Items where Division is "School of Arts and Communication Design"

Reading Faculties, Schools and Departments (2098)
- Arts, Humanities and Social Science (2098)
  - School of Arts and Communication Design (2098)
    - Art (926)
    - Film, Theatre & Television (723)
    - Typography & Graphic Communication (459)

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Number of items at this level: 2098.

A

Abraham, S., Bartlett, R., Standage, M., Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220 and McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 (2015) Do location specific forecasts pose a new challenge for communicating uncertainty? Meteorological Applications, 22 (3). pp. 554-562. ISSN 1469-8080 doi: https://doi.org/10.1002/met.1487

Adamou, C. (2004) Karolos Koun's reading of Greek drama. Filologos, 117. pp. 425-432.

Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Gertler, A., Godfrey-Isaacs, L., Greenan, A., Hällsten, J., O’Neill, M. R., Haukka, M., Hodge, S., Johanknecht, S., Kivland, S., Lloyd, L., Ludwig, K., Maclennan, R., Malacart, L., Manchot, M., Mariscal, C., Meynell, K., Mitchell, J., Mitrentse, C., Mooney, S., Mullaney, M., Novaczek, R., Oechsler, M., Olsen, R., Parker, J., Parris, J., Paz, A., Peppé, H., Robertson, H., Ruggaber, K., Schwartz, L., Scott, R., Sear, H., Séraphin, L., Sherbany, A., Siderfin, N., Skelton, P., Smith, R., Spindler, S., Steed, C., Stockham, J., Taylor, D., Thompson, M., Throp, M., Thyes, M., Sutherland, R. V., Von Heyl, M., Voorsanger, J., Westerman, J., Wood, S. and Wright, E. (2020) Salon for a speculative future. [Image]

Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089322

Al-Taee, N. (2019) Live canvas: digital interface as creative medium. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084824

Alfandari, N., Asante, B., Bailey, A., Barton, C., Barokka, K., Bei, Z. and Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2023) How we hold: rehearsals for art and social change. Serpentine, London. ISBN 9783753305035

Alghamdi, B. A. (2024) Participations and Interactions: A study of emerging art practices in Saudi Arabia supported by the Saudi Vision 2030. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117374

Allahyari, M., Nilchiani, M., Rourke, D. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Bitrates. [Show/Exhibition]

Allbon, E. and Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 (2022) Taking our interactive co-design workshop online. In: Allbon, E. and Perry-Kessaris, A. (eds.) Design in Legal Education. Emerging Legal Education. Routledge, 272 pages. ISBN 9780367075798 doi: https://doi.org/10.4324/9780429021411-16

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2007) Auraproject. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2018) Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS. Edinburgh Napier University, Edinburgh.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2007) Grangerparklife: Online project. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2004) Installation. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) Sensory Objects. [Project] (Collection)

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2020) Tate lates power of bubble. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2003) alter. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Andy, M. (2018) PurpleSTARS present to the Disability History Conference London Metropolitan Archive. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2016) Interactive sensory cow for the Museum of English Rural Life (MERL). [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2019) Pride of place. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) PurpleSTARS present at Preparing for Adulthood. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) #Purplelightup international persons with a disability day British Museum. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Andy, M. and Headon, K. (2018) Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum. [Show/Exhibition] (Unpublished)

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Seminar: access all areas. In: Access all areas, 11 November 2011, Whitworth Art Gallery, Manchester.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Seminar: sensory objects. In: Sensory objects, 25 February 2015, Sackler Rooms, British Museum.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2015) Sensory objects at the British Museum. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A., (2015) Sensory objects: a case study. Disability Cooperative Network

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2013) Sensory stories. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869, Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869, Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38. doi: https://doi.org/10.18848/1835-2014/CGP/v09i01/21-38

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research. Smithsonian. ISBN 9780970835888

Andrews, M. (2003) Artwork or works of art? Part one. Baseline Magazine, 40. pp. 17-24.

Andrews, M. (2003) Artwork or works of art? Part two. Baseline Magazine, 41. pp. 13-16.

Andrews, M. (2006) The stuff of everday life: a brief introduction to the history and definition of printed ephemera. Art Libraries Journal, 31 (4). pp. 5-8. ISSN 0302-4722

Andrews, M. J. (2007) The importance of ephemera. In: Eliiot, S. and Rose, J. (eds.) A Companion to the History of the Book. Companions to Literature and Culture. Wiley-Blackwell, Oxford, pp. 234-250. ISBN 9781405127653

Andrews, M. J. (2003) The life and work of Robert Gibbings. The Primrose Hill Press, London, pp426. ISBN 9781901648317

Angelaki, V. (2010) ‘Ethics take centre stage: Issues and representation for today's political theatre’. In: Meyer-Dinkgräfe , D. and Watt, D. (eds.) Ethical Encounters: Boundaries of Theatre, Performance and Philosophy. Cambridge Scholars Publishing, Cambridge, pp. 199-207. ISBN 9781443816953

Angelaki, V. (2017) Social and political theatre in 21st-century Britain: staging crisis. Methuen Drama Engage. Bloomsbury, London, pp288. ISBN 9781474213172

Angelaki, V. (2019) Theatre & environment. Theatre &. Palgrave Macmillan/Red Globe Press, pp90. ISBN 9781137609830

Angelaki, V. (2014) Witness or accomplice? Unsafe spectatorship in the work of Anthony Neilson and Simon Stephens. In: Aragay, M. and Monforte, E. (eds.) Ethical Speculations in Contemporary British Theatre. Palgrave Macmillan, Basingstoke, pp. 135-151. ISBN 9781137297563

Angelaki, V. (2014) "Alles Weitere kennen Sie aus dem Kino": Martin Crimp at the cutting edge of representation. Contemporary Theatre Review, 24 (3). pp. 315-330. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921050

Angelaki, V. (2009) Breaking down barriers high and low: the case of the United Kingdom’s National Theatre. In: Coelsch-Foisner, S. and Flothow, D. (eds.) High Culture and/versus Popular Culture. Winter, pp. 85-93.

Angelaki, V., ed. (2013) Contemporary British theatre: breaking new ground. Palgrave Macmillan. ISBN 9781137010124

Angelaki, V. (2015) From history to “Ourstories” in Martin Crimp’s metanarratives. Journal of Contemporary Drama in English, 3 (1). pp. 142-155. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2015-0010

Angelaki, V. (2010) Grenzen hinausschieben, Zuschauer herausfordern: zur rezeption Howard Barkers. In: Mengel, E. and Weiss, R. (eds.) Weltbühne Wien/World Stage Vienna: Die Rezeption Anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. Wissenschaftlicher Verlag Trier, pp. 297-311.

Angelaki, V. (2013) Introduction. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 1-8. ISBN 9781137010124

Angelaki, V. (2014) Introduction: dealing with Martin Crimp. Contemporary Theatre Review, 24 (3). pp. 309-314. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921031

Angelaki, V. (2010) ‘Lessons from Harold Pinter’. Studies in Theatre and Performance, 30 (3). pp. 267-273. ISSN 2040-0616

Angelaki, V. (2011) ‘Martin Crimp and border crossing: The Australian turn’. Contemporary Theatre Review, 21 (4). pp. 544-546. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.617521

Angelaki, V. (2007) Performing Phenomenology: the theatre of Martin Crimp. In: Meyer-Dinkgräfe, D. and Watt, D. (eds.) Theatres of Thought. Cambridge Scholars Publishing, pp. 6-12.

Angelaki, V. (2019) Performing migration in Vienna: the Volkstheater Trilogy. Performing Ethos, 9 (1). pp. 9-22. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00002_1

Angelaki, V. (2013) Politics for the middle classes: contemporary audiences and the violence of now. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 57-78. ISBN 9781137010124

Angelaki, V. (2007) Structuring consciousness through objects: fluctuating roles and selves in Crimp, Pinter and Ionesco. In: Meyer-Dinkgräfe, D. (ed.) Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Publishing, pp. 126-133.

Angelaki, V. (2008) Subtractive forms and composite contents: Martin Crimp’s Fewer Emergencies. In: Schnierer, P. P. and Redling, E. (eds.) Contemporary Drama in English. Wissenschaftlicher Verlag Trier, pp. 31-46.

Angelaki, V. (2008) Taking a bite of the Big Apple: Martin Crimp’s The Treatment. In: Angel-Perez, E. and Poulain, A. (eds.) Hunger on the Stage. Cambridge Scholars Publishing, pp. 257-267.

Angelaki, V. (2015) (Up)setting the scene: 'Open Court' as staging and spectating intervention. Contemporary Theatre Review, 25 (4). pp. 472-487. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2015.1078321

Angelaki, V. (2013) Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage. Sillages Critiques, 16. ISSN 1969-6302

Angelaki, V. (2012) The plays of Martin Crimp: making theatre strange. Palgrave Macmillan, Basingstoke, pp238. ISBN 9780230293717

Angelaki, V. (2016) The space and culture of translation: Ferdinand Bruckner’s 'Pains of Youth' by Martin Crimp and Katie Mitchell. Journal of Adaptation in Film & Performance, 9 (1). pp. 67-82. ISSN 1753-6421 doi: https://doi.org/10.1386/jafp.9.1.67_1

Angelaki, V. and Rebellato, D., eds. (2014) Dealing with Martin Crimp. Contemporary Theatre Review (special issue), 24 (3). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2014.921031

Aranda, J., Bumsteinas, A., Garbstiene, L., Bunic, P., Cesarco, A., Dahlberg, K., Deball, M. C., Fontaine, C., Dowd, S., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Dujmušic, I., Van Harskamp, N., Ergun, K., Kanajet, M., Esquivias, P., Ferri, J., Torres, M. G., Gavran, D., Grubic, I., Harskamp, N. V., Haus, S., Hiseni, A., Bioskop, I., Ilic, S., Jansa, J., Noir, J., Katic, B., Kovac, I., Tepavcevic, N., Kurcubic, N., Labrovic, S., Lagomarsino, R., Latin, I., Markovic, M., Milak, R., Muresan, C., Nevarez, A., Tevere, V., Ogut, A., Ocko, D., Panayiotou, C., Rascic, L., Richardson, J., Roncevic, D., Suler, K., Takala, P., Tsivopoulos, S., Tur, N., Vatamanu, M. and Tudor, F. (2008) Salon of revolution. [Show/Exhibition]

Archer, C., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Reynolds, L. (2004) Typography in nineteenth-century children's readers: the Otley connection. In: Mckay, B., Hinks, J. and Bell, M. (eds.) Light on the book trade: essays in honour of Peter Isaac. Print Networks (6). British Library and Oak Knoll Press, London, pp. 118-129. ISBN 9780712347976

Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114

Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

B

Bailer, S. (2024) Caring infrastructures: transforming the arts through feminist curating with care. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119252

Balló, J. and Elduque, A. (2018) Imperio y Estrellita, el ascenso por amor. In: Bou, N. and Pérez, X. (eds.) El cuerpo erótico de la actriz bajo los fascismos. Cátedra, Madrid, pp. 97-108. ISBN 9788437638416

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2020) Colour for commerce: letterpress-printed ephemera in Britain, 1740–1830. In: Savage, E. and Grasselli, M. (eds.) Colour Printing 1700-1830. Proceedings of the British Academy. British Academy/Oxford University Press, London. (In Press)

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2009) Lottery advertising 1800–1826. Journal of the Printing Historical Society (ns.11). pp. 17-60. ISSN 0079-5321

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2008) Nineteenth-century jobbing: the printing methods of Gye and Balne. Journal of the Printing Historical Society, 11 (new se. pp. 25-64.

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2012) Occasional publishers: producing and marketing books in England 1771–1844. Journal of Historical Research In Marketing, 4 (3). pp. 408-439. ISSN 1755-750X doi: https://doi.org/10.1108/17557501211252961

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2019) Printing to 1970. In: Eliot, S. and Rose, J. (eds.) A Companion to the History of the Book. Blackwell Companions to Literature and Culture. Wiley-Blackwell. ISBN 9781119018179

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2007) Trash type. Baseline, 52. pp. 16-21.

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090, (2008) A handlist of films showing printing & typesetting. Self published (St Bride Library)

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2019) The industrialization of the book 1800–1970. In: Eliot, S. and Rose, J. (eds.) The New Blackwell Companion to the History of the Book. Wiley-Blackwell, New York. ISBN 9781119018179

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2014) 'The largest type in England': wood lettering for jobbing printing 1800–1830. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 27-40, 107-126 (colour images), 181-192 (English text). ISBN 9783932865862

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2013) The work force. In: The history of Oxford University Press. Volume 2: 1780-1896. Oxford University Press, London. ISBN 9780199543151

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2008) Non-Latin typefaces at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, pp64. ISBN 0950416150

Banks, M., Ivison, T., Jacobi, S., Theodoropoulou, L., Adams, J., Smith, M., Moonasinghe, H., Monsisyan, A. and Kontopoulou, A. (2015) New terms: radical education workshops. [Project]

Barker, A. (2019) A comparison of seeking-finding behaviours across the contexts of environmental space, paper documents, and on-screen. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085342

Barnard, L. (2023) Echoes and citations in art and its writing. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118940

Barreiro, M. S. and Elduque, A. (2017) La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'. Cinémas d’Amérique Latine, 25. pp. 144-155. ISSN 1267-4397

Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition]

Bartley, S. (2019) Gendering welfare: acts of reproductive labour in applied performance practice. Contemporary Theatre Review, 29 (3). pp. 305-319. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2019.1615901

Bartley, S. (2017) Hard labour and punitive welfare: the unemployed body at work in participatory performance. Research in Drama Education, 22 (1). pp. 62-75. ISSN 1356-9783 doi: https://doi.org/10.1080/13569783.2016.1263559

Bartley, S. (2022) 'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation. In: Bissell, L. and Weir, L. (eds.) Performance in a Pandemic. Routledge, London, pp. 79-86. ISBN 9780367761349 doi: https://doi.org/10.4324/9781003165644-12

Bartley, S. (2022) Peopling the theatre in a time of crisis. In: Wallace, C., Escoda, C., Monforte, E. and Ramón Prado-Pérez, J. (eds.) Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre. Methuen Drama Engage. Bloomsbury, London, 256. ISBN 9781350180857

Bartley, S. (2020) Performing Welfare Applied Theatre, Unemployment, and Economies of Participation. Contemporary Performance InterActions. Palgrave Macmillan. ISBN 9783030448530 doi: https://doi.org/10.1007/978-3-030-44854-7

Bartley, S. (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi: https://doi.org/10.1080/13569783.2020.1853516

Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition]

Beauchamp, A. (2012) A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter. Journal of Media Practice, 12 (3). pp. 235-244. ISSN 1468-2753 doi: https://doi.org/10.1386/jmpr.12.3.235_1

Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition]

Beier, S. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2014) The influence of serifs on 'h' and 'i': useful knowledge from design-led scientific research. Visible Language, 47 (3). pp. 74-95. ISSN 0022-2224

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2017) Dissonance. [Show/Exhibition]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2022) Nation's Finest, Putting Down Roots and Birthing. [Show/Exhibition]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2023) Simon Says/Dadda. [Show/Exhibition]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2020) South London Gallery and Hauser and Wirth. [Project]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2019) Yuh Figet Yuhself - Peckham Partnership, Peckham Platform. [Project]

Bennett, J. and Brown, T., eds. (2008) Film and television after DVD. Routledge research in cultural and media studies (15). Routledge, New York, pp202. ISBN 9780415962414

Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition]

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Adaptation and convergence: Beckett on film. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P. (eds.) Beckett’s Afterlives: Adaptation, Remediation, Appropriation. Manchester University Press, Manchester, pp. 34-49. ISBN 9781526153791

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Adventures between TV and film, and between Britain and America. Ecrans, 15 (1). pp. 27-42. ISSN 2267 4357 doi: https://doi.org/10.48611/isbn.978-2-406-12259-3.p.0027 (Special issue "Mémoire et réécritures dans les séries télévisées")

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Sound/image. The Television Series. Manchester University Press, Manchester, pp. 15-37, 248 pages. ISBN 9781526149190

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) And the rest is history: Lew Grade, the creation myth and television historiography. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 57-70. ISBN 9780335217298

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2004) Another time, another space: modernity, subjectivity and the time machine. In: Redmond, S. (ed.) Liquid Metal: The Science Fiction Reader. Wallflower, London, pp. 136-144. ISBN 9781903364888

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2011) ‘Anything can happen in the next half-hour’: Gerry Anderson’s transnational science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. Critical Explorations in Science Fiction and Fantasy (29). McFarland, Jefferson (North Carolina) & London, pp. 73-84. ISBN 9780786446216

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Articulations of voice and medium in Beckett’s screen work. In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.) Beckett’s Voices / Voicing Beckett. Themes in Theatre, 12. Brill, Leiden, pp. 280-294. ISBN 9789004468382 doi: https://doi.org/10.1163/9789004468382_021

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2016) Authenticity and performance of class in British factual TV series. In: Cloarec, N., Haigron, D. and Letort, D. (eds.) Social Class on British and American Screens: Essays on Cinema and Television. McFarland, Jefferson, USA, pp. 58-73. ISBN 9781476662343

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) Beckett and televisual ecosystems: dramas of the vast wasteland. In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.) Samuel Beckett and Ecology. Bloomsbury, London. ISBN 9781350366022 (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Big brother: reality TV in the twenty-first century. Palgrave Macmillan, Basingstoke, pp256. ISBN 9781403916846

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Black screens: Beckett and television technologies. In: Rapcsak, B., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P. (eds.) Beckett and Media. Manchester University Press, Manchester, pp. 177-194, 248. ISBN 9781526145833 doi: https://doi.org/10.7765/9781526145840.00018

