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Abraham, S., Bartlett, R., Standage, M., Black, A., Charlton-Perez, A. and McCloy, R. (2015) Do location specific forecasts pose a new challenge for communicating uncertainty? Meteorological Applications, 22 (3). pp. 554-562. ISSN 1469-8080 doi: https://doi.org/10.1002/met.1487

Andrews, M. (2003) Artwork or works of art? Part one. Baseline Magazine, 40. pp. 17-24.

Andrews, M. (2003) Artwork or works of art? Part two. Baseline Magazine, 41. pp. 13-16.

Andrews, M. (2006) The stuff of everday life: a brief introduction to the history and definition of printed ephemera. Art Libraries Journal, 31 (4). pp. 5-8. ISSN 0302-4722

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Banham, R. (2012) Occasional publishers: producing and marketing books in England 1771–1844. Journal of Historical Research In Marketing, 4 (3). pp. 408-439. ISSN 1755-750X doi: https://doi.org/10.1108/17557501211252961

Banham, R. (2007) Trash type. Baseline, 52. pp. 16-21.

Beier, S. and Dyson, M. C. (2014) The influence of serifs on 'h' and 'i': useful knowledge from design-led scientific research. Visible Language, 47 (3). pp. 74-95. ISSN 0022-2224

Bignell, J. (2006) Programmes and canons. Critical Studies in Television, 1 (1). pp. 31-36. ISSN 1749-6020

Black, A. and Stanbridge, K. (2012) Documents as 'critical incidents' in organisation to consumer communication. Visible Language, 46 (3). pp. 246-281. ISSN 0022-2224

Black, A., Carey, C., Matthews, V. and Solomons, L. (2019) Designing information for families caring for people with dementia. Design for Health, 3 (2). pp. 199-219. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2019.1629766

Black, A., Gibb, A., Carey, C., Barker, S., Leake, C. and Solomons, L. (2013) Designing a questionnaire to gather carer input to pain assessment for hospitalized people with dementia. Visible Language, 47 (2). pp. 37-60. ISSN 0022-2224

Blacksell, R. (2013) From looking to reading: text-based conceptual art and typographic discourse. Design Issues, 29 (2). pp. 60-81. ISSN 1531-4790 doi: https://doi.org/10.1162/DESI_a_00210

Blacksell, R. (2015) Studio International. The Burlington Magazine, 157 (1347). pp. 430-431. ISSN 0007-6287

Blacksell, R. and Walker, S. (2016) Introduction: architecture and the spaces of information. Architecture and Culture, 4 (1). pp. 1-8. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2016.1153241

Blacksell, R. E. (2016) Categories & order systems: Claude Parent and The Serving Library. Intersections of architecture, art and editorial design. Architecture and Culture, 4 (1). pp. 73-89. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2015.1094229

Burke, C. (2010) Back to basics: Otto Neurath and Isotype. Cambridge Literary Review, 1 (3). pp. 221-235. ISSN 2042-129x

Burke, C. (2016) Formal writing, artist typefaces, and bread-and-butter type (part 1). Forum (32). pp. 8-13. ISSN 1472-0604

Burke, C. (2017) Formal writing, artist typefaces, and bread-and-butter type (part 2). Forum (33). pp. 7-10. ISSN 1472-0604

Burke, C. (2009) Isotype: representing social facts pictorially. Information Design Journal, 17 (3). pp. 211-223. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.17.3.06bur

Burke, C. (1992) Peter Behrens and the German Letter: type design and architectural lettering. Journal of Design History, 5 (1). pp. 19-37. ISSN 1741-7279

Burke, C. (1997) The early years 1900–1922. The Monotype Recorder, New Series (10). pp. 4-13.

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt: introduction. The Journal of Architecture, 12 (4). pp. 347-351. ISSN 1466-4410 doi: https://doi.org/10.1080/13602360701614623

Cerne-Oven, P. (2004) Analogno/digitalno. Klik, 61. pp. 30-31. ISSN 1408-7936

Cerne-Oven, P. (2004) Ranko Novak: arhitekt na (ne)zacasnem delu v oblikovanju. Oris, VI. pp. 132-141.

Cumiskey, L., Lickiss, M., Šakić Trogrlić, R. and Ali, J. (2019) Interdisciplinary pressure cooker: environmental risk communication skills for the next generation. Geoscience Communications, 2 (2). pp. 173-186. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-2-173-2019

Dobraszczyk, P. (2005) Sewers, wood engraving and the sublime: picturing London's main drainage system in the Illustrated London News, 1895-62. Victorian Periodicals Review, 38 (4). 349-378 . ISSN 1712-526X

Dobraszczyk, P. (2007) Architecture, ornament and excrement: the Crossness and Abbey Mills pumping stations. The Journal of Architecture, 12 (4). pp. 353-365. ISSN 1466-4410 doi: https://doi.org/10.1080/13602360701614631

Dobraszczyk, P. (2006) Historicizing iron: Charles Driver and the Abbey Mills pumping station (1865-68). Architectural History, 49. pp. 223-256. ISSN 0066-622X

Dyson, M. and Campello, S. B. (2003) Evaluating virtual learning environments: what are we measuring? Electronic Journal of eLearning, 1 (1). pp. 11-20. ISSN 1479-4403

Dyson, M. and Stott, C. (2012) Characterizing typographic expertise: do we process typefaces like faces? Visual Cognition, 20 (9). pp. 1082-1094. ISSN 1464-0716 doi: https://doi.org/10.1080/13506285.2012.722568

Dyson, M., Lonsdale, M. and Papaefthimiou, M. (2006) Student perspectives on a virtual learning environment: lessons for einstructors. Blended learning: promoting dialogue in innovation and practice. pp. 137-144.

Dyson, M. C. (2003) Developing, exploring and evaluating tools and resources. Digital Creativity, 14 (4). pp. 193-194. ISSN 1744-3806 doi: https://doi.org/10.1076/digc.14.4.193.27878

Dyson, M. C. (2011) Do designers show categorical perception of typefaces? Visible Language, 45.3 (15.3). pp. 193-220. ISSN 0022-2224

Dyson, M. C. (2004) How physical text layout affects reading from screen. Behaviour and Information Technology, 23 (6). pp. 377-393. ISSN 1362-3001 doi: https://doi.org/10.1080/01449290410001715714

Dyson, M. C. (2013) Where theory meets practice: a critical comparison of research into identifying letters and craft knowledge of type design. Design Journal, 16 (3). pp. 271-294. ISSN 1460-6925 doi: https://doi.org/10.2752/175630613X13660502571741

Dyson, M. C. and Beier, S. (2016) Investigating typographic differentiation: italics are more subtle than bold for emphasis. Information Design Journal, 22 (1). pp. 3-18. ISSN 0142-5471 doi: https://doi.org/10.175/idj.22.1.02dys

Edwards, V. and Walker, S. (1994) Multilingual resources for children. Language and Education, 8 (3). pp. 147-156. ISSN 1747-7581 doi: https://doi.org/10.1080/09500789409541387

Esbester, M. (2009) Designing time: the design and use of nineteenth-century transport timetables. Journal of Design History, 22 (2). pp. 91-113. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/epp011

Esbester, M. (2009) Nineteenth-century timetables and the history of reading. Book History, 12. pp. 156-185.

