-191.
ISBN 9781137585721
doi: https://doi.org/10.1057/978-1-137-58573-8_12
Butler, A.
(2020)
Objects in time: artefacts in artists’ moving image.
In: Murphy, J. and Rascaroli, L. (eds.)
Theorizing Film Through Contemporary Art: Expanding Cinema.
Film Culture in Transition.
Amsterdam University Press.
ISBN 9789462989467
Butler, A.
(2010)
Éloge de l'amour (2001): moments in time.
In: Brown, T. and Walters, J. (eds.)
Film moments: criticism, history, theory.
British Film Institute and Palgrave, London, UK, pp. 130-134.
ISBN 9781844573363
Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2019)
An actor diversifies: a diachronic examination of the work and career of Tony Curran.
In: Fife Donaldson, L. and Walters, J. (eds.)
Television Performance.
Red Globe Press, London, pp. 168-187.
ISBN 9781137608192
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2019)
Ageless: Akerman’s avatars'.
In: Schmid, M. and Wilson, E. (eds.)
Chantal Akerman: Afterlives.
MHRA/Legenda, Oxford, pp. 54-65.
ISBN 9781781886397
doi: https://doi.org/10.2307/j.ctv16km0vw.11
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2021)
‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory.
In:
Thresholds: Interwar Lens Media Cultures 1919-1939.
Walther Koenig, Cologne, pp. 101-122.
ISBN 9783753300009
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2018)
Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film.
In:
Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives.
Rowman & Littlefield International, London, pp. 187-208.
ISBN 9781786603739
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2015)
Visible and invisible institutions: cinema in the French Art Museum.
In:
International Handbooks of Museum Studies: Museum Media.
Wiley Blackwell, Oxford, pp. 95-119.
ISBN 9781118829059
doi: https://doi.org/10.1002/9781118829059.wbihms305
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2015)
The “new” experimentalism? Women in/and/on film.
In:
Feminisms.
Amsterdam University Press, Amsterdam, pp. 125-140.
ISBN 9789048523634
doi: https://doi.org/10.1515/9789048523634-013
Costa, B. and Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2023)
Between: an example of collaborative, advocating theatre-making by spoken language interpreters.
In: Boyle, C. and Maitland, S. (eds.)
Translation as Advocacy.
Hodder & Stoughton.
(In Press)
Courage, T.
(2016)
Kelly Reichardt: lost in Oregon.
In: Berra, J. (ed.)
Directory of World Cinema: American Independent 3.
University of Chicago Press, Chicago, pp. 219-223.
ISBN 9781783206568
Donaldson, L. F.
(2012)
Effort and affect: engaging with film performance.
In: Reason, M. and Reynolds, D. (eds.)
Kinesthetic Empathy in Creative and Cultural Practices.
Intellect Books, Bristol, pp. 159-174.
ISBN 9781841504919
Donaldson, L. F.
(2013)
Performing performers: embodiment and intertextuality in the contemporary biopic.
In: Brown, T. and Vidal, B. (eds.)
The Biopic in Contemporary Film Culture.
AFI Film Readers.
Routledge, London, pp. 103-117.
ISBN 9780415899413
Donaldson, L. F.
(2010)
“There’s something very familiar about all this”: generic play and performance in the Back to the Future trilogy (Robert Zemeckis, 1985, 1989, 1990).
In: Ni Fhlainn, S. (ed.)
The Worlds of Back to the Future.
McFarland, Jefferson, pp. 73-90.
ISBN 9780786444002
Donaldson, L. F.
(2013)
Camera and performer: energetic engagement with the shield.
In: Jacobs, J. and Peacock, S. (eds.)
Television Aesthetics and Style.
Bloomsbury, London, pp. 209-218.
ISBN 9781441157515
Dunsby, J.
(2004)
Music-analytical trends of the twentieth century.
In: Dejans, P. (ed.)
Order and Disorder: music-theoretical strategies in 20th Century Music.
Leuven University Press, Leuven, pp. 11-28.
ISBN 9789058673695
Dunsby, J. M.
(2003)
All the dancers know it and it is valid for all times: Goehr, Kafka and 'The Law of the Quadrille'.
In: Latham, A. (ed.)
Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday.
Ashgate, Aldershot, pp. 171-179.
ISBN 9780754634973
Elduque Busquets, A.
(2017)
Trilhas cantadas: circulando pelo documentário musical brasileiro.
In: Suppia, A., Guimarães, P. M. and Duccini, M. (eds.)
Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas.
Urutau/Margem da Palavra, Bragança Paulista.
Elduque, A.
(2017)
Canção, história e cinema.
In: Carrega, J. and Vitorino Fernandez, S. (eds.)
A Europa e os Impérios Coloniais na Literatura e no Cinema.
Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223.
ISBN 9789898859242
Elduque, A.
(2017)
Esperar una mirada: la representación cinematográfica de la pena de muerte.
In: Montero, J. F. and Planes Pedreño, J. A. (eds.)
Cine entre rejas.
Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241.
ISBN 9788494735400
Elduque, A.
(2018)
Flesh and costumes: the watermelon in 'Vereda Tropical'.
In: Baltar, M. (ed.)
E pornô, tem pornô? A Panorama of Brazilian Porn.
Mimesis International, Milan, pp. 115-137.
ISBN 9788869770234
Elduque, A.
(2018)
Géneros fluidos: familias, amores, sueños.
In: Montero, J. F. (ed.)
John Cassavetes. Interior noche.
Shangrila Textos Aparte, Santander, pp. 310-332.
ISBN 9788494761690
Elduque, A.
(2016)
La comida en familia.
In: Balló, J. and Bergala, A. (eds.)
Motivos visuales del cine.
Galaxia Gutenberg, Barcelona, pp. 77-81.
ISBN 9788416495504
Elduque, A.
(2017)
Outskirts of reason: the dream in Días de papel and Chircales.
In: Forrest, D., Harper, G. and Rayner, J. (eds.)
Filmurbia: Screening the Suburbs.
Palgrave Macmillan, Basingstoke, pp. 149-168.
ISBN 9781137531759
Elduque, A. and Araújo, M.
(2018)
Ecos de revueltas lejanas: Fassbinder, Glauber Rocha y 'El viaje a Niklashausen' (1970).
In: Rodrigo García, J. (ed.)
Rainer Werner Fassbinder. Solo quiero que me amen.
Shangrila Textos Aparte, Santander, pp. 174-195.
ISBN 9788494875052
Elduque, A. and Garin, M.
(2013)
El que cree que saltar significa.
In: Benavente, F. and Salvadó Corretger, G. (eds.)
Poéticas del gesto en el cine europeo contemporáneo.
Intermedio / Grup CINEMA, Barcelona, pp. 417-438.
ISBN 9788461620784
Elduque, A.
(2017)
As Belair went by: an interview with Helena Ignez.
In: Solomon, S. (ed.)
Tropicália and Beyond: Dialogues in Brazilian Film History.
Archive Books, Berlin, pp. 123-135.
ISBN 9783943620726
Elduque, A.
(2017)
Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'.
In: Solomon, S. (ed.)
Tropicália and Beyond: Dialogues in Brazilian Film History.
Archive Books, Berlin, pp. 193-209.
ISBN 9783943620726
Elduque, A.
(2015)
El hambre y los sueños de los conquistadores: 'Aguirre, la cólera de Dios' ('Aguirre, der Zorn Gottes', 1972).
In: Higueras Flores, R. (ed.)
Werner Herzog. Espejismos de sueños olvidados.
Shangrila Textos Aparte, Santander, pp. 244-250.
ISBN 9788494367236
Elduque, A.
(2015)
El tránsito del murciélago: irrupciones de lo fantástico en el cine de Werner Herzog.
In: Higueras Flores, R. (ed.)
Werner Herzog. Espejismos de sueños olvidados.
Shangrila Textos Aparte, Santander, pp. 184-191.
ISBN 9788494367236
Elduque, A.
(2017)
Introduction.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 5-15.
ISBN 9780704915855
Elduque, A.
(2017)
Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 103-109.
ISBN 9780704915855
Elduque, A.
(2018)
Suspiros de España: la censura del sexo en el primer franquismo.
In: Bou, N. and Pérez, X. (eds.)
El cuerpo erótico de la actriz bajo los fascismos.
Cátedra, Madrid, pp. 13-23.
ISBN 9788437638416
Elduque, A.
(2017)
Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 87-89.
ISBN 9780704915855
Elduque, A.
(2017)
What about the end of the history? An interview with Hernani Heffner.
In: Elduque, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 17-21.
ISBN 9780704915855
Fife, L.
(2008)
Human monstrosity: rape, ambiguity and performance in Rosemary’s Baby (Roman Polanski, 1968).
In: Baumgartner, H. and Davis, R. (eds.)
Hosting the Monster.
At the Interface/Probing the Boundaries (52).
Rodopi, Amsterdam / New York, pp. 43-62.
ISBN 9042024860
Frost, E. and McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2003)
The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon.
In: Ben-Zvi, L. (ed.)
Drawing on Beckett : portraits, performances, and cultural contexts.
Assaph Books.
Tel Aviv University, Tel Aviv, pp. 215-238.
ISBN 9789659062508
Fuller, S.
(2003)
Essays.
In: Schleifer , M. F. and Glickman , S. (eds.)
Women Composers: Music Through The Ages.
G. K. Hall, Boston.
Garin, M. and Elduque, A.