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Broadcasting children's music. InFormation: Nordic Journal of Art and Research, 6 (2). pp. 1-16. ISSN 1893-2479 doi: https://doi.org/10.7577/information.v6i2.2275 (Special issue: Children's Music)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2016) Cars, places and spaces in police drama. In: McElroy, R. (ed.) Contemporary British Television Crime Drama: Cops on the Box. Routledge Advances in Television Studies. Routledge, London, pp. 123-136. ISBN 9781472454935

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2018) Children of the world on British television: national and transnational representations. Strenae, 13. ISSN 2109-9081 doi: https://doi.org/10.4000/strenae.1966 (Special issue: Le '68 des enfants / The Children's 68)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Children’s television and public service in contemporary Britain. In: Dinter, S. and Schneider, R. (eds.) Transdisciplinary Perspectives on Childhood in Contemporary Britain. Studies in Childhood, 1700 to the Present. Routledge, London, UK, pp. 87-102. ISBN 9781138232105

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Children’s television and radio. In: Fournier, G. (ed.) La BBC et le service public de l'audiovisuel, 1922-1995. Agregation Anglais. Editions Ellipses, Paris, pp. 111-128. ISBN 9782340041127

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2007) Citing the classics: constructing British television drama history in publishing and pedagogy. In: Wheatley, H. (ed.) Re-viewing Television History: Critical Issues in Television Historiography. I B Tauris, London, pp. 27-39. ISBN 9781845111885

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Cringe histories: Harold Pinter and the Steptoes. Humanities, 10 (2). 83. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020083

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) “Do you really enjoy the modern play?”: Beckett on commercial television. In: Stewart, P. and Pattie, D. (eds.) Pop Beckett: Intersections with Popular Culture. Samuel Beckett in Company, 7. Ibidem, Stuttgart, pp. 63-84. ISBN 9783838211930

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Docudrama performance: realism, recognition and representation. In: Cornea, C. (ed.) Genre and performance: film and television. Manchester University Press, Manchester, UK, pp. 59-75. ISBN 9780719079801

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2011) Docudramatizing the real: developments in British TV docudrama since 1990. Studies in Documentary Film, 4 (3). pp. 195-208. ISSN 1750-3280 doi: https://doi.org/10.1386/sdf.4.3.195_1

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Entanglements of intermediality: Polanski, Pinter, Steptoe and Son. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, Oxford, pp. 267-280. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0017

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Exemplarity, pedagogy and television history. New Review of Film and Television Studies, 3 (1). pp. 15-32. ISSN 1740-7923 doi: https://doi.org/10.1080/17400300500037324

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Familiar aliens: 'Teletubbies' and postmodern childhood. Screen, 46 (3). pp. 373-388. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/46.3.373

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 42-52. ISBN 9780719065248

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Grand designs: television, style and substance in The Time Tunnel. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Substance/style. The Television Series. Manchester University Press, Manchester, pp. 202-224, 258 pages. ISBN 9781526148780

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2018) James Bond’s forgotten beginnings: television adaptations. In: Strong, J. (ed.) James Bond Uncovered. Palgrave Studies in Adaptation and Visual Culture. Palgrave Macmillan, Basingstoke, pp. 41-60. ISBN 9783319761220 doi: https://doi.org/10.1007/978-3-319-76123-7_3

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2002) John McGrath and the dialogues of television studies. International Journal of Scottish Theatre, 3 (2). ISSN 1471-5198

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (1993) Lost messages: The Handmaid’s Tale, novel and film. British Journal of Canadian Studies, 8 (1). pp. 71-84. ISSN 1757-8078

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2007) Masculinité, musique et politique dans 'Excalibur'. In: Sipiere, D. and Cohen, A. J.-J. (eds.) Les autres arts dans l'art du cinéma. Le Spectaculaire Cinéma. University of Rennes Press, Rennes, pp. 141-152. ISBN 9782753503885

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) Meta-commentary and mythology: "Episodes" as a performance of transatlantic TV. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 163-180. ISBN 9780190663124

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (1996) Method Westerns: The Left-Handed Gun and One Eyed Jacks. In: Cameron, I. and Pye, D. (eds.) The Movie Book of the Western. Movie Books. Studio Vista (Cassell), London, pp. 99-110. ISBN 9780289801680

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Myth. In: Ouellette, L. and Gray, J. (eds.) Keywords for Media Studies. New York University Press, New York, pp. 123-125. ISBN 9781479859610

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2015) Performing right: legal constraints and Beckett’s plays on BBC television. Samuel Beckett Today / Aujourd'hui, 27. 129- 142. ISSN 0927-3131 doi: https://doi.org/10.1163/9789004309937_011

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2018) Performing television history. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 262-279. ISSN 1749-6039 doi: https://doi.org/10.1177/1749602018782860

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) Performing the identity of the medium: adaptation and television historiography. Adaptation, 12 (2). pp. 149-164. ISSN 1755-0645 doi: https://doi.org/10.1093/adaptation/apz017

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Pinter, authorship and entrepreneurship in 1960s British cinema: the economics of "The Quiller Memorandum". Historical Journal of Film, Radio & Television, 40 (3). pp. 533-550. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778316

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2000) Postmodern media culture. Edinburgh University Press, Edinburgh, pp248. ISBN 9780748609888

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2006) Programmes and canons. Critical Studies in Television, 1 (1). pp. 31-36. ISSN 1749-6020

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2013) Realism and reality formats. In: Ouellette, L. (ed.) A companion to reality television. Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115. ISBN 9780470659274

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2016) Representing violence, playing control: warring constructions of masculinity in Action Man toys. In: Wesseling, E. (ed.) The Child Savage, 1890–2010. From Comics to Games. Ashgate Studies in Childhood, 1700 to the Present. Routledge, London, pp. 189-202. ISBN 9781409455981

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Samuel Beckett’s television plays. In: Bennett, M. Y. (ed.) The Routledge Companion to Absurdist Literature. Routledge Literature Companions. Routledge, London. ISBN 9781032188126

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Screen and stage space in Beckett’s theatre plays on television. In: Wrigley, A. and Wyver, J. (eds.) Screen Plays: Theatre Plays on British Television. Manchester University Press, Manchester, pp. 226-245. ISBN 9780719097928

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2007) Seeing and knowing: reflexivity and quality. In: Mccabe, J. and Akass, K. (eds.) Quality TV: contemporary American television and beyond. Reading Contemporary Television. I B Tauris, London, pp. 145-157. ISBN 9781845115104 doi: https://doi.org/10.5040/9780755696376.ch-012

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2003) Sex, confession and witness. In: Akass, K. and Mccabe, J. (eds.) Reading 'Sex and the City',. I B Tauris, London & New York, pp. 161-176. ISBN 9781850434238

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) Space for "quality": negotiating with the Daleks. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 76-92. ISBN 9780719069321

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Spies, style and the Cold War: James Bond in the sixties and seventies. In: Ahrens, R., Stierstorfer, K. and Dickason, R. (eds.) Symbolism: an international annual of critical aesthetics. Special focus: propaganda. AMS Press, New York, USA, pp. 81-92. ISBN 9780404635701

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Star Wars (1977): back and forth in time and space. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 111-115. ISBN 9781844573363

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Technology. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (eds.) The Oxford Handbook of Samuel Beckett. Oxford Handbooks. Oxford University Press, Oxford. (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Television and the popular: viewing from the British perspective. Journal of Literary Theory, 4 (2). pp. 181-198. ISSN 1862-5290 doi: https://doi.org/10.1515/JLT.2010.012

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Television biopics: Questions of genre, nation, and medium. In: Cartmell, D. and Polasek, A. D. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60. ISBN 9781119554813 doi: https://doi.org/10.1002/9781119554783.ch4

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2011) Television for children: problems of national specificity and globalisation. In: Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (ed.) Children in Culture, Revisited: Further Approaches to Childhood. Palgrave Macmillan, Basingstoke, pp. 167-185. ISBN 9780230275546

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Television: from pre-production to programme making and dissemination. In: Beloborodova, O. and Van Hulle, D. (eds.) Toward a Comparative History of the Literary Draft in Europe. John Benjamins, Amsterdam, pp. 473-486. ISBN 9789027215260

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (1998) Territories, boundaries, identities: 'The Handmaid's Tale'. In: Howells, C. A. and Vevaina, C. (eds.) Margaret Atwood The Shape Shifter. Creative New Literatures. Indian Association for Canadian Studies, and Creative Books, New Delhi, pp. 9-25. ISBN 9788186318515

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2007) Une lettre en souffrance: l'adaptation de 'La Servante écarlate/The Handmaid's Tale' de Margaret Atwood au cinéma. In: Cloarec, N. (ed.) Lettres de cinéma: de la missive au film-lettre. University of Rennes Press, Rennes, pp. 175-187. ISBN 9782753505308

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Vanity Fair (1967) and the contradictions of colour. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Complexity/simplicity. The Television Series. Manchester University Press, Manchester, pp. 192-215, 280 pages. ISBN 9781526148759

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2003) Where is Action Man's penis? Determinations of gender and the bodies of toys. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 36-47. ISBN 9780333949696

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2002) Writing the child in media theory. The Yearbook of English Studies, 32. pp. 127-139. ISSN 0306-2473 doi: https://doi.org/10.2307/3509052

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) The absence of television: broadcasting and war in Britain, 1939-45. In: Dickason, R. and Haigron, D. (eds.) Issues and Singularity in the British Media. Palgrave Macmillan, Cham, pp. 71-93. ISBN 9783031606526 doi: https://doi.org/10.1007/978-3-031-60653-3_4

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2007) The child as addressee, viewer and consumer in mid-1960s 'Doctor Who'. In: Butler, D. (ed.) Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester University Press, Manchester, pp. 43-55. ISBN 9780719076817

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) The epic in the everyday: television and Doctor Who, ‘The Chase’. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. (eds.) Epic / Everyday: Moments in Television. The Television Series. Manchester University Press, Manchester. ISBN 9781526170224

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2004) An introduction to television studies. 1st edition. Routledge, London & New York. ISBN 0415261120

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2007) An introduction to television studies. 2nd edition. Routledge, London, New York, pp368. ISBN 9780415419178

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2012) An introduction to television studies. 3rd edition. Routledge, London , pp348. ISBN 9780415598163

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2013) The look: style, technology and televisuality in the New Who. In: O'Day, A. (ed.) Doctor Who: the eleventh hour. Who watching. I. B. Tauris, London and New York, pp. 123-140. ISBN 9781780760193

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) The performing lives of things: animals, puppets, models and effects. In: Walters, J. and Donaldson, L. F. (eds.) Television Performance. Red Globe Press, London, pp. 43-60. ISBN 9781137608192

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2009) The police series. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Close-Up 03. Wallflower, London, pp. 1-66. ISBN 9781905674787

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2014) The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style. Historical Journal of Film, Radio and Television, 34 (3). pp. 369-389. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937182 (Special issue "Production, site and style")

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2000) A taste of the gothic: film and television versions of Dracula. In: Sheen, E. and Giddings, R. (eds.) From Page to Screen: Adaptations of the Classic Novel:. Manchester University Press, Manchester, pp. 114-130. ISBN 9780719052316

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Burchardt, J. ORCID: https://orcid.org/0000-0001-9483-1494 (2017) Agents, beneficiaries and victims: picturing people on the land. In: Haigron, D. (ed.) The English Countryside: Representations, Identities, Mutations. Palgrave Macmillan, Basingstoke, pp. 61-82. ISBN 9783319532721 doi: https://doi.org/10.1007/978-3-319-53273-8

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fickers, A., eds. (2008) A European television history. Wiley-Blackwell, New York, pp288. ISBN 9781405163392

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds. (2014) British television drama: past, present and future. 2nd edition. Palgrave Macmillan, Basingstoke, pp272. ISBN 9781137327567

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds. (2005) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp240. ISBN 9780719069321

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and O'Day, A. (2004) Terry Nation. Manchester University Press, Manchester. ISBN 9780719065460

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Orlebar, J. (2005) The television handbook. 3rd edition. Routledge, London and New York, pp340. ISBN 9780415342513

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Weissmann, E. (2008) Cultural difference? Not so different after all. Critical Studies in Television: scholarly studies in small screen fictions, 3 (1). pp. 93-98. ISSN 1749-6020

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2022) An introduction to television studies. 4th edition. Routledge, London, pp336. ISBN 9781138665811 doi: https://doi.org/10.4324/9781315619675

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M., eds. (2000) British television drama: past, present and future. 1st edition. Macmillan, Basingstoke. ISBN 9780333774953

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P., eds. (2023) Beckett's afterlives: adaptation, remediation, appropriation. Manchester University Press, Manchester, pp288. ISBN 9781526178961

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Paget, D. J., Sutherland, H. A. and Taylor, L. (2011) Narrativising the facts: acting in screen and stage docudrama. In: Tönnies, M. and Flotmann, C. (eds.) Narrative in Drama. Contemporary Drama in English (18). Wissenschaftlicher Verlag Trier, Trier, pp. 21-52. ISBN 9783868213157

Black, A. (2017) Icons as carriers of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, London, UK, pp. 253-269. ISBN 9781472430700

Black, A. (2019) Information design to make an impact on health care quality – is a user-centred approach enough? In: Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars, Newcastle, UK, pp. 53-68. ISBN 9781527529540

Black, A. and Stanbridge, K. (2012) Documents as 'critical incidents' in organisation to consumer communication. Visible Language, 46 (3). pp. 246-281. ISSN 0022-2224

Black, A., Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412, Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E. (2017) Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement. In: Design for healthcare. Design for Social Responsibility. Gower, pp. 170-189. ISBN 9781472457424

Black, A., Carey, C., Matthews, V. and Solomons, L. (2019) Designing information for families caring for people with dementia. Design for Health, 3 (2). pp. 199-219. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2019.1629766

Black, A., Gibb, A., Carey, C., Barker, S., Leake, C. and Solomons, L. (2013) Designing a questionnaire to gather carer input to pain assessment for hospitalized people with dementia. Visible Language, 47 (2). pp. 37-60. ISSN 0022-2224

Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2017) Information design: research and practice. Routledge, London, pp600. ISBN 9780415786324

Blackadder, E., Buckley, S., Carter, J., Coates, T., Forster, N., Hollyras, K., Mccrae, J., Mitchell, J. and Sutton, T. (2007) Critic's choice. [Show/Exhibition]

Blacksell, R. (2016) From visual to textual: typography in/as conceptual art. In: Glasmeier, M. and Prill, T. (eds.) Typografie als Kunstlerisches Ereignis. Textem Verlag, Hamburg, pp. 113-141. ISBN 9783864851254

Blacksell, R. (2013) Typography after conceptual art: text-based conceptual art and its contribution to contemporary typographic discourse. PhD thesis, University of Sheffield.

Blacksell, R. (2013) From looking to reading: text-based conceptual art and typographic discourse. Design Issues, 29 (2). pp. 60-81. ISSN 1531-4790 doi: https://doi.org/10.1162/DESI_a_00210

Blacksell, R. (2015) Studio International. The Burlington Magazine, 157 (1347). pp. 430-431. ISSN 0007-6287

Blacksell, R. and Walker, S., eds. (2016) Architecture and the spaces of information. Architecture and Culture, 4 (1). Taylor & Francis.

Blacksell, R. and Walker, S. (2016) Introduction: architecture and the spaces of information. Architecture and Culture, 4 (1). pp. 1-8. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2016.1153241

Blacksell, R. E. (2016) Categories & order systems: Claude Parent and The Serving Library. Intersections of architecture, art and editorial design. Architecture and Culture, 4 (1). pp. 73-89. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2015.1094229

Blatnik, A., Bodman, S., Bohr, B., Cascella, D., Couch, A., Desjardin, A., Fontcuberta, J., Hulse, M., Dicker, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Helgason Gallagher, S., Jaeger, P., Jeff, P., Jenkins, L., Johanknecht, S., Meynell, K., Kaiser, M., Kivland, S., Thurston, N., Mathieu, D., Mikulinsky, R., Nicolas, C., Roush, P., Lusitano, M., Sanderson, M., Schimag, S. A., Schmidt, A., Speck, D. W., Lice, S. o., Soulellis, P., Szczelkun, S. and Zoller, R. (2013) 'Frankenstein2...' in The Book is Alive! In: Waeckerlé, E. and Sawdon-Smith, R. (eds.) The Book is Alive! RGAP, England, pp. 142-149. ISBN 9780956902450

Blume, J., Pané-Farré, P. and Smeijers, F. (2014) Vom buch auf die Straße: große Schrift von 1600 bis 1920 (From the book to the street: big letters from 1600 to 1920). [Show/Exhibition]

Blume, J., Pané-Farré, P. and Smeijers, F., eds. (2014) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (From the book to the street: big letters in public space). Journal der HGB, 3. Hochschule für Grafik und Buchkunst, Leipzig, pp256. ISBN 9783932865862

Bode, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 and Golding, D., eds. (2021) The digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4). Sage Publications, pp. 849-854. (Special Issue)

Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition]

Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 (2023) Visual displays of local flood risk: examining how residents at risk use flood maps and river level graphs. In: Von Manen, S. M., Jaenichen, C., Lin, T. S., Kremer, K. and Ramirez, R. (eds.) Design for Emergency Management. Routledge, London. ISBN 9781032285030

Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Urrutia-Badilla, B. (2022) Hay Diseño de información si sabes donde buscarlo / There is information design if you know where to look for it. RChD: Creación y Pensamiento, 7 (13). pp. 103-113. ISSN 0719-8426 doi: https://doi.org/10.5354/0719-837X.2022.68377

Brezina, D. (2019) Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085141

Brixey-Williams, J. (2022) A Labour of Attentiveness: the emergent place-responsive praxis of matter and context in R.D Laing’s Archway community. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00110019

Brixey-Williams, J. (2020) Traces of the invisible: how an alternative reading of The Sleeping Beauty fashioned a bookwork heightening awareness of the role of the anesthetist. Journal of Medical Humanities, 41 (1). pp. 41-51. ISSN 1573-3645 doi: https://doi.org/10.1007/s10912-019-09597-3

Broughton, M. E. (2009) Nigel Kneale (1922-2006). In: Bould, M., Butler, A. M., Roberts, A. and Vint, S. (eds.) Fifty Key Figures in Science Fiction. Routledge Key Guides. Routledge, London, pp. 121-126. ISBN 9780415439497

Brown, T. (2007) Les Remakes des films français: l'âge classique. In: Viviani, C., Barnier, M. , Bastide, B. and Berthomieu, P. (eds.) Hollywood, les Connexions françaises. Nouveau Monde éditions, Paris, pp. 345-375. ISBN 9782847362312

Brown, T. (2011) Spectacle and value in classical Hollywood cinema. In: Hubner, L. (ed.) Valuing Films: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 49-68. ISBN 9780230229686

Brown, T. (2007) 'The DVD of attractions'? The Lion King and the digital theme park. Convergence: The International Journal of Research into New Media Technologies, 13 (2). pp. 169-183. ISSN 1354-8565 doi: https://doi.org/10.1177/1354856507075243

Brown, T. (2010) 'Entertainment and dystopia': Maurice Chevalier performs Avec le sourire (1936). In: Walters, J. and Brown, T. (eds.) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK, pp. 78-84. ISBN 9781844573363

Brown, T. (2008) Spectacle/gender/history: the case of Gone with the Wind. Screen, 49 (2). pp. 157-178. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjn023

Brown, T. and Walters, J., eds. (2010) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK. ISBN 9781844573363

Buckley, S. (2005) 1979. [Show/Exhibition]

Buckley, S. (2004) Narratives. [Show/Exhibition]

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Bull, J. (2003) From Illyria to Arcadia: uses of pastoral in Modern English theater. TriQuarterly, 116. pp. 57-72.

