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Bending, L. (2004) Pain and religion in the Victorian era. In: Moscoso, J. (ed.) Pain: passion, compassion, sensibility. Wellcome Trust, London. ISBN 1841290505

Bending, L. (2010) Self-presentation and instability in Harriet Martineau's autobiography. In: Dzelzainis, E. and Kaplan, C. (eds.) Harriet Martineau: authorship, society and empire. Manchester University Press, UK, pp. 63-73. ISBN 9780719081330

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Bradbury, N. (2010) Dolce far niente. In: Hollington, M. and Orestano , F. (eds.) Dickens and Italy: Little Dorrit and pictures from Italy. Cambridge Scholars Publishing, UK, pp. 15-25. ISBN 9781443814430

Bradbury, N. (2004) 'While I waggled my small feet': Henry James's return to Paris. Yearbook of English Studies, 34. pp. 186-193. ISSN 2222-4289 doi: 10.2307/3509493

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Brauner, D. (2010) Contemporary American fiction. Edinburgh critical guides to literature. Edinburgh University Press, UK, pp256. ISBN 9780748622672

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Brauner, D. (2007) Philip Roth. Contemporary American and Canadian novelists. Manchester University Press, Manchester, pp272. ISBN 9780719074240

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Brauner, D. (2006) Will the real King David please stand up?: unauthorized versions of the King David story in three post-war Jewish novels. In: Knight, M. and Woodman, T. (eds.) Biblical religion and the novel, 1700–2000. Ashgate Publishing, Aldershot, pp. 105-120. ISBN 9780754651178

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Brauner, D. (2004) Brilliant Jewish boys and gifted Jewish girls: the child prodigy in Bernice Rubens and Rebecca Goldstein. In: Behlau, U. and Reitz, B. (eds.) Jewish Women's Writing of the 1990s and Beyond in Great Britain and the United States. Mainz University Studies in English (5). Wissenschaftlicher Verlag Trier, pp. 217-226. ISBN 3884766686

Brauner, D. (2012) Lorrie Moore collection, 'A Little Ethnic Kink Is Always Good to See”: Jewish performance anxiety and anti-passing in the fiction of Lorrie Moore. Journal of American Studies, 46 (3). pp. 581-602. ISSN 1469-5154 doi: 10.1017/S0021875811001940

Brauner, D. (2010) Masturbation and its discontents; or, serious relief: Freudian comedy in 'Portnoy's Complaint'. In: Siegel , B. and Halio, J. L. (eds.) Playful and Serious: Philip Roth as a Comic Writer. University of Delaware Press, pp. 47-67. ISBN 9781611491470

Brauner, D. (2012) Much ado about nothing: boredom, banality and bathos in late Henry Green and early John Updike. Yearbook of English Studies, 42. pp. 186-203. ISSN 2222-4289 doi: 10.5699/yearenglstud.42.2012.0186 (Literature of the 1950s and 1960s)

Brauner, D. (2001) Post-War Jewish fiction: ambivalence, self-explanation and transatlantic connections. Palgrave Macmillan, pp236. ISBN 9780333740354

Brauner, D. (2010) Writing the triple whammy: Canadian-Jewish Québécois identity, the comedy of self-deprecation, and the triumph of Duddy Kravitz. Canadian Literature, 207. pp. 76-88. ISSN 0008-4360

Brauner, D. (2009) "The days after" and "the ordinary run of hours": counternarratives and double vision in Don DeLillo's 'Falling Man'. Review of International America Studies, 3 (3-4). pp. 72-81. ISSN 1991-2773

Brauner, D. and MacPherson, H. S. (2012) Lorrie Moore: Mo(o)re than an interim assessment. Journal of American Studies, 46 (3). pp. 541-550. ISSN 1469-5154 doi: 10.1017/S0021875811001927

Brauner, D. (2013) 'Stories never told : canonicity, history and herstory in Dan Jacobson's Her story and the godfearer'. In: Andermahr, S. and Pellicer-Ortin, S. (eds.) Trauma narratives and herstory. Palgrave/Macmillan, pp. 129-140. ISBN 9781137268341

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Bullard, R. (2009) The politics of disclosure, 1674-1725: secret history narratives. Pickering and Chatto, London, pp258. ISBN 9781851969692

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Bullen, J.B. (2003) Sara Losh: architect, romantic, mythologist. In: Levey, M. (ed.) The Burlington Magazine: a centenary anthology. Yale University Press, New Haven, pp. 215-227. ISBN 9780300099119

Calore, M. (2003) Elizabethan plots: a shared code of theatrical and fictional language. Theatre Survey, 44 (2). pp. 249-261. ISSN 1475-4533 doi: 10.1017/S0040557403000127

Cano-Echevarria, B. and Hutchings, M. (2012) The Spanish Ambassador and Samuel Daniel's Vision of the Twelve Goddesses: A New Document [with text]. English Literary Renaissance, 42 (2). pp. 223-257. ISSN 1475-6757 doi: 10.1111/j.1475-6757.2012.01105.x

Cano-Echevarria, B., Saez-Hidalgo, A., Redworth, G. and Hutchings, M. (2008) "Comfort without offence?" The performance and transmission of exile literature, the English College at Valladolid, 1592-1615. Renaissance and Reformation / Renaissance et Reforme, 31 (1). pp. 31-67.

Carmagno, F. and Robinson, P. (2011) Peter Robinson. Aforistica/mente Rivista.

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Carville, C. (2012) Harm's way. Dedalus Press. (In Press)

Carville, C. (2010) Warding off an epitaph: had I a thousand lives. In: Alcobia-Murphy, S. and Kirkland , R. (eds.) The Poetry of Medbh McGuckian: The Interior of Words. Cork University Press, pp. 117-129. ISBN 9781859184653

Carville, C. (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Carville, C. (2012) Heaney and the neighbour: poetry between politics and ethics. Textual Practice. ISSN 1470-1308 (In Press)

Cheyette, B. (2007) Appropriating Primo Levi. In: Gordon, R. S. C. (ed.) The Cambridge companion to Primo Levi. Cambridge Companions to Literature. Cambridge University Press, Cambridge, pp. 67-85. ISBN 9780521604611 doi: 10.1017/CCOL052184357X.005

Cheyette, B. (2005) British-Jewish writing and the turn towards diaspora. In: Marcus, L. and Nicholls, P. (eds.) The Cambridge history of twentieth-century English literature. The New Cambridge History of English Literature. Cambridge University Press, Cambridge, pp. 700-715. ISBN 9780521820776

Cheyette, B. (2011) English anti-Semitism: a counter-narrative. Textual Practice, 25 (1). pp. 15-32. ISSN 1470-1308 doi: 10.1080/0950236X.2011.546084

Cheyette, B. (2006) Fanon et Sartre: Noirs et Juifs. Les temps modernes, 2006 (635). pp. 159-174.

Cheyette, B. (2005) Frantz Fanon and Jean Paul Sartre: blacks and jews. Wasifiri, 44. pp. 7-12. ISSN 0269-0055 (special issue 'Frantz Fanon')

Cheyette, B. (2006) Frantz Fanon and the Black-Jewish imaginary. In: Silverman, M. (ed.) Frantz Fanon’s 'Black skin, white masks'. Texts in Culture. Manchester University Press, Manchester, pp. 74-99. ISBN 9780719064487

Cheyette, B. (2006) Muriel Spark’s The prime of Miss Jean Brodie. In: Shaffer, B. W. (ed.) A companion to the British and Irish novel 1945-2000. Blackwell Companions to Literature and Culture. Blackwell, Oxford, pp. 367-375. ISBN 9781405167451

Cheyette, B. (2007) On being a Jewish critic. In: Stähler, A. (ed.) Anglophone Jewish literature. Routledge Studies in Twentieth-Century Literature. Routledge, Oxford, pp. 33-48. ISBN 9780415414647

Cheyette, B. (2006) On the 'D' train: Bob Dylan's conversions. In: Dix, A. and Taylor, J. (eds.) Figures of heresy: radical theology in English and American writing, 1800-2000. Sussex Academic, Brighton, pp. 171-195. ISBN 9781845190262

Cheyette, B. (2006) Secular and religious criticism: a reply to Kevin Mills. In: Dix, A. and Taylor, J. (eds.) Figures of heresy: radical theology in English and American writing, 1800-2000. Sussex Academic, Brighton, pp. 206-209. ISBN 9781845190262

Cheyette, B. (2012) A glorious achievement: Edward Said and the Last Jewish Intellectual. In: Doring, T. and Stein, M. (eds.) Edward Said's Translocations: Essays in Secular Criticism. Routledge Research in Postcolonial Literatures. Routledge, pp. 74-94. ISBN 9780415886376

Cheyette, B. (2009) Eliot and 'Race': Jews, Irish and Blacks. In: Chinitz, D. (ed.) A Companion to TS Eliot. Blackwells Companions Literature and Culture Series. Wiley-Blackwell, Oxford, pp. 335-349. ISBN 9781405162371

Cheyette, B. (2007) Imagined communities: Jewish writing in Great Britain. In: Liska, V. and Nolden, T. (eds.) Contemporary Jewish Writing in Europe: A Guide. Jewish Literature and Culture. Indiana University Press, Bloomington Indiana, pp. 90-117. ISBN 9780253348753

Cheyette, B. (2013) A Race to Leave Alone: Kipling and the Jews. In: In Time’s Eye: essays on Rudyard Kipling. Manchester University Press, Manchester. ISBN 9780719090172 (In Press)

Cocks, N. (2011) Fort/ da: a reading of Picturing innocence by Anne Higonnet. In: Lesnik-Oberstein, K. (ed.) Children in culture, revisited: further approaches to childhood. Palgrave, Basingstoke, pp. 147-166. ISBN 9780230275546

Cocks, N. (2007) On Frida Kahlo’s moustache: a reading of Self-portrait with cropped hair and its criticism. In: Lesnik-Oberstein, K. (ed.) The last taboo: women and body hair. Manchester University Press, Manchester, pp. 191-208. ISBN 9780719075001

Cocks, N. (2011) ‘Scripture its own interpreter’: Mary Martha Sherwood, the Bible and female autobiography. Nineteenth Century Gender Studies , 7 (3). ISSN 1556-7524

Cocks, N. (2009) Student-centred: education, freedom and the idea of audience. Axis Series, 7. InkerMen Press, Ashby-de-la-Zouch, pp246.

