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Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J., Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X, Hart, J. and Little, G. (2022) Instructions for COVID-19 self-tests: what parts of the test are the most difficult to get right and how can information design help? Information Design Journal. ISSN 0142-5471 (In Press)

Walker, S., Edwards, V. and Blacksell, R. (1996) Designing bilingual books for children. Visible Language, 30 (3). ISSN 0022-2224

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Halai, M., Warner, R. and Bravo, J. (2021) Beat bad microbes: raising public awareness of antibiotic resistance in Rwanda. Information Design Journal, 26 (1). ISSN 0142-5471 doi: https://doi.org/10.1075/idj.20023.wal

Walker, S., Hignett, S., Lim, R., Parkhurst, C. and Samuel, F. (2020) Explaining drug-resistant infection in community pharmacies through effective information design. Design for Health, 4 (1). pp. 82-104. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2020.1731201

Waller, R. (2007) Comparing typefaces for airport signs. Information Design Journal, 15 (1). pp. 1-15. ISSN 1569-979X doi: https://doi.org/10.1075/idj.15.1.01wal

White, E., Basford, L., Birch, S., Black, A., Culham, A., McGoff, H., Lundqvist, K., Oppenheimer, P., Tanner, J., Wells, M. and Mauchline, A. (2015) Creating and implementing a biodiversity recording app for teaching and research in environmental studies. The Journal of Educational Innovation, Partnership and Change, 1 (1). ISSN 2055-4990

de Souza, J. M. B. and Dyson, M. (2008) Are animated demonstrations the clearest and most comfortable way to communicate on-screen instructions? Information Design Journal, 16 (2). pp. 107-124. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.16.2.03bez

Book or Report Section

Allbon, E. and Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 (2023) Taking our interactive co-design workshop online. In: Allbon, E. and Perry-Kessaris, A. (eds.) Design in Legal Education. Routledge. ISBN 9780367075798

Andrews, M. J. (2007) The importance of ephemera. In: Eliiot, S. and Rose, J. (eds.) A Companion to the History of the Book. Companions to Literature and Culture. Wiley-Blackwell, Oxford, pp. 234-250. ISBN 9781405127653

Archer, C., Walker, S. and Reynolds, L. (2004) Typography in nineteenth-century children's readers: the Otley connection. In: Mckay, B., Hinks, J. and Bell, M. (eds.) Light on the book trade: essays in honour of Peter Isaac. Print Networks (6). British Library and Oak Knoll Press, London, pp. 118-129. ISBN 9780712347976

Banham, R. (2013) The work force. In: The history of Oxford University Press. Volume 2: 1780-1896. Oxford University Press, London. ISBN 9780199543151

Banham, R. (2020) Colour for commerce: letterpress-printed ephemera in Britain, 1740–1830. In: Savage, E. and Grasselli, M. (eds.) Colour Printing 1700-1830. Proceedings of the British Academy. British Academy/Oxford University Press, London. (In Press)

Banham, R. (2019) Printing to 1970. In: Eliot, S. and Rose, J. (eds.) A Companion to the History of the Book. Blackwell Companions to Literature and Culture. Wiley-Blackwell. ISBN 9781119018179

Banham, R. (2019) The industrialization of the book 1800–1970. In: Eliot, S. and Rose, J. (eds.) The New Blackwell Companion to the History of the Book. Wiley-Blackwell, New York. ISBN 9781119018179

Banham, R. (2014) 'The largest type in England': wood lettering for jobbing printing 1800–1830. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 27-40, 107-126 (colour images), 181-192 (English text). ISBN 9783932865862

Black, A. (2017) Icons as carriers of information. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information design: research and practice. Routledge, London, UK, pp. 253-269. ISBN 9781472430700

Black, A. (2019) Information design to make an impact on health care quality – is a user-centred approach enough? In: Mastoridis, K., Sioki, N. and Dyson, M. C. (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars, Newcastle, UK, pp. 53-68. ISBN 9781527529540

Black, A., Bravo, J., Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E. (2017) Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement. In: Design for healthcare. Design for Social Responsibility. Gower, pp. 170-189. ISBN 9781472457424

Blacksell, R. (2016) From visual to textual: typography in/as conceptual art. In: Glasmeier, M. and Prill, T. (eds.) Typografie als Kunstlerisches Ereignis. Textem Verlag, Hamburg, pp. 113-141. ISBN 9783864851254

Burke, C. (1998) German hybrid typefaces 1900–1914. In: Shaw, P. and Bain, P. (eds.) Blackletter: type and national identity. Cooper Union, New York, pp. 32-39. ISBN 1-56898-125-2

Burke, C. (1997) Luxury and Austerity: Willy Wiegand and the Bremer Presse. In: Stiff, P. (ed.) Typography papers, 2. Department of Typography & Graphic Communication, Reading, pp. 105-128. ISBN 0-7049-1122-1