(2018)
Playing the holes. Notes on the Ozuesque gag.
In: Choi, J. (ed.)
Reorienting Ozu: A Master and His Influence.
Oxford University Press, Oxford, pp. 197-214.
ISBN 9780190254988
Ghosh, S.
(2021)
The disability and film-making community in film practice-as-research: the case of we make film.
In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.)
Many Voices, Many Worlds : Critical Perspectives on Community Media in India.
SAGE Publications India Pvt. Ltd., pp. 143-156.
ISBN 9789391138479
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2010)
'Everything is connected, and everything matters': relationships in I ♥ Huckabees.
In: Brown, T. and Walters, J. (eds.)
Film Moments.
BFI / Palgrave Macmillan, London, pp. 57-60.
ISBN 9781844573356
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2006)
Filmmakers' choices.
In:
Close-Up 01.
Wallflower Press, London, pp. 1-87.
ISBN 1904764665
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2017)
Opening movements in Ophuls: long takes, leading characters and luxuries.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
The long take: critical approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, UK, pp. 89-102.
ISBN 9781137585721
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2018)
The Phantom Carriage (Körkarlen) (1921).
In:
Silent Features.
Exeter University Press, Exeter, pp. 73-90.
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2010)
Preminger and Peckinpah: seeing and shaping widescreen worlds.
In: Belton, J., Hall, S. and Neale, S. (eds.)
Widescreen Worldwide.
John Libbey, London, pp. 71-90.
ISBN 9780861966943
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2005)
Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 108-126.
ISBN 9780719065248
Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756
(2017)
“Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano".
In: Cottin, G., González, M. and Mella, C. (eds.)
Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile.
Independent, London, pp. 37-52.
ISBN 9789563687712
Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756
(2020)
“Theatre and democracy in Chile: La Re-sentida’s La imaginación del futuro, or the failure of Utopias”.
In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.)
World Political Theatre and Performance.
Themes in Theatre, 11.
Brill, Leiden, pp. 181-197.
ISBN 9789004425804
doi: https://doi.org/10.1163/9789004430990
Hellmich, C. and Purse, L.
(2017)
Introduction: film and the epistemology of war.
In: Hellmich, C. and Purse, L. (eds.)
Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World.
Edinburgh University Press, Edinburgh, UK.
ISBN 9781474416566
Hillier, J. M.
(2005)
Swimming and sinking: form and meaning in an avant-garde film.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 155-166.
ISBN 9780719065248
Hobden, F. and Wrigley, A.
(2018)
Broadcasting Greece: an introduction to Greek Antiquity on
the small screen.
In: Hobden, F. and Wrigley, A. (eds.)
Ancient Greece on British Television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp. 1-23.
ISBN 9781474412599
Kenward, J. ORCID: https://orcid.org/0000-0002-3513-9585
(2021)
The right to be forgotten: confronting the past in post-millennial cinema.
In: Carranza, A. J. (ed.)
Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998-2019.
McFarland, Jefferson, North Carolina, pp. 182-195.
ISBN 9781476679310
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Exploring the casting of British and Irish actors in contemporary US film and television.
In: Cantrell, T. and Hogg, C. (eds.)
Exploring television acting.
Bloomsbury, London, pp. 154-170.
ISBN 9781474248594
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2007)
Five's finest: the import of 'CSI' to British television.
In: Allen, M. (ed.)
Reading 'CSI': Crime TV Under the Microscope.
I B Tauris, London, pp. 183-197.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2008)
"Muito boa qualidade, de facto": Shooting the Past e o caso das séries dramáticas de qualidade da televisão britânica na era da televisão de qualidade americana. ["Rather good quality, in fact": Shooting the Past and the case of British Quality Television Drama in the age of AQTV].
In:
Discursos e Práticas de Qualidade Na Televisão.
Livros Horizonte, Lisboa, pp. 271-286.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2013)
The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television.
In: O'Day, A. (ed.)
Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era.
I. B. Tauris, London, pp. 106-120.
ISBN 9781780760186
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Cassidy, G.
(2019)
Game of Thrones: investigating British acting.
In: Hills, M., Hilmes, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, Oxford, pp. 181-202.
ISBN 9780190663124
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Derhy Kurtz, B. W. L.
(2017)
Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom.
In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.)
The Rise of Transtexts: Challenges and Opportunities.
Routledge Research in Cultural and Media Studies.
Routledge, pp. 49-67.
ISBN 9781138944671
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Many ways of directing a film: teaching the ‘modes of creative practice’.
In: Mourao, M. D., Semerdjiev, S., Mello, C. and Taylor, A. (eds.)
The 21st Century Film, TV and Media School Book – Volume 2: Directing the future.
CILECT - the International Association of Film and Television Schools, Sofia, pp. 28-39.
ISBN 9786197358087
MacMurraugh-Kavanagh, M.
(2000)
Too secret for words: circulating and receiving coded dissent in female-authored drama of 'The Wednesday Play', 1964-1970.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M. (eds.)
British Television Drama: Past, Present and Future.
Macmillan, Basingstoke.
ISBN 9780333774953
MacMurraugh-Kavanagh, M. K.
(2000)
What's all this then? The ideology of identity in 'The Cops'.
In: Llewellyn-Jones, M. and Carson, B. (eds.)
Frames and Fiction on Television: The Politics of Identity Within Drama.
Intellect Books, Exeter.
ISBN 9781841500096
McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465
(2016)
Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios.
In: Tucker, D. and McTighe, T. (eds.)
Staging Beckett in Great Britain.
Bloomsbury, Methuen Drama, London, pp. 37-55.
ISBN 9781474240178
McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465
(2020)
‘The air is full of our cries’: staging Godot during apartheid South Africa.
In:
Beckett and Politics.
Palgrave MacMillan, pp. 195-211.
ISBN 9783030471095
doi: https://doi.org/10.1007/978-3-030-47110-1
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2007)
Beckett’s theatre: embodying alterity.
In: Ben-Zvi, L. and Moorjani, A. (eds.)
Beckett at 100: Revolving it All.
Oxford University Press, pp. 166-176.
ISBN 9780195325485
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2014)
Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics.
In: Gontarski, S. E. (ed.)
The Edinburgh companion to Samuel Beckett and the arts.
Edinburgh University Press, Edinburgh, pp. 409-422.
ISBN 9780748675685
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2007)
From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre.
In: Sihra, M. (ed.)
Women in Irish Drama: A Century of Authorship and Representation.
Performance Interventions.
Palgrave Macmillan, Basingstoke, pp. 97-108.
ISBN 9780230006478
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2004)
Irish/postcolonial Beckett.
In: Oppenheim, L. (ed.)
Palgrave Advances in Samuel Beckett Studies.
Palgrave Advances.
Palgrave Macmillan, pp. 89-109.
ISBN 9781403903525
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2006)
Performativity, unruly bodies and gender in Brian Friel’s drama.
In: Roche, A. (ed.)
Cambridge Companion to Brian Friel.
Cambridge Companions to Literature.
Cambridge University Press, Cambridge, pp. 142-153.
ISBN 9780521853996
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2016)
Staging Beckett in Ireland: scenographic remains.
In: McTighe, T. and Tucker, D. (eds.)
Staging Beckett in Ireland and Northern Ireland.
Bloomsbury Methuen, London, pp. 103-119.
ISBN 9781474240550
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2021)
Technology and the voices of the more than human in Samuel Beckett’s All That Fall.
In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.)
Beckett's Voices / Voicing Beckett.
Brill, Netherlands, pp. 158-174.
ISBN 9789004468399
doi: https://doi.org/10.1163/9789004468382_013
(2002)
Contemporary women playwrights.
In: McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Williams, C. (eds.)
Field Day Anthology of Irish Writing.
Cork University Press in association with Field Day, Cork, pp. 1234-1289.
McTighe, T.
(2013)
‘Getting known’: Beckett, Ireland and the creative industries.
In: Walsh, F. (ed.)
That was us: Contemporary Irish Theatre and Performance.
Oberon, London, pp. 157-172.
ISBN 9781783190355
Medioli, F.
(2015)
Una biografia per immagini.
In: Medioli, F. and Mancini, R. (eds.)
Il costruttore di immagini: Enrico Medioli sceneggiatore.
Aska, Florence, pp. 27-42.
ISBN 97888775422448
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2020)
Hitchcock’s spy films.
In: Gottlieb, S. (ed.)
Hitchcock Annual.
Columbia University Press, pp. 117-127.
ISBN 9780231199575
doi: https://doi.org/10.1353/hit.2020.0005
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2018)
Nobody walks: Hitchcock's first impressions of Hollywood.
In: Gottlieb, S. (ed.)
Hitchcock Annual.
Columbia University Press, pp. 74-81.
ISBN 9780231190459
doi: https://doi.org/10.1353/hit.2018.0002
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2015)
Sympathetic Guidance: Hitchcock and C.A. Lejeune.
In:
Hitchcock Annual.
Columbia University Press, Fairfield, p. 33.
ISBN 9780231176194
Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764
(2016)
The documentary version of film history.
In: Aitken, I. (ed.)
The Major Realist Film Theorists.
Edinburgh University Press, pp. 172-186.
ISBN 9781474421959
doi: https://doi.org/10.3366/edinburgh/9781474402217.003.0011
Monks, A.,
(2004)
First funny Medea: Deborah Warner's Medea.