Cocks, N. (2013) The child and the letter: Anne Brontë’s The Tenant of Wildfell Hall. Textual Practice. ISSN 1470-1308 doi: 10.1080/0950236X.2013.767854

Colclough, S. (2003) 'R R, a remarkable thing or action': John Dawson (1692-1765) as reader and annotator. Variants: the journal of the European Society for Textual Scholarship, 2-3. pp. 58-74. ISSN 1573-3084 (special issue 'Reading notes')

Colclough, S. (2002) Reading and the circulating library: evidence from the diaries of Charlotte Francis (1798-1870). Quadrat, 15. pp. 11-16. ISSN 1357-6666

Colclough, S. (2003) 'A larger outlay than any return': the library of W.H. Smith & Son 1860-73. Publishing history, 54. pp. 5-33. ISSN 0309-2445

Davies, M. (2006) Margaret Atwood's female bodies. In: Howells, C. A. (ed.) The Cambridge companion to Margaret Atwood. Cambridge University Press, Cambridge, pp. 58-72. ISBN 9780521839662

Dentith, S. (2011) Border Country then and now. Key Words: A Journal of Cultural Materialism, 9. pp. 58-74. ISSN 1369-9725

Dentith, S. (2012) ‘The Claims of Epic: Overcoming historical distance in the Homeric versions of Derek Walcott and Michael Longley’. In: Elle s’étend, l’épopée: Relecture et ouverture du corpus épique; The Epic expands;Rereading and widening the epic corpus. Peter Lang, Brussels, pp. 437-448. ISBN 9789052018812

Dentith, S. (2007) Harnessing plurality: Andrew Greig and Modernism. In: Schoene, B. (ed.) The Edinburgh companion to contemporary Scottish literature. Edinburgh University Press, Edinburgh, pp. 184-193. ISBN 9780748623952

Dentith, S. (2010) 'I would have her whipped': David Copperfield in its historical moment. In: Barker , S. and Gill , J. (eds.) Literature as history: essays in honour of Peter Widdowson. Continuum literary studies. Continuum, pp. 28-38. ISBN 9780826433855

Dentith, S., ed. (2011) 'Phineas Finn' by Anthony Trollope. Oxford World's Classics. Oxford University Press, Oxford, pp640. ISBN 9780199581436

Dentith, S. (2007) Realist synthesis in the nineteenth-century novel: “That unity which lies in the selection of our keenest consciousness”. In: Beaumont, M. (ed.) Adventures in Realism. Blackwell, Oxford, pp. 33-49. ISBN 9781405135771

Dentith, S. (2009) Morris, ‘The Great Story of the North’, and the barbaric past. Journal of Victorian Culture, 14 (2). pp. 238-254. ISSN 1750-0133 doi: 10.3366/E1355550209000812

Dentith, S. (2009) “The shadow of the workhouse”: the afterlife of a Victorian institution. Lit: Literature Interpretation Theory, 20 (1-2). pp. 79-91. ISSN 1545-5866 doi: 10.1080/10436920802690448

Donnell, A. (2007) Feeling good? Look again!: Feel good movies and the vanishing points of liberation in Deepa Mehta's Fire and Gurinder Chadha's Bend it like Beckham. Journal of Creative Communications, 2 (1-2). pp. 43-55. ISSN 0973-2594 doi: 10.1177/097325860700200203

Donnell, A. (2011) Heard but not seen: women’s short stories and the BBC’s Caribbean Voices programme. In: Evans, L., McWatt, M. and Smith, E. (eds.) The Caribbean short story: critical perspectives. Peepal Tree Press, Leeds, UK, pp. 29-43. ISBN 9781845231262

Donnell, A. (2011) Living and loving: emancipating the Caribbean queer citizen in Shani Mootoo’s Cereus Blooms at Night. In: Smith, F. (ed.) Sex and the citizen: interrogating the Caribbean. New World Studies. University of Virginia Press, USA, pp. 168-180. ISBN 9780813931128

Donnell, A. (2008) Prospero's daughter: recovering Caribbean wo/men. MaComère, 10. pp. 36-56. ISSN 1521-9968 (Rethinking Caribbean women)

Donnell, A., ed. (2011) Una Marson: selected poems. Caribbean Modern Classics. Peepal Tree Press, Leeds, UK. ISBN 9781845231682

Donnell, A. (2011) The lives of others: happenings, histories and literary healing. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 421-430. ISBN 9780415485777

Donnell, A. (2011) The questioning generation: rights, representations and cultural fractions in the 1980s and 90s. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 124-135. ISBN 9780415485777

Donnell, A. (2012) Caribbean queer: new meetings of place and the possible in Shani Mootoo’s 'Valmiki’s Daughter'. Contemporary Women's Writing, 6 (3). pp. 213-232. ISSN 1754-1476 doi: 10.1093/cww/vps024

Donnell, A. (2012) Contesting Thistlewood: slavery, agency and the limits of representation. In: Bleeding & Breeding. Station Gallery, Whitby, Ontario, Canada, pp. 33-36. ISBN 9780986717147

Donnell, A. (2011) Una Marson and the fractured subjects of modernity: writing across the black Atlantic. Women: a cultural review, 22 (4). pp. 345-369. ISSN 1470-1367 doi: 10.1080/09574042.2011.618658 (special issue 'Disrupting the narrative: gender and fractured form')

Donnell, A. (2013) V.S. Naipaul - A Queer Trinidadian. Wasafiri, 28 (2). pp. 59-66. ISSN 1747-1508 (In Press)

Donnell, A. (2008) Welsh and West Indian, “like nothing … seen before”: unfolding diasporic lives in Charlotte Williams’ Sugar and Slate. Anthurium: A Caribbean Studies Journal, 6 (2). ISSN 1547-7150

Donnell, A. (2012) The island and the world: kinship, friendship and living together in selected writings of Sam Selvon. Journal of West Indian Literature, 20 (2). pp. 38-53. ISSN 0258-8501

Donnell, A. and Bucknor, M. A., eds. (2011) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK. ISBN 9780415485777

Eliot, S. (2005) Format, copyright, price: some material vectors in iterary culture. Novoje literaturnoje obozrenie, 73. pp. 360-366.

Eliot, S. J. (2003) Continuity and change in British publishing, 1770-2000. Publishing Research Quarterly, 19 (2). pp. 37-50. ISSN 1936-4792 doi: 10.1007/s12109-003-0005-7

Eliot, S., Nash, A. and Willison, I., eds. (2007) Literary cultures and the material book. British Library studies in the history of the book. British Library Publishing, London, pp440. ISBN 9780712306843

Ellis, J. (2003) "A curious cat": Elizabeth Bishop and the Spanish Civil War. Journal of Modern Literature, 27 (1-2). pp. 137-148. ISSN 1529-1464

Ellis, J. P. (2003) Digging for poetry. Metre: a magazine of international poetry, 13. pp. 89-99. ISSN 1393-4414

Ellis, J. P. (2003) From maps to monuments: Elizabeth Bishop's shoreline poems. Mosaic, 36 (4). pp. 103-119. ISSN 1925-5683 (special issue 'Pilgrimage')

Feldman, M. and Nixon, M., eds. (2007) Samuel Beckett's literary legacies. Cambridge Scholars Publishing, Newcastle, pp240. ISBN 9781847182814

Field, R., Hardman, P. M. and Sweeney, M., eds. (2010) Christianity and romance in medieval England. Boydell & Brewer. ISBN 9781843842194

Fletcher, L. (2003) Introduction. In: Fletcher, L. (ed.) Celestina by Charlotte Smith. Broadview Press, Peterborough, Ontario, Canada. ISBN 9781551114583

Fletcher, L. (2003) Introduction. In: Fletcher, L. (ed.) Emmeline by Charlotte Smith. Broadview Press, Peterborough, Ontario, Canada. ISBN 9781551113593

Gurr, A. (2011) Another Jonson critic. Ben Jonson Journal, 18. pp. 27-44. ISSN 1079-3453 doi: 10.3366/bjj.2011.0005

Gurr, A. (2009) Did Shakespeare own his own playbooks? Review of English Studies, 60 (244). pp. 206-229. ISSN 1471-6968 doi: 10.1093/res/hgn098

Gurr, A. (2012) Shakespeare's opposites: The Admiral's Company, 1594-2625. Cambridge University Press, Cambridge, pp328. ISBN 9781107669437

Gurr, A. (2010) Venues on the verges: London's theater government between 1594 and 1614. Shakespeare Quarterly, 61 (Winter). pp. 468-489. ISSN 1538-3555

Hardman, C. (2005) 'Our drooping country now erects her head'. Tate's History of King Lear. In: Pavlovski, L. (ed.) Literature Criticism 1400-1800. Gale, Michigan, pp. 347-354. ISBN 9780787687267

Hardman, P. (2010) Domestic learning and teaching: investigating evidence for the role of 'household miscellanies' in late-medieval England. In: Lawrence-Mathers, A. and Hardman, P. (eds.) Women and writing c.1340-c.1650: the domestication of print culture. Manuscript culture in the British Isles. York Medieval Press, UK, pp. 15-33. ISBN 9781903153321

Hardman, P. (2003) Evidence of readership in fifteenth century household miscellanies. Poetica, 60. pp. 15-30. ISSN 0287-1629 (special issue 'The history of the book in fifteenth century Britain')

Hardman, P. (2011) Learning lessons in Middle English romance. Reading Medieval Studies, 37. pp. 1-13. ISSN 0950-3129

Hardman, P. (2006) Lydgate's 'uneasy' syntax. In: Scanlon, L. and Simpson, J. (eds.) John Lydgate: poetry, culture, and Lancastrian England. University of Notre Dame Press, Notre Dame, USA, pp. 12-35. ISBN 9780268041168

Hardman, P. (2004) Malory and middle English verse romance: the case of 'Sir Tristrem'. In: Wheeler, B. (ed.) Arthurian studies in honour of P.J.C. Field. Arthurian studies (57). D.S. Brewer, Cambridge, pp. 217-222. ISBN 9781843840138

Hardman, P., ed. (2003) Medieval and early modern miscellanies and anthologies. Yearbook of English studies, 33. Maney Publishing, Leeds, pp340. ISBN 1902653939

Hardman, P. (2003) Presenting the text: pictorial tradition in fifteenth century manuscripts of 'The Canterbury tales'. In: Finley, W. and Rosenblum, J. (eds.) Chaucer illustrated: 500 Years of the Canterbury Tales in pictures. Oak Knoll Press; British Library Publishing, New Castle, Del.; London, pp. 37-72. ISBN 9780712348164

Hardman, P. (2011) Roland in England: contextualising the Middle English Song of Roland. In: Purdie , R. and Cichon, M. (eds.) Medieval Romance, Medieval Contexts. Studies in Medieval Romance. D S Brewer, Cambridge, pp. 91-104. ISBN 9781843842606

Hardman, P. (2004) 'This litel child, his litel book': narratives for children in late fifteenth century England. Journal of the Early Book Society, 7. pp. 51-66. ISSN 1525-6790

Hardman, P. (2005) The true romance of Tristrem and Ysoude. In: Saunders, C. (ed.) Cultural encounters in the romance of medieval England. Studies in Medieval Romance. D. S. Brewer, Cambridge, pp. 85-99. ISBN 9781843840329

Hardman, P. (2009) Popular romances and young readers. In: Radulescu, R. L. and Rushton, C. J. (eds.) A Companion to Medieval Popular Romance. Studies in Medieval Romance. D S Brewer, Cambridge, pp. 150-164. ISBN 9781843841920

Hardman, P. (2009) Sign language: seeing things in Middle English poems. Harlaxton Medieval Studies (18 (new series)). pp. 85-99.