Bull, J. (2005) John Bull - 'Serjeant Musgrave Dances to a Different Tune': John McGrath's adaptation of John Arden's 'Serjeant Musgrave's Dance'. In: Bradby, D. and Capon, S. (eds.) Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television,. University of Exeter Press, Exeter, pp. 39-54. ISBN 9780859897488

Bull, J. (2006) Left in front: David Edgar's political theatre. In: Luckhurst, M. (ed.) A Companion to Modern British and Irish Drama 1880-2005. Blackwell Companions: Literature and Culture. Blackwell, Oxford, pp. 441-453. ISBN 9781405122283

Bull, J. (2007) Telling stories: the Point Blank trilogy. In: Tomlin, L. (ed.) Point Blank. Intellect Press, Bristol, pp. 9-15. ISBN 9781841501697

Bull, J. (2004) What the butler did see: Joe Orton and Oscar Wilde. In: Coppa, F. (ed.) Joe Orton: A Casebook. Casebooks on Modern Dramatists. Routledge, London & New York, pp. 45-60. ISBN 9780815336273

Bull, J. (2004) Barry [née Street; other married names Dancer, Crawford], Ann [Anne] (bap. 1733, d. 1801). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Barry, Spranger (bap. 1717, d. 1777). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2007) 'Being taken no notice of in ten million homes': David Hare's adventures in television. In: Boon, R. (ed.) The Cambridge Companion to David Hare. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 153-168. ISBN 9780521615570

Bull, J. (2005) Introduction: on interventionist and community theatre. In: Billingham, P. (ed.) Radical Initiatives in Interventionist and Community Theatre. New Directions in Drama and Performance (Volume 1). Intellect, Exeter. ISBN 9781841500683

Bull, J. (2004) Nossiter, Maria Isabella (1735–1759). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Palmer, John (1728–1768). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Palmer, John (1744–1798). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Redling, E. and Schnierer, P. P. (eds.) Non-Standard Forms of Contemporary Drama and Theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Bull, J. (2003) 'A deal of monstrous and forced action': Joe Orton and Ben Jonson. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 137-152. ISBN 9780754606109

Bull, J. (2004) The establishment of British mainstream theatre 1945-1979. In: Kershaw, B. (ed.) British Theatre Since 1895. Cambridge History of British Theatre (3). Cambridge University Press, pp. 326-348. ISBN 9780521651325 doi: https://doi.org/10.2277/0521651328

Bulut Peynirci, E. (2024) The application of an information design approach to the development of a user-oriented digital local food map for Berkshire, Oxfordshire, and Hampshire. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119742

Burbridge, A. L. M. (2024) A study of hegemonic masculinity in select plays by Harold Pinter. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119400

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2007) Active literature: Jan Tschichold and New Typography. Hyphen Press, London, pp336. ISBN 9780907259329

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) Animated Isotype on film, 1941–7. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 366-389. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2010) Back to basics: Otto Neurath and Isotype. Cambridge Literary Review, 1 (3). pp. 221-235. ISSN 2042-129x

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 226-235. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Formal writing, artist typefaces, and bread-and-butter type (part 1). Forum (32). pp. 8-13. ISSN 1472-0604

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Formal writing, artist typefaces, and bread-and-butter type (part 2). Forum (33). pp. 7-10. ISSN 1472-0604

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 256-260. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 256-262. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1998) German hybrid typefaces 1900–1914. In: Shaw, P. and Bain, P. (eds.) Blackletter: type and national identity. Cooper Union, New York, pp. 32-39. ISBN 1-56898-125-2

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The Gesellschafts- und Wirtschaftsmuseum in Wien (Social and Economic Museum of Vienna), 1925–34. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 20-106. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 351-365. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) Interlude in the Netherlands, 1934–40. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 282-296. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The Isotype Institute, Oxford: war, welfare, and post-war reconstruction, 1941–8. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 354-365. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2009) Isotype: representing social facts pictorially. Information Design Journal, 17 (3). pp. 211-223. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.17.3.06bur

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 206-209. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Jan Tschichold und Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 206-209. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Krise 1933 – Politisierung der Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 226-235. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1997) Luxury and Austerity: Willy Wiegand and the Bremer Presse. In: Stiff, P. (ed.) Typography papers, 2. Department of Typography & Graphic Communication, Reading, pp. 105-128. ISBN 0-7049-1122-1

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Modernism and traditionalism: points of convergence in European typography, 1925–1950. In: Counter-Signals 2: Hieroglyphs of the anti-commodity. Counter-Signals (2). Other Forms, Chicago / Berlin, pp. 150-161. ISBN 9780998170800

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 201-205. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) München als typografisches Zentrum. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 201-205. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 252-255. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Otto Neurath und die Wiener Methode der Bildstatistik. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 252-255. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1998) Paul Renner: the art of typography. Hyphen Press, London, pp224. ISBN 0-907259-12-X

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1992) Peter Behrens and the German Letter: type design and architectural lettering. Journal of Design History, 5 (1). pp. 19-37. ISSN 1741-7279

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) Pictogram design: Vienna and beyond. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 498-521. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Von der Wiener methode der bildstatistik zu isotype. In: Waldner, G. (ed.) Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath. Mandelbaum Verlag, Vienna, pp. 35-49. ISBN 9783854769668

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2019) Vorwort. In: Jacobs, S. and Rössler, P. (eds.) Jan Tschichold - ein Jahrhunderttypograf?: Blicke in den Nachlass. Wallstein Verlag, Göttingen, pp. 23-25. ISBN 9783835334700

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Wie kam die Futura auf dem Mond? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 350-365. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The “Wiener Methode der Bildstatistik” (ISOTYPE): between art and design. In: Holter, M. C., Höller, B. and Wien, K. (eds.) Zeit(lose) Zeichen / Timeless signs: contemporary art in reference to Otto Neurath. Kerber, Vienna, pp. 23-29. ISBN 9783866787926

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The atlas Gesellschaft und Wirtschaft (society and economy), 1930. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 186-215. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1997) The early years 1900–1922. The Monotype Recorder, New Series (10). pp. 4-13.

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2011) The linguistic status of Isotype. In: Image and Imaging in Philosophy, Science, and the Arts. Ontos, Heusenstamm, pp. 31-58. ISBN 9783868381160

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2019) The mysterious case of the curtailed g: Danish style in type. Perpensa Press, Devizes, pp40. ISBN 9781916053908

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Holter, M. (2014) Timeless signs: Otto Neurath and reflections in Austrian contemporary art. [Show/Exhibition]

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Jansen, W. (2022) Soft propaganda, special relationships, and a new democracy: Adprint and Isotype, 1942–1948. De Buitenkant, Amsterdam, pp208. ISBN 9789076452005

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Kinross, R. (2000) The dispute between Max Bill and Jan Tschichold of 1946, with a later contribution by Paul Renner. In: Kinross, R. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Typography papers, 4. Department of Typography & Graphic Communication, Reading, pp. 57-90. ISBN 0-7049-1124-8

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) History and legacy of Isotype. Bloomsbury, London, pp208. ISBN 9781350359079 doi: https://doi.org/10.5040/9781350359109

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) Isotype, logical empiricism, and the scientific world-conception. In: Damböck, C., Friedl, J. and Höfer, U. (eds.) Ways of the Scientific World-Conception: Rudolf Carnap and Otto Neurath. Studien zur Österreichischen Philosophie, 50. Brill, Leiden, pp. 272-314. ISBN 9789004680197

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2022) Marie Reidemeister and Otto Neurath: interwoven lives and work. The European Journal of Life Writing, 11. pp. 103-129. ISSN 2211-243X doi: https://doi.org/10.21827/ejlw.11.38787

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2023) Marie Reidemeister und Otto Neurath: eine Lebens- und arbeitspartnerschaft. In: Shapira, E. and Rossberg, A.-K. (eds.) Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit. De Gruyter, Berlin/Boston, pp. 213-223. ISBN 9783110771886 doi: https://doi.org/10.1515/9783110771947-014

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (1998) Typography papers, 3. Typography papers, 3. Department of Typography & Graphic Communication, Reading, pp148. ISBN 0-7049-1123-x

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2013) Isotype: design and contexts 1925–1971. Hyphen Press, London, pp554. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype: international picture language. [Show/Exhibition]

Butler, A. (2019) Displacements: reading space and time in moving image installations. Close Readings. Palgrave Macmillan, London, pp178. ISBN 9783030304607

Butler, A. (2012) Eija-Liisa Ahtila's Cinematic Worlds. In: Eija-Liisa Ahtila: Parallel Worlds. Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.

Butler, A. (2008) Feminist perspectives in film studies. In: Donald , J. and Renov , M. (eds.) The Sage Handbook of Film Studies. Sage , London, pp. 391-407. ISBN 9780761943266

Butler, A. (2006) Gender. In: Grant, B. K. (ed.) Schirmer Encyclopedia of Film. Schirmer/Gale, New York. ISBN 9780028657912

Butler, A. (2010) Must this be the place? In: De Weck, Z. A. (ed.) Eija-Liisa Ahtila: where is where? Walther Konig, Koln, Germany, pp. 88-92. ISBN 9783865607591

Butler, A. (2011) Sleepwalking from New York to Miami. In: Penz, F. and Lu, A. (eds.) Urban Cinematics: Understanding Urban Phenomena Through the Moving Image. Intellect, Bristol, pp. 183-195. ISBN 9781841504285

Butler, A. (2009) Yesterday girls: Prinzessin. Rouge, 13.

Butler, A. (2017) 13 ways of looking at a lake. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Macmillan, London, pp. 177-191. ISBN 9781137585721 doi: https://doi.org/10.1057/978-1-137-58573-8_12

Butler, A. (2019) Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema. Screen, 60 (1). pp. 128-136. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy060

Butler, A. (2005) Feminist film in the gallery: 'If 6 was 9'. Camera Obscura: Feminism, Culture, and Media Studies, 20 (1 58). pp. 1-31. ISSN 1529-1510 doi: https://doi.org/10.1215/02705346-20-1_58-1

Butler, A. (2007) 'Motor-driven metaphysics': movement, time and action in the films of Maya Deren. Screen, 48 (1). pp. 1-23. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjm001

Butler, A. (2020) Objects in time: artefacts in artists’ moving image. In: Murphy, J. and Rascaroli, L. (eds.) Theorizing Film Through Contemporary Art: Expanding Cinema. Film Culture in Transition. Amsterdam University Press. ISBN 9789462989467

Butler, A. (2013) Spiral jetty, thirty seven years later: the cinematic time of James Benning. MIRAJ: Moving Image Review & Art Journal, 2 (2). pp. 174-186. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj.2.2.174_1

Butler, A. (2010) A deictic turn: space and location in contemporary gallery film and video installation. Screen, 51 (4). pp. 305-323. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjq031

Butler, A. (2010) Éloge de l'amour (2001): moments in time. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 130-134. ISBN 9781844573363

Butler, J., Chapman, J., Chapman, D., Harding, A., Harvey, M., Hirst, D., James, M., Jones, P., Krut, A., Miller, H., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition]

Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429 (2024) Both Grand & Intimate: UK Livecasting From 2009 to Now. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117335

Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429 (2021) Livecasting without the live: the multiple temporalities of National Theatre at Home. Connessioni Remote, 12 (3). pp. 57-76. ISSN 2724-2722 doi: https://doi.org/10.54103/connessioni/16818

C

Camillini, G. (2020) Fortunato Depero and Depero futurista 1913–1927. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00096457

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt. Journal of Architecture. Taylor & Francis.

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt: introduction. The Journal of Architecture, 12 (4). pp. 347-351. ISSN 1466-4410 doi: https://doi.org/10.1080/13602360701614623

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L., eds. (2023) Epic / everyday: moments in television. The Television Series. Manchester University Press, Manchester, pp264. ISBN 9781526170224

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds. (2022) Complexity/simplicity: moments in television. The Television Series. Manchester University Press, Manchester, pp280. ISBN 9781526148759

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds. (2022) Sound/image: moments in television. The Television Series. Manchester University Press, Manchester, pp248. ISBN 9781526149190

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds. (2022) Substance/style: moments in television. The Television Series. Manchester University Press, Manchester, pp258. ISBN 9781526148780

Cassany, R., Cortiñas, S. and Elduque, A. (2018) Communicating science: the profile of science journalists in Spain. Comunicar, 26 (55). pp. 9-18. ISSN 1134-3478 doi: https://doi.org/10.3916/C55-2018-01

Cassidy, G. (2018) The rehearsal process of playwright/director Anthony Neilson. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00079996

Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Phil Davis: the process of acting. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 315-332. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018785833

Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) An actor diversifies: a diachronic examination of the work and career of Tony Curran. In: Fife Donaldson, L. and Walters, J. (eds.) Television Performance. Red Globe Press, London, pp. 168-187. ISBN 9781137608192

Cataldo, A. (2022) Curating Labour. Troubles with gender and dispossession in the exhibition space: a circular movement on historical traces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116457

Cerne-Oven, P. (2004) Analogno/digitalno. Klik, 61. pp. 30-31. ISSN 1408-7936

Cerne-Oven, P. (2004) Ranko Novak: arhitekt na (ne)zacasnem delu v oblikovanju. Oris, VI. pp. 132-141.

Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition]

Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition]

Chaimowicz, M. (2007) The ruin: RAW among the ruins. [Show/Exhibition]

Chaimowicz, M. (2007) The secret public: the last days of the British underground 1978-1988. [Show/Exhibition]

Chaimowicz, M. C. (2007) 16 ans! [Show/Exhibition]

Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition]

Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition]

Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition]

Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition]

Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance]

Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition]

Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition]

Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition]

Chaimowicz, M. C. (2003) MCC. [Show/Exhibition]

Chaimowicz, M. C. (2007) Summer's song. [Show/Exhibition]

Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition]

Chaimowicz, M. C. (2003) Ten banners. [Show/Exhibition]

Chaimowicz, M. C. (2003) Une exposition pour Cluny. [Show/Exhibition]

Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition]

Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition]

Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition]

Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition]

Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition]

Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition]

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2014) Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond. Modern & Contemporary France, 22 (1). pp. 85-102. ISSN 0963-9489 doi: https://doi.org/10.1080/09639489.2013.867152

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2019) Ageless: Akerman’s avatars'. In: Schmid, M. and Wilson, E. (eds.) Chantal Akerman: Afterlives. MHRA/Legenda, Oxford, pp. 54-65. ISBN 9781781886397 doi: https://doi.org/10.2307/j.ctv16km0vw.11

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Agnès Varda and Xavier Dolan – between politics, the art house and popular culture. French Screen Studies, 22 (4). pp. 345-351. ISSN 2643-895X doi: https://doi.org/10.1080/26438941.2021.1948172

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism. Film Quarterly, 76 (2). pp. 16-24. ISSN 1533-8630 doi: https://doi.org/10.1525/fq.2022.76.2.16

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62 (4). pp. 484-511. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjab051

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Dwoskin: disability, diaspora, dysphoria. Jewish Film and New Media, 10 (2). ISSN 2169-0332 doi: https://doi.org/10.1353/jfn.2022.a914337

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2007) Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank. Paragraph, 30 (2). pp. 34-49. ISSN 0264-8334 doi: https://doi.org/10.3366/prg.2007.0018

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) Honour. In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.) Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism. Peter Lang, Oxford, pp. 21-40. ISBN 9781789976397

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) ‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory. In: Thresholds: Interwar Lens Media Cultures 1919-1939. Walther Koenig, Cologne, pp. 101-122. ISBN 9783753300009

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2018) Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film. In: Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives. Rowman & Littlefield International, London, pp. 187-208. ISBN 9781786603739

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2012) Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema. Palgrave Macmillan. ISBN 9781349335220 doi: https://doi.org/10.1057/9781137283740

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema, 13 (3). pp. 257-271. ISSN 1471-5880 doi: https://doi.org/10.1386/sfc.13.3.257_1

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) Visible and invisible institutions: cinema in the French Art Museum. In: International Handbooks of Museum Studies: Museum Media. Wiley Blackwell, Oxford, pp. 95-119. ISBN 9781118829059 doi: https://doi.org/10.1002/9781118829059.wbihms305