Esbester, M. (2006) "No good reason for the Government to interfere": the State and Railway Employee Safety in Britain, c. 1900-1939. Business and Economic History Online, 4. ISSN 0849-6825

Fadel, L. M. and Dyson, M. C. (2007) Enhancing interactivity in an online learning environment. Lecture Notes in Computer Science, 4663. pp. 332-344. ISSN 0302-9743 doi: https://doi.org/10.1007/978-3-540-74800-7_27

Gillieson, K. (2005) Genetics of the 'open text'. Eye, 57. pp. 26-35.

Gillieson, K. (2004) On revolutions. Dot Dot Dot. pp. 57-61. ISSN 1615-1968

Gillieson, K. (2004) Semantics of British culture: towards a representation of the English breakfast as a modular system. Dot Dot Dot. pp. 62-64. ISSN 1615-1968

Gillieson, K. (2006) The book abstracted. Dot Dot Dot. ISSN 1615-1968

Gillieson, K., Andrew, A. and MacKinnon, E. (2006) Start where you are: Graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616

Gillieson, K., Andrew, A. and Mackinnon, E. (2006) 'Start where you are': graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616

Kindel, E. (2006) Cheap Jack Flash. Eye, 60. pp. 46-51.

Kindel, E. (2009) Delight of men and gods: Christiaan Huygens's new method of printing. Journal of the Printing Historical Society, 14 (new se. pp. 5-40.

Kindel, E. (2010) Fit to be seen: stencils for architects, engineers and surveyors. AA Files, 61. pp. 100-109. ISSN 0261-6823

Kindel, E. (2003) Hoofdletters, tweeling- en meerlingdruk. Eye, 47. pp. 30-37. ISSN 0950-222X

Kindel, E. (2005) Ishihara. Eye Magazine, 56. pp. 18-23. ISSN 0960-779X

Kindel, E. (2001) Marked by time. Eye Magazine, 10 (40). pp. 48-51. ISSN 0960-779X

Kindel, E. (2006) Patents progress: the Adjustable Stencil. Journal of the Printing Historical Society, 9 (new ser. pp. 65-92.

Kindel, E. (2002) Stencil work in America, 1850–1900. Baseline (38). pp. 5-12. ISSN 0954-9226

Kindel, E. (2002) When 1+1=3. Eye Magazine, 11 (43). pp. 36-45. ISSN 0960-779X

Kindel, E. (2004) Worlds of moiré. Eye, 52. pp. 18-27.

Kindel, E. (2013) A tradition with breaks. Eye Magazine, 22 (86). pp. 38-55. ISSN 0960-779X

Kindel, E. and Walker, S. (2010) Isotype revisited. Il progetto sugli aspetti meno conosciuti di Isotype. Progetto grafico, 18. pp. 48-57. ISSN 1824-1301

Klohn, S. C. and Black, A. (2018) Informative and decorative pictures in health and safety posters for children. Visible Language, 52 (3). pp. 30-51. ISSN 0022-2224

Lee, R. and Moys, J.-L. (2016) Exploring the relationship between language and design: a study of Hong Kong newspapers. Visible Language, 50 (2). pp. 127-149. ISSN 0022-2224

Leonidas, G. (2018) Enabling modernity: innovation in modulated Greek typefaces, 1998-2007. Philological Encounters, 3 (4). pp. 412-440. ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340055

Leonidas, G. (2000) In search of the digital Cresci: Don Knuth’s digital typography. Information Design Journal, 9 (2-3). pp. 111-118. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.9.2-3.02leo

Leonidas, G. (2006) Languages, scripts, and typefaces. Tipografica, 70. pp. 16-17. ISSN 0328-7777

Leonidas, G. (2011) Lost in flatlands: will the next generation of page layout programs give us back our sense of space? Eye Magazine, 80 (20). p. 72. ISSN 0960-779X

Leonidas, G. (2013) Slanted Babylon. Slanted. pp. 12-16. ISSN 1867-6510

Leonidas, G. (2009) Ten aspects in typeface design. Forum, 18. pp. 6-8. ISSN 1472-0604

Leonidas, G. (2012) Thoughts on a quiet master. Monotype Recorder (XI). pp. 2-11. (special issue 'Robin Nicholas edition')

Leonidas, G. (2000) Γραμματοσειρές και πολιτισμική ταυτότητα [Typefaces and cultural identity]. Marketing Week. pp. 28-30. ISSN 0141-9285 (special issue 'Ελληνική Τυπογραφία [Greek typography]')

Leonidas, G. (2013) An emerging discipline. Parenthesis (24). p. 36. ISSN 1462-9895

Leonidas, G., Hudson, J., Kshetrimayum, N., Mansour, K. and Zoghbi, P. (2015) Beyond Latin. Eye Magazine, 90 (23). pp. 80-93. ISSN 0960-779X

Lickiss, M. (2015) Pictures of the molecular world. Education in Chemistry, 18. ISSN 0013-1350

Lickiss, M., Mulder, K. J., Black, A., Charlton-Perez, A. J., McCloy, R. A. and Chandler, R. (2017) Developing a quick guide on presenting data and uncertainty. Weather, 72 (9). pp. 266-269. ISSN 1477-8696 doi: https://doi.org/10.1002/wea.2998

Lickiss, M. D. and Cumiskey, L. (2019) Design skills for environmental risk communication: design in and design of an interdisciplinary workshop. The Design Journal, 22 (1). pp. 1373-1385. ISSN 1460-6925 doi: https://doi.org/10.1080/14606925.2019.1594963

Lonsdale, M. d. S., Dyson, M. C. and Reynolds, L. (2006) Reading in examination-type situations: the effects of text layout on performance. Journal of Research in Reading, 29 (4). pp. 433-453. ISSN 1467-9817 doi: https://doi.org/10.1111/j.1467-9817.2006.00317.x

Loveland, P., Moys, J.-L., Tollett, H. and Towriss, M. (2016) Typo-resource: developing T&L support materials through collaboration. The Journal of Educational Innovation, Partnership and Change, 2 (1). 238. ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v2i1.238

Luna, P. (2011) Marks, spaces and boundaries. Visible Language, 45 (1-2). pp. 139-160. ISSN 0022-2224 (special issue 'Punctuation')

Marshall, L. and Moys, J.-L. (2020) Readers’ experiences of Braille in an evolving technological world. Visible Language, 52 (1/2). ISSN 0022-2224

May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21.

Moseley, J. (2006) Garamond, Griffo and others: the price of celebrity. Bibliologia, 1. pp. 17-41.

Mosley, J. (2004) El rediseño de los clásicos: Matthew Carter y la interpretación de modelos históricos. tipoGráfica, 63. pp. 32-40.

Mosley, J. (2003) Giovan Francesco Cresci, nuovi documenti: un'iscrizione, un quadro. La Operina, 23. pp. 3-15.

Mosley, J. (2008) Médailles sur les principaux événements du règne de Louis le Grand 1702, the making of the book. Bulletin du bibliophile, 2. pp. 296-350. ISSN 0399-9742

Mosley, J. (2008) The materials of typefounding: a list of surviving collections. Printing History, NS 4 (4).