Burke, C. (2017) Modernism and traditionalism: points of convergence in European typography, 1925–1950. In: Counter-Signals 2: Hieroglyphs of the anti-commodity. Counter-Signals (2). Other Forms, Chicago / Berlin, pp. 150-161. ISBN 9780998170800

Burke, C. (2019) Vorwort. In: Jacobs, S. and Rössler, P. (eds.) Jan Tschichold - ein Jahrhunderttypograf?: Blicke in den Nachlass. Wallstein Verlag, Göttingen, pp. 23-25. ISBN 9783835334700

Burke, C. (2013) The “Wiener Methode der Bildstatistik” (ISOTYPE): between art and design. In: Holter, M. C., Höller, B. and Wien, K. (eds.) Zeit(lose) Zeichen / Timeless signs: contemporary art in reference to Otto Neurath. Kerber, Vienna, pp. 23-29. ISBN 9783866787926

Burke, C. and Kinross, R. (2000) The dispute between Max Bill and Jan Tschichold of 1946, with a later contribution by Paul Renner. In: Kinross, R. and Walker, S. (eds.) Typography papers, 4. Department of Typography & Graphic Communication, Reading, pp. 57-90. ISBN 0-7049-1124-8

Burke, C. (2013) Animated Isotype on film, 1941–7. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 366-389. ISBN 9780907259473

Burke, C. (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265

Burke, C. (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 226-235. ISBN 9781786270931

Burke, C. (2016) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 256-260. ISBN 9783874398930

Burke, C. (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 256-262. ISBN 9781786270931

Burke, C. (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265

Burke, C. (2013) The Gesellschafts- und Wirtschaftsmuseum in Wien (Social and Economic Museum of Vienna), 1925–34. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 20-106. ISBN 9780907259473

Burke, C. (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 351-365. ISBN 9781786270931

Burke, C. (2013) Interlude in the Netherlands, 1934–40. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 282-296. ISBN 9780907259473

Burke, C. (2013) The Isotype Institute, Oxford: war, welfare, and post-war reconstruction, 1941–8. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 354-365. ISBN 9780907259473

Burke, C. (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 206-209. ISBN 9781786270931

Burke, C. (2016) Jan Tschichold und Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 206-209. ISBN 9783874398930

Burke, C. (2016) Krise 1933 – Politisierung der Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 226-235. ISBN 9783874398930

Burke, C. (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 201-205. ISBN 9781786270931

Burke, C. (2016) München als typografisches Zentrum. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 201-205. ISBN 9783874398930

Burke, C. (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 252-255. ISBN 9781786270931

Burke, C. (2016) Otto Neurath und die Wiener Methode der Bildstatistik. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 252-255. ISBN 9783874398930

Burke, C. (2013) Pictogram design: Vienna and beyond. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 498-521. ISBN 9780907259473

Burke, C. (2021) Von der Wiener methode der bildstatistik zu isotype. In: Waldner, G. (ed.) Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath. Mandelbaum Verlag, Vienna, pp. 35-49. ISBN 9783854769668

Burke, C. (2016) Wie kam die Futura auf dem Mond? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 350-365. ISBN 9783874398930

Burke, C. (2013) The atlas Gesellschaft und Wirtschaft (society and economy), 1930. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 186-215. ISBN 9780907259473

Burke, C. (2011) The linguistic status of Isotype. In: Image and Imaging in Philosophy, Science, and the Arts. Ontos, Heusenstamm, pp. 31-58. ISBN 9783868381160

Dobraszczyk, P. (2007) Mapping sewer space in mid-Victorian London. In: Campkin, B. and Cox, R. (eds.) Dirt: New Geographies of Cleanliness and Contamination. I B Tauris, London, pp. 123-137. ISBN 9781845116729

Dobraszczyk, P. (2007) 'Monster sewers': experiencing London's main drainage system. In: Scott, N. (ed.) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. At the Interface/Probing the Boundaries (38). Rodopi, Amsterdam and New York, pp. 9-32. ISBN 9789042022539

Dyson, M. C. (2014) Applying psychological theory to typography: is how we perceive letterforms special? In: Machin, D. (ed.) Visual communication. Handbooks of communication science (4). De Gruyter Mouton, Berlin, pp. 215-242. ISBN 9783110255492

Dyson, M. C. (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877

Dyson, M. C., Tam, K., Leake, C. and Kwok, B. (2016) How does expertise contribute to the recognition of Latin and Chinese characters? In: Dyson, M. C. and Suen, C. Y. (eds.) Digital fonts and reading. World Scientific , Singapore, pp. 193-208. ISBN 9789814759533