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) The disappearing work: Chantal Akerman and phenomenologies of the ephemeral. Contemporary French and Francophone Studies, 17 (3). pp. 347-356. ISSN 1740-9292 doi: https://doi.org/10.1080/17409292.2013.790631

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) ‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. MIRAJ: Moving Image Review & Art Journal, 11 (1). pp. 10-33. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00081_1

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) The “new” experimentalism? Women in/and/on film. In: Feminisms. Amsterdam University Press, Amsterdam, pp. 125-140. ISBN 9789048523634 doi: https://doi.org/10.1515/9789048523634-013

Chare, N. (2009) Illuminating the past: reflections on teaching The Name of the Rose. In: Ganze, A. (ed.) Postscript to the middle ages: teaching medieval studies through The Name of the Rose. Syracuse University Press, Syracuse, US, pp. 84-96. ISBN 9780815632344

Chare, N. (2007) Puncture / punctum: representations of women with AIDS. In: Pollock, G. (ed.) Conceptual odysseys: passages to cultural analysis. I.B. Tauris, London, pp. 91-102. ISBN 9781845115227

Chare, N. (2007) Robert Rauschenberg’s undoing: reversibility and irreversibility in erased de Kooning drawing. In: Schreier, B. (ed.) Studies in irreversibility: texts and contexts. Cambridge Scholars Publishing, Newcastle, UK, pp. 118-133. ISBN 9781847182050

Chare, N. (2009) Sports unillustrated: the female athlete as representational absence. In: Kevin, C. (ed.) Feminism and the body: interdisciplinary perspectives. Cambridge Scholars Publishing, Newcastle, UK, pp. 178-193. ISBN 9781443809863

Chare, N. (2005) Book review of 'Built to win: the female athlete as cultural icon'. Feminist Theory, 6 (3). pp. 369-371. ISSN 1741-2773 doi: https://doi.org/10.1177/146470010500600309

Chare, N. (2006) Book review: revolution in poetic sign language [review of R.Sutton-Spence 'Analysing sign language poetry']. Sign Language Studies, 6 (3). pp. 347-354. ISSN 1533-6263

Chare, N. (2007) Imaging contingency: an interview with Mary Ann Doane. Parallax, 13 (4). pp. 16-25. ISSN 1460-700X doi: https://doi.org/10.1080/13534640701682743

Chare, N. (2006) Passages to paint: Francis Bacon’s studio practice. Parallax, 12 (4). pp. 83-98. ISSN 1460-700X doi: https://doi.org/10.1080/13534640600956032

Chare, N. (2009) Sexing the canvas: calling on the medium. Art History, 32 (4). pp. 664-689. ISSN 1467-8365 doi: https://doi.org/10.1111/j.1467-8365.2009.00697.x

Chare, N. (2009) Testimony. The year's work in critical and cultural theory, 17 (1). pp. 194-221. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbp005

Chare, N. (2008) Testimony. The year's work in critical and cultural theory, 16 (1). pp. 288-301. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbn005

Chare, N. (2007) Testimony. The year's work in critical and cultural theory, 15 (1). pp. 287-297. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbm016

Chare, N. (2006) Testimony. The year's work in critical and cultural theory, 14 (1). pp. 283-291. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbl016

Chare, N. (2008) Testimony on trial: reviewing rape in 'The Accused'. Southern Review: Communication, Politics and Culture, 40 (3). pp. 68-83. ISSN 0038-4526

Chare, N. (2009) Upon the scents of paint: Bacon and synaesthesia. Visual Culture in Britain, 10 (3). pp. 255-272. ISSN 1941-8361 doi: https://doi.org/10.1080/14714780903265572

Chare, N. (2009) Warring pixels: cultural memory, digital testimony, and the conflict in Iraq. Convergence, 15 (3). pp. 333-345. ISSN 1748-7382

Chare, N. (2006) The gap in context: Giorgio Agamben's 'Remnants of Auschwitz'. Cultural Critique, 64. pp. 40-68. ISSN 0882-4371

Chare, N. (2007) The grain of the interview: introducing Diamanda Galás. Parallax, 13 (1). pp. 56-64. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094874

Chare, N. (2007) The skin of the photograph: representing the murdered women of Juárez. West Coast Line 53, 41 (1). pp. 26-31. ISSN 1182-4271

Chare, N., Ferrett, D. and Galas, D. (2007) Entwined voices: an interview with Diamanda Galás. Parallax, 13 (1). pp. 65-73. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094890

Chare, N. J. (2005) Execrable speech: Louis Ferdinand Céline’s 'Bagatelles pour un massacre'. In: Fahraeus, A. and Jonsson, A. (eds.) Textual ethos studies- or locating ethics. Critical studies, 26. Rodopi, Amsterdam, pp. 53-66. ISBN 9789042017979

Chare, N. J. (2005) Animal magic: Giorgio Agamben’s 'The Open'. Journal of Visual Culture, 4 (2). pp. 267-270. ISSN 1741-2994 doi: https://doi.org/10.1177/1470412905057351

Chare, N. J. (2005) Pain in camera: Susan Sontag 'Regarding the pain of others'. Parallax, 11 (1). pp. 88-89. ISSN 1460-700X doi: https://doi.org/10.1080/1353464052000321128

Chare, N. J. (2005) Regarding the pain: noise in the art of Francis Bacon. Angelaki: Journal of Theoretical Humanities, 10 (3). pp. 133-143. ISSN 1469-2899 doi: https://doi.org/10.1080/09697250500424395

Chau, H. Y. (2019) The contemporary relevance of split portraiture: rereading Marlene Dumas and Francis Bacon. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088721

Chen, Y.-L. (2021) Unbinding objects: exploring the practices of naming and jointing things. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118397

Cheng, X. (2024) Evolution of Chinese typeforms up to the early 20th century. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119936

Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Decorative dormitories for sleep workers. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Ballet. [Video]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2007) Bohemian work out. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) The Cave: Etant Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2007) Curating degree zero. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2008) Curatorial vaudeville. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2008) The Extras Regina, 2008. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Festival VideoDanzaBa. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) I will survive. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2015) Liquid trust at ICA. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Moves 10 - Framing Motion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2012) Performance as social practice. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading Internationa #10: The Outside In - Steve Claydon at MERL. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 9: creating ruin - online video screening. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. In: Sheleff, M. and Spies, S. (eds.) (Un)commoning voices and (non)communal bodies. OnCurating.org, Zurich, Switzerland, pp. 98-107. ISBN 9798744646660

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – film screening and panel discussion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – Chris Zhongtian Yuan. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2013) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2016) Slapping scenes. ONCURATING.ORG, Zurich.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Suck. Swallow. Breathe. [Video]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Suck. Swallow. Breathe. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Szuper Gallery materials. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2007) Szuper gallery. In: Culture Shock. The Artists' Studio, London, pp. 70-79. ISBN 9780954699955

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) Translation paradoxes and misunderstandings. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) Work/Arbeit/Работа. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2009) The artist's studio. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) 'The strength of the system, my experience of it...'. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2011) Étant Ballet. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Fance, T. (2018) Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2011) Ballet-Granite. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2007) I will survive. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2007) I will survive. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P., eds. (2007) Liftarchiv. Revolver, Frankfurt, pp120. ISBN 9783865884039

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, 571 Oxford Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2021) Liquid Trust, edition 2021. [Artefact]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Artefact]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Ukraine relief. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2023) Ukrainian wartime posters, exhibition, 571 Oxford Road Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestrey, P. (2007) Szuper gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Tervaniemi, S. (2007) Loving revolution. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Grabowska, N., Huang, C., Ingawanij, M. A., Teo, W. and Yuan, C. Z. (2023) Chris Zhongtian Yuan, no door, one window, only light - home is where the music is. OnCurating, Zurich. ISBN 9798864939451

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Rowlands, A., Sheleff, M. and Spiess, S. (2020) Reading International - the book. Reading International / OnCurating.org, Reading, pp211. ISBN 9781912115686

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Cochrane, C., Goddard, L., Hindson, C. and Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778, eds. (2024) The Routledge companion to twentieth century British theatre and performance volume one: 1900–1950. Routledge Companion, One. Routledge, UK, pp404. ISBN 9780367487898

Cocks, N. (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. pp. 1-19. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122

Conidi, E. (2018) Arabic types in Europe and the Middle East, 1514-1924: challenges in the adaptation of the Arabic script from written to printed form. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00080437

Connor, V. and O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition]

Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10.

Cooke, K., Harezlak, A., Bizon, M., Bligh, S., Cawkwell, C., Coyle, P., Berman Duff, D., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Klee, S., Guro Larsmon, A. and Schoen, K. (2016) Concrete plastic. [Show/Exhibition]

Cooke, K. S. (2016) Art ontologyvalue: staging the ontology of art within systems of value. PhD thesis, University of Reading.

Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition]

Cooper, D., Gourvil, O., Krisanamis, U., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Smith, D. and Suarez-Universal, V. (2009) Baroque reason. [Show/Exhibition]

Copetti Klohn, S. (2019) The use of informative and decorative pictures in health and safety posters for children. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084830

Costa, B. and Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2023) Between: an example of collaborative, advocating theatre-making by spoken language interpreters. In: Boyle, C. and Maitland, S. (eds.) Translation as Advocacy. Hodder & Stoughton. (In Press)

Costa, F. C. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2020) Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950). Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078 doi: https://doi.org/10.33178/alpha.19.03

Courage, T. (2016) Kelly Reichardt: lost in Oregon. In: Berra, J. (ed.) Directory of World Cinema: American Independent 3. University of Chicago Press, Chicago, pp. 219-223. ISBN 9781783206568

Courage, T. V. (2017) Contemporary Chinese independent cinema: urban spaces, mobility, memory. PhD thesis, University of Reading.

Cox-Stanton, T. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) ..Or maybe it's the same for everyone. In: Lawrence, J. (ed.) ...Or maybe it's the same for everyone. Pavilionary Press, London, UK, pp. 1-4.

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) Remains. [Performance] (Unpublished)

Crabtree, J. and Evans, W. (2021) Slip. [Show/Exhibition]

Crabtree, J., Evans, W. and Hattrick, A. (2021) A particularly pernicious weed. In: Hasham, L. and Rawcliffe, C. (eds.) Mine Searching Yours. Forma, London, UK. ISBN 9781838246204

Crabtree, J., Evans, W., Chodzko, A., Bhriain, A. N., Marshall, A., Shah, A., Akingbade, A., Drew, B., Wright, C., Land, I., Shearing, J., Packer, J., Baldock, J., Brennan, M., Fahmy, M., Sami, M., Ho, M.-T. T., Macotela, O. V., Becker, P., Evans, R., Orme, R., Wolbers, S. O., Abbas, S. and Middleton, S. (2020) Towner International. [Show/Exhibition]

Cumiskey, L., Lickiss, M., Šakić Trogrlić, R. and Ali, J. (2019) Interdisciplinary pressure cooker: environmental risk communication skills for the next generation. Geoscience Communications, 2 (2). pp. 173-186. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-2-173-2019

D

D'Monté, R. and Saunders, G. (2007) Cool Britannia? British political drama in the 1990's. Palgrave Macmillan, London. ISBN 9781403988126

Dakak, M. (2022) Towards understanding diversity in Arabic type styles: its origins, its current use and its effect on Arab readership. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00111569

Daou, M. (2024) Film editing: knowledge, practice, and scholarship. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119550

Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011

Davies, P. (2008) Modello del Tempietto Barbaro. In: Beltramini, G. and Burns, H. (eds.) Palladio. Royal Academy of Arts, London, UK, pp. 242-243. ISBN 9781905711246

Davies, P. (2008) Palladio, l'architettura e la peste. In: Barbieri, F. (ed.) Palladio 1508-2008: Il simposio del cinquecentenario. Marsilio, Venice, Italy, pp. 189-195. ISBN 9788831796262

Davies, P. (2007) Representing Siena: an image of the city as ex-voto model. In: Sivefors, P. (ed.) Urban preoccupations: mental and material landscapes. Early modern and modern studies, 2. Fabrizio Serra Editore, Pisa, pp. 197-203. ISBN 9788862270960

Davies, P. (2004) Santa Maria del Calcinaio a Cortona come architettura di pellegrinaggio. In: Fiore, F.P. (ed.) Francesco di Giorgio alla corte di Federico da Montefeltro. Olschki, Florence, Italy, pp. 679-702. ISBN 8822253221

Davies, P. (2009) The palace of Charles V in Granada and two drawings from the school of Raphael. In: Eriksen, R. and Malmanger, M. (eds.) Imitation, representation and printing in the Italian Renaissance. Fabrizio Serra Editore, Pisa and Rome, Italy, pp. 157-190. ISBN 9788862271110

Davies, P. (2008) A re-reading of Antonio Labacco's drawing of San Sebastiano in Mantua. In: Poeschke, J. and Syndikus, C. (eds.) Leon Battista Alberti: humanist, architekt, kunsttheoretiker. Rhema, Munster, Germany, pp. 299-314. ISBN 9783930454662

Davies, P. (2006) The tempietti on the Ponte Sant’Angelo and the Renaissance of architecture in Rome. In: Eriksen, R. and Tschudi, V.P. (eds.) Ashes to ashes : art in Rome between humanism and maniera. Edizioni dell'Ateneo, Rome, pp. 11-40. ISBN 8884761034

Davies, P. and Hemsoll, D. (2010) Fourteen sheets of drawings by Sebastiano Serlio. In: Beltramini, G. and Elam, C. (eds.) Some degree of happiness: studi di storia dell’architettura in onore di Howard Burns. Edizioni della Normale, Pisa, Italy, pp. 273-296. ISBN 9788876423727

Davies, P. and Hemsoll, D. (2004) Michele Sanmicheli. Electa, Milan, Italy. ISBN 9788837028046

Davies, P. and Hemsoll, D. (2013) The Paper Museum of Cassiano Dal Pozzo. A.X. renaissance and later architecture and ornament. The Paper Museum of Cassiano dal Pozzo. The Royal Collection in association with Harvey Miller, London, pp746. ISBN 9781905375776

Davies, P. and Hemsoll, D. (2010) Sebastiano Serlio, progetti per una villa fortificata / projects for a fortified villa. In: Faliva, A. (ed.) Ville del Rinascimento padano. I bastioni, il portico e la fattoria / the bastions the portico and the farmyard. Mondadori Electa, Milan, Italy, pp. 97-99. ISBN 9788837077457

Davies, P. and Hemsoll, D. (2005) Vincenzo Scamozzi: pianta della villa Laurentina di Plinio. In: Beltramini, G. and Burn, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 201-203. ISBN 9788831786409

Davies, P., Howard, D. and Pullan, W., eds. (2013) Architecture and pilgrimage 1000-1500: the southern Mediterranean and beyond. Ashgate, Aldershot, pp304. ISBN 9781472410832

Davies, P. (2013) Framing the miraculous: the devotional functions of perspective in Italian Renaissance tabernacle design. Art History, 36 (5). pp. 898-921. ISSN 1467-8365 doi: https://doi.org/10.1111/1467-8365.12032

Davies, P. (2009) Review of 'Tempo novo: Venezia e il quattrocento' by E. Concina. Annali di Architettura, 21. pp. 183-184. ISSN 1124-7169

Davies, P. (2007) Review of exhibition 'Spectacular miracles. Images of supernatural power from Northwest Italy'. Renaissance Studies, 21 (1). pp. 110-113. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2007.00374.x

Davies, P. (2004) The lighting of pilgrimage shrines in Renaissance Italy. Analecta Romana Instituti Danici, Supplementum, 35. pp. 125-148. ISSN 2035-2506

Davies, P. and Hemsoll, D. (2005) “La Soranza” a Treville. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 284-286. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Le ville di Plinio il Giovane e la loro influenza sui progetti di villa veneti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice , pp. 201-203. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Un 'fortissimo palazzo': Castello Bevilacqua. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 282-284. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa Soranza: modello ligneo e il disegno di Giovanni Battista Berti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 286-288. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa della Torre a Fumane. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 288-291. ISBN 9788831786409

De Vos, L. and Saunders, G., eds. (2011) Sarah Kane in context. Manchester University Press, Manchester, UK, pp240. ISBN 9780719077395

Demircan, S., Holzfeind, H., Kobro, K., Lloyd, H., Pozarek, V., Schmidt Hansen, L., Solmsdorf, J. and Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2007) Die Blaue Blume. [Show/Exhibition]

Dobraszczyk, P. (2005) Sewers, wood engraving and the sublime: picturing London's main drainage system in the Illustrated London News, 1895-62. Victorian Periodicals Review, 38 (4). 349-378 . ISSN 1712-526X

Dobraszczyk, P. (2007) Mapping sewer space in mid-Victorian London. In: Campkin, B. and Cox, R. (eds.) Dirt: New Geographies of Cleanliness and Contamination. I B Tauris, London, pp. 123-137. ISBN 9781845116729

Dobraszczyk, P. (2007) 'Monster sewers': experiencing London's main drainage system. In: Scott, N. (ed.) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. At the Interface/Probing the Boundaries (38). Rodopi, Amsterdam and New York, pp. 9-32. ISBN 9789042022539

Dobraszczyk, P. (2007) Architecture, ornament and excrement: the Crossness and Abbey Mills pumping stations. The Journal of Architecture, 12 (4). pp. 353-365. ISSN 1466-4410 doi: https://doi.org/10.1080/13602360701614631

Dobraszczyk, P. (2006) Historicizing iron: Charles Driver and the Abbey Mills pumping station (1865-68). Architectural History, 49. pp. 223-256. ISSN 0066-622X

Donaldson, L. F. (2012) Effort and affect: engaging with film performance. In: Reason, M. and Reynolds, D. (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. 159-174. ISBN 9781841504919

Donaldson, L. F. (2013) Performing performers: embodiment and intertextuality in the contemporary biopic. In: Brown, T. and Vidal, B. (eds.) The Biopic in Contemporary Film Culture. AFI Film Readers. Routledge, London, pp. 103-117. ISBN 9780415899413

Donaldson, L. F. (2014) Texture in film. Palgrave Close Readings in Film and Television. Palgrave Macmillan, pp256. ISBN 9781137034786

Donaldson, L. F. (2010) “There’s something very familiar about all this”: generic play and performance in the Back to the Future trilogy (Robert Zemeckis, 1985, 1989, 1990). In: Ni Fhlainn, S. (ed.) The Worlds of Back to the Future. McFarland, Jefferson, pp. 73-90. ISBN 9780786444002

Donaldson, L. F. (2010) Access and excess in The Texas Chain Saw Massacre. Movie: a journal of film criticism (1). ISSN 2047-1661

Donaldson, L. F. (2013) Camera and performer: energetic engagement with the shield. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 209-218. ISBN 9781441157515

Donaldson, L. F. (2011) “Normality is threatened by the Monster”: Robin Wood, Romero and zombies. CineAction (84). pp. 24-31. ISSN 0826-9866

Donaldson, L. F. (2011) “The suffering black male body and the threatened white female body": ambiguous bodies in Candyman. Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

Donaldson, L. F., Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G. (2022) Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism. Movie: a journal of film criticism (10). pp. 116-136. ISSN 2047-1661

Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2010) Continous movement of ideas. [Show/Exhibition]

Dronsfield, J. (2007) Art and a ‘People to Come': Heidegger and Deleuze. In: McNeill, W. and Kirkland, S. (eds.) Proceedings of the 41st North American Heidegger Conference (DePaul University, Chicago, 3-5 May 2007). Xavier University, Cincinnati, OH, pp. 119-125.