Moys, J.-L. (2014) Investigating readers’ impressions of typographic differentiation using repertory grids. Visible Language, 47 (3). 878. ISSN 0022-2224

Moys, J.-L. (2018) Promoting diversity through developing a sense of community. International Journal for Students as Partners, 2 (2). pp. 135-143. ISSN 2560-7367 doi: https://doi.org/10.15173/ijsap.v2i2.3547

Moys, J.-L. (2014) Typographic layout and first impressions: testing how changes in text layout influence reader's judgments of documents. Visible Language, 48 (1). 881. ISSN 0022-2224

Moys, J.-L., Collier, J. and Joyce, D. (2018) By design: engaging Graphic Communication students in curriculum development. The Journal of Educational Innovation, Partnership and Change, 4 (1). ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v4i1.752

Moys, J.-L., Loveland, P. and Dyson, M. (2018) eInk versus paper: exploring the effects of medium and typographic quality on recall and reading speed. Visible Language, 52 (3). pp. 74-95. ISSN 0022-2224

Moys, J.-L., Martinez-Freile, C., McCrindle, R., Meteyard, L., Robson, H., Kendrick, L. and Wairagkar, M. (2018) Exploring illustration styles for materials used in visual resources for people with aphasia. Visible Language, 52 (3). pp. 96-113. ISSN 0022-2224

Mulder, K. J., Lickiss, M., Harvey, N., Black, A., Charlton-Perez, A., Dacre, H. and McCloy, R. (2017) Visualizing volcanic ash forecasts: scientist and stakeholder decisions using different graphical representations and conflicting forecasts. Weather, Climate and Society, 9 (3). pp. 333-348. ISSN 1948-8327 doi: https://doi.org/10.1175/WCAS-D-16-0062.1

Mulder, K. J., Lickiss, M., Black, A., Charlton-Perez, A. J., McCloy, R. and Young, J. S. (2020) Designing environmental uncertainty information for experts and non‐experts: does data presentation affect users' decisions and interpretations? Meteorological Applications, 27 (1). e1821. ISSN 1350-4827 doi: https://doi.org/10.1002/met.1821

Nemeth, T. (2018) Arabic hot metal: the origins of the mechanisation of Arabic typography. Philological Encounters, 3 (4). pp. 496-523. ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340052

Nemeth, T. (2020) On Arabic justification. Journal of Electronic Publishing. ISSN 1080-2711 (In Press)

Nemeth, T., Březina, D. and Apelian, K. (2015) Rosetta type foundry: the perils of harmonization. Letterseed 11, 7 (1). pp. 164-171. ISSN 2093-1166

Reynolds, L. (2001) Improving the user-friendliness of a directory of chemical substances: 'The Approved Supply List'. Information Design Journal, 10 (3). pp. 270-285. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.10.3.11rey

Reynolds, L. and Walker, S. (2004) 'You can't see what the words say': word spacing and letter spacing in children's reading books. Journal of Research in Reading, 27 (1). pp. 87-98. ISSN 0141-0423 doi: https://doi.org/10.1111/j.1467-9817.2004.00216.x

Reynolds, L., Walker, S. and Duncan, A. (2006) Children's responses to line spacing in early reading books or "Holes to tell you which line you're on". Visible Language, 40 (3). pp. 246-267.

Ross, F. (1993) The Bengali Types of Vincent Figgins. Matrix (13). pp. 205-212.

Ross, F. (2005) Beyond Latin: a glimpse into the subject of Arabic and Indic lettershapes and digital typeforms. Circular, 13.

Ross, F. (1989) From metal type to digital letterforms – a straightforward transition for Indian scripts? Matrix (9). pp. 129-136.

Ross, F. (2018) Historical technological impacts on the visual representation of language with reference to South Asian typeforms. Philological Encounters, 3 (4). ISSN 2451-9189 doi: https://doi.org/10.1163/24519197-12340054

Ross, F. (1998) Translating non-Latin scripts into type. Typography Papers, 3. pp. 75-86.

Ross, F. (2006) A design for Sri Lanka. Building Letters, 3. pp. 20-23.

Ross, F. (2019) A pocketful of type: the impact of mobile phones on global type design. Type, Fall 2019 (4). pp. 24-33.

Sanocki, T. and Dyson, M. C. (2012) Letter processing and font information during reading: beyond distinctiveness, where vision meets design. Attention, Perception, & Psychophysics, 74 (1). pp. 132-145. ISSN 1943-3921 doi: https://doi.org/10.3758/s13414-011-0220-9

Singh, V. (2017) From handwritten copy to the printed page in Devanagari: investigating the curious case of Friedrich Max Müller. Journal of the Printing Historical Society (26). pp. 11-22. ISSN 0079-5321

Singh, V. (2018) The first Indian-script typeface on the Monotype: a missing chapter in the history of mechanical typecasting. Journal of the Printing Historical Society, 29. ISSN 0079-5321

Singh, V. (2018) The machine in the colony: technology, politics, and the typography of Devanagari in the early years of mechanization. Philological Encounters, 3 (4). ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340051

Smith, M. M. (2004) Joseph Cundall and the binding design for the 'Illustrated Biographies of the Great Artists'. The Library, 5 (1). pp. 39-63. ISSN 0024-2160 doi: https://doi.org/10.1093/library/5.1.39

Smith, M. M. (2007) Printing red underlines in the incunable period: Sensenschmidt and Frisner's 1475 edition of Justinian's 'Codex'. Printing Historical Society Journal, 10 (new se. pp. 45-57.

Smith, M. M. (2003) Space-saving practices in early printed books. Journal of Printing Historical Society, 6 (new ser. pp. 19-39.

Smith, M. M. (2007) The red-printing frisket at St Bride Library. Ultrabold: the Journal of St Bride Library, 3. p. 35.

Stiff, P. (2005) Co mozna wymarzyc, co trzeba rozwazyc (Dreams and Reasoning). 2+3D, 14 (1). pp. 18-19.

Stiff, P. (2007) Showing a new world in 1942: the gentle modernity of Puffin picture books. Design Issues, 23 (4). pp. 22-38. ISSN 1531-4790 doi: https://doi.org/10.1162/desi.2007.23.4.22

Stiff, P. (2005) Some documents for a history of information design. Information Design Journal, 13 (3). pp. 216-228. ISSN 1569-979X doi: https://doi.org/10.1075/idjdd.13.3.06sti

Stiff, P. (2005) Zrozumiec czytanie! (Understand reading!). 2+3D, 17 (4). pp. 69-71.

Thiessen, M. and Dyson, M. C. (2010) 'Clearer and better’: preferences of children with reading difficulties for the typography and illustration in literacy materials. The International Journal of Learning, 16 (12). pp. 365-384. ISSN 1447-9494

Thiessen, M. and Dyson, M. C. (2009) Typography for children with reading difficulties: preferences for type in reading books. International Journal of the Book, 6 (2). pp. 115-122. ISSN 1447-9516

Twyman, M. (2018) Charles Hullmandel’s stones at Kingston Lacy. Journal of the Printing Historical Society (28). pp. 23-74.

Twyman, M. (2003) Chromolithography: the European legacy. The Ephemera Journal, X. pp. 2-23.

Twyman, M. (2018) Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’. Journal of the Printing Historical Society (29). (In Press)

Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6.

Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24.

Twyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X

Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2017) Perfect unbinding: the production and circulation of Beau Geste Press editions. Journal of Artists' Books, 41. pp. 4-13. ISSN 1085-1461

Waldeck Villas Boas, M. (2020) Typography and nationalism: the past and modernism under Nazi rule. Journal of Visual Political Communication, 6 (1). pp. 37-80. ISSN 2633-3740 doi: https://doi.org/10.1386/jvpc_00003_1

Walker, S. (2012) Describing the design of children’s books: an analytical approach. Visible Language, 46 (3). ISSN 0022-2224

Walker, S. (2019) Effective antimicrobial resistance communication: the role of information design. Palgrave Communcations, 5. 24. ISSN 2055-1045 doi: https://doi.org/10.1057/s41599-019-0231-z

Walker, S. (2011) Explaining history to children: Otto and Marie Neurath’s work on the ‘Visual history of mankind’. Journal of Design History, 25 (4). pp. 345-362. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/eps031

Walker, S. (2018) Modernity, method and minimal means: typewriters, typing manuals and document design. Journal of Design History, 31 (2). pp. 138-153. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/epx018

Walker, S. (2017) Research in graphic design. The Design Journal, 20 (5). pp. 549-559. ISSN 1460-6925 doi: https://doi.org/10.1080/14606925.2017.1347416

Walker, S. (2005) 'The books nobody sees': typography in children's reading books. Baseline, 48. pp. 25-32.