Esbester, M. (2009) Mapping the way? Maps, gender, emotion. In: Letherby, G. and Reynolds, G. (eds.) Gendered Journeys, Mobile Emotions. Ashgate, Aldershot, pp. 33-44. ISBN 9780754670346

Eve, M. (2009) Isotype in trouble, 1946-1948. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press, pp. 129-135. ISBN 9780907259398

Fadel, L. M. and Dyson, M. C. (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: https://doi.org/10.4018/978-1-60566-940-3.ch004

Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679

Gillieson, K. (2008) Limits of reading: the book in action. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 60-63. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: forethoughts on book design. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 2-5. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: the book about books. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 28-31. ISBN 9783899552096

Kindel, E. (2018) Eminents observed: a century of writing, lettering, type and typography at the Central School, London. In: Kindel, E. (ed.) Typeform Dialogues (2nd edition). Hyphen Press, London, pp. 50-87. ISBN 9780907259527

Kindel, E. (2003) Recollecting stencil letters. In: Typography Papers 5. University of Reading, Reading, pp. 65-101.

Kindel, E. (2014) Stencil dies: new tools for an old trade. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 41-61, 127–145 (colour images); 193–210 (English text).

Kindel, E. (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: Research and Practice. Routledge, pp. 127-146. ISBN 9781472430700

Kindel, E. (2013) Isotype in Africa, 1952–58. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London. ISBN 9780907259473

Kindel, E. (2007) The 'Plaque Decoupee Universelle': a geometric sanserif in 1870s Paris. In: Typography Papers 7. Hyphen Press, pp. 71-80. ISBN 9780907259336

Kindel, E. (2011) Reaching the people: Isotype beyond the West. In: Heinrich, R., Nemeth, E., Pichler, W. and Wagner, D. (eds.) Image and Imaging in Philosophy, Science and the Arts. Publications of the Austrian Ludwig Wittgenstein Society, new series, vol. 17, 2 (17). Ontos Verlag, Frankfurt, Paris, Lancaster, New Brunswick, pp. 175-193. ISBN 9783868381160

Kindel, E. (2022) Stencil-making in Paris in the eighteenth century. In: Berton-Blivet, N., Davy-Rigaux, C. and Guilloux, F. (eds.) Le livre de musique au pochoir à la fin de l’époque moderne. Institut de Recherche en Musicologie. (In Press)

Kindel, E. (2012) User's manual. In: Kindel, E. (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152

Kindel, E. (2013) The description of stencilling by Gilles Filleau des Billettes: transcription and translation. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 66-86. ISBN 9780907259480

Kindel, E. (2013) A reconstruction of stencilling based on the description by Gilles Filleau des Billettes. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 28-65. ISBN 9780907259480

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Foreword. In: Macchia, E. and Brenner, M. (eds.) Type compass: charting new routes in typography. SHS Publishing, Rome, Italy, pp. 8-9. ISBN 9788890759499

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2018) Greek. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems. Niggli, Salenstein, Switzerland. ISBN 9783721209822

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) On systems and quality in typeface design. In: Silva, C. and Madureira, M. (eds.) 5th Meeting of Typography – Book of Proceedings. IPCA, Barcelos, Portugal, pp. 12-28. ISBN 9789899946507

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Reading journeys. In: 365 Typo. Étapes, Paris, pp. 220-226. ISBN 9791095254003

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2013) Reading typeface design. In: Yearbook of Type I. Niggli, Sulgen, Switzerland, pp. 449-452. ISBN 9783721208610

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2019) Slanted Babylon. In: Lynam, I. (ed.) Total Armageddon—A Slanted Reader on Design. Slanted, Karlsruhe, pp. 273-279. ISBN 9783981829662

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Type design and development. In: Typography, Referenced. Rockport Publishers, pp. 30-51. ISBN 9781592537020

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Type specimens as learning tools. In: Misiak, M. and Harmsen, L. (eds.) Support independent type—the new culture of type specimens. Slanted, Karlsruhe, pp. 18-19. ISBN 9783948440121

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2014) You make it happen: document demand, typeface supply. In: Kochan, B. (ed.) Granshan: design & identity. Typographische Gesellschaft München, Munich, Germany, pp. 142-149.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) You need an opinion, on top of an impulse. In: Coventon, D., Edgar, J., Williams, F. and Clifton, D. (eds.) Whatever Next: a discourse on typography. Camberwell Press, London, pp. 77-78. ISBN 9781908971098

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2002) A primer on Greek type design. In: Berry, J. D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 76-90. ISBN 9781932026016

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2017) A reappraisal of Baskerville's Greek types. In: Archer-Parré, C. and Dick, M. (eds.) John Baskerville: art and industry in the Enlightenment. The University of Liverpool Press, Liverpool, pp. 133-150.