In: Weitz, E. (ed.)
The Power of Laughter.
Carysfort Press, Dublin.
ISBN 9781904505051
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2003)
Introduction.
In: Woolland, B. (ed.)
Double Tongue.
Border Crossings Publications, London.
ISBN 9781904718017
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2010)
Translating Zapolska: research through practice.
In: Baines, R., Marinetti, C. and Perteghella, M. (eds.)
Staging and performing translation: text and theatre practice.
Palgrave Macmillan, pp. 249-266.
ISBN 9780230228191
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2010)
Back to the margins in search of the core: "Foreign Land"'s geography of exclusion.
In: Iordanova, D., Martin-Jones, D. and Vidal, B. (eds.)
Cinema at the periphery.
Wayne State University Press, Detroit, pp. 190-210.
ISBN 9780814333884
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Back to the margins in search of the core: foreign land's geography of exclusion.
In: Brandellero, S. (ed.)
The Brazilian road movie: journeys of (self) discovery.
Iberian and Latin American Studies.
University of Wales Press, Cardiff, pp. 162-183.
ISBN 9780708325988
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Bernardet visto de longe.
In: Pinto, I. and Margarido, O. (eds.)
Bernardet 80: impacto e influência no cinema brasileiro.
Paco Editorial/Abraccine, Jundiaí, pp. 21-32.
ISBN 9788546207886
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2011)
Beto Brant: realismo, género y obra de arte en proceso.
In: Vargas Maldonado, J. C. (ed.)
Tendencias del cine iberoamericano en el nuevo milenio: Agentina, Brasil, España y Mexico.
CUCSH: Universidad de Guadalajara, Mexico, pp. 273-302.
ISBN 9786074503753
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Beyond difference: female participation in the Brazilian film revival of the 1990s.
In: Shaw, D. and Martin, D. (eds.)
Latin American Women Filmmakers.
I.B. Tauris, London/New York, pp. 31-47.
ISBN 9781784537111
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2005)
Cinema Novo, Glauber, Herzog.
In: Silva, M. A. (ed.)
Glauber par Glauber.
Magic Cinema, Paris, pp. 88-90.
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Colonialism as fantastic realism in 'Tabu'.
In: Liz, M. (ed.)
Portuguese Cinema: Globalizing the Nation.
I.B. Tauris, London/New York.
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2003)
Death on the beach: the recycled utopia of Midnight.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (ed.)
The new Brazilian cinema.
I.B. Tauris, London, pp. 157-174.
ISBN 9781860649288
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi.
In: Campo, J., Crowder-Taraborrelli, T., Garavelli, C., Piedras, P. and Wilson, K. (eds.)
El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta.
Prometeo, Buenos Aires, pp. 155-173.
ISBN 9789878331287
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Film as literature, or the Truffaldian Malaise.
In: Andrew, D. and Gillain, A. (eds.)
A companion to François Truffaut.
Wiley-Blackwell, Oxford, pp. 530-545.
ISBN 9781405198479
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2009)
Filmmaking as the production of reality: a study of Hara and Kobayashi's documentaries.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Mello, C. (eds.)
Realism and the audiovisual media.
Palgrave Macmillan, Basingstoke, pp. 193-209.
ISBN 9780230246973
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2007)
Going global: the Brazilian scripted film.
In: Harvey, S. (ed.)
Trading cultures: global traffic and local cultures in film and television.
John Libbey, Eastleigh, pp. 95-103.
ISBN 9780861966691
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2023)
Historicising the story through film and music: an intermedial reading of Heimat 2.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.)
The Moving Form of Film: Historicising the Medium Through Other Media.
Oxford University Press, New York, pp. 202-221.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0014
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual.
In: Lusvarghi, L., Alvim, L. B. and Lopes, D. C. (eds.)
Estudos de Cinema: Retrospectiva e Perspectivas.
Polytheama, São Paulo, pp. 16-36.
ISBN 9786599619304
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(1996)
In the realm of the individual: an analysis of Nagisa Oshima's "In the realm of the senses".
In: Dakovic, N., Derman, D. and Ross, K. (eds.)
Gender & Media.
Med-Campus Project, Turkey, pp. 156-174.
ISBN 9789759612009
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Oshima, corporeal realism and the eroticized apparatus.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R. (eds.)
Theorizing world cinema.
I.B. Tauris, London, pp. 161-182.
ISBN 9781848854932
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2001)
Ouédraogo and the aesthetics of silence.
In: Kashula, R. H. (ed.)
African oral literature: functions in contemporary contexts.
New Africa Books, South Africa, pp. 100-111.
ISBN 9781919876073
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2009)
Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'.
In: Gladston, P. (ed.)
China and other spaces.
Critical, Cultural and Communications Press, Nottingham, pp. 71-87.
ISBN 9781905510221
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Passages to reality: the case of Brazilian cinema.
In:
Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages.
Film Culture in Transition.
Amsterdam University Press, Amsterdam, pp. 173-198.
ISBN 9789048539215
doi: https://doi.org/10.5117/9789462987517_ch07
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves.
In: Prager, B. (ed.)
A companion to Werner Herzog.
Wiley-Blackwell, Oxford, pp. 58-79.
ISBN 978-1-4051-9440-2
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Preface to the second enlarged edition.
In:
Pethő, Á., Cinema and Intermediality : The Passion for the In-Between.
Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi.
ISBN 9781527552067
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Realist cinema as world cinema.
In: Stone, R. and Cooke, P. (eds.)
The Routledge Companion to World Cinema.
Routledge, Abingdon-on-Thames, pp. 310-322.
ISBN 9781138918801
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2014)
Reflexive stasis, scale reversal and the myth of modern cinema.
In: Lindner, C. and Donald, S. H. (eds.)
Inert cities: globalization, mobility and suspension in visual culture.
I.B. Tauris, London, pp. 187-201.
ISBN 9781780769721
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2016)
Regurgitated bodies: presenting and representing trauma in 'The Act of Killing'.
In: Tzioumakis, Y. and Molloy, C. (eds.)
The Routledge Companion to Film & Politics.
Routledge, Abingdon, pp. 218-230.
ISBN 9780415717397
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2009)
Rumo a uma definição positiva de world cinema.
In: Santana, G. (ed.)
Cinema, comunicação e audiovisual.
Alameda Editorial, São Paulo.
ISBN 9788598325859
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Talking bullets: the language of violence in "City of God".
In: Vieira, E. R. P. (ed.)
"City of God" in several voices: Brazilian social cinema as action.
Critical, Cultural and Communications Press, Nottingham, pp. 32-43.
ISBN 9781905510009
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Tempo, magnitude e o mito do cinema moderno.
In: Dennison, S. (ed.)
World Cinema: As novas cartografias do cinema mundial.
Papirus, Campinas, pp. 219-233.
ISBN 9788530810603
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa.
In: Greiner, C. and Amorim, C. (eds.)
Leituras do Sexo.
Annablume, São Paulo, pp. 127-140.
ISBN 857419610X
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles.
In: Starling, H. and Borges, A. (eds.)
Imaginação da Terra: Memória e utopia no cinema brasileiro.
Editora UFMG, Belo Horizonte, pp. 13-39.
ISBN 9788542300079
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Towards a positive definition of World Cinema.
In: Dennison, S. and Lim, S. H. (eds.)
Remapping world cinema: identity, culture and politics in film.
Wallflower Press, London, pp. 30-37.
ISBN 9781904764632
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2015)
Utopia in Brazilian cinema: from Black God, White Devil to Foreign land.
In: Bethencourt, F. (ed.)
Utopia in Portugal, Brazil and Lusophone African Countries.
Reconfiguring Identities in the Portuguese-Speaking World (4).
Peter Lang, Oxford, pp. 121-140.
ISBN 9783034318716
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2024)
World cinema and the ethics of realism.
In: Vaysman, M. and Bowers, K. (eds.)
The Oxford Handbook of Global Realisms.
Oxford Handbooks.
Oxford University Press, Oxford.
ISBN 9780197610640
doi: https://doi.org/10.1093/oxfordhb/9780197610640.013.22
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation.
In: Delgado, M. M., Hart, S. M. and Johnson, R. (eds.)
A Companion to Latin American Cinema.
Wiley Blackwell Companions to National Cinemas.
Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355.
ISBN 9781118552889
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
An intermedial reading of Glauber Rocha's Cosmogony.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, Edinburgh, pp. 323-344.
ISBN 9781474452984
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
The politics of impurity.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A. (eds.)
Impure cinema: intermedial and intercultural approaches to film.
Tauris World Cinema Series.
I.B. Tauris, London, pp. 21-40.
ISBN 9781780765105
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2015)
The politics of slowness and the traps of modernity.
In: De Luca, T. and Barradas Jorge, N. (eds.)
Slow Cinema.
Traditions in World Cinema.
Edinburgh University Press, Edinburgh, pp. 25-46.
ISBN 9780748696024
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
The reality of art: an intermedial analysis of Ossessione.
In: Blos-Jáni, M., Király, H., Lakatos, M., Pieldner, J. and Sándor, K. (eds.)
Intermedial Encounters: Studies in Honour of Ágnes Pethő.
Scientia Publishing House, Cluj-Napoca, pp. 359-372.
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2005)
The trilogy of John of God.
In: Mira, A. (ed.)
The cinema of Spain and Portugal.
Wallflower, London, pp. 188-197.