Walker, S. (2005) The books that nobody sees: typography in children's reading books. Baseline (48). pp. 25-32. ISSN 0954-9226

Walker, S. (2003) The manners of the page: prescription and practice in the visual organisation of correspondence. Huntington Library Quarterly, 66 (3 & 4). pp. 307-329. ISSN 1544-399X

Walker, S. and Edwards, V. (1996) Some status issues in the translation of children’s books. Journal of Multilingual and Multicultural Development, 17 (5). pp. 339-348. ISSN 1747-7557 doi: https://doi.org/10.1080/01434639608666287

Walker, S. and Reynolds, L. (2000) Screen design for children’s reading. Journal of Research in Reading, 23 (2). pp. 224-234. ISSN 1467-9817 doi: https://doi.org/10.1111/1467-9817.00116

Walker, S. and Reynolds, L. (2003) Serifs, sans serifs and infant characters in children’s reading books. Information Design Journal, 11 (2/3). pp. 106-122. ISSN 1569-979X doi: https://doi.org/10.1075/idj.11.2.04wal

Walker, S., Edwards, V. and Blacksell, R. (1996) Designing bilingual books for children. Visible Language, 30 (3). ISSN 0022-2224

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Halai, M., Warner, R. and Bravo, J. (2021) Beat bad microbes: raising public awareness of antibiotic resistance in Rwanda. Information Design Journal, 26 (1). ISSN 0142-5471 doi: https://doi.org/10.1075/idj.20023.wal

Walker, S., Hignett, S., Lim, R., Parkhurst, C. and Samuel, F. (2020) Explaining drug-resistant infection in community pharmacies through effective information design. Design for Health, 4 (1). pp. 82-104. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2020.1731201

Waller, R. (2007) Comparing typefaces for airport signs. Information Design Journal, 15 (1). pp. 1-15. ISSN 1569-979X doi: https://doi.org/10.1075/idj.15.1.01wal

White, E., Basford, L., Birch, S., Black, A., Culham, A., McGoff, H., Lundqvist, K., Oppenheimer, P., Tanner, J., Wells, M. and Mauchline, A. (2015) Creating and implementing a biodiversity recording app for teaching and research in environmental studies. The Journal of Educational Innovation, Partnership and Change, 1 (1). ISSN 2055-4990

de Souza, J. M. B. and Dyson, M. (2008) Are animated demonstrations the clearest and most comfortable way to communicate on-screen instructions? Information Design Journal, 16 (2). pp. 107-124. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.16.2.03bez

Book or Report Section

Andrews, M. J. (2007) The importance of ephemera. In: Eliiot, S. and Rose, J. (eds.) A Companion to the History of the Book. Companions to Literature and Culture. Wiley-Blackwell, Oxford, pp. 234-250. ISBN 9781405127653

Archer, C., Walker, S. and Reynolds, L. (2004) Typography in nineteenth-century children's readers: the Otley connection. In: Mckay, B., Hinks, J. and Bell, M. (eds.) Light on the book trade: essays in honour of Peter Isaac. Print Networks (6). British Library and Oak Knoll Press, London, pp. 118-129. ISBN 9780712347976

Banham, R. (2020) Colour for commerce: letterpress-printed ephemera in Britain, 1740–1830. In: Savage, E. and Grasselli, M. (eds.) Colour Printing 1700-1830. Proceedings of the British Academy. British Academy/Oxford University Press, London. (In Press)

Banham, R. (2019) Printing to 1970. In: Eliot, S. and Rose, J. (eds.) A Companion to the History of the Book. Blackwell Companions to Literature and Culture. Wiley-Blackwell. ISBN 9781119018179

Banham, R. (2019) The industrialization of the book 1800–1970. In: Eliot, S. and Rose, J. (eds.) The New Blackwell Companion to the History of the Book. Wiley-Blackwell, New York. ISBN 9781119018179

Banham, R. (2014) 'The largest type in England': wood lettering for jobbing printing 1800–1830. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 27-40, 107-126 (colour images), 181-192 (English text). ISBN 9783932865862

Banham, R. (2013) The work force. In: The history of Oxford University Press. Volume 2: 1780-1896. Oxford University Press, London. ISBN 9780199543151

Black, A. (2017) Icons as carriers of information. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information design: research and practice. Routledge, London, UK, pp. 253-269. ISBN 9781472430700

Black, A. (2019) Information design to make an impact on health care quality – is a user-centred approach enough? In: Mastoridis, K., Sioki, N. and Dyson, M. C. (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars, Newcastle, UK, pp. 53-68. ISBN 9781527529540

Black, A., Bravo, J., Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E. (2017) Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement. In: Design for healthcare. Design for Social Responsibility. Gower, pp. 170-189. ISBN 9781472457424

Blacksell, R. (2016) From visual to textual: typography in/as conceptual art. In: Glasmeier, M. and Prill, T. (eds.) Typografie als Kunstlerisches Ereignis. Textem Verlag, Hamburg, pp. 113-141. ISBN 9783864851254

Burke, C. (2013) Animated Isotype on film, 1941–7. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 366-389. ISBN 9780907259473

Burke, C. (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265

Burke, C. (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 226-235. ISBN 9781786270931

Burke, C. (2016) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 256-260. ISBN 9783874398930

Burke, C. (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 256-262. ISBN 9781786270931

Burke, C. (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265

Burke, C. (1998) German hybrid typefaces 1900–1914. In: Shaw, P. and Bain, P. (eds.) Blackletter: type and national identity. Cooper Union, New York, pp. 32-39. ISBN 1-56898-125-2

Burke, C. (2013) The Gesellschafts- und Wirtschaftsmuseum in Wien (Social and Economic Museum of Vienna), 1925–34. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 20-106. ISBN 9780907259473

Burke, C. (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 351-365. ISBN 9781786270931

Burke, C. (2013) Interlude in the Netherlands, 1934–40. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 282-296. ISBN 9780907259473

Burke, C. (2013) The Isotype Institute, Oxford: war, welfare, and post-war reconstruction, 1941–8. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 354-365. ISBN 9780907259473

Burke, C. (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 206-209. ISBN 9781786270931

Burke, C. (2016) Jan Tschichold und Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 206-209. ISBN 9783874398930

Burke, C. (2016) Krise 1933 – Politisierung der Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 226-235. ISBN 9783874398930

Burke, C. (1997) Luxury and Austerity: Willy Wiegand and the Bremer Presse. In: Stiff, P. (ed.) Typography papers, 2. Department of Typography & Graphic Communication, Reading, pp. 105-128. ISBN 0-7049-1122-1

Burke, C. (2017) Modernism and traditionalism: points of convergence in European typography, 1925–1950. In: Counter-Signals 2: Hieroglyphs of the anti-commodity. Counter-Signals (2). Other Forms, Chicago / Berlin, pp. 150-161. ISBN 9780998170800

Burke, C. (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 201-205. ISBN 9781786270931

Burke, C. (2016) München als typografisches Zentrum. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 201-205. ISBN 9783874398930