Luna, P. (2003) Two Oxford Bible types. In: Randle, J. and Berry, J. D. (eds.) Type & Typography. Mark Batty Publisher, West New York, NJ, pp. 148-167. ISBN 0971568766

Luna, P. (2019) Book design. In: Oxford Handbook of Publishing. Oxford University Press, Oxford, pp. 311-325. ISBN 9780198794202 doi: https://doi.org/10.1093/oxfordhb/9780198794202.013.21

Luna, P. (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: https://doi.org/10.2277/052184844X

Luna, P. and Ould, M. (2013) The printed page. In: Gadd, I. (ed.) The History of Oxford University Press. Volume 1: Beginnings to 1780. Oxford University Press, Oxford. ISBN 9780199557318

Luna, P. (2017) Choosing type for information design. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information design: research and practice. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324

Luna, P. (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797

Luna, P. (2013) Picture this: how illustrations define dictionaries. In: Typography papers 9. Hyphen Press, London. ISBN 9780907259480

Luna, P. (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797

Luna, P. F. and Ragg, E. (2004) Designing the Oxford Shakespeare. In: Typography Papers. Typography Papers (5). University of Reading, Reading, pp. 5-21.

Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299

Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27.

Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96.

Mosley, J. (2003) Nelly Gable, 'gy, or the magical journey of a punch-cutter at work. In: Matrix: A Review For Printers & Bibliophiles. The Whittington Press, pp. 88-92.

Mosley, J. (2004) Baskerville, John (1706-1775). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Caslon, William, the elder (1692-1766). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Fry, Joseph (1728-1787). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Jackson, Joseph (1733-1792). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Moys, J.-L. (2019) Repositioning aesthetics to improve synergies between research and practice – a typographic perspective. In: Mastoridis, K., Sioki, N. and Dyson, M. C. (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars Publishing, Newcastle, pp. 36-52. ISBN 9781527529540

Moys, J.-L. (2017) Visual rhetoric in information design: designing for credibility and engagement. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: research and practice. Routledge, Farnham, UK. ISBN 9780415786324 (Part 2, chapter 12)

Nemeth, T. (2018) A short history of Arabic type-making. In: Kim, J. M. (ed.) 해외 글꼴의 연구·산업 현황 조사(Ⅲ) -아랍 문자권을 중심으로-. National Hangeul Museum, Seoul, pp. 92-141. ISBN 9791189438135

Nemeth, T. (2016) ‘Harmonised type design’ revisited. In: Dyson, M. and Suen, C. Y. (eds.) Digital Fonts and Reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems. World Scientific, Singapore, pp. 150-172. ISBN 9789814759533 doi: https://doi.org/10.1142/9789814759540_0009

Nemeth, T. (2022) Overlooked: the role of craft in the adoption of typography in the Muslim Middle East. In: Reese, S. and Macé, C. (eds.) Manuscript and Print in the Islamic Tradition. Studies in Manuscript Cultures, 26 (26). De Gruyter, Berlin. ISBN 9783110776485 (In Press)

Nemeth, T. (2013) Simplified Arabic, a new form of Arabic Type for hot-metal composition. In: Kindel, E. and Luna, P. (eds.) Typography Papers. Hyphen, London, pp. 173-189. ISBN 9780907259480

Nemeth, T. (2015) A bespoke typeface for an Austrian publishing house. In: Kudrnovská, L. (ed.) 365 Type. étapes, Paris, p. 246. ISBN 9791095254003

Reynolds, L. (2007) The Graphic Information Research unit: a pioneer of typographic research. In: Typography Papers. Typography Papers (7). Hyphen Press, pp. 115-137. ISBN 9780907259336

Ross, F. (2015) Aspects of typographic communication: notes on South Asian typeforms. In: Makinson, J. (ed.) Honoris Causa: Essays in Honour of Aveek Sarkar. Allen Lane, UK, pp. 47-77. ISBN 9780241248676

Ross, F. (2008) The Linotype Non-Latin Collection, University of Reading. In: Banham, R. and Ross, F. (eds.) Non-Latin typefaces: at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, UK, pp. 32-62.

Ross, F. (2012) Non-Latin scripts: key issues in type design. In: Ross, F. and Singh, V. (eds.) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp. 125-153.