Hardman, P. (2008) Speaking of Roland: the Middle English 'Song of Roland' in BL MS Lansdowne 388. In: Lawrence, A., Le Saux, F. H. M. and Ailes, M. J. (eds.) Medieval Historical Discourses: Essays in Honour of Professor Peter S Noble. Reading Medieval Studies (XXXIV). University of Reading, Reading, pp. 99-121. ISBN 9780704998919

Hardman, P. (2009) The mobile page: special effects. In: Hennessy, M. V. (ed.) Tributes to Kathleen L Scott: English Medieval Manuscripts: Readers, Makers and Illuminators. Brepols, Turnhout, pp. 101-113. ISBN 9781872501086

Hardman, P. (2008) A note on the collation of BL MS Add. 37492 (The Fillingham Manuscript). Journal of the Early Book Society, 11. pp. 217-221. ISSN 1525-6790

Hardman, P. and Ailes, M. (2008) How English are the English Charlemagne romances? In: Cartlidge, N. (ed.) Boundaries in Medieval Romance. Studies in Medieval Romance. D S Brewer, Cambridge, pp. 43-55. ISBN 9781843841555

Hardman, P. M. (2007) Gawain's practice of piety in Sir Gawain and the green knight. In: Lee, M. (ed.) Poetry criticism. Vol. 76. Gale, Detroit, pp. 256-269. ISBN 9780787687106

Hardman, P. and Ailes, M. (2010) Crusading, chivalry and the Saracen world in insular romance. In: Field, R., Hardman, P. and Sweeney, M. (eds.) Christianity and romance in medieval England. Boydell & Brewer, Cambridge, pp. 45-65. ISBN 9781843842194

Hardman, P. and Morris, B. (2006) Introduction. In: Sumer is icumen in. Two Rivers Press, Reading. ISBN 9781901677492

Hardman, P., Le Saux, F., Noble, P. and Thomas, N. (2003) The growth of the Tristan and Iseut legend in Wales, England, France and Germany. Studies in medieval literature (24). Edwin Mellen Press, Lampeter, pp214. ISBN 9780773468351

Harvey, G. (2006) (Other) world and book: metafiction and the supernatural in 'The turn of the screw'. Dalhousie Review, 86 (2). pp. 195-206. ISSN 0011-5827

Harvey, G., ed. (2004) The wondrous tale of Alroy. The early novels of Benjamin Disraeli, v. 6. Pickering & Chatto, London, pp269. ISBN 1851967362

Harvey, G. M. (2007) Narrowing the abyss: Arnold Bennett’s Anna of the five towns. Études anglaises: revue du monde anglophone, 60 (1). pp. 29-41. ISSN 1965-0159 doi: 35400014675657.0030

Harvey, G. M. (2003) The complete critical guide to Thomas Hardy. Routledge, London, pp200. ISBN 9780415234924

Heale, E. (2002) Autobiography and authorship in Renaissance verse: chronicles of the self. Palgrave Macmillan, Basingstoke, pp216. ISBN 9780333773970

Heale, E. (2003) BL Additional 17492 (the 'Devonshire manuscript') folio 9r. In: Ostovich, H. and Sauer, E. (eds.) Reading early modern women: an anthology of texts in manuscript and print, 1550-1700. Routledge, London. ISBN 9780415966450

Heale, E. (2007) Contesting terms: loyal Catholicism and Lord Montague's entertainment at Cowdray, 1591. In: Archer, J. E., Goldring, E. and Knight, S. (eds.) The progresses, pageants, and entertainments of Queen Elizabeth I. Oxford University Press, Oxford, pp. 109-206. ISBN 9780199291571

Heale, E. (2004) 'Desiring women writing': female voices and courtly 'balets' in some early Tudor manuscripts. In: Burke, V. E. and Gibson, J. (eds.) Early modern women's manuscript writing: selected papers from the Trinty/Trent Colloquium. Ashgate, Aldershot, pp. 9-31. ISBN 9780754604693

Heale, E. (2003) Misogyny and the complete gentleman in early Elizabethan printed miscellanies. Yearbook of English Studies, 33. pp. 233-247. ISSN 2222-4289

Heale, E. (2004) Travailing abroad: the poet as adventurer. In: Pincombe, M. (ed.) Travels and translations in the sixteenth century: selected papes from the second international conference of the Tudor Symposium. Ashgate Publishing, Aldershot, pp. 3-18. ISBN 9780754608325

Holmes, J. (2005) Dante Gabriel Rossetti and the late Victorian sonnet sequence: sexuality, belief and the self. The Nineteenth Century Series. Ashgate, pp200. ISBN 9780754651086

Holmes, J. (2010) Darwinism, feminism and the sonnet sequence: Meredith's 'Modern love'. Victorian Poetry, 48 (4). pp. 523-538. ISSN 1530-7190

Holmes, J. (2003) Fletcher, Giles. In: Speake, J. (ed.) Literature of travel and exploration: an encyclopedia. Routledge, London. ISBN 9781579582470

Holmes, J. (2005) The Guiana projects: imperial and colonial ideologies in Ralegh and Purchas. Literature & History, 14 (2). pp. 1-13. ISSN 0306-1973

Holmes, J. (2003) Harriot, Thomas. In: Speake, J. (ed.) Literature of travel and exploration: an encyclopedia. Routledge, London. ISBN 9781579582470

Holmes, J. (2010) The Ionian father: Tennyson and Homer. Tennyson Research Bulletin, 9. pp. 330-347. ISSN 0082-2841

Holmes, J. (2012) Pagan epic in contemporary British poetry: Hughes and Logue, Ovid and Homer. In: The Epic Expands: Rereading & widening the epic corpus. P.I.E. Peter Lang, Brussels, pp. 343-358. ISBN 9789052018812

Holmes, J. (2004) Pursuing the well-beloved: Thomas Hardy, Jocelyn Pearston and the school of Rossetti. In: Clifford, D. and Roussillon, L. (eds.) Outsiders looking in: the Rossettis then and now. Anthem Press, London, pp. 237-251. ISBN 9781843311065

Holmes, J. (2003) Raleigh, Walter. In: Speake, J. (ed.) Literature of travel and exploration: an encyclopedia. Routledge, London. ISBN 9781579582470

Holmes, J. (2006) Robert Bridges. In: Kastan, D. S. (ed.) The Oxford encyclopedia of British literature. Oxford University Press, Oxford, pp. 267-270. ISBN 9780195169218

Holmes, J., ed. (2012) Science in modern poetry: new directions. Poetry & .... Liverpool University Press, Liverpool, pp256. ISBN 9781846318092

Holmes, J. (2006) Thomas Lodge's 'Amours': the copy-text for imitations of Ronsard in 'Phillis'. Notes & Queries, 53 (1). pp. 55-57. ISSN 1471-6941 doi: 10.1093/notesj/gjj126

Holmes, J. (2011) Victorian evolutionary criticism and the pitfalls of consilience. In: Saul, N. and James, S. J. (eds.) The Evolution of Literature: Legacies of Darwin in European Culture. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (152). Rodopi, Amsterdam, pp. 101-112. ISBN 9789042033979

Holmes, J. (2007) The X Club: Romanticism and Victorian science. In: Caleb, A. M. (ed.) (Re)creating science in nineteenth-century Britain. Cambridge Scholars Publishing, Newcastle, pp. 12-31. ISBN 9781847182203

Holmes, J. (2004) The growth of 'The Growth of Love' texts and poems in Robert Bridges's sonnet sequence. Review of English Studies, 55 (221). pp. 583-597. ISSN 1471-6968 doi: 10.1093/res/55.221.583

Holmes, J. (2010) The lay of the trilobite: rereading May Kendall. 19: Interdisciplinary Studies in the Long Nineteenth Century, 11. ISSN 1755-1560

Holmes, J. (2004) The new day: Dr Hake and the poetry of science. Journal of Victorian Culture, 9 (1). pp. 68-89. ISSN 1750-0133 doi: 10.3366/jvc.2004.9.1.68

Holmes, J. (2009) Darwin's bards: British and American poetry in the age of evolution. Edinburgh University Press, Edinburgh, pp304. ISBN 9780748639403

Holmes, J. (2008) Lucretius at the 'Fin de Siecle': science, religion and poetry. English Literature in Transition 1880-1920, 51 (3). pp. 266-280. ISSN 1559-2715

Holmes, J. (2012) "The Poet of Science": how scientists read their Tennyson. Victorian Studies, 54 (4). pp. 655-678. ISSN 1527-2052

Holmes, J. (2008) Prometheus rebound: the romantic Titan in a Post-Romantic age. In: Radford, A. and Sandy, M. (eds.) Romantic Echoes in the Victorian Era. The Nineteenth Century Series . Ashgate, Aldershot, pp. 209-224. ISBN 9780754657880

Holmes, J. and Distiller, N., eds. (2010) Horae amoris: the collected poems of Rosa Newmarch. Rivendale Press, High Wycombe, UK, pp293. ISBN 9781904201199

Holton, A. (2007) Chaucer and 'Pronominatio'. Reading Medieval Studies, 33. pp. 69-86. ISSN 0950-3129

Holton, A. (2013) Chaucer's presence in songes and sonettes. In: Hamrick, S. (ed.) Tottel's Songes and Sonettes in Context. Ashgate, Aldershot, pp. 87-110. ISBN 9781409464655 (In Press)

Holton, A. (2008) Resistance, regard and rewriting: Virginia Woolf and Anne Thackeray Ritchie. English, 57 (217). pp. 42-64. ISSN 1756-1124 doi: 10.1093/english/efn009

Holton, A. (2008) Which Bible did Chaucer use? The biblical tragedies in the Monk’s Tale. Notes and Queries, 55 (1). pp. 13-17. ISSN 1471-6941 doi: 10.1093/notesj/gjm262

Holton, A. (2011) An obscured tradition: the sonnet and its fourteen-line predecessors. Review of English Studies, 62 (255). pp. 373-392. ISSN 1471-6968 doi: 10.1093/res/hgq109

Holton, A. (2008) The sources of Chaucer's poetics. Ashgate, Aldershot, pp178. ISBN 9780754663942

Holton, A. and MacFaul, T. (2009) Ruth in Surrey’s 'Windsor Elegy'. Notes and Queries, 56 (1). pp. 29-33. ISSN 1471-6941 doi: 10.1093/notesj/gjn233

Holton, A. and MacFaul, T., eds. (2011) Tottel's Miscellany: songs and sonnets of Henry Howard, Earl of Surrey, Sir Thomas Wyatt and others. Penguin, London, pp549. ISBN 9780141192048

Houston, C. (2007) Could “Eutopian politics […] never be drawn into use”? Utopianism and radicalism in the 1640s. In: Caricchio, M. and Tarantino, G. (eds.) Recent historiographical trends of the British studies (17th-18th centuries). Cromohs Virtual Seminars. CROMOHS, pp. 1-4.