Burke, C. (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 252-255. ISBN 9781786270931

Burke, C. (2016) Otto Neurath und die Wiener Methode der Bildstatistik. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 252-255. ISBN 9783874398930

Burke, C. (2013) Pictogram design: Vienna and beyond. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 498-521. ISBN 9780907259473

Burke, C. (2019) Vorwort. In: Jacobs, S. and Rössler, P. (eds.) Jan Tschichold - ein Jahrhunderttypograf?: Blicke in den Nachlass. Wallstein Verlag, Göttingen, pp. 23-25. ISBN 9783835334700

Burke, C. (2016) Wie kam die Futura auf dem Mond? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 350-365. ISBN 9783874398930

Burke, C. (2013) The “Wiener Methode der Bildstatistik” (ISOTYPE): between art and design. In: Holter, M. C., Höller, B. and Wien, K. (eds.) Zeit(lose) Zeichen / Timeless signs: contemporary art in reference to Otto Neurath. Kerber, Vienna, pp. 23-29. ISBN 9783866787926

Burke, C. (2013) The atlas Gesellschaft und Wirtschaft (society and economy), 1930. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 186-215. ISBN 9780907259473

Burke, C. (2011) The linguistic status of Isotype. In: Image and Imaging in Philosophy, Science, and the Arts. Ontos, Heusenstamm, pp. 31-58. ISBN 9783868381160

Burke, C. and Kinross, R. (2000) The dispute between Max Bill and Jan Tschichold of 1946, with a later contribution by Paul Renner. In: Kinross, R. and Walker, S. (eds.) Typography papers, 4. Department of Typography & Graphic Communication, Reading, pp. 57-90. ISBN 0-7049-1124-8

Dobraszczyk, P. (2007) Mapping sewer space in mid-Victorian London. In: Campkin, B. and Cox, R. (eds.) Dirt: New Geographies of Cleanliness and Contamination. I B Tauris, London, pp. 123-137. ISBN 9781845116729

Dobraszczyk, P. (2007) 'Monster sewers': experiencing London's main drainage system. In: Scott, N. (ed.) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. At the Interface/Probing the Boundaries (38). Rodopi, Amsterdam and New York, pp. 9-32. ISBN 9789042022539

Dyson, M. C. (2014) Applying psychological theory to typography: is how we perceive letterforms special? In: Machin, D. (ed.) Visual communication. Handbooks of communication science (4). De Gruyter Mouton, Berlin, pp. 215-242. ISBN 9783110255492

Dyson, M. C. (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877

Dyson, M. C., Tam, K., Leake, C. and Kwok, B. (2016) How does expertise contribute to the recognition of Latin and Chinese characters? In: Dyson, M. C. and Suen, C. Y. (eds.) Digital fonts and reading. World Scientific , Singapore, pp. 193-208. ISBN 9789814759533

Esbester, M. (2009) Mapping the way? Maps, gender, emotion. In: Letherby, G. and Reynolds, G. (eds.) Gendered Journeys, Mobile Emotions. Ashgate, Aldershot, pp. 33-44. ISBN 9780754670346

Eve, M. (2009) Isotype in trouble, 1946-1948. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press, pp. 129-135. ISBN 9780907259398

Fadel, L. M. and Dyson, M. C. (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: https://doi.org/10.4018/978-1-60566-940-3.ch004

Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679

Gillieson, K. (2008) Limits of reading: the book in action. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 60-63. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: forethoughts on book design. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 2-5. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: the book about books. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 28-31. ISBN 9783899552096

Kindel, E. (2018) Eminents observed: a century of writing, lettering, type and typography at the Central School, London. In: Kindel, E. (ed.) Typeform Dialogues (2nd edition). Hyphen Press, London, pp. 50-87. ISBN 9780907259527

Kindel, E. (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: Research and Practice. Routledge, pp. 127-146. ISBN 9781472430700

Kindel, E. (2013) Isotype in Africa, 1952–58. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London. ISBN 9780907259473

Kindel, E. (2007) The 'Plaque Decoupee Universelle': a geometric sanserif in 1870s Paris. In: Typography Papers 7. Hyphen Press, pp. 71-80. ISBN 9780907259336

Kindel, E. (2011) Reaching the people: Isotype beyond the West. In: Heinrich, R., Nemeth, E., Pichler, W. and Wagner, D. (eds.) Image and Imaging in Philosophy, Science and the Arts. Publications of the Austrian Ludwig Wittgenstein Society, new series, vol. 17, 2 (17). Ontos Verlag, Frankfurt, Paris, Lancaster, New Brunswick, pp. 175-193. ISBN 9783868381160

Kindel, E. (2003) Recollecting stencil letters. In: Typography Papers 5. University of Reading, Reading, pp. 65-101.

Kindel, E. (2014) Stencil dies: new tools for an old trade. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 41-61, 127–145 (colour images); 193–210 (English text).

Kindel, E. (2020) Stencil-making in Paris in the eighteenth century. In: Berton-Blivet, N., Davy-Rigaux, C. and Guilloux, F. (eds.) Le livre de musique au pochoir à la fin de l’époque moderne. Institut de Recherche en Musicologie. (In Press)

Kindel, E. (2012) User's manual. In: Kindel, E. (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152

Kindel, E. (2013) The description of stencilling by Gilles Filleau des Billettes: transcription and translation. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 66-86. ISBN 9780907259480

Kindel, E. (2013) A reconstruction of stencilling based on the description by Gilles Filleau des Billettes. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 28-65. ISBN 9780907259480

Leonidas, G. (2012) Foreword. In: Macchia, E. and Brenner, M. (eds.) Type compass: charting new routes in typography. SHS Publishing, Rome, Italy, pp. 8-9. ISBN 9788890759499

Leonidas, G. (2015) On systems and quality in typeface design. In: Silva, C. and Madureira, M. (eds.) 5th Meeting of Typography – Book of Proceedings. IPCA, Barcelos, Portugal, pp. 12-28. ISBN 9789899946507

Leonidas, G. (2015) Reading journeys. In: 365 Typo. Étapes, Paris, pp. 220-226. ISBN 9791095254003

Leonidas, G. (2013) Reading typeface design. In: Yearbook of Type I. Niggli, Sulgen, Switzerland, pp. 449-452. ISBN 9783721208610

Leonidas, G. (2012) Type design and development. In: Typography, Referenced. Rockport Publishers, pp. 30-51. ISBN 9781592537020

Leonidas, G. (2014) You make it happen: document demand, typeface supply. In: Kochan, B. (ed.) Granshan: design & identity. Typographische Gesellschaft München, Munich, Germany, pp. 142-149.

Leonidas, G. (2012) You need an opinion, on top of an impulse. In: Coventon, D., Edgar, J., Williams, F. and Clifton, D. (eds.) Whatever Next: a discourse on typography. Camberwell Press, London, pp. 77-78. ISBN 9781908971098

Leonidas, G. (2002) A primer on Greek type design. In: Berry, J. D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 76-90. ISBN 9781932026016

Leonidas, G. (2017) A reappraisal of Baskerville's Greek types. In: Archer-Parré, C. and Dick, M. (eds.) John Baskerville: art and industry in the Enlightenment. The University of Liverpool Press, Liverpool, pp. 133-150.