Ross, F. (2020) Non-Latin type design – some considerations. In: Barmettler, R. (ed.) Zurich Type Design. Triest Verlag, Triest. ISBN 9783038630432

Ross, F. (2002) Non-Latin typesetting in the digital age. In: Sassoon, R. (ed.) Computers and Typography. Intellect Books, Bristol, UK, pp. 42-53. ISBN 1-84150-049-6

Ross, F. and Shaw, G. (2003) An unexpected legacy and its contribution to early Indian typography. In: Randle, J. and Berry, J. (eds.) Type and typography: highlights from Matrix. Mark Batty Publisher, New Jersey, pp. 169-181. ISBN 9780971568761

Ross, F. (2013) Digital typeface design and font development for twenty-first century Bangla language processing. In: Karim, M. A., Kaykobad, M. and Murshed, M. (eds.) Technical Challenges and Design Issues in Bangla Language Processing. IGI Global, Pennsylvania U.S.A., pp. 1-15. doi: https://doi.org/10.4018/978-1-4666-3970-6.ch001

Ross, F. (2010) Indian type. In: Suarez, S.J., M. F. and Woudhuysen, H. R. (eds.) The Oxford Companion to the Book. Oxford University Press. ISBN 9780198606536 doi: https://doi.org/10.1093/acref/9780198606536.001.0001

Ross, F. (2015) The Murty Classical Library of India – a collaborative design project for Harvard University Press. In: Kudrnovska, L. (ed.) 365 Typo. Étapes, Paris, pp. 258-259. ISBN 9791095254003

Ross, F. (2002) An approach to non-Latin type design. In: Berry, J.D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 67-75. ISBN 9781932026016

Savoie, A. and Ross, F. (2021) Dora Pritchett, Dora Laing, Patricia Saunders…the invisible women of Monotype’s Type Drawing Office. In: Levit, B. (ed.) Baseline Shift; Untold stories of women in graphic design history. Princeton Architectural Press, New York, pp. 110-119. ISBN 9781648960062

Singh, V. (2018) Devanagari. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-scriptual: typography and graphic design with multiple script systems. Niggli Verlag, Salenstein, Switzerland. ISBN 9783721209822

Sioki, N. and Dyson, M. C. (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948

Smeijers, F. (2014) Putting letters next to each others: a historical overview (Buchstaben aneinanderreihen: ein geschichtlicher Überblick). In: Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum. Journal der HGB (3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 227-250. ISBN 9783932865862

Smith, M. M. (2003) 'Le Blanc aldin' and the paragraph mark. In: Jones, W. J., Kelly, W. A. and Shaw, F. (eds.) 'Vir ingenio mirandus' : Studies Presented to John L Flood,. Kummerle. ISBN 3874529614

Smith, M. M. (2004) The pugillary of Lazzaro de' Soardi and the 'littera galante': more rivals to the Aldine classical octavo in italics. In: Biemans, J., Kuitert, L. and Verkruijsse, P. (eds.) Boek & letter: Boekwetenschappelijke bijdragen ter gelegenheid van het afscheid van profdr Frans A Janssen als hoogleraar in be Boek - en bibliotheekgeschiedenis aa de Universiteit van Amsterdam. De Buitenkant, Amsterdam, pp. 177-193. ISBN 9789076452456

Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559

Smith, M. M. (2003) Printing industry. In: Mokyr , J. (ed.) The Oxford Encyclopedia of Economic History. Oxford University Press, New York, pp. 259-262. ISBN 9780195105070

Stiff, P. (2009) Austerity, optimism: modern typography in Britain after the. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299

Stiff, P. and Cerne Oven, P. (2009) Ernest Hoch and reasoning in typography. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389

Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: https://doi.org/10.1017/CHOL9780521810173.004

Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears)

Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: https://doi.org/10.1017/CHOL9780521866248.004

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975

Unger, G. (2013) Romanesque capitals in inscriptions. In: Kindel, E. and Luna, P. (eds.) Typography Papers 9. Hyphen Press, London, pp. 5-25. ISBN 9780907259480

Walker, S. (1998) Handwriting skills. In: Corson, D. and Edwards, V. (eds.) The encyclopedia of language and education. Kluwer, Dordrecht, pp. 97-105. ISBN 9780792345954

Walker, S. (2000) Leading the field or behind the times? Doctoral education in typography and graphic communication. In: Durling, D. and Friedman, K. (eds.) Foundations for the future: doctoral education in design. Staffordshire University Press, pp. 337-344.

Walker, S., Black, A., Bessemans, A., Bormans, K., Renckens, M. and Barratt, M. (2018) Designing digital texts for beginner readers: performance, practice and process. In: Barzillai, M., Thomson, J. M., Schroeder, S. and Broek, P. W. v. d. (eds.) Learning to read in a digital world. Studies in written language and literacy (17). John Benjamins, Amsterdam, pp. 31-56. ISBN 9789027201225 doi: https://doi.org/10.1075/swll.17.02wal

Walker, S. (2013) Graphic explanation for children, 1944-71. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925-1971. Hyphen Press, London, pp. 390-437. ISBN 9780907259473

Walker, S. (2007) Letterforms for handwriting and reading: print script and sanserifs in early twentieth-century England. In: Typography papers. Typography papers (7). Hyphen Press, pp. 81-114. ISBN 9780907259336