Dronsfield, J. (2008) Between Heidegger and Deleuze there never is any difference. In: Raffoul, F. and Pettigrew, D. (eds.) French Interpretations of Heidegger: An Exceptional Reception. SUNY series in Contemporary French Thought. State University of New York Press, Albany, pp. 151-165. ISBN 9780791475591

Dronsfield, J. (2009) Continuum. In: REWIND + PLAY: an anthology of early British video art. Lux, London, pp. 36-37.

Dronsfield, J. (2007) Cryptochromism. Jan van Eyck Academie, Maastricht.

Dronsfield, J. (2010) Philosophers enowning that there will be no own. [Performance]

Dronsfield, J. (2009) Philosophies of art. In: Mullarkey, J. and Lord, B. (eds.) The Continuum Companion to Continental Philosophy. Continuum Companions. Continuum, London, pp. 219-237. ISBN 9780826498304

Dronsfield, J. (2010) The work of art. In: Davis, B. W. (ed.) Martin Heidegger: key concepts. Acumen Publishing, Durham, pp. 128-139. ISBN 9781844651983

Dronsfield, J. (2006) On the very idea of sustainable art. Praesens: Central European Contemporary Art Review, 1. pp. 74-79. ISSN 1588-5534

Dronsfield, J. (2009) Theory as art practice: notes for discipline. Art&Research, 2 (2). ISSN 1752-6388

Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea.

Dronsfield, J. L. (2011) Exchange encounter. In: Mircan, M. (ed.) Hans van Houwelingen: undone. Jap Sam Books, Heijningen, pp. 91-105. ISBN 9789490322342

Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457

Dronsfield, J. L. (2008) Funny heterogeneous. In: Maass, G. and Nayoungim, (eds.) It's nice to be nice; try it. Caustic Window, Seoul, S. Korea, pp. 122-126. ISBN 8995646427

Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance]

Dronsfield, J. L. (2011) The Goldmine Ten theses on music (rhythm)[Poster digital print on paper]. Focal Point Gallery, Southend-on-Sea. (Thames Delta: 16 Apr - 30 Jun)

Dronsfield, J. L. (2010) Headless in Hirschorn's Classroom. In: Walwin, J. (ed.) Searching for art's new publics. Intellect, Bristol, pp. 127-136. ISBN 9781841503110

Dronsfield, J. L. (2005) I am in the liber: remarks on the question of theorising art. In: Perez, Y., Rodriguez, M. A. and Saladini, E. (eds.) Espazos de Creacion Contemporanea. Concello de Santiago, Santiago de Compostella, pp. 183-195.

Dronsfield, J. L. (2007) Jacques Derrida (1930-2004). In: Costello, D. and Vickery, J. (eds.) Art: Key Contemporary Thinkers. Berg, pp. 121-124. ISBN 9781845203207

Dronsfield, J. L. (2005) Memories of underdevelopment: the collages and sculptures of Melita Couta. In: Danos, A. (ed.) Somatópia: Mapping Sites, Siting Bodies. The Hellenic Centre, London and Ministry of Education & Culture, Cyprus, London and Cyprus, pp. 34-43.

Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza. [Performance]

Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza [Performance text]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep)

Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face). [Performance]

Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face) [Poster digital print on paper]. Royal College of Art, London. (13 March)

Dronsfield, J. L. (2011) Philosophers enowning that there be no own (voice) [Poster digital print on paper]. Wilkinson Gallery, London, London. (Where Language Stops: 15 Jul - 14 Aug)

Dronsfield, J. L. (2011) Philosophers enowning that there be no own (words) [Poster digital print on paper]. Extra City Kunsthal Antwerp, Belgium.

Dronsfield, J. L. (2013) The Swerve of Freedom after Spinoza, §5, ‘The inadequacy of the chance encounter and the need to go beyond it’ [Digital print A3 poster]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep)

Dronsfield, J. L. (2013) Waiting for. [Digital print A3 poster]. Wilkinson Gallery, London. (Derek Jarman: Waiting for Waiting for Godot, 15 Oct - 22 Dec)

Dronsfield, J. L. (2011) Where Language Stops [Digital print on card]. Wilkinson Gallery, London. (Where Language Stops, 15 Jul - 14 Aug)

Dronsfield, J. L. (2013) Where Narrative Stops. [Show/Exhibition] (co-curated with Amanda Wilkinson)

Dronsfield, J. L. (2013) Where Narrative Stops, An interview. Wilkinson Gallery, London.

Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120

Dronsfield, J. L. (2006) The condition of film as philosophy: or, how can a film ask a question? Film and Philosophy, 10. pp. 135-150.

Dronsfield, J. L. (2011) The face of an artist, if there is such a thing. In: Stappert, A. (ed.) Under the radar: photographs 1983-2011. Kerber, Berlin, pp. 180-181. ISBN 9783866785687

Dronsfield, J. L. (2013) The performativity of art. In: Carbone, M. (ed.) Performatives after deconstruction. Bloomsbury, London, pp. 169-185. ISBN 9781441123466

Dronsfield, J. L. (2005) The resistance of the question to phenomenological reduction: Husserl, Fink, and the adequacy of the Sixth Cartesian Meditation as a response to Heidegger. In: Tymieniecka, A.-T. (ed.) Analecta Husserliana. Springer, Dordrecht, pp. 293-305. ISBN 1402036787

Dronsfield, J. L. (2013) The seminars. In: Elkins, J. (ed.) What do artists know? The Stone Art Theory Institutes. Penn State University Press, pp. 7-121. ISBN 9780271054247 (Dronsfield, J.L. et al)

Dronsfield, J. L. (2007) The sublime... 'if there is such a thing'. In: Mircan, M. (ed.) Sublime Objects: Collections sans frontières VI. Institut francais de Bucarest and Muzeul National da Arta Contemporana (MNAC), Paris and Bucharest, pp. 1-31.

Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, contents [Poster digital print on paper]. Stroom Den Haag, Holland.

Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, page 308. [Performance]

Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012)

Dronsfield, J. L. (2010) "...where the re-imagined is the repeated". In: Bull, S. and Miletic, D. (eds.) Cities re-imagined. Vojvodina Museum of Contemporary Art, Novi Sad, Serbia, pp. 13-19. ISBN 9788684773687

Dronsfield, J. L. and Wilkinson, A. (2011) Where language stops. [Show/Exhibition]

Dronsfield, J. L., Critchley, S., Mirza, H., Cussans, J. and Birrell, R. (2013) I'm on my way [Vinyl record]. Focal Point Gallery, Southend.

Dronsfield, J. L. (2011) Art philosophy differend. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 43-71. ISBN 9781873352991

Dronsfield, J. L. (2009) Before the camera. Parallax, 15 (4). pp. 94-106. ISSN 1460-700X doi: https://doi.org/10.1080/13534640903208966

Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256

Dronsfield, J. L. (2013) Democracy headless. In: Year (2013). Komplot, Brussels. ISBN 9782960120738

Dronsfield, J. L. (2013) Douglasistic democracy. In: Year (2013). Komplot, Brussels. ISBN 9782960120738

Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Show/Exhibition]

Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Performance]

Dronsfield, J. L. (2007) Kopflos I Hirschorns Klassrum. Die Paletten, 266 (4). pp. 50-53. ISSN 0031-0352

Dronsfield, J. L., ed. (2011) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991

Dronsfield, J. L. (2008) Nowhere is aesthetics contra ethics: Rancière the other side of Lyotard. Art&Research, 2 (1). ISSN 1752-6388

Dronsfield, J. L. (2010) Pedagogy of the written image. Journal of French and Francophone Philosophy, 18 (2). pp. 87-105. ISSN 2155-1162

Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666

Dronsfield, J. L. (2010) Theory as art practice: outnotes for indiscipline. Art&Research, 3 (1). ISSN 1752-6388

Dronsfield, J. L. (2007) A face apart. Arhitext, 170 (4). pp. 46-49. ISSN 1224-886X

Dronsfield, J. L. (2011) A note on the materiality of theory. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991

Dronsfield, J. L. (2011) A picture of French literature. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 73-95. ISBN 9781873352991

Dronsfield, J. L. (2011) A picture of French literature. [Performance]

Dronsfield, J. L. (2011) A picture of French literature. Extra City, Kunsthal Antwerp. (25 March - 01 May)

Dronsfield, J. L. (2011) A picture of French literature. Wilkinson Gallery, London. (Where Language Stops 15 Jul - 14 Aug)

Dronsfield, J. L. (2005) The question lacking at the end of art: Heidegger and Danto. Philosophy Today, 49 (5). pp. 153-160. ISSN 0031-8256

Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. In: Ian Kiaer. Le Centre international d'art et du paysage, Ile de Vassiviere, pp. 333-336. ISBN 9782910850593

Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. [Performance]

Dronsfield, J. L., Rancière, J. and Wright, S. (2008) An exchange with Jacques Rancière. Art&Research, 2 (1). ISSN 1752-6388

Duane, C. (2024) The stage and beyond: scenography and audience experience in post-millennial stagings of Samuel Beckett’s works. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119549

Dunsby, J. (2006) Making words sing: nineteenth- and twentieth-century song. Cambridge University Press, Cambridge. ISBN 9780511207181

Dunsby, J. (2004) Music-analytical trends of the twentieth century. In: Dejans, P. (ed.) Order and Disorder: music-theoretical strategies in 20th Century Music. Leuven University Press, Leuven, pp. 11-28. ISBN 9789058673695

Dunsby, J. (2004) The battle of Chronos and Orpheus: essays in applied semiology. Oxford University Press, Oxford.

Dunsby, J. M. (2003) All the dancers know it and it is valid for all times: Goehr, Kafka and 'The Law of the Quadrille'. In: Latham, A. (ed.) Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday. Ashgate, Aldershot, pp. 171-179. ISBN 9780754634973

Durgnat, R. (2014) The Essential Raymond Durgnat. British Film Institute. ISBN 9781844574520

Dyson C., M. ORCID: https://orcid.org/0000-0002-0920-4312 (2017) Information design research methods. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, London, pp. 435-449. ISBN 9780415786324 doi: https://doi.org/10.4324/9781315585680

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Campello, S. B. (2003) Evaluating virtual learning environments: what are we measuring? Electronic Journal of eLearning, 1 (1). pp. 11-20. ISSN 1479-4403

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Stott, C. (2012) Characterizing typographic expertise: do we process typefaces like faces? Visual Cognition, 20 (9). pp. 1082-1094. ISSN 1464-0716 doi: https://doi.org/10.1080/13506285.2012.722568

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312, Lonsdale, M. and Papaefthimiou, M. (2006) Student perspectives on a virtual learning environment: lessons for einstructors. Blended learning: promoting dialogue in innovation and practice. pp. 137-144.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2014) Applying psychological theory to typography: is how we perceive letterforms special? In: Machin, D. (ed.) Visual communication. Handbooks of communication science (4). De Gruyter Mouton, Berlin, pp. 215-242. ISBN 9783110255492

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Developing, exploring and evaluating tools and resources. Digital Creativity, 14 (4). pp. 193-194. ISSN 1744-3806 doi: https://doi.org/10.1076/digc.14.4.193.27878

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Digital creativity. Taylor and Francis.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2011) Do designers show categorical perception of typefaces? Visible Language, 45.3 (15.3). pp. 193-220. ISSN 0022-2224

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2004) How physical text layout affects reading from screen. Behaviour and Information Technology, 23 (6). pp. 377-393. ISSN 1362-3001 doi: https://doi.org/10.1080/01449290410001715714

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Readers' navigation of electronic documents: how do we find our way around the research? In: 1st Information Design International Conference, 2003, Recife, Brazil.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2013) Where theory meets practice: a critical comparison of research into identifying letters and craft knowledge of type design. Design Journal, 16 (3). pp. 271-294. ISSN 1460-6925 doi: https://doi.org/10.2752/175630613X13660502571741

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2021) A commentary on: Reappropriation of gendered Irish Sign Language in one family. Visible Language, 55 (3). pp. 28-35. ISSN 0022-2224 doi: https://doi.org/10.34314/vl.v55i3.4671

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Beier, S. (2016) Investigating typographic differentiation: italics are more subtle than bold for emphasis. Information Design Journal, 22 (1). pp. 3-18. ISSN 0142-5471 doi: https://doi.org/10.175/idj.22.1.02dys

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Jennings, E. M. (2014) Examining the interfaces to e-journal articles: what do users expect? In: DUXU 2014, June 2014, Creta Maris, Heraklion, Crete, Greece, pp. 164-173.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Suen, C. Y., eds. (2016) Digital fonts and reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems: Volume 1. World Scientific. ISBN 9789814759533

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312, Tam, K., Leake, C. and Kwok, B. (2016) How does expertise contribute to the recognition of Latin and Chinese characters? In: Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Suen, C. Y. (eds.) Digital fonts and reading. World Scientific, Singapore, pp. 193-208. ISBN 9789814759533

Dzuverovic, L. (2015) Contribution to The World Goes Pop exhibition catalogue. In: Morgan, J. and Frigeri, F. (eds.) The world goes pop. Tate Publishing, London, pp272. ISBN 9781849762700

Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary.

Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition]

Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082

Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: https://doi.org/10.1086/687091

Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in 'Her Noise'. Women and Music: A Journal of Gender and Culture, 20 (1). pp. 88-95. ISSN 1090-7505 doi: https://doi.org/10.1353/wam.2016.0005

de Souza, J. M. B. and Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 (2008) Are animated demonstrations the clearest and most comfortable way to communicate on-screen instructions? Information Design Journal, 16 (2). pp. 107-124. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.16.2.03bez

E

Edwards, V. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (1994) Multilingual resources for children. Language and Education, 8 (3). pp. 147-156. ISSN 1747-7581 doi: https://doi.org/10.1080/09500789409541387

Elduque Busquets, A. (2016) Hunger and rotten flesh: Cinema Novo, Pasolini, Eisenstein. [Video]

Elduque Busquets, A. (2017) Trilhas cantadas: circulando pelo documentário musical brasileiro. In: Suppia, A., Guimarães, P. M. and Duccini, M. (eds.) Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas. Urutau/Margem da Palavra, Bragança Paulista.