Luna, P. (2003) Two Oxford Bible types. In: Randle, J. and Berry, J. D. (eds.) Type & Typography. Mark Batty Publisher, West New York, NJ, pp. 148-167. ISBN 0971568766

Luna, P. (2019) Book design. In: Oxford Handbook of Publishing. Oxford University Press, Oxford, pp. 311-325. ISBN 9780198794202 doi: https://doi.org/10.1093/oxfordhb/9780198794202.013.21

Luna, P. (2017) Choosing type for information design. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information design: research and practice. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324

Luna, P. (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797

Luna, P. (2013) Picture this: how illustrations define dictionaries. In: Typography papers 9. Hyphen Press, London. ISBN 9780907259480

Luna, P. (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797

Luna, P. (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: https://doi.org/10.2277/052184844X

Luna, P. and Ould, M. (2013) The printed page. In: Gadd, I. (ed.) The History of Oxford University Press. Volume 1: Beginnings to 1780. Oxford University Press, Oxford. ISBN 9780199557318

Luna, P. F. and Ragg, E. (2004) Designing the Oxford Shakespeare. In: Typography Papers. Typography Papers (5). University of Reading, Reading, pp. 5-21.

Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299

Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27.

Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96.

Mosley, J. (2004) Baskerville, John (1706-1775). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Caslon, William, the elder (1692-1766). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Fry, Joseph (1728-1787). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Jackson, Joseph (1733-1792). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2003) Nelly Gable, 'gy, or the magical journey of a punch-cutter at work. In: Matrix: A Review For Printers & Bibliophiles. The Whittington Press, pp. 88-92.

Moys, J.-L. (2019) Repositioning aesthetics to improve synergies between research and practice – a typographic perspective. In: Mastoridis, K., Sioki, N. and Dyson, M. C. (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars Publishing, Newcastle, pp. 36-52. ISBN 9781527529540

Moys, J.-L. (2017) Visual rhetoric in information design: designing for credibility and engagement. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: research and practice. Routledge, Farnham, UK. ISBN 9780415786324 (Part 2, chapter 12)

Nemeth, T. (2016) ‘Harmonised type design’ revisited. In: Dyson, M. and Suen, C. Y. (eds.) Digital Fonts and Reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems. World Scientific, Singapore, pp. 150-172. ISBN 9789814759533 doi: https://doi.org/10.1142/9789814759540_0009

Nemeth, T. (2013) Simplified Arabic, a new form of Arabic Type for hot-metal composition. In: Kindel, E. and Luna, P. (eds.) Typography Papers. Hyphen, London, pp. 173-189. ISBN 9780907259480

Nemeth, T. (2015) A bespoke typeface for an Austrian publishing house. In: Kudrnovská, L. (ed.) 365 Type. étapes, Paris, p. 246. ISBN 9791095254003

Nemeth, T. (2018) A short history of Arabic type-making. In: Kim, J. M. (ed.) 해외 글꼴의 연구·산업 현황 조사(Ⅲ) -아랍 문자권을 중심으로-. National Hangeul Museum, Seoul, pp. 92-141. ISBN 9791189438135

Reynolds, L. (2007) The Graphic Information Research unit: a pioneer of typographic research. In: Typography Papers. Typography Papers (7). Hyphen Press, pp. 115-137. ISBN 9780907259336

Ross, F. (2015) Aspects of typographic communication: notes on South Asian typeforms. In: Makinson, J. (ed.) Honoris Causa: Essays in Honour of Aveek Sarkar. Allen Lane, UK, pp. 47-77. ISBN 9780241248676

Ross, F. (2013) Digital typeface design and font development for twenty-first century Bangla language processing. In: Karim, M. A., Kaykobad, M. and Murshed, M. (eds.) Technical Challenges and Design Issues in Bangla Language Processing. IGI Global, Pennsylvania U.S.A., pp. 1-15. doi: https://doi.org/10.4018/978-1-4666-3970-6.ch001

Ross, F. (2010) Indian type. In: Suarez, S.J., M. F. and Woudhuysen, H. R. (eds.) The Oxford Companion to the Book. Oxford University Press. ISBN 9780198606536 doi: https://doi.org/10.1093/acref/9780198606536.001.0001

Ross, F. (2008) The Linotype Non-Latin Collection, University of Reading. In: Banham, R. and Ross, F. (eds.) Non-Latin typefaces: at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, UK, pp. 32-62.

Ross, F. (2015) The Murty Classical Library of India – a collaborative design project for Harvard University Press. In: Kudrnovska, L. (ed.) 365 Typo. Étapes, Paris, pp. 258-259. ISBN 9791095254003

Ross, F. (2012) Non-Latin scripts: key issues in type design. In: Ross, F. and Singh, V. (eds.) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp. 125-153.

Ross, F. (2020) Non-Latin type design – some considerations. In: Barmettler, R. (ed.) Zurich Type Design. Triest Verlag, Triest. ISBN 9783038630432

Ross, F. (2002) Non-Latin typesetting in the digital age. In: Sassoon, R. (ed.) Computers and Typography. Intellect Books, Bristol, UK, pp. 42-53. ISBN 1-84150-049-6

Ross, F. (2002) An approach to non-Latin type design. In: Berry, J.D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 67-75. ISBN 9781932026016

Ross, F. and Shaw, G. (2003) An unexpected legacy and its contribution to early Indian typography. In: Randle, J. and Berry, J. (eds.) Type and typography: highlights from Matrix. Mark Batty Publisher, New Jersey, pp. 169-181. ISBN 9780971568761

Singh, V. (2018) Devanagari. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-scriptual: typography and graphic design with multiple script systems. Niggli Verlag, Salenstein, Switzerland. ISBN 9783721209822

Sioki, N. and Dyson, M. C. (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948

Smeijers, F. (2014) Putting letters next to each others: a historical overview (Buchstaben aneinanderreihen: ein geschichtlicher Überblick). In: Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum. Journal der HGB (3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 227-250. ISBN 9783932865862

Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559

Smith, M. M. (2003) 'Le Blanc aldin' and the paragraph mark. In: Jones, W. J., Kelly, W. A. and Shaw, F. (eds.) 'Vir ingenio mirandus' : Studies Presented to John L Flood,. Kummerle. ISBN 3874529614

Smith, M. M. (2003) Printing industry. In: Mokyr , J. (ed.) The Oxford Encyclopedia of Economic History. Oxford University Press, New York, pp. 259-262. ISBN 9780195105070

Smith, M. M. (2004) The pugillary of Lazzaro de' Soardi and the 'littera galante': more rivals to the Aldine classical octavo in italics. In: Biemans, J., Kuitert, L. and Verkruijsse, P. (eds.) Boek & letter: Boekwetenschappelijke bijdragen ter gelegenheid van het afscheid van profdr Frans A Janssen als hoogleraar in be Boek - en bibliotheekgeschiedenis aa de Universiteit van Amsterdam. De Buitenkant, Amsterdam, pp. 177-193. ISBN 9789076452456

Stiff, P. (2009) Austerity, optimism: modern typography in Britain after the. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299

Stiff, P. and Cerne Oven, P. (2009) Ernest Hoch and reasoning in typography. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389

Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: https://doi.org/10.1017/CHOL9780521810173.004

Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: https://doi.org/10.1017/CHOL9780521866248.004

Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears)

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975

Unger, G. (2013) Romanesque capitals in inscriptions. In: Kindel, E. and Luna, P. (eds.) Typography Papers 9. Hyphen Press, London, pp. 5-25. ISBN 9780907259480

Walker, S. (2013) Graphic explanation for children, 1944-71. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925-1971. Hyphen Press, London, pp. 390-437. ISBN 9780907259473

Walker, S. (1998) Handwriting skills. In: Corson, D. and Edwards, V. (eds.) The encyclopedia of language and education. Kluwer, Dordrecht, pp. 97-105. ISBN 9780792345954

Walker, S. (2000) Leading the field or behind the times? Doctoral education in typography and graphic communication. In: Durling, D. and Friedman, K. (eds.) Foundations for the future: doctoral education in design. Staffordshire University Press, pp. 337-344.