Walker, S. (2017) Marie Neurath: designing information books for young people. In: Black, A., Lund, O., Luna, P. and Walker, S. (eds.) Information design research and practice. Routledge, pp. 117-126. ISBN 9780415786324

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2022) Reading information: using graphic language to enhance engagement with children's books. In: Hagen, A. M. (ed.) Mediation and children's reading: relationships, intervention and organization from the eighteenth century to the present. Lehigh University Press, Lanham, Maryland, pp. 125-145. ISBN 9781611463262

Walker, S. (2017) The contribution of typography and information design to health communication. In: Cooper, R. and Tsekleves, E. (eds.) Design for health. Routledge, pp. 92-109. ISBN 9781472457424

Report

Banham, R., (2008) A handlist of films showing printing & typesetting. Self published (St Bride Library )

Conference or Workshop Item

Dyson, M. C. (2003) Readers' navigation of electronic documents: how do we find our way around the research? In: 1st Information Design International Conference, 2003, Recife, Brazil.

Dyson, M. C. and Jennings, E. M. (2014) Examining the interfaces to e-journal articles: what do users expect? In: DUXU 2014, June 2014, Creta Maris, Heraklion, Crete, Greece, pp. 164-173.

Fadel, L. M. and Dyson, M. C. (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: https://doi.org/10.1109/VLHCC.2006.15

Fadel, L. and Dyson, M. C. (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria.

Luna, P. (2004) Not just a pretty face: the contribution of typography to lexicography. In: 11th EURALEX International Congress, 6-10 July 2004, Lorient, France, pp. 847-858.

Simão, M. F. F., Dyson, M. C. and Assunção, M. (2004) Enhancing social interaction in an online educational environment. In: IV Congresso Brasileiro de Computação, 2004, Itajaí, Santa Catarina, Brasil.

Souto, V. T. and Dyson, M. C. (2004) Location of the table of contents in web documents: same screen or separate screen. In: IADIS International Conference WWW/Internet, 6-9 October 2004, Madrid, Spain.

Stiff, P. (2004) Why designers need to understand reading. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Tam, K. (2017) Trust in Chinese–English bilingual documents: a heuristic for typographic decision-making. In: Typography Day Colombo 2017, 24–25 Feb 2017, Colombo, Sri Lanka.

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.

Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48.

Unger, G. (2015) Letters from the edge of Europe. In: Granshan Conference, 23–25 July 2015, University of Reading.

Waller, R. H. W. (2009) Simplification: what is gained and what is lost. In: The International Conference of Applications of Information Design, 25-28 June 2008, Mälardalen University in Eskilstuna, Sweden, pp. 219-230.

Book

Andrews, M. J. (2003) The life and work of Robert Gibbings. The Primrose Hill Press, London, pp426. ISBN 9781901648317

Banham, R. and Ross, F. (2008) Non-Latin typefaces at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, pp64. ISBN 0950416150

Black, A., Luna, P., Lund, O. and Walker, S., eds. (2017) Information design: research and practice. Routledge, London, pp600. ISBN 9780415786324

Blacksell, R. and Walker, S., eds. (2016) Architecture and the spaces of information. Architecture and Culture, 4 (1). Taylor & Francis.

Blume, J., Pané-Farré, P. and Smeijers, F., eds. (2014) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (From the book to the street: big letters in public space). Journal der HGB, 3. Hochschule für Grafik und Buchkunst, Leipzig, pp256. ISBN 9783932865862

Burke, C. (2007) Active literature: Jan Tschichold and New Typography. Hyphen Press, London, pp336. ISBN 9780907259329

Burke, C. (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106

Burke, C. (1998) Paul Renner: the art of typography. Hyphen Press, London, pp224. ISBN 0-907259-12-X

Burke, C. (2019) The mysterious case of the curtailed g: Danish style in type. Perpensa Press, Devizes, pp40. ISBN 9781916053908

Burke, C. and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442

Burke, C. and Jansen, W. (2022) Soft propaganda, special relationships, and a new democracy: Adprint and Isotype, 1942–1948. De Buitenkant, Amsterdam, pp208. ISBN 9789076452005

Burke, C. and Walker, S., eds. (1998) Typography papers, 3. Typography papers, 3. Department of Typography & Graphic Communication, Reading, pp148. ISBN 0-7049-1123-x

Burke, C., Kindel, E. and Walker, S., eds. (2013) Isotype: design and contexts 1925–1971. Hyphen Press, London, pp554. ISBN 9780907259473

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt. Journal of Architecture. Taylor & Francis.

Dyson, M. C. (2003) Digital creativity. Taylor and Francis.

Dyson, M. C. and Suen, C. Y., eds. (2016) Digital fonts and reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems: Volume 1. World Scientific. ISBN 9789814759533

Kindel, E. (2019) Stencil: a descriptive bibliography. Éditions à jour, Reading, pp24.