ISBN 9781904764441
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T.
(2022)
Introduction.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp. 1-14.
ISBN 9781474452984
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2017)
Roberto Rossellini presents.
In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
The Long Take: Critical Approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, pp. 117-132.
ISBN 9781137585721
Paget, D.
(2005)
Chris Wilkinson (1941-).
In: Bull, J. (ed.)
British and Irish dramatists since World War II.
Bruccoli Clark Layman, NY, pp. 307-312.
Paget, D.
(2003)
Codes and conventions of dramadoc and docudrama.
In: Hill, A. and Allen, R. C. (eds.)
The Television Studies Reader.
Routledge, London, pp. 196-208.
ISBN 9780415283236
Paget, D.
(2005)
Dramadoc/docudrama: the law and regulation.
In: Rosenthal, A. and Corner, J. (eds.)
New Challenges for Documentary.
Manchester University Press, Manchester, pp. 435-452.
ISBN 9780719068980
Paget, D.
(2005)
Ted Willis (1918-1992).
In: Bull, J. (ed.)
British and Irish dramatists since World War II.
Bruccoli Clark Layman, NY, pp. 313-320.
Paget, D.
(2004)
Case study: Theatre Workshop's 'Oh What a Lovely War', 1963.
In: Kershaw, B. (ed.)
British Theatre Since 1895.
The Cambridge History of British Theatre (Volume 3).
Cambridge University Press, Cambridge, pp. 397-411.
ISBN 9780521651325
doi: https://doi.org/10.2277/0521651328
Paget, D.
(2005)
Death of a Princess.
In: Aitken, I. (ed.)
Encyclopedia of the Documentary Film.
Routledge, London, New York, pp. 305-309.
ISBN 9781579584450
Paget, D.
(2003)
Documentary drama.
In: Kennedy, D. (ed.)
The Oxford Encyclopedia of Theatre and Performance.
Oxford University Press, Oxford, 379-380 .
ISBN 9780198601746
Paget, D.
(2005)
Documentary drama: a critical overview.
In: Aitken, I. (ed.)
Encyclopedia of the Documentary Film.
Routledge, London, New York, pp. 305-309.
ISBN 9781579584450
Paget, D.
(2003)
Theatre & television.
In: Kennedy, D. (ed.)
The Oxford Encyclopedia of Theatre and Performance.
Oxford University Press, Oxford, pp. 1326-1337.
ISBN 9780198601746
Petruska, K. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem.
In: Hilmes, M., Hills, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, pp. 49-68.
ISBN 9780190663124
doi: https://doi.org/10.1093/oso/9780190663124.003.0004
Phillips, A.
(2005)
The 400 Blows (1959), François Truffaut.
In: Geiger, J. and Rutsky, R. L. (eds.)
Film Analysis: A Norton Reader.
W.W. Norton and Company, New York and London , pp. 550-565.
ISBN 9780393979831
Phillips, A.
(2004)
Migration and exile in the classical period.
In: Temple, M. and Witt, M. (eds.)
The French Cinema Book.
British Film Institute, London, pp. 103-117.
ISBN 9781844570126
Phillips, A.
(2006)
Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro.
In: Grant, C. and Kuhn, G. E. (eds.)
Screening World Cinema.
The Screen Readers.
Routledge, London, New York.
ISBN 9780415384285
Purse, L.
(2009)
Gestures and postures of mastery: CGI and contemporary action cinema's expressive tendencies.
In: Balcerzak, S. and Sperb, J. (eds.)
Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture.
Wallflower Press, London & New York, pp. 214-234.
ISBN 9781905674848
Purse, L.
(2011)
Return of the 'Angry Woman': authenticating female physical action in contemporary cinema.
In: Waters, M. (ed.)
Women on Screen: Feminism and Femininity in Visual Culture.
Palgrave Macmillan, pp. 185-198.
ISBN 9780230229655
Purse, L.
(2016)
The new Hollywood, 1981–1999: special/visual effects.
In: Whissel, K. and Keil, C. (eds.)
Editing and Special/Visual Effects.
Behind the Silver Screen.
Rutgers University Press, New Brunswick, NJ, pp. 142-155.
ISBN 9780813570815
Purse, L.
(2005)
The new spatial dynamics of the bullet-time effect.
In: King, G. (ed.)
The Spectacle of the Real: From Hollywood to Reality TV and Beyond.
Intellect, Exeter, pp. 151-160.
ISBN 9781841501208
Purse, L.
(2017)
Ambiguity, ambivalence and absence in Zero Dark Thirty.
In: Purse, L. and Hellmich, C. (eds.)
Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World.
Edinburgh University Press, Edinburgh, pp. 131-148.
ISBN 9781474416566
Purse, L.
(2017)
Between phonographic perfection and resistance: Titãs – life even looks like a party.
In: Elduque Busquets, A. (ed.)
Contemporary Brazilian Music Film.
University of Reading, Reading, pp. 91-98.
ISBN 9780704915855
Purse, L.
(2017)
Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie.
In: Yu, S. Q. and Austin, G. (eds.)
Revisiting Star Studies: Cultures, Themes and Methods.
Edinburgh University Press, Edinburgh, pp. 162-184, 320 pages.
ISBN 9781474404310
Purse, L.
(2011)
The Matrix.
In: Geraghty, L. (ed.)
Directory of World Cinema: American Hollywood.
Directory of World Cinema.
Intellect Books, Bristol and Chicago, IL, pp. 99-101.
ISBN 9781841504155
Purse, L.
(2011)
Transformers.
In: Geraghty, L. (ed.)
American Hollywood.
Directory of World Cinema (5).
Intellect Books, Bristol and Chicago, IL, pp. 279-281.
ISBN 9781841504155
Purse, L.
(2017)
Working space: gravity (Alfonso Cuarón) and the digital long take.
In: Pye, D. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (eds.)
The Long Take: Critical Approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, pp. 221-238.
ISBN 9781137585721
Purse, L.
(2010)
Working through the body: textual-corporeal strategies in United 93 (2006).
In: Brown, T. and Walters, J. (eds.)
Film moments: criticism, history, theory.
British Film Institute and Palgrave, London, UK, pp. 157-161.
ISBN 9781844573363
Purse, L.
(2019)
The new dominance: action-fantasy hybrids and the new superhero in 2000s action cinema.
In: Kendrick, J. (ed.)
A Companion to the Action Film.
Wiley Blackwell, Chichester, West Sussex, pp. 55-73.
ISBN 9781119100492
doi: https://doi.org/10.1002/9781119100744.ch3
Pye, D.
(2004)
Double vision: miscegenation and point of view in 'The Searchers'.
In: Exkstein, A. M. and Lehman, P. R. (eds.)
The Searchers: Essays and Reflections on John Ford's Classic Western.
Contemporary Approaches to Film and Television Series .
Wayne State University Press, Detroit, pp. 223-239.
ISBN 9780814330562
Pye, D.
(2003)
The Western (genre and movies).
In: Grant, B. K. (ed.)
Film Genre Reader III.
University of Texas Press, Austin, pp. 203-218.
ISBN 9780292701854
Pye, D.
(2010)
Enter Lisa: Rear Window (1954).
In: Walters, J. and Brown, T. (eds.)
Film Moments: Criticism, Theory, History.
British Film Institute.
ISBN 9781844573356
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2013)
"Angels and modern myth": Grid Iron and the New Scottish Theatre.
In: Duggan, P. and Ukaegbu, V. (eds.)
Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms.
Intellect, Bristol, pp. 175-193.
ISBN 9781783202973
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2012)
Anthony Neilson.
In: Sierz, A. (ed.)
Modern British Playwriting: The 1990s.
Decades of Modern British Playwriting.
Bloomsbury, London, pp. 137-163.
ISBN 9781408129265
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2014)
'Breid, barley-bree an paintit room': history, identity and utopianism in Lyndsay's Thrie Estaitis and Greig's Glasgow Girls.
In: Brown, I. and Berton, J. (eds.)
Roots and Fruits of Scottish Culture: Scottish Identities, History and Contemporary Literature.
Association for Scottish Literature, Glasgow, pp. 1-16.
ISBN 9781908980076
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2024)
The Cheviot and its legacies: dramaturgies of the Left in Scottish theatre.
In: Jestrovic, S. and Dutt, B. (eds.)
Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World.
Manchester University Press, Manchester.
(In Press)
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2022)
Dystopian dramaturgies: living in the ruins.
In: Tönnies, M. and Voights, E. (eds.)
Twenty-First Century Anxieties.
Contemporary Drama in English Studies (32).
De Gruyter, Berlin, Boston, pp. 87-102.
ISBN 9783110758252
doi: https://doi.org/10.1515/9783110758252-007
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2020)
General introduction.
In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.)
World Political Theatre and Performance: Theories, Histories, Practices.
Themes in Theatre (11).
Brill Rodopi, Amsterdam, pp. 1-10.
ISBN 9789004425804
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2011)
Identity and Difference in Post-Devolutionary Drama.
In: Brown, I. (ed.)
The Edinburgh Companion to Scottish Drama.
Edinburgh Companions to Scottish Literature.
Edinburgh University Press, Edinburgh, pp. 188-199.
ISBN 9780748641086
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2023)
Regions and nations: the myth of levelling up.
In: Harvie, J. and Rebellato, D. (eds.)
The Cambridge Companion to British Theatre Since 1945.