Walker, S. (2007) Letterforms for handwriting and reading: print script and sanserifs in early twentieth-century England. In: Typography papers. Typography papers (7). Hyphen Press, pp. 81-114. ISBN 9780907259336

Walker, S. (2017) Marie Neurath: designing information books for young people. In: Black, A., Lund, O., Luna, P. and Walker, S. (eds.) Information design research and practice. Routledge, pp. 117-126. ISBN 9780415786324

Walker, S. (2017) The contribution of typography and information design to health communication. In: Cooper, R. and Tsekleves, E. (eds.) Design for health. Routledge, pp. 92-109. ISBN 9781472457424

Walker, S., Black, A., Bessemans, A., Bormans, K., Renckens, M. and Barratt, M. (2018) Designing digital texts for beginner readers: performance, practice and process. In: Barzillai, M., Thomson, J. M., Schroeder, S. and Broek, P. W. v. d. (eds.) Learning to read in a digital world. Studies in written language and literacy (17). John Benjamins, Amsterdam, pp. 31-56. ISBN 9789027201225 doi: https://doi.org/10.1075/swll.17.02wal

Report

Banham, R., (2008) A handlist of films showing printing & typesetting. Self published (St Bride Library )

Conference or Workshop Item

Dyson, M. C. (2003) Readers' navigation of electronic documents: how do we find our way around the research? In: 1st Information Design International Conference, 2003, Recife, Brazil.

Dyson, M. C. and Jennings, E. M. (2014) Examining the interfaces to e-journal articles: what do users expect? In: DUXU 2014, June 2014, Creta Maris, Heraklion, Crete, Greece, pp. 164-173.

Fadel, L. M. and Dyson, M. C. (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: https://doi.org/10.1109/VLHCC.2006.15

Fadel, L. and Dyson, M. C. (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria.

Luna, P. (2004) Not just a pretty face: the contribution of typography to lexicography. In: 11th EURALEX International Congress, 6-10 July 2004, Lorient, France, pp. 847-858.

Simão, M. F. F., Dyson, M. C. and Assunção, M. (2004) Enhancing social interaction in an online educational environment. In: IV Congresso Brasileiro de Computação, 2004, Itajaí, Santa Catarina, Brasil.

Souto, V. T. and Dyson, M. C. (2004) Location of the table of contents in web documents: same screen or separate screen. In: IADIS International Conference WWW/Internet, 6-9 October 2004, Madrid, Spain.

Stiff, P. (2004) Why designers need to understand reading. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Tam, K. (2017) Trust in Chinese–English bilingual documents: a heuristic for typographic decision-making. In: Typography Day Colombo 2017, 24–25 Feb 2017, Colombo, Sri Lanka.

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.

Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48.

Unger, G. (2015) Letters from the edge of Europe. In: Granshan Conference, 23–25 July 2015, University of Reading.

Waller, R. H. W. (2009) Simplification: what is gained and what is lost. In: The International Conference of Applications of Information Design, 25-28 June 2008, Mälardalen University in Eskilstuna, Sweden, pp. 219-230.

Book

Andrews, M. J. (2003) The life and work of Robert Gibbings. The Primrose Hill Press, London, pp426. ISBN 9781901648317

Banham, R. and Ross, F. (2008) Non-Latin typefaces at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, pp64. ISBN 0950416150

Black, A., Luna, P., Lund, O. and Walker, S., eds. (2017) Information design: research and practice. Routledge, London, pp600. ISBN 9780415786324

Blacksell, R. and Walker, S., eds. (2016) Architecture and the spaces of information. Architecture and Culture, 4 (1). Taylor & Francis.

Blume, J., Pané-Farré, P. and Smeijers, F., eds. (2014) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (From the book to the street: big letters in public space). Journal der HGB, 3. Hochschule für Grafik und Buchkunst, Leipzig, pp256. ISBN 9783932865862

Burke, C. (2007) Active literature: Jan Tschichold and New Typography. Hyphen Press, London, pp336. ISBN 9780907259329

Burke, C. (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106

Burke, C. (1998) Paul Renner: the art of typography. Hyphen Press, London, pp224. ISBN 0-907259-12-X

Burke, C. (2019) The mysterious case of the curtailed g: Danish style in type. Perpensa Press, Devizes, pp40. ISBN 9781916053908

Burke, C. and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442

Burke, C. and Walker, S., eds. (1998) Typography papers, 3. Typography papers, 3. Department of Typography & Graphic Communication, Reading, pp148. ISBN 0-7049-1123-x

Burke, C., Kindel, E. and Walker, S., eds. (2013) Isotype: design and contexts 1925–1971. Hyphen Press, London, pp554. ISBN 9780907259473

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt. Journal of Architecture. Taylor & Francis.

Dyson, M. C. (2003) Digital creativity. Taylor and Francis.

Dyson, M. C. and Suen, C. Y., eds. (2016) Digital fonts and reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems: Volume 1. World Scientific. ISBN 9789814759533

Kindel, E. (2019) Stencil: a descriptive bibliography. Éditions à jour, Reading, pp24.

Kindel, E., ed. (2018) Typeform Dialogues (2nd edition). Hyphen Press, London.

Kindel, E., ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152

Kindel, E. and Luna, P., eds. (2013) Typography papers, 9. Hyphen Press, London. ISBN 9780907259480

Leonidas, G. (2012) Never lost for words. Monotype Imaging Ltd, Bad Homburg, pp. 1-20.

Leonidas, G. (2000) An introduction to Greek typeface design. AGFA/Monotype, Palo Alto, California, pp54.

Lickiss, M. (2019) Design perspectives on multimodal documents: system, medium, and genre relations. Routledge Studies in Multimodality. Routledge. ISBN 9781138096844

Luna, P. (2018) Typography: a very short introduction. Very Short Introductions. Oxford University Press, Oxford, pp155. ISBN 9780199211296 doi: https://doi.org/10.1093/actrade/9780199211296.001.0001

Nemeth, T. (2017) Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993. Islamic Manuscripts and Books, 14. Brill Academic Publishers, Leiden ⸱ Boston, pp509. ISBN 9789004303775 doi: https://doi.org/10.1163/9789004349308

Poynor, R. (2020) David King: Designer, Activist, Visual Historian. Yale University Press, pp240. ISBN 9780300250107

Poynor, R. (2017) National theatre posters: a design history. Unit Editions, London, pp256. ISBN 9780995666436

Ross, F. (1999) The Printed Bengali character and its evolution. Curzon Press, Richmond, pp244. ISBN 0-7007-1135 X (First edition)

Ross, F. (2009) The printed Bengali character and its evolution. Shishu Sahitya Samsad, Kolkata, India, pp251. ISBN 9788179551849

Ross, F., Luna, P., Shaw, G. and Berry, J. (2012) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp160. ISBN 9780950416182

Schilhab, T. and Walker, S., eds. (2020) The materiality of reading. Aarhus University Press, pp154. ISBN 9788771849585

Slinn, J., Carter, S. and Southall, R. (2014) History of the Monotype Corporation. Printing Historical Society / Vanbrugh Press, London / Woodstock, pp432. ISBN 9780993051005 (Edited by Boag, A. and Burke, C.)