Elduque Busquets, A. (2019) Between film and photography: the bubble of blood in 'The Family of Disorder'. Screen, 60 (1). pp. 148-159. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy069

Elduque Busquets, A. (2016) El vuelo del buitre: Ruy Guerra y la historia de las repeticiones. La Furia Umana, 30. ISSN 2037-0431

Elduque Busquets, A. (2017) Primer Plano: the popular face of censorship. L'Atalante. Revista de Estudios Cinematograficos, 23. pp. 49-62. ISSN 2340-6992

Elduque Busquets, A. and Salvadó, A. (2016) Aesthetical and narrative uses of the trench in the Hollywood cinema of 1918-1930. L'Atalante. Revista de Estudios Cinematográficos, 21. pp. 93-103. ISSN 2340-6992

Elduque I Busquets, A. (2013) La nina i el ninot al cinema de Marco Ferreri. Quaderns de Cine, 8. pp. 55-62. ISSN 1888-4571 doi: https://doi.org/10.14198/QdCINE.2013.8.07

Elduque, A. (2017) Canção, história e cinema. In: Carrega, J. and Vitorino Fernandez, S. (eds.) A Europa e os Impérios Coloniais na Literatura e no Cinema. Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223. ISBN 9789898859242

Elduque, A. (2017) Esperar una mirada: la representación cinematográfica de la pena de muerte. In: Montero, J. F. and Planes Pedreño, J. A. (eds.) Cine entre rejas. Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241. ISBN 9788494735400

Elduque, A. (2018) Flesh and costumes: the watermelon in 'Vereda Tropical'. In: Baltar, M. (ed.) E pornô, tem pornô? A Panorama of Brazilian Porn. Mimesis International, Milan, pp. 115-137. ISBN 9788869770234

Elduque, A. (2018) Géneros fluidos: familias, amores, sueños. In: Montero, J. F. (ed.) John Cassavetes. Interior noche. Shangrila Textos Aparte, Santander, pp. 310-332. ISBN 9788494761690

Elduque, A. (2016) La comida en familia. In: Balló, J. and Bergala, A. (eds.) Motivos visuales del cine. Galaxia Gutenberg, Barcelona, pp. 77-81. ISBN 9788416495504

Elduque, A. (2017) Outskirts of reason: the dream in Días de papel and Chircales. In: Forrest, D., Harper, G. and Rayner, J. (eds.) Filmurbia: Screening the Suburbs. Palgrave Macmillan, Basingstoke, pp. 149-168. ISBN 9781137531759

Elduque, A. and Araújo, M. (2018) Ecos de revueltas lejanas: Fassbinder, Glauber Rocha y 'El viaje a Niklashausen' (1970). In: Rodrigo García, J. (ed.) Rainer Werner Fassbinder. Solo quiero que me amen. Shangrila Textos Aparte, Santander, pp. 174-195. ISBN 9788494875052

Elduque, A. and Garin, M. (2013) El que cree que saltar significa. In: Benavente, F. and Salvadó Corretger, G. (eds.) Poéticas del gesto en el cine europeo contemporáneo. Intermedio / Grup CINEMA, Barcelona, pp. 417-438. ISBN 9788461620784

Elduque, A. (2017) As Belair went by: an interview with Helena Ignez. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 123-135. ISBN 9783943620726

Elduque, A., ed. (2017) Contemporary Brazilian music film. University of Reading, Reading, pp115. ISBN 9780704915855

Elduque, A. (2017) Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 193-209. ISBN 9783943620726

Elduque, A. (2015) El hambre y los sueños de los conquistadores: 'Aguirre, la cólera de Dios' ('Aguirre, der Zorn Gottes', 1972). In: Higueras Flores, R. (ed.) Werner Herzog. Espejismos de sueños olvidados. Shangrila Textos Aparte, Santander, pp. 244-250. ISBN 9788494367236

Elduque, A. (2015) El tránsito del murciélago: irrupciones de lo fantástico en el cine de Werner Herzog. In: Higueras Flores, R. (ed.) Werner Herzog. Espejismos de sueños olvidados. Shangrila Textos Aparte, Santander, pp. 184-191. ISBN 9788494367236

Elduque, A. (2017) Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption. Screen, 58 (2). pp. 119-140. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjx014

Elduque, A. (2017) Introduction. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 5-15. ISBN 9780704915855

Elduque, A. (2017) Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 103-109. ISBN 9780704915855

Elduque, A. (2015) O touro fica: anotações sobre 'O Testamento de Dom Quixote'. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 4 (7). pp. 455-465. ISSN 2316-9230

Elduque, A. (2016) Pasolini and Third World hunger: an approach to Cinema Novo through 'La ricotta'. Journal of Italian Cinema and Media Studies, 4 (3). pp. 369-385. ISSN 20477368 doi: https://doi.org/10.1386/jicms.4.3.335_7

Elduque, A. (2012) Sangue e carne no cinema de Joaquim Pedro de Andrade. Revista Movimento, 2. pp. 1-24. ISSN 2238-8699

Elduque, A. (2018) Suspiros de España: la censura del sexo en el primer franquismo. In: Bou, N. and Pérez, X. (eds.) El cuerpo erótico de la actriz bajo los fascismos. Cátedra, Madrid, pp. 13-23. ISBN 9788437638416

Elduque, A. (2017) Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 87-89. ISBN 9780704915855

Elduque, A. (2017) What about the end of the history? An interview with Hernani Heffner. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 17-21. ISBN 9780704915855

Elduque, A. (2016) The necessary amateur. Cinema, education and politics. Interview with Cezar Migliorin. Cinema Comparat/ive Cinema, 4 (9). pp. 36-42. ISSN 2014-8933

Ellison, C., (2012) Agency of Noise. Christine Ellison

Ellison, C. (2006) Craftwork. [Performance]

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection)

Ellison, C. (2018) Micro soft words (for dummies and enlightened beings). [Performance]

Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition]

Ellison, C. (2008) RGBOHP. [Performance]

Ellison, C. (2009) Reconstructing The Incredible. [Audio]

Ellison, C. (2007) Record. [Performance]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition]

Ellison, C. (2007) iPolly Shuffle. [Performance]

Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance]

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: https://doi.org/10.1080/14714787.2017.1353438

Esbester, M. (2009) Mapping the way? Maps, gender, emotion. In: Letherby, G. and Reynolds, G. (eds.) Gendered Journeys, Mobile Emotions. Ashgate, Aldershot, pp. 33-44. ISBN 9780754670346

Esbester, M. (2009) Nineteenth-century timetables and the history of reading. Book History, 12. pp. 156-185.

Esbester, M. (2009) Designing time: the design and use of nineteenth-century transport timetables. Journal of Design History, 22 (2). pp. 91-113. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/epp011

Esbester, M. (2006) "No good reason for the Government to interfere": the State and Railway Employee Safety in Britain, c. 1900-1939. Business and Economic History Online, 4. ISSN 0849-6825

Eve, M. (2009) Isotype in trouble, 1946-1948. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press, pp. 129-135. ISBN 9780907259398

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Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: https://doi.org/10.1109/VLHCC.2006.15

Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2007) Enhancing interactivity in an online learning environment. Lecture Notes in Computer Science, 4663. pp. 332-344. ISSN 0302-9743 doi: https://doi.org/10.1007/978-3-540-74800-7_27

Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: https://doi.org/10.4018/978-1-60566-940-3.ch004

Fadel, L. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria.

Feldman, A. (2018) After the law: towards judicial-visual activism. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089068

Fife Donaldson, L. and Purse, L., eds. (2022) Issue 10. Movie: A Journal of Film Criticism, 10. University of Warwick. (ISSN 2047-1661)

Fife, L. (2008) Human monstrosity: rape, ambiguity and performance in Rosemary’s Baby (Roman Polanski, 1968). In: Baumgartner, H. and Davis, R. (eds.) Hosting the Monster. At the Interface/Probing the Boundaries (52). Rodopi, Amsterdam / New York, pp. 43-62. ISBN 9042024860

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Attempty. [Image] (Armseye Magazine, Issue 2, pp 18-19)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Cubitt30. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1758-9185 doi: https://doi.org/10.1080/14702029.2016.1228807

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2016) Frankenstein 2. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Frankenstein economy. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Frankenstein2: review of 'I, Frankenstein' on Rotten Tomatoes. [Artefact]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) I. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2019) Sic. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2018) Sic. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) being eaten by a lion. [Show/Exhibition]

Frost, E. and McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

Fuller, S. (2003) Essays. In: Schleifer , M. F. and Glickman , S. (eds.) Women Composers: Music Through The Ages. G. K. Hall, Boston.

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Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: https://doi.org/10.1080/14725886.2016.1242313

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) Experimental filmmaking and punk: feminist audio visual culture in the 1970s and 80s. Bloomsbury, London, pp288. ISBN 9781350293083

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, (2008) L’Encyclopédie Noveaux Médias: Zineb Sedira. Centre Georges Pompidou, Paris.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Ridinghouse, London, pp. 19-26. ISBN 9781909932135

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2020) Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown. MIRAJ: Moving Image Review & Art Journal, 9 (2). pp. 270-275. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00052_1

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw006

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2012) The Straggle. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) The Struggle III: A Glimpse. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) The Struggle a trilogy. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) This way out of England: Gallery House in retrospect. Raven Row.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) The struggle II: opening up. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) The struggle. [Project] (Collection)

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2022) The suburban trilogy: Abigail Child's cake and stake. Found Footage Magazine (8). pp. 35-37. ISSN 2462-2885

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2022) Do they owe us a living? [Show/Exhibition]

Garfield, R. S. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: https://doi.org/10.1080/13507486.2016.1203880

Garin, M. and Elduque, A. (2018) Playing the holes. Notes on the Ozuesque gag. In: Choi, J. (ed.) Reorienting Ozu: A Master and His Influence. Oxford University Press, Oxford, pp. 197-214. ISBN 9780190254988

Garin, M. and Elduque, A. (2016) Quantitative meta-analysis of visual motifs throughout film history. El profesional de la información, 25 (6). pp. 883-892. ISSN 1699-2407

Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: https://doi.org/10.1386/aps.6.1-2.69_1

Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099060

Ghosh, S. (2021) We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00105309

Ghosh, S. (2021) The disability and film-making community in film practice-as-research: the case of we make film. In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.) Many Voices, Many Worlds : Critical Perspectives on Community Media in India. SAGE Publications India Pvt. Ltd., pp. 143-156. ISBN 9789391138479

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2023) Creative geography, creative connections: Candyman. Movie: a journal of film criticism, 11. pp. 19-21. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, T. and Walters, J. (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2006) Filmmakers' choices. In: Close-Up 01. Wallflower Press, London, pp. 1-87. ISBN 1904764665

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2015) Filmmakers' choices. Movie: A Journal of Film Criticism, Warwick, UK. (Republication in e-form)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell. Movie: A Journal of Film Criticism (8). pp. 38-71. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2002) Mise-en-scène: film style and interpretation. Short Cuts. Wallflower Press, London, pp128. ISBN 190336406X

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) New approaches to film history. [Project] (Collection)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2016) Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay). [in]Transition, 3 (2). ISSN 2469-4312

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2017) Ophuls and film style. [Project] (Collection)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2018) Reevaluating The Phantom Carriage. [Project] (Collection)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) ‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history. Movie: A Journal of Film Criticism, 8. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2001) Sequence and the archaeology of British film criticism. Journal of Popular British Cinema (4). pp. 14-29. ISSN 1461-104X

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2010) Sleeping with half open eyes: dreams and realities in The Cry of the Owl. Movie: A Journal of Film Criticism (1). pp. 1-17.

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2024) Video essay: choosing death row songs. Music, Sound and the Moving Image, 18 (1). pp. 3-5. ISSN 1753-0776 doi: https://doi.org/10.3828/msmi.2024.2

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2011) The cry of the owl: investigating decision-making in a contemporary feature film. Movie: a Journal of Film Criticism (3). pp. 80-93. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2007) Close-Up 02: movies and tone / reading Rohmer / voices in film. Wallflower Press, London, pp256. ISBN 9781905674060

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2009) Close-up 03 : the police series ; Weimar cinema ; Men's cinema. Close-up, 3. Wallflower Press, London, pp224. ISBN 9781905674770

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2022) Le Plaisir: voices and viewpoints. NECSUS, Spring '22. ISSN 2213-0217

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2018) The Phantom Carriage (Körkarlen) (1921). In: Silent Features. Exeter University Press, Exeter, pp. 73-90.

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, J., Hall, S. and Neale, S. (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Reck Miranda, S. (2018) Playing at the margins. [in]Transition, 5 (2). ISSN 2469-4312

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D. (2023) The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code. Quarterly Review of Film and Video. ISSN 1543-5326 (In Press) (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679

Gillieson, K. (2005) Genetics of the 'open text'. Eye, 57. pp. 26-35.

Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact]

Gillieson, K. (2011) 'The democracy of objects' by Levi R. Bryant [Book design by Katherine Gillieson]. [Artefact]

Gillieson, K. (2008) A framework for graphic description in book design. PhD thesis, University of Reading.

Gillieson, K. (2008) Limits of reading: the book in action. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 60-63. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: forethoughts on book design. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 2-5. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: the book about books. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 28-31. ISBN 9783899552096

Gillieson, K. (2004) On revolutions. Dot Dot Dot. pp. 57-61. ISSN 1615-1968

Gillieson, K. (2004) Semantics of British culture: towards a representation of the English breakfast as a modular system. Dot Dot Dot. pp. 62-64. ISSN 1615-1968

Gillieson, K. (2006) The book abstracted. Dot Dot Dot. ISSN 1615-1968

Gillieson, K., Andrew, A. and MacKinnon, E. (2006) Start where you are: Graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616

Gillieson, K., Andrew, A. and Mackinnon, E. (2006) 'Start where you are': graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616

Gold, S., Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 and Shumate, M. L. (2021) HAIR CLUB: a case study for socially engaged art history. In: Persinger, C. and Rejaie, A. (eds.) Socially Engaged Art History and Beyond. Palgrave Macmillan, Cham, pp. 225-233. ISBN 9783030436087 doi: https://doi.org/10.1007/978-3-030-43609-4_17

Golden, P. (2003) In portraiture irrelevance is ugliness. [Show/Exhibition]

Golden, P. (2007) Love and hysteria. [Show/Exhibition]

Golden, P. (2005) Nothing personal. [Show/Exhibition]

Golden, P. (2007) Thoughts. [Show/Exhibition]

Golden, P. (2005) The word. [Show/Exhibition]

Golden, P. R. (2007) Le recollets Paris. [Show/Exhibition]

Golden, P. R. (2005) The word. Onestar press, Paris, France.

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2020) “Theatre and democracy in Chile: La Re-sentida’s La imaginación del futuro, or the failure of Utopias”. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance. Themes in Theatre, 11. Brill, Leiden, pp. 181-197. ISBN 9789004425804 doi: https://doi.org/10.1163/9789004430990

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2018) Theatre, performance and politics in Chile: the citizens’ turn. PhD thesis, King's College London. doi: https://doi.org/10.48683/1926.00095596

Greene, A.‐m. ORCID: https://orcid.org/0000-0002-0695-3182, Dean, D., Bartley, S. and McAvinchey, C. (2022) Locked up and down: incarceration, care, and art in a pandemic. Gender, Work & Organization, 29 (4). pp. 1346-1359. ISSN 1468-0432 doi: https://doi.org/10.1111/gwao.12801

Gruetzner Robins, A. (2011) 'J'arrive de London': Jane Avril and Britain. In: Ireson, N. (ed.) Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. The Courtauld Gallery in Association with Paul Holberton Publishing, London, pp. 11-26. ISBN 978907372247

Gruetzner Robins, A. (2011) Marketing Post-Impressionism: Roger Fry's commercial exhibitions. In: Fletcher, P. and Helmreich, A. (eds.) The rise of the modern art market in London, 1850-1939. Manchester University Press, Manchester and New York, pp. 85-97. ISBN 9780719084607

Gruetzner Robins, A. (2011) 'Performing with a pick-axe': the first Vorticist exhibition at the Dore Galleries. In: Antliff , M., Greene, V. and Upstone, R. (eds.) The Vorticists, rebel artists in London and New York, 1914-1918. Tate Publishing, London, UK, pp. 59-68. ISBN 978185439788

Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Proceedings and other publications. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623311

Gruetzner Robins, A. (2011) Gwen John: two albums of watercolours. Princeton University Library Chronicle, LXXII (3). pp. 641-682. ISSN 0032 -8456

Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287

Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. ORCID: https://orcid.org/0000-0003-0224-428X and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031

Gruetzner Robins, A. (2011) Toulouse-Lautrec in Catford: new information about 'La Chaine Simpson'. The Burlington Magazine, 1302 (153). pp. 572-573. ISSN 0007-6287

Guan, C. and O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2020) Natural aesthetics: environments and perspectives in contemporary film theory. Screen, 61 (2). pp. 331-333. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjaa020

H

Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458

Healy, C. (2015) Thin place exhibition. [Show/Exhibition]

Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (Unpublished)

Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester.

Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality. (Unpublished)

Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712

Hegarty Lovett, J. (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100315

Heim, A., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 and Round, G. (2008) Feeling gave way to structure. [Show/Exhibition]

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) Alexander Kluge’s ‘Film in the mind of the spectator,’ or after-(dialectical)-images in News from Ideological Antiquity: Marx – Eisenstein – Capital. In: Graça, A. R., Baggio, E. and Penafria, M. (eds.) Filmmakers on Film: Global Perspectives. Bloomsbury / BFI, London, pp. 139-148. ISBN 9781839024870 doi: https://doi.org/10.5040/9781839024900.ch-13

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35.

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2011) Eros and knowledge: wishful thinking? In: Quinn, M. and Gomersall, C. (eds.) Rigorous Holes: Perspectives in Psychoanalytic Theory in Art and Performance Research. CCW Graduate School, London. ISBN 9780955862878

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Messages in a bottle and other things lost to the sea: the other side of critical theory or a reevaluation of Adorno's aesthetic theory. Telos, 2012 (160). pp. 77-97. ISSN 1940-459X doi: https://doi.org/10.3817/0912160077

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) One-dimensional man? A reply to Alain Badiou. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, New York, pp. 21-28. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0003

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2013) Precautions against fan(atic)s: a re-evaluation of Adorno’s uncompromising philosophy of popular culture. New German Critique, 40 (1). pp. 149-174. ISSN 1558-1462 doi: https://doi.org/10.1215/0094033X-1812604

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Shocking (Rancière’s) spectators. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual: Provocation. Transmission Annual (2). Artwords Press, London. ISBN 9781906441272

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Social practice: fo(u)r shades of grey. In: The Magic City (Presented as part of Liverpool Biennial). Liverpool Biennal 2012 / Birmingham City University, pp. 26-27. ISBN 9781906753313

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2024) An authentic confrontation or a picturesque scene? Theodor W. Adorno and Alexander Kluge on film, the cinema, and television. In: Langston, R. and Simova, I. (eds.) Crisis and Astonishment: Alexander Kluge - Jahrbuch. Vandenhoeck & Ruprecht Verlagge (Brill / V&R unipress), Göttingen, pp. 221-238. ISBN 9783847116646

Hellmich, C. and Purse, L. (2016) Knowing war: moving images and the politics of erasure in the post 9/11 world. E-international relations.

Hellmich, C. and Purse, L., eds. (2017) Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world. Edinburgh University Press, Edinburgh, pp216. ISBN 9781474416566

Hellmich, C. and Purse, L. (2017) Introduction: film and the epistemology of war. In: Hellmich, C. and Purse, L. (eds.) Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, UK. ISBN 9781474416566

Herron Coleman, K. (2023) If they be two: relationships in women’s coauthored experimental film and video. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00114670

Hillier, J. M. (2005) Swimming and sinking: form and meaning in an avant-garde film. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 155-166. ISBN 9780719065248

Hobden, F. and Wrigley, A., eds. (2018) Ancient Greece on British television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp272. ISBN 9781474412599

Hobden, F. and Wrigley, A. (2018) Broadcasting Greece: an introduction to Greek Antiquity on the small screen. In: Hobden, F. and Wrigley, A. (eds.) Ancient Greece on British Television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp. 1-23. ISBN 9781474412599

Hsieh, H. ORCID: https://orcid.org/0009-0000-5316-0727 (2023) Creative infidelity in the process of adaptation: Peter Shaffer from stage to screen. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118933

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Bangla typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Murty Gurmukhi typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Murty Hindi typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Kannada typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2016) Murty Sanskrit typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Murty Telugu typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Sanskrit text typeface. Microsoft.