Kindel, E., ed. (2018) Typeform Dialogues (2nd edition). Hyphen Press, London.

Kindel, E., ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152

Kindel, E. and Luna, P., eds. (2013) Typography papers, 9. Hyphen Press, London. ISBN 9780907259480

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Never lost for words. Monotype Imaging Ltd, Bad Homburg, pp. 1-20.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268, ed. (2022) Riccardo Olocco Michele Patane. 'Designing type revivals: handbook for a historical approach to typeface design'. Lazy Dog, Milan, pp112. ISBN 9788898030484

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) An introduction to Greek typeface design. AGFA/Monotype, Palo Alto, California, pp54.

Lickiss, M. (2019) Design perspectives on multimodal documents: system, medium, and genre relations. Routledge Studies in Multimodality. Routledge. ISBN 9781138096844

Luna, P. (2018) Typography: a very short introduction. Very Short Introductions. Oxford University Press, Oxford, pp155. ISBN 9780199211296 doi: https://doi.org/10.1093/actrade/9780199211296.001.0001

Nemeth, T. (2017) Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993. Islamic Manuscripts and Books, 14. Brill Academic Publishers, Leiden ⸱ Boston, pp509. ISBN 9789004303775 doi: https://doi.org/10.1163/9789004349308

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792, Bringhurst, R., Conidi, E., Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350, Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 and Yazıcıgil, O. (2022) Arabic typography: history and practice. niggli, Salenstein, pp416. ISBN 9783721210170 (In Press)

Poynor, R. (2020) David King: Designer, Activist, Visual Historian. Yale University Press, pp240. ISBN 9780300250107

Poynor, R. (2017) National theatre posters: a design history. Unit Editions, London, pp256. ISBN 9780995666436

Ross, F., Luna, P., Shaw, G. and Berry, J. (2012) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp160. ISBN 9780950416182

Ross, F. (1999) The Printed Bengali character and its evolution. Curzon Press, Richmond, pp244. ISBN 0-7007-1135 X (First edition)

Ross, F. (2009) The printed Bengali character and its evolution. Shishu Sahitya Samsad, Kolkata, India, pp251. ISBN 9788179551849

Schilhab, T. and Walker, S., eds. (2020) The materiality of reading. Aarhus University Press, pp154. ISBN 9788771849585

Slinn, J., Carter, S. and Southall, R. (2014) History of the Monotype Corporation. Printing Historical Society / Vanbrugh Press, London / Woodstock, pp432. ISBN 9780993051005 (Edited by Boag, A. and Burke, C.)

Stiff, P. (2003) Typography Papers. Vol 5. University of Reading, pp128.

Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299

Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128.

Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104.

Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035

Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104

Unger, G. (2018) Theory of type design. Nai 010, Rotterdam, pp240. ISBN 9789462084407

Walker, S. (2013) Book design for children's reading: typography, picture, print. St Bride Foundation, London, pp224. ISBN 9780950416137

Walker, S. (2000) Typography and language in everyday life: prescriptions and practices. Language in social life. Longman, Harlow, pp224. ISBN 9780582357556

Walker, S. and Edwards, V. (1995) Building bridges: multilingual resources for children. Multilingual Matters, Clevedon, pp130. ISBN 9781853592904

Walker, S. F. (2005) The songs the letters sing: typography and children's reading. National Centre for Language and Literacy, Reading, pp23. ISBN 9780704998469

Thesis

Barker, A. (2019) A comparison of seeking-finding behaviours across the contexts of environmental space, paper documents, and on-screen. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085342

Blacksell, R. (2013) Typography after conceptual art: text-based conceptual art and its contribution to contemporary typographic discourse. PhD thesis, University of Sheffield.

Brezina, D. (2019) Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085141

Camillini, G. (2020) Fortunato Depero and Depero futurista 1913–1927. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00096457

Conidi, E. (2018) Arabic types in Europe and the Middle East, 1514-1924: challenges in the adaptation of the Arabic script from written to printed form. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00080437

Copetti Klohn, S. (2019) The use of informative and decorative pictures in health and safety posters for children. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084830

Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099060

Gillieson, K. (2008) A framework for graphic description in book design. PhD thesis, University of Reading.

Lamberg, J. J. J. (2016) Clothing the paper: on the state of newspaper design, redesigns, and art directors’ perspectives in contemporary quality and popular newspapers. PhD thesis, University of Reading.

Leahy, M. (2021) Reading with early-stage Alzheimer's disease. Modifications to book design as a way of supporting preserved literacy skills. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100747

Lekka, H. (2018) Linotype’s design of new Greek typefaces for photocomposition in the Greek printing market, 1970-1980. PhD thesis, University of Reading.

Lickiss, M. D. (2015) relationships between document instantiations across systems, mediums, and genres. PhD thesis, University of Reading.