Cambridge Companions.
Cambridge University Press, Cambridge, pp. 246-263.
ISBN 9781108377850
doi: https://doi.org/10.1017/9781108377850
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2016)
Scottish drama: the expanded community.
In: Lyall, S. (ed.)
Community in Modern Scottish Literature.
SCROLL: Scottish Cultural Review of Language and Literature (25).
Brill Rodopi, Leiden, Netherlands, pp. 143-159.
ISBN 9789004317444
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2016)
'Sexy kilts with attitude': Scottish theatre in the twenty-first century.
In: Adiseshiah, S. and Lepage, L. (eds.)
Twenty-First Century Drama: What Happens Now.
Palgrave MacMillan, Basingstoke, pp. 191-211.
ISBN 9781137484024
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2014)
Staging Scotland : National Theatre of Scotland and shifting conceptions of Scottish identity.
In: Jones, H. (ed.)
The Media in Europe’s Small Nations.
Cambridge Scholars Press, Newcastle, pp. 105-122.
ISBN 9781443854177
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2020)
‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject.
In: Adiseshiah, S. and Bolton, J. (eds.)
debbie tucker green: Critical Perspectives.
Palgrave MacMillan, Cham, Switzerland, pp. 45-66.
ISBN 9783030345808
doi: https://doi.org/10.1007/978-3-030-34581-5_3
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2025)
Women and the contemporary Scottish stage.
In: Fragkou, M. and Benzie, R. (eds.)
The Methuen Drama Handbook of Women in Contemporary British Theatre.
Bloomsbury, UK, pp. 263-276.
ISBN 9781350360259
(In Press)
Rolinson, D. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Is This England '86 and '88? Memory, haunting and return through television seriality.
In: Fradley, M., Godfrey, S. and Williams, M. (eds.)
Shane Meadows: Critical Essays.
Edinburgh University Press, Edinburgh, pp. 186-202.
ISBN 9780748676392
Saunders, G.
(2011)
David Eldridge.
In: Middeke, M., Schnierer, P. P. and Sierz, A. (eds.)
Methuen Drama Guide to Contemporary British Playwrights.
Methuen, London, pp. 144-163.
ISBN 9781408122785
Saunders, G.
(2008)
From resistance to witness: changing spectatorship in the theatre of Sarah Kane.
In: Hunkeler, T., Fournier Kiss, C. and Luthi, A. (eds.)
Place au public: les spectateurs du theatre contemporain.
MétisPresses, Geneva, pp. 153-165.
ISBN 9782940406050
Saunders, G.
(2007)
'Under Redevelopment’: Barrie Keeffe’s and Caryl Churchill’s New City Comedies.
In: Henke, C. and Middeke, M. (eds.)
Drama and/after postmodernism.
Contemporary Drama in English (14).
Wissenschaftlicher Verlag Trier, Trier, pp. 19-30.
ISBN 9783884769362
Saunders, G.
(2002)
The apocalyptic theatre of Sarah Kane.
In: Reitz, B. and Berninger, M. (eds.)
British Drama of the 1990s.
University of Heidelberg, Heidelberg.
ISBN 9783825313753
Saunders, G.
(2010)
‘The great Chinese takeaway’: the strange case of absent Orientalism in contemporary British playwriting.
In: Huber, W., Rubik, M. and Novak, J. (eds.)
Staging interculturality: contemporary drama in English.
Wissenschaftlicher Verlag Trier, Germany, pp. 65-74.
ISBN 9783868212327
Saunders, G.
(2010)
The Beckettian world of Sarah Kane.
In: de Vos, L. and Saunders, G. (eds.)
Sarah Kane in context.
University of Manchester Press, Manchester, UK, pp. 68-79.
ISBN 9780719077395
Saunders, G.
(2013)
Foco Novo: the Icarus of British small scale touring theatre.
In: Duggan, P. and Ukaegbu, V. (eds.)
Reverberations across Small-Scale British Theatre.
Intellect, Bristol.
ISBN 9781783202973
Saunders, G.
(2010)
Howard Barker’s ‘monstrous assaults’: eroticism, death and the antique text.
In: Gritzner, K. (ed.)
Eroticism and death in theatre and performance.
University of Hertfordshire Press, UK, pp. 144-159.
ISBN 9781902806921
Saunders, G.
(2010)
Sarah Kane: Cool Britannia's reluctant feminist.
In: Hadley, L. and Ho, E. (eds.)
Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture.
Palgrave Macmillan, Basingstoke, UK, pp. 199-220.
ISBN 9780230233317
doi: https://doi.org/10.1057/9780230283169_10
Saunders, G.
(2008)
The persistence of the 'well made play'.
In: Redling, E. and Schnierer, P. P. (eds.)
Non-standard forms of contemporary drama and theatre.
Contemporary Drama in English (15).
Wissenschaftlicher Verlag Trier, Trier, pp. 11-21.
ISBN 9783868210408
Saunders, G. J.
(2012)
Mark Ravenhill.
In: Sierz, A. (ed.)
Modern British playwriting: the 1990s: voices, documents, new interpretations.
Methuen Drama, London, UK.
ISBN 9781408129265
Segal, N.
(2003)
"Then some had rather it were she than I": sexing the textual body.
In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.)
Indeterminate bodies.
Palgrave Macmillan, Basingstoke, pp. 93-110.
ISBN 9780333949696
Segal, N., Taylor, L. and Cook, R.
(2003)
Introduction.
In: Segal, N., Taylor, L. and Cook, R. (eds.)
Indeterminate Bodies.
Palgrave Macmillan, Basingstoke, pp. 1-13.
ISBN 9780333949696
Smart, B.
(2012)
Brechtian television: theatricality and adaptation of the stage play.
In: Loiselle, A. and Maron, J. (eds.)
Stages of reality: theatricality in cinema.
University of Toronto Press, Toronto, pp. 30-52.
ISBN 9781442643529
Smart, B.
(2014)
Plot inflation in Greater Weatherfield: Coronation Street in the 1990s.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.)
British Television Drama: Past, Present and Future, 2nd edition.
Palgrave Macmillan, Houndsmills, Basingstoke, pp. 70-83.
ISBN 9781137327567
Solomon, S.
(2017)
Introduction.
In: Solomon, S. (ed.)
Tropicália and Beyond: Dialogues in Brazilian Film History.
Archive Books and University of Reading, Berlin, pp. 7-31.
ISBN 9783943620726
Stevenson, M.
(2004)
A conversation between Brecht and Buñuel.
In: Santaolalla, I. (ed.)
Bunuel Siglo XXI.
Imagen y Comunicación (6).
Prensas Universitarias de Zaragoza, Zaragoza, pp. 511-521.
ISBN 9788477336945
Taylor, L.
(2001)
Enid Bagnold.
In: Bull, J. (ed.)
British and Irish Dramatists Since World War II. 3rd Series.
British and Irish Dramatists Since World War 1.
Gale Group, Detroit, MI; London:, pp. 37-44, A Bruccoli Clark Layman book.
ISBN 9780787646622
Taylor, L.
(2001)
Iris Murdoch.
In: Bull, J. (ed.)
British and Irish Dramatists Since World War II. 2nd Series.
British and Irish Dramatists Since World War II.
Gale Group, Detroit, MI; London:, pp. 210-216, A Bruccoli Clark Layman Book.
ISBN 9780787646509
Taylor, L.
(2018)
Negotiating theatrical space in performances of Marguerite Duras's later plays.
In: Noonan, M. and Pagès-Pindon, J. (eds.)
Marguerite Duras: Un Théâtre de Voix/A Theatre of Voices.
Études de Langue et Littérature Françaises (420).
Brill, Leiden/Boston, pp. 118-134.
ISBN 9789004360969
Taylor, L.
(2009)
A dialogue: mnemonic present, un-folding #6.
In: Cologni, E. (ed.)
Mnemonic Present: Shifting Meaning.
Edizioni Mercurio, Vercelli, pp. 106-118.
ISBN 9788895522258
Taylor, L.
(2007)
In opposition: Hare's response to Thatcherism.
In: Boon, R. (ed.)
The Cambridge Companion to David Hare.
Cambridge Companions to Literature .
Cambridge University Press, Cambridge, pp. 49-63.
ISBN 9780521615570
Taylor, L.
(2003)
Shape-shifting and role-splitting: theatre, body and identity.
In: Segal, N., Taylor, L. and Cook, R. (eds.)
Indeterminate Bodies.
Palgrave Macmillan, Basingstoke, pp. 164-180.
ISBN 9780333949696
Tyler, L.
(2020)
"Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies.
In: Adiseshiah, S. and Bolton, J. (eds.)
debbie tucker green: Critical Perspectives.
Palgrave Macmillan, pp. 129-150.
ISBN 9783030345815
Wallers, C. ORCID: https://orcid.org/0000-0002-9843-7897
(2020)
Star and Shadow Cinema and before : radical screening culture in Newcastle upon Tyne’.
In: Newsinger, J., Presence, S. and Wayne, M. (eds.)
Contemporary Radical Film Culture : Networks, Organisations and Activists.
Routledge, London, pp. 203-212, 272.
ISBN 9781138543614
doi: https://doi.org/10.4324/9781351006385-17
Weissmann, E. and Boyle, K.
(2007)
Evidence of things unseen: the pornographic aesthetic and the search for truth in CSI.
In: Allen, M. (ed.)