Houston, C. (2007) 'Knowledge shall be increased': natural philosophy and religion in the Early Modern utopia. Literature Compass, 4 (5). pp. 1397-1411. ISSN 1741-4113 doi: 10.1111/j.1741-4113.2007.00486.x

Houston, C. (2007) Utopia, dystopia, or anti-utopia? Gulliver's Travels and the utopian mode of discourse. Utopian Studies, 18 (3). pp. 425-442. ISSN 1045-991X

Houston, C., ed. (2010) New worlds reflected: travel and utopia in the Early Modern Period. Ashgate Publishing. ISBN 9780754666479

Houston, C. (2009) 'Thou glorious kingdome, thou chiefe of empires': Persia in seventeenth-century travel literature. Studies in Travel Writing, 13 (2). pp. 141-152. ISSN 1755-7550 doi: 10.1080/13645140902857240

Houston, C. (2009) 'Thou glorious kingdome, thou chiefe of empires': Persia in seventeenth-century travel literature. Studies in Travel Writing, 13 (2). pp. 141-152. ISSN 1755-7550 doi: 10.1080/13645140902857240

Houston, C. (2009) Travelling nowhere: global utopias in the Early Modern period. In: Singh, J. G. (ed.) A companion to the Global Renaissance 1550-1660: English Culture and Literature in the Era of Expansion. Wiley, Oxford, pp. 82-92. ISBN 9781405154765

Houston, C. (2012) Turning Persia: the prospect of conversion in Safavid Iran. In: Stelling, L., Hendrix, H. and Richardson, T. (eds.) The Turn of the Soul. Intersections (23). Brill, Leiden. ISBN 9789004218567 (In Press)

Houston, C. (2010) Utopia and education in the seventeenth century: Bacon’s 'Salomon’s House' and its influence. In: Houston, C. (ed.) New Worlds Reflected: Travel and Utopia in the Early Modern Period. Ashgate Publishing, pp. 161-178. ISBN 9780754666479

Howells, C. A. (2002) Alice Munro. In: New, W. H. (ed.) Encyclopedia of literature in Canada. University of Toronto Press, Toronto, pp. 769-772. ISBN 9780802007612

Howells, C. A. (2003) Contemporary Canadian women's fiction: refiguring identities. Palgrave Macmillan, Basingstoke, pp240. ISBN 9780312239008

Howells, C. A. (2003) 'The Robber Bride'; or, who is a true Canadian? In: Wilson, S. R. (ed.) Margaret Atwood’s textual assasinations: recent poetry and fiction. Ohio State University Press, Columbus, OH, USA, pp. 88-101. ISBN 0814209297

Howells, C. A. (2003) Sites of desolation. In: Turcotte, G. (ed.) Entering the labyrinth: 'The blind assasin'. University of Wollongong Press, Wollongong, pp. 31-46.

Howells, C. A., ed. (2004) Where are the voices coming from? Canadian culture and the legacies of history. Rodopi, Amsterdam, pp266. ISBN 9789042016231

Howells, C. A. (2004) Writing by women. In: Kröller, E.-M. (ed.) The Cambridge companion to Canadian literature. Cambridge University Press, Cambridge. ISBN 9780521891318

Howells, C. A. (2004) The telling of secrets. Open Letter, 11 (9) - 12 (1). pp. 39-54. (special issue 'Alice Munro')

Hutchings, M. (2006) Acting pirates: converting a Christian turned Turk. In: Jowitt, C. (ed.) Pirates? The politics of plunder, 1550-1650. Early Modern Literature in History. Palgrave, Basingstoke, pp. 90-104. ISBN 9780230003279

Hutchings, M. (2005) 'And almost to the very walles of Rome': 2 Tamburlaine, II.i.9. Notes and Queries, 52 (2). pp. 190-192. ISSN 1471-6941 doi: 10.1093/notesj/gji217

Hutchings, M. (2005) Anti-theatrical prejudice and 1 Honest Whore, II.i.324–326. Notes and Queries, 52 (2). pp. 220-221. ISSN 1471-6941 doi: 10.1093/notesj/gji233

Hutchings, M. (2011) De Flores between the acts. Studies in Theatre and Peformance, 31 (1). pp. 95-111. ISSN 1468-2761

Hutchings, M. (2005) Golding's Conrad inheritance. English Language Notes, 42 (3). pp. 75-79. ISSN 0557-2738

Hutchings, M. (2007) Mary Frith at the Fortune. Early Theatre, 10 (1). pp. 89-108. ISSN 1206-9078

Hutchings, M. (2010) The OED and The changeling : a correction. Notes and Queries, 57 (3). pp. 414-415. ISSN 1471-6941 doi: 10.1093/notesj/gjq071

Hutchings, M. (2005) Richard III and The Changeling. Notes and Queries, 52 (2). pp. 229-230. ISSN 1471-6941 doi: 10.1093/notesj/gji239

Hutchings, M. (2011) Thomas Middleton: chronologer of his time. In: Gossett, S. (ed.) Thomas Middleton in Context. Literature in Context. Cambridge University Press, pp. 17-27. ISBN 9780521190541

Hutchings, M., ed. (2013) Three Jacobean "Turk" Plays. Revels Plays Companion Library. Manchester University Press, Manchester. (In Press)

Hutchings, M. (2007) The "Turk Phenomenon" and the repertory of the late Elizabethan playhouse. Early Modern Literary Studies, 13 (2). pp. 1-39. ISSN 1201-2459

Hutchings, M. (2012) The spectre of Gondomar in the wake of A Game at Chess. The Seventeenth Century, 27 (4). pp. 435-453. ISSN 2050-4616 (In Press)

Hutchings, M. (2007) The stage historicizes the Turk: convention and contradiction in the Turkish history play. In: Grant, T. and Ravelhofer, B. (eds.) English historical drama, 1500-1660: forms outside the canon. Early Modern Literature in History. Palgrave, Basingstoke. ISBN 9781403948496

Hutchings, M. (2012) The Changeling at court. Cahiers Élisabéthains (81). pp. 15-24.

Hutchings, M. (2003) ´Drama since 1956´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, pp. 278-281, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. (2003) ´Flann O´Brien´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, p. 723, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. (2000) 'In Thrace; brought up in Arabia': The Jew of Malta, II.iii.131. Notes and Queries, 47 (4). pp. 428-430. ISSN 1471-6941 doi: 10.1093/nq/47.4.428

Hutchings, M. (2002) Larkin´s toad. Notes and Queries, 49 (1). pp. 94-96. ISSN 1471-6941 doi: 10.1093/nq/49.1.94

Hutchings, M. (2004) Marlowe's 'Scourge of God'. Notes and Queries, 51 (3). pp. 244-247. ISSN 1471-6941

Hutchings, M. (1998) ´Middleton´s Women Beware Women: Rape, Seduction – Or Power, Simply?´. Notes and Queries, 45 (3). pp. 366-367. ISSN 1471-6941

Hutchings, M. (1997) ´The Semiotics of Committed Drama´. In: Language and the Subject. Rodopi, Amsterdam, pp. 189-196, editor: Karl Simms.

Hutchings, M. (2008) Shakespeare and Islam. Shakespeare, 4 (2). Taylor and Francis, pp. 102-111. doi: 10.1080/17450910802083104

Hutchings, M. (2008) Shakespeare and Islam: introduction. Shakespeare, 4 (2). pp. 102-111. ISSN 1745-0926 doi: 10.1080/17450910802083104

Hutchings, M. (1999) ´A Theatrical Allusion to The Revenger´s Tragedy in 1607´. Notes and Queries, 46 (2). pp. 246-248. ISSN 1471-6941

Hutchings, M. (2003) ´Timberlake Wertenbaker´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, pp. 1037-1038, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. (2000) ´“´Tis a pageant / To keep us in false gaze”: Othello, Virtual History, and the Jacobean Audience´s Turkish Expectations´. In: Shakespeare and his Contemporaries in Performance. Ashgate, pp. 189-211, editor: Edward J. Esche.

Hutchings, M. (2000) 'Turkish' or 'Arabic' Emir? The Merry Wives of Windsor, II.i.176. Notes and Queries, 47 (4). pp. 449-451. ISSN 1471-6941 doi: 10.1093/nq/47.4.449

Hutchings, M. (2000) The end of 'II Tamburlaine' and the beginning of 'King Lear'. Notes and Queries, 47 (4). pp. 82-86. ISSN 1471-6941 doi: 10.1093/nq/47.1.82

Hutchings, M. (2009) A textual crux in 'The Changeling'. Notes and Queries, 56 (4). pp. 625-629. ISSN 1471-6941 doi: 10.1093/notesj/gjp180

Hutchings, M. and Bromham, A. A. (2008) Middleton and his collaborators. Northcote House, Plymouth, pp128. ISBN 0746310803

Hutchings, M. and Cano-Echevarría, B. (2012) Between courts: female masquers and Anglo-Spanish diplomacy, 1603-05. Early Theatre, 15 (1 ). pp. 93-110. ISSN 1206-9078 (special Issue: ´Women and Performance´)

Ioppolo, G. (2008) Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood: authorship, authority and the playhouse. Routledge, London, pp256. ISBN 9780415470315

Ioppolo, G. (2007) The Earl of Essex constructs himself and his queen in the Hulton letters. In: Beal, P. and Ioppolo, G. (eds.) Elizabeth I and the culture of writing. British Library Publishing, London, pp. 43-69. ISBN 9780712306782

Ioppolo, G. (2010) Early modern handwriting. In: Hattaway, M. (ed.) A new companion to English renaissance literature and culture. Wiley-Blackwell, pp. 177-189. ISBN 9781405187626

Ioppolo, G., ed. (2004) Hengist, King of Kent, or the Mayor of Queenborough by Thomas Middleton. Malone Society Reprints. Oxford University Press, Oxford, pp112. ISBN 9780197290439

Ioppolo, G. (2010) Henslowe-Alleyn Digitisation Project. King's College London, UK.

Ioppolo, G. (2009) The Henslowe-Allyen Digitisation Project. [Web Resource]

Ioppolo, G. (2006) "I desire to be helde in your memory": reading Penelope Rich through her letters. In: Callaghan, D. (ed.) The impact of feminism in the Renaissance. Palgrave Macmillan, Basingstoke. ISBN 9781403992123

Ioppolo, G. (2006) 'I desire to be helde in your memory': reading Penelope Rich through her letters. In: Callaghan, D. (ed.) The impact of feminism in English renaissance studies. Palgrave, Basinstoke, pp. 299-325. ISBN 9781403992123

Ioppolo, G. (2011) "If I could not liu by it & be honest": putting the Henslowe-Alleyn Manuscript Archive online. Medieval and Renaissance Drama in England (24). pp. 38-45.

Ioppolo, G., ed. (2009) 'Measure for Measure' by William Shakespeare. Norton Critical Editions. Norton, pp272. ISBN 9780393931716

Ioppolo, G. (2009) The Monckton-Milnes Manuscript and the "Truest" Version of Ben Jonson’s "A Satyricall Shrubb". Ben Jonson Journal, 16 (1-2). pp. 117-131. ISSN 1755-165X doi: 10.3366/E1079345309000522

Ioppolo, G. (2003) 'Much they ought not to have attempted': editors of collected editions of Shakespeare from the eighteenth to the twentieth centuries. In: Nash, A. (ed.) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp. 157-171. ISBN 9781403902665

Ioppolo, G. (2011) Robert Devereux, 2nd Earl of Essex, and the practice of theatre. In: Connolly , A. and Hopkins, L. (eds.) The Life and Times of an Elizabethan Courtier. Manchester University Press. (In Press)

Ioppolo, G., ed. (2003) A Routledge literary sourcebook on William Shakespeare's 'King Lear'. Routledge, London, pp200. ISBN 9780415234726

Ioppolo, G. (2004) The future of early modern dramatic manuscripts in a 'switched-on' world. In: Zimmerman, S. (ed.) Shakespeare studies: volume XXXII. Fairleigh Dickinson University Press, Madison, NJ, USA, pp. 66-74. ISBN 0848640338

Ioppolo, G. (2005) 'A jointure/more or less': re-measuring the true chronicle history of King Leir. In: Pitcher, J. and Cerasano, S. P. (eds.) Medieval and renaissance drama in England, Vol. 17. FDU Press, New Jersey, pp. 165-179. ISBN 083864032X

Ioppolo, G. (2012) Creating the first Early Modern English theatre history archive: Edward Alleyn, William Cartwright and British Library Egerton manuscript 1994. In: Cerasano , S. P. and May, S. W. (eds.) In the Prayse of Writing: Early Modern Manuscript Studies. British Library, London, pp. 145-168. ISBN 9780712358576