Stiff, P. (2003) Typography Papers. Vol 5. University of Reading, pp128.

Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299

Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128.

Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104.

Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035

Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104

Unger, G. (2018) Theory of type design. Nai 010, Rotterdam, pp240. ISBN 9789462084407

Walker, S. (2013) Book design for children's reading: typography, picture, print. St Bride Foundation, London, pp224. ISBN 9780950416137

Walker, S. (2000) Typography and language in everyday life: prescriptions and practices. Language in social life. Longman, Harlow, pp224. ISBN 9780582357556

Walker, S. and Edwards, V. (1995) Building bridges: multilingual resources for children. Multilingual Matters, Clevedon, pp130. ISBN 9781853592904

Walker, S. F. (2005) The songs the letters sing: typography and children's reading. National Centre for Language and Literacy, Reading, pp23. ISBN 9780704998469

Thesis

Barker, A. (2019) A comparison of seeking-finding behaviours across the contexts of environmental space, paper documents, and on-screen. PhD thesis, University of Reading.

Blacksell, R. (2013) Typography after conceptual art: text-based conceptual art and its contribution to contemporary typographic discourse. PhD thesis, University of Sheffield.

Brezina, D. (2019) Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin. PhD thesis, University of Reading.

Camillini, G. (2020) Fortunato Depero and Depero futurista 1913–1927. PhD thesis, University of Reading.

Conidi, E. (2018) Arabic types in Europe and the Middle East, 1514-1924: challenges in the adaptation of the Arabic script from written to printed form. PhD thesis, University of Reading.

Copetti Klohn, S. (2019) The use of informative and decorative pictures in health and safety posters for children. PhD thesis, University of Reading.

Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading.

Gillieson, K. (2008) A framework for graphic description in book design. PhD thesis, University of Reading.

Lamberg, J. J. J. (2016) Clothing the paper: on the state of newspaper design, redesigns, and art directors’ perspectives in contemporary quality and popular newspapers. PhD thesis, University of Reading.

Lekka, H. (2018) Linotype’s design of new Greek typefaces for photocomposition in the Greek printing market, 1970-1980. PhD thesis, University of Reading.

Lickiss, M. D. (2015) relationships between document instantiations across systems, mediums, and genres. PhD thesis, University of Reading.

McIlwraith, A. (2019) Better museum maps: an empirical study comparing the appeal and effectiveness of graphic design approaches. PhD thesis, University of Reading.

Moys, J.-L. (2012) Typographic meaning: readers’ impressions of patterns of typographic differentiation. PhD thesis, University of Reading.

Olocco, R. (2019) A new method of analyzing printed type: the case of 15th-century Venetian romans. PhD thesis, University of Reading.

Papassissa, E. (2020) Conventions, traditionalism, Latinisation, and modernity in Armenian typefaces across type-making technologies from 1512 to 1977. PhD thesis, University of Reading.

Polat, D. N. (2018) A typographic analysis of newspapers and magazines in the Turkish alphabet reform (1928-1929). PhD thesis, University of Reading.

Roberto, R. (2019) Democratising knowledge and visualising progress: illustrations from Chambers's Encyclopaedia, 1859-1892. PhD thesis, University of Reading.

Singh, V. (2017) Devanagari type in the twentieth century. PhD thesis, University of Reading.

Traina, R. (2018) An information design approach to documenting live art: locating & empowering the document user. PhD thesis, University of Reading.

Artefact

Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact]

Gillieson, K. (2011) 'The democracy of objects' by Levi R. Bryant [Book design by Katherine Gillieson]. [Artefact]

Luna, P. (2011) The Book of Common Prayer: The texts of 1549, 1559, and 1662 [Book design by Paul Luna]. [Artefact]

Luna, P. (2015) The Poems of T. S. Eliot [Book design by Paul Luna]. [Artefact]

Luna, P. (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact]

Show/Exhibition

Blume, J., Pané-Farré, P. and Smeijers, F. (2014) Vom buch auf die Straße: große Schrift von 1600 bis 1920 (From the book to the street: big letters from 1600 to 1920). [Show/Exhibition]

Burke, C. and Holter, M. (2014) Timeless signs: Otto Neurath and reflections in Austrian contemporary art. [Show/Exhibition]

Burke, C., Kindel, E. and Walker, S. (2010) Isotype: international picture language. [Show/Exhibition]

Izadpanah Abkenar, B. and Ross, F. (2019) Twentieth-century Persian newspaper types – investigating the design process. [Show/Exhibition]

Kindel, E. and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition]

Kindel, E., Minns, E., Nairne, K., Odling-Smee, A. and Walker, S. (2019) Marie Neurath: Picturing Science. [Show/Exhibition]

Leonidas, G. (2015) Greek printing outside Greece, from the 15th century to e-books. [Show/Exhibition]

Leonidas, G. (2015) Snapshots from 1985–1995. [Show/Exhibition]

Ross, F. and Savoie, A. (2011) World Scripts, Selected Material from the Non-Latin Type Collection, the University of Reading. [Show/Exhibition]

Ross, F. and Singh, V. (2012) From hot-metal to OpenType – the type design process for world scripts. [Show/Exhibition]

Ross, F. and Singh, V. (2014) Making news: type technologies in transition in newspapers across the world. [Show/Exhibition]

Singh, V. (2018) One letter at a time: index typewriters and the alphabetic interface. [Show/Exhibition]

Project

Ross, F. (2017) Fonts for classical texts in a digital age. [Project] (Collection)

Web Resource

Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle)

Other

Hudson, J. and Ross, F. (2017) Murty Bangla typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Murty Gurmukhi typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Murty Hindi typeface. Harvard University Press.

Hudson, J. and Ross, F. (2017) Murty Kannada typeface. Harvard University Press.

Hudson, J. and Ross, F. (2016) Murty Sanskrit typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Murty Telugu typeface. Harvard University Press.

Hudson, J. and Ross, F. (2015) Sanskrit text typeface. Microsoft.

Izadpanah Abkenar, B. and Ross, F. (2018) Markazi text typeface. Google Fonts.

Izadpanah Abkenar, B. and Ross, F. (2018) Marlik typeface. Rosetta Type Foundry.

Kshetrimayum, N. and Ross, F. (2016) ABP extra bold Bengali typeface. Ananda Bazar Patrika, Kolkata.

Kshetrimayum, N. and Ross, F. (2020) Linotype Bengali typeface, a revival. Monotype.

Leonidas, G. (2011) Adobe Bickham Script Greek typeface. Adobe Inc..

Leonidas, G. (2005) Adobe Garamond Premier Pro Greek. University of Reading.

Leonidas, G. (2011) Brill Greek, Adobe Arno Pro, Adobe Text/Brevier Greek typefaces. Brill & Adobe Inc..

Leonidas, G. (2012) CUP Intermediate Greek-English Lexicon. Cambridge University Press, Cambridge.

Ross, F. and Kshetrimayum, N. (2017) ABP 2015 Bengali typeface. Ananda Bazar Patrika, Kolkata, India.

Ross, F., Holloway, T., Kshetrimayum, N. and Hudson, J. (2012) Sarkar Bengali typeface. Anandabazar Patrika, Kolkata, India.

Ross, F. G., Holloway, T. and Hudson, J. (2009) Adobe Devanagari typeface. Adobe Inc, USA.

Unger, G., Grace, T. and Vlachou, I. (2013) Alverata: Latin, Greek and Cyrillic typeface. TypeTogether s.r.o., Prague.

Walker, S., Connare, V. and Scaglione, J. (2005) Fabula: type design. University of Reading.