Reading 'CSI': Crime TV Under the Microscope.
I B Tauris, London, pp. 90-103.
Wheatley, H.
(2005)
Haunted houses, hidden rooms: women, domesticity and the female Gothic adaptation on television.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp. 149-165.
ISBN 9780719069321
Wheatley, H.
(2004)
Lifestyle television.
In: Mcgown, A. (ed.)
The BFI Television Handbook.
BFI Publishing, pp. 142-143.
ISBN 9781844570270
Wheatley, H.
(2005)
Rooms within rooms: ITV and the studio heritage drama of the 1970s.
In: Turnock, R. and Johnson, C. (eds.)
ITV Cultures: Independent Television Over Fifty Years.
Open University Press, Buckingham, pp. 143-158.
ISBN 9780335217298
Wheatley, H.
(2003)
Swojskość marginalizacja I telewizyjne adaptacje gotyckich powieści dla kobiet ("I am to presume that your wife's room is a prison?" Domesticity and the female Gothic television adaptation).
In: Gazdy, G., Izdebskiej, A. and Pluciennika, J. (eds.)
Gotycyzm i groza w kulturze (The Gothic and Horror in Culture).
University of Lodz Press, Lodz, Poland, pp. 167-180.
ISBN 9788371716492
Wheatley, H.
(2003)
The history of ITV programming 1955-1989.
In: Hilmes, M. and Jacobs, J. (eds.)
The Television History Book.
BFI, London.
ISBN 9780851709888
Wheatley, H.
(2004)
The talk show.
In: Mcgown, A. (ed.)
The BFI Television Handbook.
BFI Publishing, pp. 148-149.
ISBN 9781844570270
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2008)
Generation gap? mother, daughters, and music.
In: Calvin, R. (ed.)
Gilmore girls and the politics of identity : essays on family and feminism in the television series.
McFarland, Jefferson, North Carolina, pp. 127-143.
ISBN 9780786437276
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
My generation(s): cycles, branding and renewal in E4’s 'Skins'.
In: Klein, A. A. and Palmer, R. B. (eds.)
Cycles, Sequels, Remakes and Reboots: Multiplicities in Film & Television.
University of Texas Press, Austin, Texas, pp. 240-259.
ISBN 9781477309001
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
Space, authenticity and utopia in the hip-hop teen dance film.
In: Evans, M. and Fogarty, M. (eds.)
Movies, Moves and Music: The Sonic World of Dance Films.
Genre, Music and Sound.
Equinox, Sheffield, pp18.
ISBN 9781845539580
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Storytelling in song: television music, narrative and allusion in 'The O.C.'.
In: Jacobs, J. and Peacock, S. (eds.)
Television Aesthetics and Style.
Bloomsbury, London, pp. 199-208.
ISBN 9781441157515
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2018)
Youth television and platform neutral public service broadcasting.
In: Johnson, D. (ed.)
From Networks to Netflix: : A Guide to Changing Channels.
Routledge, Abingdon, UK, pp. 297-307, Chapter 28.
ISBN 9781138998490
Woolland, B.
(2003)
His very own Ben: Peter Barnes and Ben Jonson.
In: Woolland, B. (ed.)
Jonsonians: Living Traditions.
Studies in Performance and Early Modern Drama.
Ashgate, Aldershot, England & Burlington, USA, pp. 153-166.
ISBN 9780754606109
Woolland, B.
(2003)
Introduction.
In: Woolland, B. (ed.)
Jonsonians: Living Traditions.
Studies in Performance and Early Modern Drama.
Ashgate, Aldershot, England & Burlington, USA, pp. 1-10.
ISBN 9780754606109
Woolland, B.
(2003)
Sejanus his fall: does Arruntius cry at night.
In: Woolland, B. (ed.)
Jonsonians: Living Traditions.
Studies in Performance and Early Modern Drama.
Ashgate, Aldershot, England & Burlington, USA, pp. 27-41.
ISBN 9780754606109
Woolland, B.
(2003)
Tricksters, hucksters and suckers: Jonsonian cinema.
In: Woolland, B. (ed.)
Jonsonians: Living Traditions.
Studies in Performance and Early Modern Drama.
Ashgate, Aldershot, England & Burlington, USA, pp. 203-228.
ISBN 9780754606109
Wrigley, A.
(2018)
Tragedy for teens: Ancient Greek tragedy on BBC and ITV schools television in the 1960s.
In: Hobden, F. and Wrigley, A. (eds.)
Ancient Greece on British television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp. 84-108.
ISBN 9781474412599
Report
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740,
(2022)
Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’.
A Creative Future. CRF0008.
Report.
UK Parliament, London.
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740,
(2024)
Synthetic Media Research Network — written evidence (ACT0011) to the House of Lords Communications and Digital Select Committee inquiry: Scaling Up: AI and creative tech.
Scaling Up - AI and Creative Tech.
Report.
UK Parliament, Westminster.
pp7.
Purse, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 and Ghosh, S.,
(2023)
What can the industry and Government do to ensure British film and high-end television can adapt for the future?
Report.
UK Parliament, Westminster.
pp4.
Conference or Workshop Item
Saguaro, S. and Tyler, L.
(2014)
'Nature Once More Had Taken Her Part': recuperating anon, the common voice and the uncovered theatre.
In: Bloomsbury Adaptations Conference, 5 - 6 May 2011, Bath, UK, pp. 205-226.
Book
Angelaki, V.
(2017)
Social and political theatre in 21st-century Britain: staging crisis.
Methuen Drama Engage.
Bloomsbury, London, pp288.
ISBN 9781474213172
Angelaki, V.
(2019)
Theatre & environment.
Theatre &.
Palgrave Macmillan/Red Globe Press, pp90.
ISBN 9781137609830
Angelaki, V., ed.
(2013)
Contemporary British theatre: breaking new ground.
Palgrave Macmillan.
ISBN 9781137010124
Angelaki, V.
(2012)
The plays of Martin Crimp: making theatre strange.
Palgrave Macmillan, Basingstoke, pp238.
ISBN 9780230293717
Angelaki, V. and Rebellato, D., eds.
(2014)
Dealing with Martin Crimp.
Contemporary Theatre Review (special issue), 24 (3).
Taylor and Francis.
doi: https://doi.org/10.1080/10486801.2014.921031
Bartley, S.
(2020)
Performing Welfare Applied Theatre, Unemployment, and Economies of Participation.
Contemporary Performance InterActions.
Palgrave Macmillan.
ISBN 9783030448530
doi: https://doi.org/10.1007/978-3-030-44854-7
Bennett, J. and Brown, T., eds.
(2008)
Film and television after DVD.
Routledge research in cultural and media studies (15).
Routledge, New York, pp202.
ISBN 9780415962414
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2009)
Beckett on screen: the television plays.
Manchester University Press, Manchester, pp230.
ISBN 9780719064203
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Big brother: reality TV in the twenty-first century.
Palgrave Macmillan, Basingstoke, pp256.
ISBN 9781403916846
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2000)
Postmodern media culture.
Edinburgh University Press, Edinburgh, pp248.
ISBN 9780748609888
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2004)
An introduction to television studies. 1st edition.
Routledge, London & New York.
ISBN 0415261120
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2007)
An introduction to television studies. 2nd edition.
Routledge, London, New York, pp368.
ISBN 9780415419178
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2012)
An introduction to television studies. 3rd edition.
Routledge, London , pp348.
ISBN 9780415598163
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fickers, A., eds.
(2008)
A European television history.
Wiley-Blackwell, New York, pp288.
ISBN 9781405163392
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds.
(2014)
British television drama: past, present and future. 2nd edition.
Palgrave Macmillan, Basingstoke, pp272.
ISBN 9781137327567
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds.
(2005)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp240.
ISBN 9780719069321
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and O'Day, A.
(2004)
Terry Nation.
Manchester University Press, Manchester.
ISBN 9780719065460
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Orlebar, J.
(2005)
The television handbook. 3rd edition.
Routledge, London and New York, pp340.
ISBN 9780415342513
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
An introduction to television studies. 4th edition.
Routledge, London, pp336.
ISBN 9781138665811
doi: https://doi.org/10.4324/9781315619675
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M., eds.
(2000)
British television drama: past, present and future. 1st edition.
Macmillan, Basingstoke.
ISBN 9780333774953
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P., eds.
(2023)
Beckett's afterlives: adaptation, remediation, appropriation.
Manchester University Press, Manchester, pp288.
ISBN 9781526178961
Bode, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 and Golding, D., eds.
(2021)
The digital face and deepfakes on screen.
Convergence: The International Journal of Research into New Media Technologies, 27 (4).
Sage Publications, pp. 849-854.
(Special Issue)
Brown, T. and Walters, J., eds.
(2010)
Film moments: criticism, history, theory.
British Film Institute/Palgrave Macmillan, London, UK.
ISBN 9781844573363
Bull, J.
(2005)
British and Irish dramatists since World War II.
Bruccoli Clark Layman, NY.
Butler, A.
(2019)
Displacements: reading space and time in moving image installations.
Close Readings.
Palgrave Macmillan, London, pp178.
ISBN 9783030304607
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L., eds.
(2023)
Epic / everyday: moments in television.
The Television Series.
Manchester University Press, Manchester, pp264.
ISBN 9781526170224
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Complexity/simplicity: moments in television.
The Television Series.