Ioppolo, G., ed. (2008) 'King Lear' by William Shakespeare. Norton Criitical Editions. W W Norton & Co, New York, City, NY, pp272. ISBN 9780393926644

Ioppolo, G. (2012) Shakespeare: from author to audience to print, 1608–13. In: Power , A. J. and Loughnane, R. (eds.) Late Shakespeare, 1608-1613. Cambridge University Press, pp. 139-157. ISBN 97810107016194

Ioppolo, G. (2011) Thomas Heywood, script-doctor. In: Jansohn, C., Orlin , L. C. and Wells, S. (eds.) Shakespeare without boundaries: essays in honor of Dieter Mehl. University of Delaware Press, USA, pp. 47-59. ISBN 9781611490268

Ioppolo, G., ed. (2012) The honest man’s fortune. Malone Society Reprints. Manchester University Press. ISBN 9780719086113

Kempe, A. (2011) Watching the words: drama and poems. In: Bringing Poetry Alive. Sage, London, pp. 113-128. ISBN 9780857020741

Knight, M. and Woodman, T., eds. (2006) Biblical religion and the novel, 1700–2000. Ashgate, Aldershot, pp170. ISBN 9780754651178

Knowles, R. (2005) Carnival and tragedy in Thomas Hardy's novels. The Thomas Hardy Journal, XXI. pp. 109-124. ISSN 0268-5418

Knowles, R. (2004) The London report: Harold Pinter 2002-2004. The Pinter Review. pp. 221-234. ISSN 0895-9706

Knowles, R. A., ed. (2003) Shakespeare and carnival: after Bakhtin. Hosei University Press, Tokyo, pp361. ISBN 4588007777

Knowles, R. A. (2005) A tragic pattern: 'The convergence of the twain' and Hardy's fiction. The Hardy Society Journal, 1. pp. 41-46. ISSN 1746-4617

Lesnik-Oberstein, K. (2011) Afterword: reading history and/as vision. In: Mangham, A. and Depledge, G. (eds.) The Female Body in Medicine and Literature. Liverpool University Press, pp. 216-223. ISBN 9781846314728

Lesnik-Oberstein, K. (2010) Childhood, queer theory and feminism. Feminist Theory, 11 (3). pp. 309-321. ISSN 1741-2773 doi: 10.1177/1464700110376281

Lesnik-Oberstein, K., ed. (2011) Children in culture, revisited: further approaches to childhood. Palgrave, pp248. ISBN 9780230275546

Lesnik-Oberstein, K., ed. (2004) Children's literature: new approaches. Palgrave Macmillan, Basingstoke, pp256. ISBN 9781403917379

Lesnik-Oberstein, K. (2006) 'Holiday house': grist to 'The mill on the floss', or: childhood as text. In: Nineteenth-century literature criticism: excerpts from criticism of the works of nineteenth-century novelists, poets, playwrights, short-story writers, & other creative writers. Gale, Michigan, pp. 9-20. ISBN 9780787686567

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Lesnik-Oberstein, K. (2012) Reading Derrida on mathematics. Angelaki: Journal of the Theoretical Humanities, 17 (1). pp. 31-40. ISSN 1469-2899

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Lesnik-Oberstein, K. (2008) On having an own child: reproductive technologies and the cultural construction of childhood. Karnac Books, London, pp224. ISBN 9781855755451

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Mangham, A. (2007) Violent women and sensation fiction: crime, medicine and Victorian popular culture. Palgrave, Basingstoke, pp264. ISBN 9780230545212

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Mangham, A., ed. (2009) Wilkie Collins: interdisciplinary essays. 2nd edition. Cambridge Scholars Publishing, Newcastle, pp284. ISBN 9781443805100

Mangham, A., ed. (2011) The poetry of Menotti Lerro. Cambridge Scholars Publishing. ISBN 9781443828444

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Morrissey, M. (2000) Trinity College, Dublin manuscript 333: William Chappell's method of preaching. Long Room, 44-45. pp. 22-29. ISSN 0024-631X

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Morrissey, M. (2012) The "challenge controversy" and the search for authority in the Elizabethan church. In: Fulton, E., Parish, H. and Webster, P. (eds.) The Search for Authority in the Reformation. Ashgate. (In Press)

Morrissey, M. and Wright, G. (2006) Piety and sociability in early modern women's devotional writing. Women's Writing, 13 (1). pp. 44-59. ISSN 1747-5848 doi: 10.1080/09699080500436075

Morrissey, M. and Wright, G. (2006) Piety and sociability in early modern women's letters. Women's Writing, 13 (1). pp. 44-59. ISSN 1747-5848 doi: 10.1080/09699080500436075

Nash, A. (2009) A.P. Watt and the marketing of 'Ian Maclaren'. Journal of the Edinburgh Bibliographical Society, 4. pp. 49-59. ISSN 1752-0320

Nash, A. (2005) 'At the gates': new commentaries on a lost text by D. H. Lawrence. Review of English Studies, 56 (227). pp. 767-776. ISSN 1471-6968 doi: 10.1093/res/hgi108

Nash, A. (2011) Comic modulations: opera Holland Park, 2011. The London Magazine. pp. 126-131. ISSN 0024-6085

Nash, A., ed. (2000) Farewell Miss Julie Logan: a J.M. Barrie omnibus. Canongate, Edinburgh. ISBN 9781841950037

Nash, A. (2003) Frank Swinnerton and John Cowper Powys. Powys Journal, 13. pp. 166-178.

Nash, A. (2010) Freedom and power? Women, class and inheritance in Mrs Alexander’s 'Her Dearest Foe' (1876). Victorians Institute Journal, 38. pp. 127-147. ISSN 0886-3865

Nash, A. (1999) From realism to romance: gender and narrative technique in J.M. Barrie's The Little Minister. Scottish Literary Journal, 26 (1). pp. 77-92. ISSN 1756-5634

Nash, A. (2004) Ghostly endings: the evolution of J.M. Barrie’s 'Farewell Miss Julie Logan'. Studies in Scottish Literature, XXXIII/XXXIV. pp. 124-137. ISSN 0039-3770

Nash, A. (2008) Hogg's Confessions, S.R. Crockett and the House of Macmillan. Studies in Hogg and his World, 19. pp. 117-121. ISSN 0960-6025

Nash, A. (2010) Introduction. In: Maclaren, I. (ed.) St Jude’s. Kennedy and Boyd, Glasgow, UK. ISBN 9781904999263

Nash, A. (2007) Introduction. In: Beside the bonnie brier bush by Ian Maclaren. The Kailyard Authors. Kennedy & Boyd, Glasgow, ix-xvii. ISBN 1904999573

Nash, A. (2007) Introduction. In: The Stickit Minister and some common men by S.R. Crockett. The Kailyard Authors. Kennedy & Boyd, Glasgow, ix-xviii. ISBN 1904999565

Nash, A. (2007) J.M. Barrie and the Third Sex. In: Carpenter, S. and Dunnigan, S. M. (eds.) Joyous sweit imaginatioun: essays on Scottish literature in honour of R.D.S. Jack. Rodopi, Amsterdam, pp. 229-240. ISBN 9789042023130

Nash, A. (2007) Kailyard and Scottish literature. Rodopi, Amsterdam, pp268. ISBN 9789042022034

Nash, A. (2010) A Kailyard curiosity. The Book Collector, 59 (3). pp. 392-398. ISSN 0006-7237

Nash, A. (2006) The Kailyard: problem or illusion? In: Brown, I., Clancy, T., Manning, S. and Pittock, M. (eds.) The Edinburgh history of Scottish literature. Edinburgh University Press, Edinburgh, pp. 325-332. ISBN 9780748624812

Nash, A. (2002) Life in Gissing’s New Grub Street: David Christie Murray and the practice of authorship. Publishing History, 51. pp. 21-60. ISSN 0309-2445

Nash, A. (2007) Literary culture and literary publishing in inter-war Britain: a view from Chatto and Windus. In: Eliot, S., Nash, A. and Willison, I. (eds.) Literary cultures and the material book. British Library studies in the history of the book. British Library Publishing, London, pp. 323-342. ISBN 9780712306843

Nash, A. (2007) Literary publishing, 1880-1914. In: Finkelstein, D. and McCleery, A. (eds.) The Edinburgh history of the book in Scotland, Volume 4: professionalism and diversity 1880–2000. Edinburgh University Press, Edinburgh, pp. 203-222. ISBN 9780748618293

Nash, A. (1996) Re-reading the 'Lad o' Pairts': the myth of the Kailyard Myth. Scotlands, 3 (2). pp. 86-102. ISSN 1350-7508

Nash, A. (2010) Reading the nation: the history of the book in America, 1880-1940. The Papers of the Bibliographical Society of America, 104 (3). 365-375 . ISSN 0006-128X

Nash, A. (1999) Robert Buchanan and Chatto & Windus: reputation, authorship, and fiction as capital in the late nineteenth century. Publishing History, XLVI. pp. 5-33. ISSN 0309-2445

Nash, A. (2012) Serial into volume. In: Mallett, P. (ed.) Thomas Hardy in context. Cambridge University Press, Cambridge, pp. 42-53. ISBN 9780521196482 (In Press)

Nash, A. (2011) Sifting out 'rubbish' in the literature of the 1920s: Chatto and Windus and the Phoenix library. In: Spiers, J. (ed.) The culture of the publisher's series, volume 1: authors, publishers and the shaping of taste. Palgrave Macmillan, Basingstoke and New York, pp. 188-201. ISBN 9780230284029

Nash, A. (1999) ‘Trying to be a Man': J. M. Barrie and sentimental masculinity. Forum for Modern Language Studies, 35 (2). pp. 113-125. ISSN 1471-6860 doi: 10.1093/fmls/XXXV.2.113

Nash, A. (2000) Understanding the land in Scot(t)land. In: Hagemann, S. (ed.) Terranglian territories: proceedings of the seventh international conference on the literature of region and nation. Peter Lang, Frankfurt am Main, pp. 631-640. ISBN 9783631346402

Nash, A. (2012) Victorian Scottish literature. In: Carruthers, G. and McIlvanney, L. (eds.) Cambridge companion to Scottish literature. Cambridge companions to literature. Cambridge University Press, Cambridge. ISBN 9780521189361 (In Press)

Nash, A. (2005) Walter Besant's 'All sorts and conditions of men' and Robert Louis Stevenson's 'The strange case of Dr Jekyll and Mr Hyde'. Notes and Queries, 52 (4). pp. 494-497. ISSN 1471-6941 doi: 10.1093/notesj/gji432

Nash, A. (2004) William Robertson Nicoll, the Kailyard novel and the question of popular culture. Scottish Studies Review, 5 (1). pp. 57-73. ISSN 1745-3186

Nash, A. (2007) The changing face of the publishing house, 1880-1980. In: Finkelstein, D. and McCleery, A. (eds.) The Edinburgh history of the book in Scotland, Volume 4: professionalism and diversity 1880–2000. Edinburgh University Press, Edinburgh, pp. 185-202. ISBN 9780748618293

Nash, A. (1998) The compilation of J.M. Barrie's Auld Licht Idylls. The Bibliotheck: a journal of Scottish bibliography and book history, 23. pp. 85-96. ISSN 0006-193X

Nash, A., ed. (2003) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp288. ISBN 9781403902665

Nash, A. (2003) The culture of collected editions: authorship, reputation, and the canon. In: Nash, A. (ed.) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp. 1-15. ISBN 9781403902665