Husanovic, E. (2017) Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’. PhD thesis, University of Reading.

Höfer, U., Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G., eds. (2023) Otto Neurath - Gesammelte schriften. Ergänzungsband. Varia-Verstreute schriften. LIT Verlag, Vienna, pp600. ISBN 9783643510686

I

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Adpater arabic typeface. [Project]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2018) Early Persian printing and typefounding in Europe. Journal of the Printing Historical Society (29). pp. 87-123. ISSN 0079-5321

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) معمّای نخستین کتاب فارسی چاپ‌شده با حروف سربی در ایران (Enigma of the first Persian book printed in Iran with movable type). Jahan-e Ketab, 26 (1–3). pp. 41-47. ISSN 1681-9705

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Haghighi's typefaces. NESHAN, The Iranian Graphic Design Magazine (46/47). pp. 192-205.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2016) Lalezar typeface. [Project]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2022) Persian and Arabic printing with movable type in Qajar Iran (1818–1900). In: Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (ed.) Arabic Typography: History and Practice. Niggli, Salenstein, pp. 75-153. ISBN 9783721210170

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2023) Tabrizi Jali typeface: reviving history through letterforms. [Project]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) The early typographic representation of the Persian language. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00110763

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ghazi-zadeh, A.-A. (2021) سرآغاز چاپ و حروف‌ریزی فارسی در اروپا (The beginning of Persian printing and typefounding in Europe). Jahan-e Ketab, 25 (9–10). pp. 40-52. ISSN 1681-9705

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Markazi text typeface. Google Fonts.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Marlik typeface. Rosetta Type Foundry.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2019) Twentieth-century Persian newspaper types – investigating the design process. [Show/Exhibition]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350, Cousins, S. ORCID: https://orcid.org/0000-0002-1094-2961, Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2022) Gulzar typeface. Google Fonts.

J

Jackson, M. (2019) Giving Suck. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117795

Jeffery, L. (2018) Beckett: art, music and the creative process. PhD thesis, University of Reading.

K

Kaina, P. (2009) [Review of] 'Picasso: challenging the past' by E.Cowling et al. The Art Book, 16 (4). p. 20. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2009.01058_1.x

Kaina, P. (2009) [Review of] 'The lure of the East: British Orientalist painting' by Nicholas Tromans (ed). The Art Book, 16 (2). pp. 16-21. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2009.01025_4.x

Kaina, P. (2009) [Review of] Edgar Degas: intimität und pose. Nineteenth Century Art Worldwide, 8 (2). ISSN 1543-1002

Kazakopoulou de Senna, A. (2015) Women’s Popular Cinema in Greece: the case of Olga Malea. PhD thesis, University of Reading.

Kenward, J. ORCID: https://orcid.org/0000-0002-3513-9585 (2021) The right to be forgotten: confronting the past in post-millennial cinema. In: Carranza, A. J. (ed.) Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998-2019. McFarland, Jefferson, North Carolina, pp. 182-195. ISBN 9781476679310

Kenward-Abdollahyan, J. ORCID: https://orcid.org/0000-0002-3513-9585 (2022) Politics and realism in the films of Jafar Panahi and Abbas Kiarostami. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116788

Ker, D., Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Du Sautoy, M. (2011) Everything and nothing project. [Project]

Khara, A. (2022) Fairness in design: a model for critically analysing digital government forms. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00114379

Kidner, D. (2018) The exhibition of political film and video. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084078

Kim, C. J. H. (2017) Painting in the expanded field from the perspective of Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches. PhD thesis, University of Reading.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2006) Cheap Jack Flash. Eye, 60. pp. 46-51.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2009) Delight of men and gods: Christiaan Huygens's new method of printing. Journal of the Printing Historical Society, 14 (new se. pp. 5-40.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2018) Eminents observed: a century of writing, lettering, type and typography at the Central School, London. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (ed.) Typeform Dialogues (2nd edition). Hyphen Press, London, pp. 50-87. ISBN 9780907259527

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2010) Fit to be seen: stencils for architects, engineers and surveyors. AA Files, 61. pp. 100-109. ISSN 0261-6823

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, pp. 127-146. ISBN 9781472430700

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2003) Hoofdletters, tweeling- en meerlingdruk. Eye, 47. pp. 30-37. ISSN 0950-222X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2005) Ishihara. Eye Magazine, 56. pp. 18-23. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) Isotype in Africa: Gold Coast, Sierra Leone, and the Western Region of Nigeria, 1952–8. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London. ISBN 9780907259473

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2024) Isotype in Africa: Gold Coast, Sierra Leone, and the Western Region of Nigeria, 1952–8. In: Lees-Maffei, G. and Houze, R. (eds.) The Design History Reader. Bloomsbury Publishing. ISBN 9781350133518 (In Press)

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2001) Marked by time. Eye Magazine, 10 (40). pp. 48-51. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2006) Patents progress: the Adjustable Stencil. Journal of the Printing Historical Society, 9 (new ser. pp. 65-92.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2007) The 'Plaque Decoupee Universelle': a geometric sanserif in 1870s Paris. In: Typography Papers 7. Hyphen Press, pp. 71-80. ISBN 9780907259336

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2011) Reaching the people: Isotype beyond the West. In: Heinrich, R., Nemeth, E., Pichler, W. and Wagner, D. (eds.) Image and Imaging in Philosophy, Science and the Arts. Publications of the Austrian Ludwig Wittgenstein Society, new series, vol. 17, 2 (17). Ontos Verlag, Frankfurt, Paris, Lancaster, New Brunswick, pp. 175-193. ISBN 9783868381160

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2003) Recollecting stencil letters. In: Typography Papers 5. University of Reading, Reading, pp. 65-101.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2014) Stencil dies: new tools for an old trade. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 41-61, 127–145 (colour images); 193–210 (English text).

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2002) Stencil work in America, 1850–1900. Baseline (38). pp. 5-12. ISSN 0954-9226

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2022) Stencil-making in Paris in the eighteenth century. In: Berton-Blivet, N., Davy-Rigaux, C. and Guilloux, F. (eds.) Le livre de musique au pochoir à la fin de l’époque moderne. Institut de Recherche en Musicologie. (In Press)

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2019) Stencil: a descriptive bibliography. Éditions à jour, Reading, pp24.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, ed. (2018) Typeform Dialogues (2nd edition). Hyphen Press, London.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2012) User's manual. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2002) When 1+1=3. Eye Magazine, 11 (43). pp. 36-45. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2022) “When things are equal all over the world the symbols can be the same”: Isotype in West Africa. InfoDesign - Revista Brasileira De Design Da Informação, 19 (2). pp. 1-21. ISSN 1808-5377 doi: https://doi.org/10.51358/id.v19i2.1004

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2004) Worlds of moiré. Eye, 52. pp. 18-27.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) The description of stencilling by Gilles Filleau des Billettes: transcription and translation. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (eds.) Typography papers 9. Hyphen Press, London, pp. 66-86. ISBN 9780907259480

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) A reconstruction of stencilling based on the description by Gilles Filleau des Billettes. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (eds.) Typography papers 9. Hyphen Press, London, pp. 28-65. ISBN 9780907259480

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) A tradition with breaks. Eye Magazine, 22 (86). pp. 38-55. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, eds. (2013) Typography papers, 9. Hyphen Press, London. ISBN 9780907259480

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition]

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype revisited. Il progetto sugli aspetti meno conosciuti di Isotype. Progetto grafico, 18. pp. 48-57. ISSN 1824-1301

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, Minns, E., Nairne, K., Odling-Smee, A. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2019) Marie Neurath: Picturing Science. [Show/Exhibition]

Klohn, S. C. and Black, A. (2018) Informative and decorative pictures in health and safety posters for children. Visible Language, 52 (3). pp. 30-51. ISSN 0022-2224

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2020) Bringing the battle to Britain: Band of Brothers and television runaway production in the UK. Journal of British Cinema and Television, 17 (3). pp. 313-333. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2020.0531

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Crossing broadcasters: the transatlantic exchange between Sylvester ‘Pat’ Weaver and Sir Ian Jacob, 1955-1956. Historical Journal of Film, Radio and Television, 38 (4). pp. 843-862. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2017.1412920

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Exploring the casting of British and Irish actors in contemporary US film and television. In: Cantrell, T. and Hogg, C. (eds.) Exploring television acting. Bloomsbury, London, pp. 154-170. ISBN 9781474248594

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2013) Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood. New Review of Film and Television Studies, 11 (3). pp. 374-389. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2013.803906

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2007) Five's finest: the import of 'CSI' to British television. In: Allen, M. (ed.) Reading 'CSI': Crime TV Under the Microscope. I B Tauris, London, pp. 183-197.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2012) Masterpiece Theatre and British drama imports on US television: discourses of tension. Critical Studies in Television, 7 (1). pp. 29-48. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.5

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2008) "Muito boa qualidade, de facto": Shooting the Past e o caso das séries dramáticas de qualidade da televisão britânica na era da televisão de qualidade americana. ["Rather good quality, in fact": Shooting the Past and the case of British Quality Television Drama in the age of AQTV]. In: Discursos e Práticas de Qualidade Na Televisão. Livros Horizonte, Lisboa, pp. 271-286.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2010) Reading 'The Truman Show' inside out. Film Criticism, XXXV (1). pp. 1-23. ISSN 0163-5069

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2006) Reading the ungraspable double-codedness of: the Simpsons. Journal of Popular Film and Television, 34 (2). pp. 73-81. ISSN 1930-6458 doi: https://doi.org/10.3200/JPFT.34.2.73-81

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2013) Reflection iii: Transnationalisation, Television Formats and the Universal. Critical Studies in Television, 8 (2). pp. 104-106. ISSN 1749-6020

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Shameless, the push-pull of transatlantic fiction format adaptation, and star casting. New Review of Film and Television Studies, 16 (3). pp. 295-323. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2018.1487130

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2013) The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television. In: O'Day, A. (ed.) Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. I. B. Tauris, London, pp. 106-120. ISBN 9781780760186

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) The unwitting pioneer of transatlantic format adaptation: Beryl Vertue. Historical Journal of Film, Radio and Television, 39 (2). pp. 341-365. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2018.1522790

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Adamou, C. (2010) Live and kicking: a meta-critical discourse on television and television studies. Science Fiction Film and Television, 3 (2). pp. 271-286. ISSN 1754-3770 doi: https://doi.org/10.3828/sfftv.2010.18

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Adamou, C. (2011) Transforming television drama through dubbing and subtitling: sex and the cities. Critical Studies in Television, 6 (1). pp. 1-21. ISSN 1749-6020

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Cassidy, G. (2019) Game of Thrones: investigating British acting. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 181-202. ISBN 9780190663124

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Lacey, S., eds. (2018) Acting on television: analytical methods and approaches. Critical Studies in Television, 13 (3). SAGE.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H. (2019) Friends: a reading of the sitcom. Palgrave Macmillan. ISBN 9783030254285 doi: https://doi.org/10.1007/978-3-030-25429-2

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E., eds. (2018) European cultures of production. Critical Studies in Television, 13 (2). SAGE.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E. (2018) European cultures of production. Critical Studies in Television, 13 (2). pp. 133-136. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018763202

Kolb, R. (2019) Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization. OnCurating Issues, 43 (43). OnCurating, Zurich, pp122. ISBN 9781672015431 (Black Mountain College, Contemporary Art, Curating, Experimental Education)

Kolb, R. (2020) Zurich issue: dark matter, grey zones, red light and bling bling. OnCurating Issues, 48 (48). OnCurating, Zurich, pp248. ISBN 9798682580316 (Contemporary Art, Funding, Financing, Art History, Switzerland,)

Kolb, R., Krivanek, E., Regli, C. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2019) Centres⁄Peripheries – Complex Constellations. OnCurating Issues, 41 (41). OnCurating, Zurich, pp176. ISBN 9781070906966

Kolb, R., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating, 35 (35). On-Curating, Zurich, pp142. ISBN 9781981991747

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318, (2012) Against human nature. Umelec. Divus, Prague.

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2008) Another Proof of the Preceding Theory. [Video]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2007) Asparagus: a horticultural ballet. [Project]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds.

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2014) Concrete gown for immaterial flows. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2019) EuroNoize. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2012) File Transfer Protocol. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2008) Future Monument. [Project]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2013) A Guide to Office Clerical Time Standards. [Performance]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2016) The Immigrants. [Project] (Collection)

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2008) The Institute of Psychoplasmics. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) No Haus Like Bau. [Project]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2014) Radical Conservatism. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2016) Reports from the strategic sanctuary for the destruction of free will. [Project] (Collection)

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2018) Second annual report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2025) Sound strategies: music as ideological apparatus. Strange Attractor / MIT, London. ISBN 9781917319010 (In Press)

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2013) Suck the living labour. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2008) Svetlana. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2010) WE. [Performance]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2018) The missing body of J. T. Leroy. In: Beber, E. (ed.) The Bodies that Remain. Dead Letter Office, 1. Punctum, London, pp. 251-262. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2011) xero, kline & coma. [Project]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2015) Bureaucracy. In: Bureaucracy, 1/7/2015, ICA, London.

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Elks in the Rear Window. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2006) Flatpack revolution. [Project]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Fossils. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2018) Rainbow pixels. In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.) Taste. Law and the Senses, 1. University of Westminster Press, London, pp. 239-243. ISBN 9781911534327 doi: https://doi.org/10.16997/book21

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2018) Re-enacting the archive: untimely meditations on the use and abuse of repetition. In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.) Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance. Routledge, London, pp. 144-150. ISBN 9781138915381

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Subversive performance in the age of human capital. Palgrave Macmillan, Switzerland, pp281. ISBN 9783031358142 doi: https://doi.org/10.1007/978-3-031-35815-9

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2021) A thousand kitchen tables. In: Bajec, M., Holert, T. and Smith, M. (eds.) Pause. Fervour. Reflections on a Pandemic. Harun Farocki Institut & Journal of Visual Culture, pp. 119-122. ISBN 9781527295445

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318, Kollectiv, G., Vasseur, R. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Filmarmalade presents... [Show/Exhibition]

Kontopoulou, A. (2017) Democracy. [Project] (Collection)

Kontopoulou, A. (2016) The democratic table. [Show/Exhibition]

Kontopoulou, A. (2015) Democracy and community. [Project]

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98.

Kshetrimayum, N. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2016) ABP extra bold Bengali typeface. Ananda Bazar Patrika, Kolkata.

Kshetrimayum, N. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Linotype Bengali typeface, a revival. Monotype.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Bruce, J. (2022) ABPN Bengali typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Gajjar-Bordawekar, K. (2023) ABPN Gujarati typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Hindi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Marathi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kwon, H. (2018) Narrativisation of site and spatialisation of narrative. PhD thesis, University of Reading.

L

Lacey, S. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Acting on television: analytical methods and approaches. Critical Studies in Television, 13 (3). pp. 257-261. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018782046

Lamberg, J. J. J. (2016) Clothing the paper: on the state of newspaper design, redesigns, and art directors’ perspectives in contemporary quality and popular newspapers. PhD thesis, University of Reading.

Larcombe, G. (2020) Learning through an autonomous experience of art as a social practice. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00096395

Latto, A. (2017) The fragmented text/the fragmented self: exploring the limits of storytelling practice. PhD thesis, University of Reading.

Lawrence, J., Jenner, M., Drew, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T. (2018) Oh: link zone. [Show/Exhibition]

Leahy, M. (2021) Reading with early-stage Alzheimer's disease. Modifications to book design as a way of supporting preserved literacy skills. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100747

Leaver-Yap, M. (2024) Critical intimacies: changing relations in the production of contemporary art. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116411

Leavitt, C. (2018) Notes on the end of 'Rome Open City'. Journal of Italian Cinema and Media Studies, 6 (3). pp. 359-372. ISSN 20477368 doi: https://doi.org/10.1386/jicms.6.3.359_1

Lee, R. and Moys, J.-L. (2016) Exploring the relationship between language and design: a study of Hong Kong newspapers. Visible Language, 50 (2). pp. 127-149. ISSN 0022-2224

Lee, S. (2007) Napoleon amongst the shopkeepers. David’s 1815 exhibition on London. In: Ledbury, M. (ed.) David after David: essays on the later work. Sterling and Francine Clark Art Institute, Williamstown, USA, pp. 326-341. ISBN 9780931102691

Lee, S. (2006) Review of 'The legacy of Homer: four centuries of art from the École Nationale Supérieure des Beaux-Arts, Paris' by E.Schwartz, G.Steiner and P.Senechal. The Art Book, 13 (4). pp. 51-52. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2006.00739.x

Lee, S. (2013) A newly discovered portrait of Napoleon by Jacques-Louis David. Burlington Magazine, 155 (1327). pp. 687-692. ISSN 0007-6287

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2022) The Burning. [Video] (Sightlines: Filmmaking in the Academy Issue 4 2022)

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2023) Cinema Ex Machina. Sight and Sound.

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2023) Deepfakes in documentary film production: images of deception in the representation of the real. Studies in Documentary Film. ISSN 1750-3280 doi: https://doi.org/10.1080/17503280.2023.2284680

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2022) Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’. A Creative Future. CRF0008. Report. UK Parliament, London.