Manchester University Press, Manchester, pp280.
ISBN 9781526148759
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Sound/image: moments in television.
The Television Series.
Manchester University Press, Manchester, pp248.
ISBN 9781526149190
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Substance/style: moments in television.
The Television Series.
Manchester University Press, Manchester, pp258.
ISBN 9781526148780
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2012)
Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema.
Palgrave Macmillan.
ISBN 9781349335220
doi: https://doi.org/10.1057/9781137283740
Cochrane, C., Goddard, L., Hindson, C. and Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778, eds.
(2024)
The Routledge companion to twentieth century British theatre and performance volume one: 1900–1950.
Routledge Companion, One.
Routledge, UK, pp404.
ISBN 9780367487898
D'Monté, R. and Saunders, G.
(2007)
Cool Britannia? British political drama in the 1990's.
Palgrave Macmillan, London.
ISBN 9781403988126
De Vos, L. and Saunders, G., eds.
(2011)
Sarah Kane in context.
Manchester University Press, Manchester, UK, pp240.
ISBN 9780719077395
Donaldson, L. F.
(2014)
Texture in film.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, pp256.
ISBN 9781137034786
Dunsby, J.
(2006)
Making words sing: nineteenth- and twentieth-century song.
Cambridge University Press, Cambridge.
ISBN 9780511207181
Dunsby, J.
(2004)
The battle of Chronos and Orpheus: essays in applied semiology.
Oxford University Press, Oxford.
Durgnat, R.
(2014)
The Essential Raymond Durgnat.
British Film Institute.
ISBN 9781844574520
Elduque, A., ed.
(2017)
Contemporary Brazilian music film.
University of Reading, Reading, pp115.
ISBN 9780704915855
Fife Donaldson, L. and Purse, L., eds.
(2022)
Issue 10.
Movie: A Journal of Film Criticism, 10.
University of Warwick.
(ISSN 2047-1661)
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2015)
Filmmakers' choices.
Movie: A Journal of Film Criticism, Warwick, UK.
(Republication in e-form)
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2002)
Mise-en-scène: film style and interpretation.
Short Cuts.
Wallflower Press, London, pp128.
ISBN 190336406X
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2013)
The life of mise-en-scène: visual style and British film criticism, 1946–78.
Manchester University Press, Manchester, pp288.
ISBN 9780719088667
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2006)
Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy.
Wallflower Press, London, pp256.
ISBN 9781904764571
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2007)
Close-Up 02: movies and tone / reading Rohmer / voices in film.
Wallflower Press, London, pp256.
ISBN 9781905674060
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2009)
Close-up 03 : the police series ; Weimar cinema ; Men's cinema.
Close-up, 3.
Wallflower Press, London, pp224.
ISBN 9781905674770
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2005)
Style and meaning: studies in the detailed analysis of film.
Manchester University Press, Manchester.
ISBN 9780719065248
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2017)
The long take: critical approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, UK.
ISBN 9781137585721
Hellmich, C. and Purse, L., eds.
(2017)
Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world.
Edinburgh University Press, Edinburgh, pp216.
ISBN 9781474416566
Hobden, F. and Wrigley, A., eds.
(2018)
Ancient Greece on British television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp272.
ISBN 9781474412599
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Lacey, S., eds.
(2018)
Acting on television: analytical methods and approaches.
Critical Studies in Television, 13 (3).
SAGE.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H.
(2019)
Friends: a reading of the sitcom.
Palgrave Macmillan.
ISBN 9783030254285
doi: https://doi.org/10.1007/978-3-030-25429-2
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E., eds.
(2018)
European cultures of production.
Critical Studies in Television, 13 (2).
SAGE.
Lodhi, A. and Wrigley, A.
(2018)
Radio modernisms: features, cultures and the BBC.
Taylor & Francis, London.
doi: https://doi.org/10.1080/13688804.2018.1473134
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2010)
Performing embodiment in Samuel Beckett's drama.
Routledge Advances in Theatre and Performance Studies, 12.
Routledge, pp186.
ISBN 9780415385985
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2021)
Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works.
Cambridge University Press, Cambridge, pp67.
ISBN 9781108959056
doi: https://doi.org/10.1017/9781108938990
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(1993)
Theatre on trial: the later drama of Samuel Beckett.
Routledge, London, pp168.
ISBN 9780415052023
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Leeney, C., eds.
(2003)
The Theatre of Marina Carr: “before rules was made”.
Carysfort Press, Dublin.
ISBN 9780953425778
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Saunders, G., eds.
(2018)
Special issue on staging Beckett and contemporary theatre and performance cultures.
Contemporary Theatre Review, 28 (1).
Taylor and Francis.
doi: https://doi.org/10.1080/10486801.2017.1405393
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Singleton, B., eds.
(2003)
Special issue of Australasian Drama Studies on Performing Ireland.
Australasian Drama Studies.
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Wilmer, S. E., eds.
(2009)
Reflections on Beckett: a centenary celebration.
Theater: theory/text/performance.
University of Michigan Press, Ann Arbor, pp256.
ISBN 9780472116645
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, Pattie, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds.
(2017)
Staging Beckett at the Margins / Autres scènes beckettiennes.
Samuel Beckett Today / Aujourd'hui, 29 (2).
Brill, Leiden.
McTighe, T.
(2013)
The Haptic Aesthetic in Samuel Beckett's Drama.
New Interpretations of Beckett in the 21st Century.
Palgrave Macmillan, New York, pp224.
ISBN 9781137276988
Medioli, F. and Mancini, R., eds.
(2015)
Il costruttore di immagini.
Aska, Florence, pp144.
ISBN 9788875422448
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed.
(2013)
Invisible country: four Polish plays.
Intellect, Bristol, pp200.
ISBN 9781841504148
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2009)
Zapolska's women: three plays.
Playtest.
Intellect Books, Bristol, pp192.
ISBN 9781841502366
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed.
(2007)
The morality of Mrs Dulska: a play by Gabriela Zapolska.
Intellect Books, Bristol, pp192.
ISBN 9781841501666
Murphet, J. and Solomon, S., eds.
(2015)
William Faulkner in the media ecology.
Louisiana State University Press, Baton Rouge, pp276.
ISBN 9780807159484
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2007)
Brazil on screen: Cinema Novo, new cinema and utopia.
Tauris World Cinema Series.
I.B. Tauris, London, pp200.
ISBN 9781845113285
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, ed.
(1990)
Mestre Mizoguchi: uma lição de cinema.
Navegar, São Paulo, pp289.
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(1995)
Nascido das cinzas: autor e sujeito nos filmes de Oshima.
Edusp, São Paulo, pp344.
ISBN 8531403138
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2002)
O cinema da retomada: depoimentos de 90 cineastas dos anos 90.
Editora 34, São Paulo, pp528.
ISBN 8573262540
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, ed.
(1990)
Ozu: o extraordinario cineasta do cotidiano.
Marco Zero, São Paulo, pp190.
ISBN 8527981021
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Realist cinema as world cinema: non-cinema, intermedial passages, total cinema.
Film Culture in Transition (670).
Amsterdam University Press, Amsterdam.
ISBN 9789462987517
doi: https://doi.org/10.5117/9789462987517
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(1991)
Werner Herzog: o cinema como realidade.
Estação Liberdade, São Paulo, pp288.
ISBN 8585865733
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2011)
World cinema and the ethics of realism.
Continuum, London, pp312.
ISBN 9781441165831
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, ed.
(2003)
The new Brazilian cinema.
I.B. Tauris, London, pp320.
ISBN 9781860649288
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias.
Coleção Ensaios.
CosacNaify, São Paulo, pp216.
ISBN 8575035576
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A., eds.
(2013)
Impure cinema: intermedial and intercultural approaches to film.
Tauris World Cinema Series.
I.B. Tauris, London, pp288.
ISBN 9781780765112
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Mello, C., eds.
(2009)
Realism and the audiovisual media.
Palgrave Macmillan, Basingstoke, pp288.
ISBN 9780230246973
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds.
(2023)
The moving form of film: historicising the medium through other media.
Oxford University Press, New York, pp340.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.001.0001
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds.
(2019)
Intermediality in Brazilian cinema: the case of Tropicália.
Screen, 60 (1).
Oxford Academic.
doi: https://doi.org/10.1093/screen/hjy064
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T., eds.
(2022)
Towards an intermedial history of Brazilian cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp304.
ISBN 9781474452984
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R., eds.
(2012)
Theorizing world cinema.
Tauris World Cinema Series.
I.B. Tauris, London, pp288.
ISBN 9781848854932
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Souza, R. L. d. and Brandão, A. S., eds.
(2018)
Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal).
Aniki: Portuguese Journal of the Moving Image, 5 (2).
AIM - AIM - Associação de Investigadores da Imagem em Movimento.
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2017)
Film and the natural environment: elements and atmospheres.
Short Cuts.
Wallflower Press, London, pp114.
ISBN 9780231182652
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2016)
Transactions with the world: ecocriticism and the environmental sensibility of new Hollywood.
Berghahn Books, Oxford, pp228.
ISBN 9781785330001
Phillips, A.
(2003)
City of darkness, city of light: emigré filmmakers in Paris 1929-1939.
University of Amsterdam Press, Amsterdam, pp256.
ISBN 9789053566336
Phillips, A. and Vincendeau, G., eds.
(2006)
Journeys of desire: European actors in Hollywood.