Nash, A. (2003) "The dead should be protected from their own carelessness": the collected editions of Robert louis Stevenson. In: Nash, A. (ed.) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp. 111-127. ISBN 9781403902665

Nash, A. (1999) 'A phenomenally slow producer': J.M. Barrie, Scribner's and the publication of Sentimental Tommy. Yale University Library Gazette, 74 (1-2). pp. 41-53. ISSN 0044-0175

Nash, A. (2010) The production of the novel, 1880-1940. In: Parrinder, P. and Gasiorek , A. (eds.) The reinvention of the British and Irish novel 1880-1940. The Oxford history of the novel in English, 4. Oxford University Press, UK, pp. 3-19. ISBN 9780199559336

Nash, A. (2004) The publication of Catherine Carswell's novels. The Bibliotheck: a journal of Scottish bibliography and book history, 1 (1). pp. 7-26. ISSN 0006-193X

Nash, A. (2003) A publisher's reader on the verge of modernity: the case of Frank Swinnerton. Book History, 6. pp. 175-195. ISSN 1529-1499 doi: 10.1353/bh.2004.0011

Nash, A. (2011) The sense of an ending?: The history of the book in postwar America. The Papers of the Bibliographical Society of America, 105 (2). pp. 231-241. ISSN 0006-128X

Nash, A. (2013) Covering Muriel Spark: Penguin Books and the designing of an author. In: Reading Penguin: A Critical Anthology. Cambridge Scholars Publishing, Newcastle, pp. 153-170. ISBN 9781443846165 (In Press)

Nash, A. (2011) D. H. Lawrence and the publication of Look! We Have Come Through! The Library: The Transactions of the Bibliographical Society, 12 (2). pp. 142-163. ISSN 1744-8581 doi: 10.1093/library/12.2.142

Nash, A. (2000) Two unpublished letters of Robert Louis Stevenson. Notes & Queries, 47 (3). pp. 334-336. ISSN 1471-6941 doi: 10.1093/nq/47.3.334

Nash, A. (2006) 'The return of the native' and Belgravia. In: Mallett, P. (ed.) The return of the native. Norton critical editions. Norton, London, pp. 363-370. ISBN 9780393927870

Nash, A. (2001) The serialization and publication of 'The return of the native': a new Thomas Hardy letter. The Library: The Transactions of the Bibliographical Society, 2 (1). pp. 53-59. ISSN 1744-8581 doi: 10.1093/library/2.1.53

Nash, A. P. (2007) Authors in the Scottish literary marketplace. In: Finkelstein, D. and McCleery, A. (eds.) The Edinburgh history of the book in Scotland, Volume 4: professionalism and diversity 1880–2000. Edinburgh University Press, Edinburgh, pp. 388-408. ISBN 9780748618293

Nash, A. P. (2010) William Clark Russell and Chambers's Journal: elopement and the Victorian nautical novel. Victorian Periodicals Review, 43 (1). pp. 42-56. ISSN 1712-526X doi: 10.1353/vpr.0.0106

Nash, A. P. (2009) William Clark Russell: an unattributed early work by the Victorian novelist of the sea. Notes and Queries, 56 (3). pp. 396-398. ISSN 1471-6941 doi: 10.1093/notesj/gjp122

Nash, A. P. (1997) The cotter's kailyard. In: Crawford, R. (ed.) Robert Burns and cultural authority. University of Iowa Press, pp. 180-197. ISBN 9780877455783

Nash, A. P. and Eliot, S. J. (2009) Mass markets: literature. In: Mckitterick, D. (ed.) 1830-1914. The Cambridge History of the Book in Britain (6). Cambridge University Press, Cambridge, pp. 416-442. ISBN 9780521866248

Nash, A. P. and Leary, P. (2009) Authorship. In: Mckitterick, D. (ed.) The Cambridge History of the Book in Britain, Volume 6: 1830-1914. Cambridge University Press, Cambridge, pp. 172-213. ISBN 9780521866248

Nash, A. and Knowlson, J. (2002) Charles Prentice and T.F. Powys: a publisher’s influence. Powys Journal, 12. pp. 35-66. ISSN 0962-7057

Nixon, M. (2010) Beckett and Germany in the 1930s: the development of a poetics. In: Gontarski , S.E. (ed.) A companion to Samuel Beckett. Wiley-Blackwell, Oxford, UK, pp. 130-142. ISBN 9781405158695

Nixon, M. (2010) Beckett back with the Irish. Times Literary Supplement, 23 July 2010. ISSN 0307-661X

Nixon, M. (2010) Beckett – Frisch – Dürrenmatt. Samuel Beckett Today / Aujourd'hui, 22. ISSN 0927-3131

Nixon, M. (2011) Beckett’s manuscripts in the marketplace. Modernism/Modernity, 18 (4). 823 -831. ISSN 1080-6601 doi: 10.1353/mod.2011.0105

Nixon, M. (2010) Belacqua revididus: Beckett’s short story 'Echo’s Bones’. Limit(e) Beckett , 1. pp. 92-101. ISSN 2105-1119

Nixon, M. (2010) Chronology of Beckett's journey to Germany 1936-1937 (based on the German diaries). Journal of Beckett Studies, 19 (2). pp. 245-272. ISSN 1759-7811 doi: 10.3366/jobs.2010.0007

Nixon, M. (2007) Ewangelia i zakaz: Beckett i nazistowskie Niemcy. Kwartalnik Artystyczny, 53 (1). pp. 69-78. ISSN 1232–2105

Nixon, M. (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, M., Hartel, G. and Veit, C. (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931

Nixon, M. (2012) 'Happily melancholy’: pleasure and pain in Early Beckett. In: Tanaka, M. H., Tsushima, M. and Tajiri, Y. (eds.) Samuel Beckett and Pain. Rodopi, Amsterdam, pp. 27-42. ISBN 978904203523

Nixon, M., ed. (2011) Publishing Samuel Beckett. British Library , pp304. ISBN 9780712358262

Nixon, M. (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang')

Nixon, M., ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621

Nixon, M. (2011) Samuel Beckett’s German diaries 1936-37. Historicizing Modernism . Continuum, pp272. ISBN 9781441152589

Nixon, M. (2006) “Scraps of German”: Samuel Beckett reading German literature. Samuel Beckett Today / Aujourd'hui, 16. pp. 259-282. ISSN 0927-3131 (special issue 'Notes diverse holo[graph]')

Nixon, M. (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception')

Nixon, M. (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, M. and Nixon, M. (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814

Nixon, M. (2006) 'Writing': die Bedeutung der Deutschlandreise 1936/37 für Becketts schriftstellerische Entwicklung. In: Dittrich, L., Veit, C. and Wichner, E. (eds.) "Obergeschoss still closed": Samuel Beckett in Berlin 1936/37. Matthes & Seitz, Berlin, pp. 103-122. ISBN 9783882219203

Nixon, M. (2011) “a space to note”: Raumästhetik in Becketts Manuskripten. In: Sick , F. (ed.) Raum und Objekt im Werk von Samuel Beckett. transcript verlag, pp. 1-11. ISBN 9783837615159

Nixon, M. (2009) Beckett publishing/publishing Beckett in the 1930s. Variants, 6. pp. 209-219. ISSN 1573-3084

Nixon, M. (2009) Between art-world and life-world: Beckett's 'Dream of Fair to Middling Women'. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, London, pp. 97-108. ISBN 9780826497147

Nixon, M. (2009) Between gospel and prohibition: Beckett in Nazi Germany 1936-1937. In: Kennedy, S. and Weiss, K. (eds.) Samuel Beckett: History, Memory, Archive. Palgrave MacMillan, pp. 31-46. ISBN 9780230619449

Nixon, M. (2013) Germany: circa 1936-1937. In: Uhlmann, A. (ed.) Beckett in Context. Literature in context. Cambridge University Press, Cambridge / New York, pp. 99-108. ISBN 9781107017030

Nixon, M. (2006) 'Guess where': from reading to writing in Beckett. Genetic Joyce Studies, 16. ISSN 2031-9002

Nixon, M. (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131

Nixon, M., ed. (2014) Samuel Beckett's 'Echo's Bones'. Faber & Faber, London. ISBN 9780571246380 (In Press)

Nixon, M. (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: 10.3366/E0309520709000259

Nixon, M. (2013) Samuel Beckett: video artist. In: Fifield, P. and Addyman, D. (eds.) Samuel Beckett: Debts and legacies: New critical essays. Bloomsbury Methuen, London, pp. 177-190. ISBN 9781408184523

Nixon, M. (2008) "Unutterably Faint": Beckett’s late English poetry. Fulcrum: an annual of poetry and aesthetics, 6. pp. 507-521. ISSN 1534-7877

Nixon, M. (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359

Nixon, M. (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811

Nixon, M. and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D. and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700

Nixon, M. F., ed. (2009) The international reception of Samuel Beckett. Continuum Reception Studies. Continuum Publishing Group, London, pp336. ISBN 9780826495815

Nixon, M. and Van Hulle, D., eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390

O'Callaghan, M. (2007) Dreaming the dead: ghosts and history in the early seventeenth century. In: Wiseman, S., Hodgkin, K. and O'Callaghan, M. (eds.) Reading the early modern dream: the terrors of the night. Routledge, London, pp. 81-95. ISBN 9780415386012

O'Callaghan, M. (2006) The English wits: literature and sociability in early modern England. Cambridge University Press, Cambridge, pp242. ISBN 9780521860840

O'Callaghan, M. (2010) Friends, collaborators, and rivals. In: Sanders, J. (ed.) Ben Jonson in context. Cambridge University Press, UK, pp. 48-56. ISBN 9780521895712

O'Callaghan, M. (2010) Pastoral. In: Hattaway, M. (ed.) A new companion to English renaissance literature and culture. Wiley-Blackwell, pp. 225-237. ISBN 9781405187626

O'Callaghan, M. (2006) Performing politics: the circulation of the “Parliament Fart”. Huntington Library Quarterly, 69 (1). pp. 121-138. ISSN 1544-399X doi: 10.1525/hlq.2006.69.1.121

O'Callaghan, M. (2010) Publication: print and manuscript. In: Hattaway, M. (ed.) A new companion to English renaissance literature and culture. Wiley-Blackwell, pp. 160-176. ISBN 9781405187626

O'Callaghan, M. (2010) Spenser’s literary influence. In: McCabe, R. A. (ed.) The Oxford handbook of Edmund Spenser. Oxford handbooks of literature. Oxford University Press, UK, pp. 664-683. ISBN 9780199227365

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O'Callaghan, M. (2009) Thomas Middleton, Renaissance dramatist. Edinburgh University Press, Edinburgh, pp209. ISBN 9780748627806

O'Callaghan, M. (2009) 'Thomas the Scholer' versus 'John the Sculler': defining popular culture in the early Seventeenth Century. In: Dimmock, M. and Hadfield, A. (eds.) Literature and Popular Culture in Early Modern England. Ashgate, Aldershot, pp. 45-56. ISBN 9780754665809

O'Callaghan, M. (2009) The duties of societies: literature, friendship and community. In: Healy, M. and Healy, T. (eds.) Renaissance Transformations: The Making of English Writing 1500-1650. Edinburgh University Press, Edinburgh, pp. 97-111. ISBN 9780748638734

O’Callaghan, M. (2008) 'Coryats Crudities' (1611) and travel writing as the eyes of the Prince. In: Prince Henry Revived: Image and Exemplarity in Early Modern England. Old Masters. Paul Holberton Publishing, London, pp. 83-103. ISBN 9781903470572

Parrinder, P. (2007) Building and rebuilding the city of the novel. In: Bottalico, M., Chialant, M. T. and Rao, E. (eds.) Literary landscapes, landscape in literature. Carocci, Rome, pp. 54-58. ISBN 9788843043170

Parrinder, P. (2006) Canonization and obliteration: the dialectic of cultural memory in Utopia. Dedalus, 10. pp. 75-81. ISSN 0871-9519 (special issue 'Utopia & Utopianism')

Parrinder, P. (2006) Character, identity and nationality in the English novel. In: Burden, R. and Kohl, S. (eds.) Landscape and Englishness. Rodopi, Amsterdam, pp. 89-101. ISBN 9789042021020

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Parrinder, P. (2004) From Eden to Oedipus: Darwin, Freud, and the romance of the stone age. Anglistik, 15 (1). pp. 83-91.