Lim, W. J. D. (2021) Networks, artefacts, and technology : nineteenth-century Muslim lithographers, missionaries, and colonialism in the Malay archipelago. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00103819

McIlwraith, A. (2019) Better museum maps: an empirical study comparing the appeal and effectiveness of graphic design approaches. PhD thesis, University of Reading.

Moys, J.-L. (2012) Typographic meaning: readers’ impressions of patterns of typographic differentiation. PhD thesis, University of Reading.

Olocco, R. (2019) A new method of analyzing printed type: the case of 15th-century Venetian romans. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088833

Papassissa, E. (2020) Conventions, traditionalism, Latinisation, and modernity in Armenian typefaces across type-making technologies from 1512 to 1977. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099061

Polat, D. N. (2018) A typographic analysis of newspapers and magazines in the Turkish alphabet reform (1928-1929). PhD thesis, University of Reading.

Ravichandran, S. P. (2020) The development of typographic forms for the Kannada and Telugu scripts (1801–1900). PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099826

Roberto, R. (2019) Democratising knowledge and visualising progress: illustrations from Chambers's Encyclopaedia, 1859-1892. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085483

Singh, V. (2017) Devanagari type in the twentieth century. PhD thesis, University of Reading.

Traina, R. (2018) An information design approach to documenting live art: locating & empowering the document user. PhD thesis, University of Reading.

Warner, R. (2021) Design for decision making: the design of information for later life housing options. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104544

Artefact

Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact]

Gillieson, K. (2011) 'The democracy of objects' by Levi R. Bryant [Book design by Katherine Gillieson]. [Artefact]

Luna, P. (2011) The Book of Common Prayer: The texts of 1549, 1559, and 1662 [Book design by Paul Luna]. [Artefact]

Luna, P. (2015) The Poems of T. S. Eliot [Book design by Paul Luna]. [Artefact]

Luna, P. (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact]

Show/Exhibition

Blume, J., Pané-Farré, P. and Smeijers, F. (2014) Vom buch auf die Straße: große Schrift von 1600 bis 1920 (From the book to the street: big letters from 1600 to 1920). [Show/Exhibition]

Burke, C. and Holter, M. (2014) Timeless signs: Otto Neurath and reflections in Austrian contemporary art. [Show/Exhibition]

Burke, C., Kindel, E. and Walker, S. (2010) Isotype: international picture language. [Show/Exhibition]

Izadpanah Abkenar, B. and Ross, F. (2019) Twentieth-century Persian newspaper types – investigating the design process. [Show/Exhibition]

Kindel, E. and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition]

Kindel, E., Minns, E., Nairne, K., Odling-Smee, A. and Walker, S. (2019) Marie Neurath: Picturing Science. [Show/Exhibition]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Greek printing outside Greece, from the 15th century to e-books. [Show/Exhibition]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Snapshots from 1985–1995. [Show/Exhibition]

Ross, F. and Savoie, A. (2011) World Scripts, Selected Material from the Non-Latin Type Collection, the University of Reading. [Show/Exhibition]

Ross, F. and Singh, V. (2012) From hot-metal to OpenType – the type design process for world scripts. [Show/Exhibition]

Ross, F. and Singh, V. (2014) Making news: type technologies in transition in newspapers across the world. [Show/Exhibition]

Singh, V. (2018) One letter at a time: index typewriters and the alphabetic interface. [Show/Exhibition]

Project

Ross, F. (2017) Fonts for classical texts in a digital age. [Project] (Collection)

Video

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Three public talks for the 2020 International Summer School of the Academy of Fine Arts and Design, University of Ljubljana : Identifying genres and styles, The type market & career options, and Studying typefaces to improve your briefs. [Video]

Web Resource

Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle)

Other

Hudson, J. and Ross, F. (2017) Murty Bangla typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Murty Gurmukhi typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Murty Hindi typeface. Harvard University Press.

Hudson, J. and Ross, F. (2017) Murty Kannada typeface. Harvard University Press.

Hudson, J. and Ross, F. (2016) Murty Sanskrit typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Murty Telugu typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Sanskrit text typeface. Microsoft.

Izadpanah Abkenar, B. and Ross, F. (2018) Markazi text typeface. Google Fonts.

Izadpanah Abkenar, B. and Ross, F. (2018) Marlik typeface. Rosetta Type Foundry.

Kshetrimayum, N. and Ross, F. (2016) ABP extra bold Bengali typeface. Ananda Bazar Patrika, Kolkata.

Kshetrimayum, N. and Ross, F. (2020) Linotype Bengali typeface, a revival. Monotype.

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Ross, F. and Kshetrimayum, N. (2017) ABP 2015 Bengali typeface. Ananda Bazar Patrika, Kolkata, India.

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