British Film Institute, pp350.
ISBN 9781844571246
Purse, L.
(2011)
Contemporary action cinema.
Edinburgh University Press, Edinburgh, pp232.
ISBN 9780748638178
Purse, L.
(2013)
Digital imaging in popular cinema.
Edinburgh University Press, Edinburgh, pp208.
ISBN 9780748646906
Purse, L. and Palmer, L., eds.
(2019)
When the astronaut is a woman.
Science Fiction Film and Television (Special Issue), 12 (1).
Liverpool University Press.
Purse, L. and Wölfel, U., eds.
(2020)
Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation.
Edinburgh University Press, Edinburgh, pp. 1-13.
ISBN 9781474446266
Pye, D., ed.
(2020)
V.F. Perkins on Movies.
Wayne State University Press, pp484.
ISBN 9780814346426
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2012)
Theatre & Scotland.
Theatre &.
Palgrave MacMillan, UK, pp120.
ISBN 9780230292611
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2024)
Theatre and performance in contemporary Scotland.
Palgrave Macmillan, UK, pp252.
ISBN 9783031611902
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2018)
The theatre of Anthony Neilson.
Critical Companions.
Bloomsbury, London, pp224.
ISBN 9781472570307
Rocha, G.
(2018)
On cinema.
Bloomsbury, x-xiv.
ISBN 9781780767031
Saunders, G.
(2009)
About Kane: the playwright & the work.
Faber, London, pp192.
ISBN 9780571229611
Saunders, G.
(2002)
'Love me or kill me’: Sarah Kane & the theatre of extremes.
Theory Practice & Performance .
Manchester University Press , Manchester , pp224.
ISBN 9780719059568
Saunders, G.
(2008)
Patrick Marber’s 'Closer'.
Continuum Modern Theatre Guides.
Continuum, London, pp118.
ISBN 9780826492487
Segal, N., Taylor, L. and Cook, R. J. R.
(2003)
Indeterminate bodies.
Palgrave Macmillan, Basingstoke, pp256.
ISBN 9780333949696
Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2021)
Seeing it on television: televisuality in the contemporary U.S. 'High-End' series.
Bloomsbury Academic, London, pp192.
ISBN 9781501359422
Solomon, S.
(2017)
William Faulkner in Hollywood: screenwriting for the studios.
The South on Screen.
University of Georgia Press, Athens, GA, pp320.
ISBN 9780820351131
Solomon, S., ed.
(2017)
Tropicália and beyond: dialogues in Brazilian film history.
Archive Books and University of Reading, Berlin, pp304.
ISBN 9783943620726
Thorpe, A.
(2007)
The role of the chou ('clown') in traditional Chinese drama: comedy, criticism and cosmology on the Chinese stage.
Edwin Mellen Press.
ISBN 9780773453036
Wilson, C. R.
(2003)
A new way of making fowre parts in counterpoint by Thomas Campion and rules how to compose by Giovanni Coprario.
Music Theory in Britain, 1500–1700: Critical Editions .
Ashgate, Aldershot, pp132.
ISBN 9780754605157
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
British youth television: transnational teens, industry, genre.
Palgrave, London, pp267.
ISBN 9781137445476
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
Period drama.
Edinburgh University Press, Edinburgh, pp187.
ISBN 9781474462815
Woolland, B.
(2004)
Dark attractions: the theatre of Peter Barnes.
Methuen, pp192.
ISBN 9780413774422
Woolland, B.
(2003)
Double tongue.
Border Crossings Publications, London.
ISBN 9781904718017
Woolland, B., ed.
(2003)
Jonsonians: living traditions.
Ashgate, Aldershot, England and Burlington, USA, pp246.
ISBN 9780754606109
Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046
(2020)
Ecodramaturgies: theatre, performance and climate change.
New Dramaturgies.
Palgrave.
ISBN 9783030558529
doi: https://doi.org/10.1007/978-3-030-55853-6
Thesis
Burbridge, A. L. M.
(2024)
A study of hegemonic masculinity in select plays by Harold Pinter.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119400
Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429
(2024)
Both Grand & Intimate: UK
Livecasting From 2009 to Now.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00117335
Cassidy, G.
(2018)
The rehearsal process of playwright/director Anthony Neilson.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00079996
Courage, T. V.
(2017)
Contemporary Chinese independent cinema: urban spaces, mobility, memory.
PhD thesis, University of Reading.
Daou, M.
(2024)
Film editing: knowledge, practice, and scholarship.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119550
Duane, C.
(2024)
The stage and beyond: scenography and audience experience in post-millennial stagings of Samuel Beckett’s works.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119549
Ghosh, S.
(2021)
We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00105309
Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756
(2018)
Theatre, performance and politics in Chile: the citizens’ turn.
PhD thesis, King's College London.
doi: https://doi.org/10.48683/1926.00095596
Hegarty Lovett, J.
(2021)
Staging Beckett’s Prose: A Practice As Research Analysis
of Staging How It Is.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00100315
Hsieh, H. ORCID: https://orcid.org/0009-0000-5316-0727
(2023)
Creative infidelity in the process of adaptation: Peter Shaffer from stage to screen.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00118933
Husanovic, E.
(2017)
Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’.
PhD thesis, University of Reading.
Jeffery, L.
(2018)
Beckett: art, music and the creative process.
PhD thesis, University of Reading.
Kazakopoulou de Senna, A.
(2015)
Women’s Popular Cinema in Greece: the case of Olga Malea.
PhD thesis, University of Reading.
Kenward-Abdollahyan, J. ORCID: https://orcid.org/0000-0002-3513-9585
(2022)
Politics and realism in the films of Jafar Panahi and Abbas Kiarostami.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00116788
Latto, A.
(2017)
The fragmented text/the fragmented self: exploring the limits of storytelling practice.
PhD thesis, University of Reading.
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Modes of Creative Practice in the directing of independent fiction films.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00104350
Marman, D. T.
(2017)
Empowering communities through theatre: an applied theatre model for Botswana.
PhD thesis, University of Reading.
McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465
(2017)
Staging Beckett: a production history of Samuel Beckett’s
drama in London (1955 – 2010).
PhD thesis, University of Reading.
Park, H.
(2024)
Media archaeology in Samuel Beckett’s television plays.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00119130
Player, M. ORCID: https://orcid.org/0000-0002-8785-488X
(2021)
Japanese film production during the punk era: independence,
intermediality and mediascapes.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00109805
Pope, L.
(2020)
Suiting the action to the word: examining genre film remediations of Shakespeare’s plays.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00088955
Radinger Field, L.
(2021)
Women and home in cinema: film practice and gendered spaces.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00101682
Rossi, J.
(2016)
Collabowrighting the hyper(play)text: a postdramatic digital poetics.
PhD thesis, University of Reading.
Tweed, Z.
(2024)
Matrix of shame: a feminist reading of shame, the body and radical disruption in the performance works of Marina Abramović, Samuel Beckett and Ana Mendieta.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00117065
Varadi, A. J.
(2021)
Reconstructing the 1980s on contemporary American television.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00101660
Young, M.
(2021)
Beholding Beauty: Aesthetics, Style
and Sensation in US Quality
Television Political Thrillers.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00106867
Show/Exhibition
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2019)
I, Sheep.
[Show/Exhibition]
Performance
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2010)
Ashanti.
[Performance]
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2019)
Between.
[Performance]
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2006)
'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas.
[Performance]
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2008)
'The Mistress'(or 'Miss Maliczewska') by Gabriela Zapolska. Translated, designed and directed by Teresa Murjas.
[Performance]
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2003)
'The Morality of Mrs Dulska' by Gabriela Zapolska. Translated and directed by Teresa Murjas.
[Performance]
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2012)
Surviving Objects.
[Performance]
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2005)
The man.
[Performance]
Taylor, L.
(2000)
Backtracks: a devised performance.
[Performance]
Taylor, L.
(2010)
Counting Her Dresses and other plays.
[Performance]
Taylor, L.
(2005)
'Eden Cinema' by Marguerite Duras.
[Performance]
Taylor, L.
(2007)
'Savannah Bay' by Marguerite Duras.
[Performance]
Thorpe, A.
(2011)
Lady Precious Stream.
[Performance]
Project
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
New approaches to film history.
[Project]
(Collection)
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2017)
Ophuls and film style.
[Project]
(Collection)
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2018)
Reevaluating The Phantom Carriage.
[Project]
(Collection)
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Passages of Brazilian cinema.
[Project]
(Collection)
Video
Elduque Busquets, A.
(2016)
Hunger and rotten flesh: Cinema Novo, Pasolini, Eisenstein.
[Video]
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2022)
The Burning.
[Video]
(Sightlines: Filmmaking in the Academy Issue 4 2022)
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2021)
Unsweetened: Ode to Biscuits.
[Video]
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, Rattee, J. and Thacker, J.
(2020)
I, Sheep (A Filmpoem).
[Video]
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Academy visual history with Carlos Diegues.
[Video]
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Paiva, S.
(2019)
Passages - travelling in and out of film through Brazilian geography.
[Video]
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2024)
No river: a prosthetic flashback.
[Video]
([in]Transition, 11 (2))
Web Resource
Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149,
(2016)
War Child: Meditating on an Archive.
University of Reading
(https://www.rluk.ac.uk/war-child-archive/)
This list was generated on Fri Dec 13 10:46:11 2024 UTC.