Parrinder, P. (2007) From Midhurst Grammar School to Cosmopolis. Occasional Papers (new series). H.G. Wells Society, London. pp14.

Parrinder, P. (2007) H. G. Wells and Penguin Books. Wellsian, 30. pp. 12-19.

Parrinder, P. (2005) Introduction. In: Parrinder, P. (ed.) The sleeper awakes by H. G. Wells. Penguin, London, xiii-xxvi. ISBN 9780141441061

Parrinder, P. (2006) Nation and novel: the English novel from its origins to the present day. Oxford University Press, Oxford, pp512. ISBN 9780199264841

Parrinder, P. (2003) Palaces for the people: a kind of utopia? Cahiers victoriens et édouardiens, 57. pp. 197-209. ISSN 0220-5610 (special issue 'Miscellany: the Great Exhibition conference)

Parrinder, P. (2005) Science and knowledge at the beginning of the twentieth century: versions of the modern Enlightenment. In: Marcus, L. and Nicholls, P. (eds.) The Cambridge history of twentieth-century English literature. The New Cambridge History of English Literature. Cambridge University Press, Cambridge, pp. 11-29. ISBN 9780521820776

Parrinder, P. (2004) Turn again, Dick Whittington!": Dickens, Wordsworth, and the boundaries of the city. Victorian Literature and Culture, 32 (2). pp. 407-419. ISSN 1470-1553 doi: 10.1017.S1060150304000567

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Parrinder, P., ed. (2007) The country of the blind and other selected stories by H.G. Wells. Penguin, Harmondsworth, pp464. ISBN 9780141441986

Parrinder, P. (2005) The expulsion of the poets. In: Carpi, D. (ed.) Why Plato?: Platonism in twentieth century English literature. Winter, Heidelberg, pp. 68-77. ISBN 9783825350857

Parrinder, P. (2007) A guest at the Arthurian Table: dance and chivalric romance. In: Anthony Powell centenary conference, 2-3 Dec 2005, London.

Parrinder, P. (2005) The old man and his ghost: Grant Allen, H. G. Wells and popular anthropology. In: Greenslade, W. and Rodgers, T. (eds.) Grant Allen: literature and cultural politics at the fin de siècle. Ashgate, Aldershot, pp. 171-183. ISBN 9780754608653

Parrinder, P. (2005) The voice of the unclassed: Gissing and twentieth-century English fiction. In: Ryle, M. and Taylor, J. B. (eds.) George Gissing: voices of the unclassed. The Nineteenth Century Series. Ashgate, Aldershot, pp. 145-158. ISBN 9780754636755

Parrinder, P. (2004) 'All that is solid melts into air': Ford and the spirit of Edwardian England. In: Wiesenfarth, J. (ed.) History and representation in Ford Madox Ford’s writings. Rodopi, Amsterdam, pp. 5-17. ISBN 9789042016132

Parrinder, P. (2005) Entering dystopia, entering Erewhon. Critical Survey, 17 (1). pp. 6-21. ISSN 0011-1570 doi: 10.3167/001115705781002039

Parrinder, P. and Partington, J. S., eds. (2005) The reception of H. G. Wells in Europe. The Reception of British and Irish Authors in Europe. Continuum, London, pp464. ISBN 9780826462534

Partington, J. S. (2003) Building cosmopolis: the political thought of H.G. Wells. Ashgate Publishing, Aldershot, pp208. ISBN 9780754633839

Partington, J. S., ed. (2005) The Wellsian: selected essays on H.G. Wells. Equilibris, Oss, Netherlands, pp239. ISBN 9059760018

Pennington, P. and Sperling, M., eds. (2011) Geoffrey Hill and his contexts. Modern poetry, 6. Peter Lang, Oxford, pp258. ISBN 9783034301855

Perry, K. (2003) "I do it onely for the Printers sake": commercial imperatives and epigrams in the early seventeenth century. EnterText, 3 (1). ISSN 1472-3085

Pilling, J. (2005) From the pointed ones to the bones: Beckett's early poems. In: Hutton, C. (ed.) The Irish book in the twentieth century. Irish Academic Press, Dublin, pp. 68-83. ISBN 9780716533351

Pilling, J. (2003) Meditations on the Exote: Victor Segalen. PN Review, 30 (2). pp. 54-56. ISSN 0144-7076

Pilling, J. (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197

Pilling, J. (2004) A companion to 'Dream of fair to middling women'. Journal of Beckett Studies Books, Tallahassee, FL. ISBN 9781892770028

Pilling, J. (2009) Beckett and Italian literature (after Dante). In: Guardamagna , D. and Sebellin , R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700

Pilling, J. (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: 10.3366/E0309520709000351

Pilling, J. (2011) Samuel Beckett’s ‘More Pricks Than Kicks’: in a strait of two wills. Historicizing Modernism. Continuum, London, pp288. ISBN 9781441159472

Pilling, J. (2009) A critique of aesthetic judgment: Beckett’s “Dissonance of Ends and Means". In: Gontarski, S. E. (ed.) A Companion to Beckett. Wiley-Blackwell, Oxford, pp. 63-72. ISBN 9781405158695

Pilling, J. (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131

Pilling, J. and Lawlor, S. P. (2010) Beckett in transition. In: Nixon, M. (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262

Pilling, J. and Lawlor, S. P., eds. (2012) The collected poems of Samuel Beckett. Faber and Faber, London, pp499. ISBN 9780571249848 (In Press)

Pilling, J. and Nash, A. (2011) The 'Shatton and Windup' Affair: Beckett's dealings with the firm of Chatto & Windus, 'Wholesale, Retail and for Exportation'. In: Nixon, M. (ed.) Publishing Samuel Beckett. The British Library, London, pp. 11-22. ISBN 9780712358262

Pollard, N. (2008) Civil voices: on reading Geoffrey Hill reading. Peer English, 3. pp. 74-83.

Pollard, N. (2012) Speaking to you: contemporary poetry and public address. Oxford University Press, pp280. ISBN 9780199657001 (In Press)

Pollard, N. (2010) 'The Tongue’s Atrocities': civil violence, lyricism and Geoffrey Hill. In: Macdonald, E. and Simpson, J. (eds.) Mangling Cultures: Conflict, Dissonance and Interpretation in Modern Language Studies. Tous Azimuts (4). University of Glasgow, French and German Publications. ISBN 9780852619179

Pollard, N. (2010) ‘The Pages are Bugged': the politics of listening in the poetry of W.S. Graham. The Cambridge Quarterly, 39 (1). pp. 1-22. ISSN 1471-6836 doi: 10.1093/camqtly/bfq001

Rhigelato, P. (2006) Understanding Rita Dove. University of South Carolina Press, Columbia, USA, pp264. ISBN 9781570036378

Righelato, P. (2006) Daisy Miller. The Literary Encyclopedia. ISSN 1747-678X

Righelato, P. (2006) Introduction. In: Righelato, P. (ed.) Daisy Miller & other stories. Wordsworth classics. Wordsworth Editions, Ware, vii-xxiv. ISBN 9781853262135

Righelato, P. (2006) Italian hours. The Literary Encyclopedia. ISSN 1747-678X

Righelato, P. (2005) Raymond Carver. In: Mackean, I. (ed.) The essentials of literature in English, post-1914. Hodder Arnold, pp. 30-33. ISBN 9780340882689

Righelato, P. (2005) Rita Dove. In: Mackean, I. (ed.) The essentials of literature in English, post-1914. Hodder Arnold, pp. 35-37. ISBN 9780340882689

Righelato, P. (2005) Wallace Stevens. In: Mackean, I. (ed.) The essentials of literature in English, post-1914. Hodder Arnold, pp. 144-146. ISBN 9780340882689

Righelato, P. (2006) What Maisie knew. The Literary Encyclopedia. ISSN 1747-678X

Righelato, P. (2008) Rita Dove and the art of history. Callaloo, 31 (3). pp. 760-775. ISSN 1080-6512 doi: 10.1353/cal.0.0176

Robinson, P. (2010) ‘Anything but gentle': Henry Moore revisited. The London Magazine, 2010 (June/July). ISSN 0024-6085

Robinson, P. (2010) Bernard Spencer: 'The wind-blown island of Mykonos' and 'Questions asked of a poet'. The Bow-Wow Shop, 6. p. 14.

Robinson, P. (2007) C. Hatakeyama and W.E. In: Bevis, M. (ed.) Some versions of Empson. Oxford University Press, Oxford, pp. 60-83. ISBN 9780199286362

Robinson, P. (2007) Captain Benwick's reading. Essays in Criticism, 57 (2). pp. 147-170. ISSN 1471-6852 doi: 10.1093/escrit/cgm004

Robinson, P. (2010) Christina Rossetti’s promises. Essays in Criticism, 60 (2). pp. 148-167. ISSN 1471-6852 doi: 10.1093/escrit/cgq001

Robinson, P., ed. (2011) Complete poetry, translations & selected prose of Bernard Spencer. Bloodaxe Books, pp352. ISBN 1852248912

Robinson, P. (2011) Costume drama. [Artefact] (ed. Fern Downham-Whittle and Kirsty Gurney ISBN 9780704915312)

Robinson, P. (2010) Credit flow [poetry]. Alhambra Publishing.

Robinson, P. (2011) Doctrines of unripe times. [Artefact] (ed. Fern Downham-Whittle and Kirsty Gurney ISBN 9780704915312)

Robinson, P. (2007) 'Down in the terraces between the targets': civilians. In: Kendall, T. (ed.) The Oxford handbook of British and Irish war poetry. Oxford University Press, Oxford, pp. 504-523. ISBN 9780199282661

Robinson, P. (2010) English nettles and other poems. Two Rivers Press, Reading, UK, pp56. ISBN 9781901677652

Robinson, P. (2007) Exact as horror. Notre Dame Review, 24 (Summer/Fall). pp. 219-227. ISSN 1082-1864

Robinson, P. (2010) In the Lombard line. Times Literary Supplement (5605). ISSN 0307-661X

Robinson, P. (2011) 'John James' and 'The White Stones' p. 71: Music, rhyme, and home. Poetry Wales, 47 (2). pp. 37-44. ISSN 0332-2202

Robinson, P. (2011) John Matthias: speaking personally. In: Francis , J. (ed.) The Salt Companion to John Matthias. Salt Publishing, pp. 64-85. (In Press)

Robinson, P. (2010) John Tranter and tradition. In: Mengham, R. (ed.) The Salt companion to John Tranter. Salt companions to poetry. Salt Publishing, UK. ISBN 9781876857769

Robinson, P. (2011) Like the living end. In: Bowen, P., Furniss, D. and Woolley, D. (eds.) The captain's tower: seventy poets celebrate Bob Dylan at seventy. Seren, Bridgend. ISBN 9781854115607

Robinson, P. (2011) Next to nothing. News International, London. (The Times Literary Supplement no.5626)

Robinson, P. (2007) No apologies and no prizes. Jacket2, 34. ISSN 1440-4737

Robinson, P. (2010) ‘Otterspool Prom’, ‘Fence Palings’ and ‘World Enough’ [poetry]. Paper Planes: University of Reading Creative Arts Anthology.

Robinson, P., ed. (2013) The Oxford handbook of contemporary British and Irish poetry. Oxford University Press, Oxford. (In Press)

Robinson, P. (2007) Peter Robinson: a bibliography, 1976-2006. In: Piette, A. and Price, K. (eds.) The Salt Companion to Peter Robinson. Salt Companions to poetry. Salt Publishing, Cambridge, pp. 253-263. ISBN 9781844712441

Robinson, P., ed. (2011) Poems by Antonia Pozzi [translated by Peter Robinson]. OneWorld Classics, pp191. ISBN 9781847491855

Robinson, P. (2010) Poetry and translation: the art of the impossible. Liverpool University Press, UK, pp196. ISBN 9781846312182

Robinson, P. (2010) Practical Utopianism [poetry]. Notre Dame Review, Winter/Spring 2010 (29). p. 4. ISSN 1082-1864

Robinson, P. (2010) Quiet regrets. The London Magazine (Aug-Sept). ISSN 0024-6085

Robinson, P. (2010) ‘Reading Gaol’; ‘Eastern Avenue’ [poetry]. The Use of English, 61 (2). pp. 135-136. ISSN 0042-1243

Robinson, P., ed. (2011) Reading poetry: an anthology. Two Rivers Press, Reading, pp160. ISBN 9781901677720

Robinson, P. (2010) ‘The Returning Sky’ and ‘Wood Notes’ [poetry]. The London Magazine, Oct-Nov 2010. pp. 92-93. ISSN 0024-6085

Robinson, P. (2007) Rilke, thou art translated. Agenda, 42 (3-4). pp. 153-163. ISSN 0002-0796 (special issue 'A reconsideration of Rainer Maria Rilke')

Robinson, P. (2010) Shadowy Nobodies [poetry]. The Warwick Review, 4 (1). pp. 124-125.

Robinson, P. (2011) Six translated Italian poems: The many voices of Italian literature. World Literature Today, 85 (4). ISSN 0196-3570

Robinson, P. (2012) 'That fighting was a long way off': desert and jungle war poems. In: Piette, A. and Rawlinson, M. (eds.) The Edinburgh companion to twentieth-century British and American war literature. Edinburgh University Press, Edinburgh, pp. 448-455. ISBN 9780748638741

Robinson, P. (2011) Thomas Hardy. In: Rawson, C. (ed.) The Cambridge Companion to English Poets. Cambridge Companions to Literature . Cambridge University Press, pp. 439-456. ISBN 9780521874342

Robinson, P. (2010) Translating Luciano Erba: a conversation with Peter Robinson. Annals of the University of Craiova, 32 (1-2). pp. 195-204. ISSN 1224-5720

Robinson, P. (2007) Wittgenstein's aesthetics and revision. In: Roe, J. and Stanco, M. (eds.) Inspirations and technique: ancient to modern views on beauty and art. Peter Lang, Oxford, pp. 261-276. ISBN 9783039103140

Robinson, P. (2010) 'Written at least as well as prose': Ford, Pound, and poetry. In: Harding , J. (ed.) Ford Madox Ford, modernist magazines and editing. Rodopi, Amsterdam and New York, pp. 99-114. ISBN 9789042030558

Robinson, P., ed. (2006) The greener meadow: selected poems of Luciano Erba. Princeton University Press, Princeton, pp288. ISBN 9780691127644

Robinson, P., ed. (2012) A mutual friend: poems for Charles Dickens. Two Rivers Press, Reading, pp120. ISBN 9781901677782 (In Press)

Robinson, P. (2011) A mystery murder. London Magazine, London. (London Magazine)

Robinson, P. (2012) The returning sky. Shearsman Books, Bristol, pp108. ISBN 9781848611863

Robinson, P. (2010) An uncollected poem and the 'Madrid Journal' by Bernard Spencer. The London Magazine, 2010-2011 (Dec-Jan). ISSN 0024-6085

Robinson, P., ed. (2010) An unofficial Roy Fisher. Shearsman Books, pp221. ISBN 9781848611207

Robinson, P. (2009) Bernard Spencer (1909-1962): a centenary supplement. Agenda, 44 No 4 / 45 No 1. pp. 234-262. ISSN 0002-0796

Robinson, P. (2009) Bernard Spencer at Reading. In: Hunt, V. (ed.) Catalogue of the Bernard Spencer Collection at the University of Reading. University of Reading, Reading, pp. 11-19.

Robinson, P. (2009) Bernard Spencer in 'The London Magazine'. The London Magazine. pp. 66-72. ISSN 0024-6085

Robinson, P. (2009) Bernard Spencer's 'Boat Poem'. English, 58 (223). pp. 318-339. ISSN 1756-1124 doi: 10.1093/english/efp030

Robinson, P. (2009) Borrowed armour [poetry]. Poetry Ireland Review, 97. pp. 95-101. ISSN 0332-2998

Robinson, P. (2008) Clear as daylight [poetry] & Like a foreign country [poetry] & Peripheral visions [poetry]. Agenda, 43/44. pp. 221-223.

Robinson, P. (2008) An English belli. The Dark Horse . pp. 81-88.

Robinson, P. (2008) Grace and authenticity. Poetry London, 60. pp. 36-39. ISSN 1479-2591

Robinson, P. (2008) Leichenpass [poetry]. Neue Rundschau, 119. pp. 28-29.

Robinson, P. (2009) Love translated. Poetry London, 62. pp. 32-34. ISSN 1479-2591

Robinson, P. (2008) Naked for the Master [poetry]. Times Literary Supplement. pp. 26-27. ISSN 0307-661X

Robinson, P. (2008) Ode to debt [poetry]. The Warwick Review, 2 (2). pp. 20-21.

Robinson, P. (2009) Old incurables. Poetry London, 64. pp. 25-27. ISSN 1479-2591

Robinson, P. (2008) Otterspool Prom [poetry]. Times Literary Supplement. pp. 11-12. ISSN 0307-661X

Robinson, P. (2008) Pension scheme [poetry]. Poetry Ireland Review. pp. 58-59. ISSN 0332-2998

Robinson, P. (2009) Poet on his work: behind 'Otterspool Prom'. The Reader, 36. pp. 49-53.

Robinson, P. (2009) 'Readings will grow erratic' in Philip Larkin's 'Deceptions'. The Cambridge Quarterly, 38 (3). pp. 277-305. ISSN 1471-6836 doi: 10.1093/camqtly/bfp010

Robinson, P. (2008) Show and tell [poetry]. Poetry Ireland Review. pp. 103-107. ISSN 0332-2998

Robinson, P. (2009) Spirits of the stair: selected aphorisms. Shearsman Books, Exeter, pp149. ISBN 9781848600620

Robinson, P. (2008) Travellers [poetry] & The apple [poetry]. Poetry Ireland Review. pp. 46-47. ISSN 0332-2998

Robinson, P. (2008) Twists in the plotting: Bernard Spencer’s second book of poems. Publishing History, 62. pp. 81-102.

Robinson, P. (2009) "What sorts of poetry were you reading?" A conversation with Peter Robinson. The Use of English, 60. pp. 215-223. ISSN 0042-1243

Robinson, P. (2008) World enough [poetry] & Huntley & Palmers [poetry]. Poems in English, 57. pp. 82-83.

Robinson, P. (2008) A little exercise [poetry] & In the playground [poetry] & Cemetery junction [poetry]. The Reader. pp. 17-19.

Robinson, P. (2008) The look of goodbye: poems 2001-2006. Shearsman Books, Exeter, pp140. ISBN 9781905700455

Robinson, P. and Perryman, M., eds. (2006) The selected poetry and pose of Vittorio Sereni: a bilingual edition. University of Chicago Press, Chicago, pp368. ISBN 9780226748788

Roebuck, T. and Sperling, M. (2010) The glacial question, unsolved: a specimen commentary on lines 1-31. Glossator: Practice and Theory of the Commentary, 2. pp. 39-78. ISSN 1942-3381

Scott, M. (2009) 1759. London Magazine, 5. pp. 56-59. ISSN 0024-6085

Scott, M. (2009) 1809: prose is verse. London Magazine (4). pp. 86-89. ISSN 0024-6085

Scott, M. (2012) Benjamin Robert Haydon. In: Burwick, F. (ed.) The encyclopedia of romantic literature. Blackwell Publishing. doi: 10.1111/b.9781405188104.2012.x

Scott, M. (2009) Coleridge and European literature. In: Burwick, F. (ed.) The Oxford Handbook of Samuel Taylor Coleridge. Oxford Handbooks of Literature . Oxford University Press, Oxford, pp. 534-554. ISBN 9780199229536

Scott, M. (2009) Coleridge’s 'Lectures 1808-1819: On Literature'. In: Burwick, F. (ed.) The Oxford Handbook of Samuel Taylor Coleridge. Oxford Handbooks of Literature. Oxford University Press, Oxford, pp. 185-203. ISBN 9780199229536

Scott, M. (2012) Disraeli and Scott: oriental aristocracy and the Tory novel. Wordsworth Circle, 43 (2). pp. 98-103. ISSN 0043-8006

Scott, M. (2012) Edmund Burke. In: Burwick, F. (ed.) The encyclopedia of romantic literature. Blackwell Publishing.

Scott, M. (2012) Isaac D'Israeli's curious Conservatism. London Magazine (Oct-Nov). pp. 12-17. ISSN 0024-6085 (In Press)

Scott, M. (2006) John Keats and the aesthetics of topsy-turvy. European Romantic Review, 17 (2). pp. 245-254. ISSN 1740-4657 doi: 10.1080/10509580600688374

Scott, M. (2012) 'A Manner Beyond Courtesy': two concepts of wonder in Coleridge and Shelley. Romanticism, 18 (3). pp. 227-238. ISSN 1750-0192 (In Press)

Scott, M. (2012) Romanticism, British and American. In: Greene, R., Cushman, S., Ramanzani, J. and Cavanagh, C. (eds.) The Princeton encyclopedia of poetry and poetics. Princeton University Press, pp. 2022-2025. ISBN 9780691133348

Scott, M. (2012) Samuel Taylor Coleridge, Prose. In: Burwick, F. (ed.) The encyclopedia of romantic literature. Blackwell Publishing. doi: 10.1111/b.9781405188104.2012.x

Scott, M. (2010) Serious Anthony Powell I. The London Magazine, 2010 (Feb-Mar). pp. 54-56. ISSN 0024-6085

Scott, M. (2010) Serious Anthony Powell II. The London Magazine, 2010 (Apr-May). pp. 68-71. ISSN 0024-6085

Scott, M. (2010) The beauty of conservatism. The London Magazine, 2010 (June-July). pp. 103-106. ISSN 0024-6085

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Scott, M. (2009) 1859: the tyranny of the majority. London Magazine, 6. pp. 53-55. ISSN 0024-6085

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