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Improvisation as a research methodology: Exploring links between filmmakers’ practice and traditions of enquiry across the academy. Media Practice and Education, 20 (2). pp. 134-146. ISSN 2574-1136 doi: https://doi.org/10.1080/25741136.2019.1605675

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Many ways of directing a film: teaching the ‘modes of creative practice’. In: Mourao, M. D., Semerdjiev, S., Mello, C. and Taylor, A. (eds.) The 21st Century Film, TV and Media School Book – Volume 2: Directing the future. CILECT - the International Association of Film and Television Schools, Sofia, pp. 28-39. ISBN 9786197358087

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Modes of Creative Practice in the directing of independent fiction films. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104350

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2024) Synthetic Media Research Network — written evidence (ACT0011) to the House of Lords Communications and Digital Select Committee inquiry: Scaling Up: AI and creative tech. Scaling Up - AI and Creative Tech. Report. UK Parliament, Westminster. pp7.

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Bashford-Rogers, T. and Keppel-Palmer, M. (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: https://doi.org/10.1177/13548565211030452 (Special Issue: 'The Digital Face and Deepfakes on Screen')

Lekka, H. (2018) Linotype’s design of new Greek typefaces for photocomposition in the Greek printing market, 1970-1980. PhD thesis, University of Reading.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2011) Adobe Bickham Script Greek typeface. Adobe Inc..

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2005) Adobe Garamond Premier Pro Greek. University of Reading.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2022) Arabic typography: a paradigm for research-informed practice. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2011) Brill Greek, Adobe Arno Pro, Adobe Text/Brevier Greek typefaces. Brill & Adobe Inc..

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) CUP Intermediate Greek-English Lexicon. Cambridge University Press, Cambridge.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2022) Collections and archives as spaces of ideas and knowledge. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2021) Designing for the future: diverse and inclusive typeface design by default. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2018) Enabling modernity: innovation in modulated Greek typefaces, 1998-2007. Philological Encounters, 3 (4). pp. 412-440. ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340055

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Foreword. In: Macchia, E. and Brenner, M. (eds.) Type compass: charting new routes in typography. SHS Publishing, Rome, Italy, pp. 8-9. ISBN 9788890759499

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2018) Greek. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems. Niggli, Salenstein, Switzerland. ISBN 9783721209822

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Greek printing outside Greece, from the 15th century to e-books. [Show/Exhibition]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) In search of the digital Cresci: Don Knuth’s digital typography. Information Design Journal, 9 (2-3). pp. 111-118. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.9.2-3.02leo

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2006) Languages, scripts, and typefaces. Tipografica, 70. pp. 16-17. ISSN 0328-7777

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2011) Lost in flatlands: will the next generation of page layout programs give us back our sense of space? Eye Magazine, 80 (20). p. 72. ISSN 0960-779X

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Never lost for words. Monotype Imaging Ltd, Bad Homburg, pp. 1-20.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) On systems and quality in typeface design. In: Silva, C. and Madureira, M. (eds.) 5th Meeting of Typography – Book of Proceedings. IPCA, Barcelos, Portugal, pp. 12-28. ISBN 9789899946507

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Reading journeys. In: 365 Typo. Étapes, Paris, pp. 220-226. ISBN 9791095254003

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2013) Reading typeface design. In: Yearbook of Type I. Niggli, Sulgen, Switzerland, pp. 449-452. ISBN 9783721208610

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268, ed. (2022) Riccardo Olocco Michele Patane. 'Designing type revivals: handbook for a historical approach to typeface design'. Lazy Dog, Milan, pp112. ISBN 9788898030484

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2013) Slanted Babylon. Slanted. pp. 12-16. ISSN 1867-6510

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2019) Slanted Babylon. In: Lynam, I. (ed.) Total Armageddon—A Slanted Reader on Design. Slanted, Karlsruhe, pp. 273-279. ISBN 9783981829662

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Snapshots from 1985–1995. [Show/Exhibition]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2009) Ten aspects in typeface design. Forum, 18. pp. 6-8. ISSN 1472-0604

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Thoughts on a quiet master. Monotype Recorder (XI). pp. 2-11. (special issue 'Robin Nicholas edition')

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Three public talks for the 2020 International Summer School of the Academy of Fine Arts and Design, University of Ljubljana : Identifying genres and styles, The type market & career options, and Studying typefaces to improve your briefs. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Type design and development. In: Typography, Referenced. Rockport Publishers, pp. 30-51. ISBN 9781592537020

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Type specimens as learning tools. In: Misiak, M. and Harmsen, L. (eds.) Support independent type—the new culture of type specimens. Slanted, Karlsruhe, pp. 18-19. ISBN 9783948440121

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) Γραμματοσειρές και πολιτισμική ταυτότητα [Typefaces and cultural identity]. Marketing Week. pp. 28-30. ISSN 0141-9285 (special issue 'Ελληνική Τυπογραφία [Greek typography]')

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2014) You make it happen: document demand, typeface supply. In: Kochan, B. (ed.) Granshan: design & identity. Typographische Gesellschaft München, Munich, Germany, pp. 142-149.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) You need an opinion, on top of an impulse. In: Coventon, D., Edgar, J., Williams, F. and Clifton, D. (eds.) Whatever Next: a discourse on typography. Camberwell Press, London, pp. 77-78. ISBN 9781908971098

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2013) An emerging discipline. Parenthesis (24). p. 36. ISSN 1462-9895

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) An introduction to Greek typeface design. AGFA/Monotype, Palo Alto, California, pp54.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2002) A primer on Greek type design. In: Berry, J. D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 76-90. ISBN 9781932026016

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2017) A reappraisal of Baskerville's Greek types. In: Archer-Parré, C. and Dick, M. (eds.) John Baskerville: art and industry in the Enlightenment. The University of Liverpool Press, Liverpool, pp. 133-150.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268, Hudson, J., Kshetrimayum, N., Mansour, K. and Zoghbi, P. (2015) Beyond Latin. Eye Magazine, 90 (23). pp. 80-93. ISSN 0960-779X

Lickiss, M. (2015) Pictures of the molecular world. Education in Chemistry, 18. ISSN 0013-1350

Lickiss, M. (2019) Design perspectives on multimodal documents: system, medium, and genre relations. Routledge Studies in Multimodality. Routledge. ISBN 9781138096844

Lickiss, M., Mulder, K. J., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. A. ORCID: https://orcid.org/0000-0003-2333-9640 and Chandler, R. (2017) Developing a quick guide on presenting data and uncertainty. Weather, 72 (9). pp. 266-269. ISSN 1477-8696 doi: https://doi.org/10.1002/wea.2998

Lickiss, M. D. (2015) relationships between document instantiations across systems, mediums, and genres. PhD thesis, University of Reading.

Lickiss, M. D. and Cumiskey, L. (2019) Design skills for environmental risk communication: design in and design of an interdisciplinary workshop. The Design Journal, 22 (1). pp. 1373-1385. ISSN 1460-6925 doi: https://doi.org/10.1080/14606925.2019.1594963

Lim, W. J. D. (2021) Networks, artefacts, and technology : nineteenth-century Muslim lithographers, missionaries, and colonialism in the Malay archipelago. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00103819

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2018) Dear Theaster... In: Scott, K. (ed.) Theaster Gates: How to Build a House Museum. Art Gallery of Ontario, Toronto. ISBN 9781894243933

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2021) Do-for-self works: tear-off flyers & billboards. In: Crawford, R. (ed.) Fleeting Monuments for the Wall of Respect. The Green Lantern Press, Chicago, pp. 202-211. ISBN 9780997416596

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2022) This is the end of high entertainment: tiny furniture and this is the end. In: Trifonova, T. (ed.) Screening the Art World. Film Culture in Transition. Amsterdam University Press, Amsterdam. ISBN 9789463724852

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2022) You. Art Review Oxford, 4. pp. 5-7.

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 and valentine, j. (2024) An oral history with jina valentine by Kelly Lloyd. BOMB Magazine, 166. ISSN 0743-3204

Lodder, M. (2011) The myths of modern primitivism. European Journal of American Culture, 30 (2). pp. 99-111. ISSN 1758-9118 doi: https://doi.org/10.1386/ejac.30.2.99_1

Lodhi, A. and Wrigley, A. (2018) Introduction: radio modernisms: features, cultures and the BBC. Media History, 24 (2). pp. 159-165. ISSN 1469-9729 doi: https://doi.org/10.1080/13688804.2018.1473134

Lodhi, A. and Wrigley, A. (2018) Radio modernisms: features, cultures and the BBC. Taylor & Francis, London. doi: https://doi.org/10.1080/13688804.2018.1473134

Lonsdale, M. d. S., Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Reynolds, L. (2006) Reading in examination-type situations: the effects of text layout on performance. Journal of Research in Reading, 29 (4). pp. 433-453. ISSN 1467-9817 doi: https://doi.org/10.1111/j.1467-9817.2006.00317.x

Loveland, P., Moys, J.-L., Tollett, H. and Towriss, M. (2016) Typo-resource: developing T&L support materials through collaboration. The Journal of Educational Innovation, Partnership and Change, 2 (1). 238. ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v2i1.238

Luna, P. (2003) Two Oxford Bible types. In: Randle, J. and Berry, J. D. (eds.) Type & Typography. Mark Batty Publisher, West New York, NJ, pp. 148-167. ISBN 0971568766

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2019) Book design. In: Oxford Handbook of Publishing. Oxford University Press, Oxford, pp. 311-325. ISBN 9780198794202 doi: https://doi.org/10.1093/oxfordhb/9780198794202.013.21

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2011) The Book of Common Prayer: The texts of 1549, 1559, and 1662 [Book design by Paul Luna]. [Artefact]

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Choosing type for information design. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2011) Marks, spaces and boundaries. Visible Language, 45 (1-2). pp. 139-160. ISSN 0022-2224 (special issue 'Punctuation')

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2004) Not just a pretty face: the contribution of typography to lexicography. In: 11th EURALEX International Congress, 6-10 July 2004, Lorient, France, pp. 847-858.

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2013) Picture this: how illustrations define dictionaries. In: Typography papers 9. Hyphen Press, London. ISBN 9780907259480

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2015) The Poems of T. S. Eliot [Book design by Paul Luna]. [Artefact]

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact]

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2018) Typography: a very short introduction. Very Short Introductions. Oxford University Press, Oxford, pp155. ISBN 9780199211296 doi: https://doi.org/10.1093/actrade/9780199211296.001.0001

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: https://doi.org/10.2277/052184844X

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 and Ould, M. (2013) The printed page. In: Gadd, I. (ed.) The History of Oxford University Press. Volume 1: Beginnings to 1780. Oxford University Press, Oxford. ISBN 9780199557318

Luna, P. F. ORCID: https://orcid.org/0000-0003-1556-1217 and Ragg, E. (2004) Designing the Oxford Shakespeare. In: Typography Papers. Typography Papers (5). University of Reading, Reading, pp. 5-21.

M

Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition]

MacLean, M. (2007) Before. [Show/Exhibition]

MacLean, M. (2003) Home from home. [Show/Exhibition]

MacLean, M. (2007) Inspiration to order. [Show/Exhibition]

MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition]

MacLean, M. (2005) The way we work now. [Show/Exhibition]

MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition]

MacLean, M. (2007) Considering if…then…else…. Journal of Visual Art Practice, 6 (3). pp. 257-267. ISSN 1758-9185 doi: https://doi.org/10.1386/jvap.6.3.257_1

MacLean, M. and Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2010) Architectural Fictions. [Show/Exhibition]

MacLean, M., Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition]

MacMurraugh-Kavanagh, M. (1999) Bearing witness: Tony Garnett on 'Cops', the community, and the TV audience. Vertigo (9). pp. 21-22.

MacMurraugh-Kavanagh, M. (1998) "Kicking Over the Traces": An interview with Tony Garnett. Media Education Journal (24). pp. 23-30.

MacMurraugh-Kavanagh, M. (1998) The BBC Wednesday Play, 1964-1970: researching and interpreting a formative moment in British television drama. Media Education Journal, 23. pp. 10-14.

MacMurraugh-Kavanagh, M. (1997) The BBC and the birth of "The Wednesday Play" (1962-1966): institutional containment versus "Agitational Contemporaneity". Historical Journal of Film, Radio and Television, 17 (3). pp. 367-381. ISSN 0143-9685

MacMurraugh-Kavanagh, M. (1999) Boys on top: gender and authorship on 'The Wednesday Play', 1964-1970. Media, Culture & Society, 21 (3). pp. 409-425. ISSN 1460-3675

MacMurraugh-Kavanagh, M. (1997) "Drama" into "News": strategies of intervention in 'The Wednesday Play'. Screen, 38 (3). pp. 247-259. ISSN 1460-2474

MacMurraugh-Kavanagh, M. (2000) Too secret for words: circulating and receiving coded dissent in female-authored drama of 'The Wednesday Play', 1964-1970. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M. (eds.) British Television Drama: Past, Present and Future. Macmillan, Basingstoke. ISBN 9780333774953

MacMurraugh-Kavanagh, M. (1999) Who framed Theatre? The moment of change in television drama. New Theatre Quarterly, XV (57). pp. 58-74. ISSN 0266-464X

MacMurraugh-Kavanagh, M. K. (2000) What's all this then? The ideology of identity in 'The Cops'. In: Llewellyn-Jones, M. and Carson, B. (eds.) Frames and Fiction on Television: The Politics of Identity Within Drama. Intellect Books, Exeter. ISBN 9781841500096

Macbeth, R., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Riviere, S. (2015) Resource: uncreative writing. [Show/Exhibition]

Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354

Malvern, S. (2013) Rethinking 'Inside the Visible'. In: Dimitrakaki , A. and Perry, L. (eds.) Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Liverpool University Press, Liverpool, pp. 104-119. ISBN 9781846318931

Malvern, S. (2008) The spaces of British art: patronage, institutions, audiences. In: Stephens, C. (ed.) The history of British art 1870-now. The history of British art, 3. Tate Publishing, London, pp. 198-221. ISBN 9781854376527

Malvern, S. (2013) Femininity, feminism and the representation of torture. In: Knapp, A. and Footitt, H. (eds.) Liberal democracies at war: conflict and representation. Bloomsbury, London, pp. 219-232. ISBN 9781441156051

Malvern, S. (2013) Femininity, feminism and the terrorist. In: Malvern, S. and Koureas, G. (eds.) Terrorist Transgressions. Gendered representations of the terrorist in visual culture. I B Tauris, London; New York, pp. 39-55. ISBN 9781780767017

Malvern, S. (2009) [Review of] 'Art history after 9/11' by Werckmeister, O.K., Mirzoeff, N., Eisenman, S.F., Reinhardt, M., Edwards, H. and Duganne, E. Art History, 32 (2). pp. 387-399. ISSN 1467-8365 doi: https://doi.org/10.1111/j.1467-8365.2009.00672.x

Malvern, S. and Koureas, G., eds. (2013) Terrorist transgressions: gendered representations of the terrorist in visual culture. I.B. Tauris, London; New York, pp226. ISBN 9781780767017

Malvern, S. and Marchand, E. (2009) Sculpture in Arcadia. Studies in the History of Gardens & Designed Landscapes, 29 (1-2). 1 - 12. ISSN 1943-2186 doi: https://doi.org/10.1080/14601170701806908

Malvern, S. B. (2007) C.R.W. Nevinson's "bad boy" modernisms and fascism in the 1930s. In: Walsh, M. J. K. (ed.) A dilemma of English modernism: visual and verbal politics in the life and work of C. R. W. Nevinson (1899-1946). University of Delaware Press, Newark, USA, pp. 182-188. ISBN 9780874139426

Malvern, S. B. (2003) Eric Kennington 1888-1960. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: a guide to sculptors in the Leeds collections. Henry Moore Institute, Leeds, UK, pp. 185-186. ISBN 1900081040

Malvern, S. B. (2004) 'For King and country': Frampton's Edith Cavell (1915-1920) and the writing of gender in memorials to the Great War. In: Getsy, D. (ed.) Sculpture and the pursuit of a modern ideal in Britain c. 1880-1930. British art and visual culture since 1750 new readings. Ashgate, Aldershot, UK, pp. 219-244. ISBN 9780754609964

Malvern, S. B. (2003) Griselda Pollock. In: Murray, C. (ed.) Key writers on art: the twentieth century. Routledge, London, UK, pp. 228-234. ISBN 9780415222013

Malvern, S. B. (2004) Modern art, Britain and the Great War: witnessing, testimony and remembrance. Paul Mellon centre for studies in British art . Yale University Press, New Haven, USA. ISBN 9780300105766

Malvern, S. B. (2010) Outside in: the after-life of the plaster cast in contemporary culture. In: Frederiksen, R. and Marchand, E. (eds.) Plaster casts: making, collecting and displaying from classical antiquity to the present. Transformationen der antike. De Gruyter, Berlin, Germany, pp. 351-358. ISBN 9783110208566

Malvern, S. B. (2007) The fourth plinth or the vicissitudes of public sculpture. In: Gerstein, A. (ed.) Display and displacement : sculpture and the pedestal from Renaissance to post-Modern. Paul Holberton Publishing, London, pp. 130-150. ISBN 9781903470305

Malvern, S. B. (2003) The identity of the sculptor 1925-1950. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: identity, infrastructures, aesthetics, display, reception. Henry Moore Institute, Leeds, UK, pp. 77-87. ISBN 9781900081986

Malvern, S. B. (2004) Antibodies: Rachel Whiteread's Water Tower. In: Perry, G. (ed.) Difference and excess in contemporary art: the visibility of women's practice. Blackwell, Oxford, UK, pp. 74-87. ISBN 9781405112024

Malvern, S. B. (2003) Antibodies: Rachel Whiteread's water tower. Art History, 26 (3). pp. 392-405. ISSN 1467-8365 doi: https://doi.org/10.1111/j.0141-6790.2003.02603004.x

Malvern, S. B. (2003) Baedeker ruins. Review of 'War damage in Western Europe: the destruction of historic monuments during the Second World War' by N. Lambourne. Art History, 26 (1). pp. 118-120. ISSN 1467-8365

Malvern, S. B. (2005) Monographs, canons, omissions. Sculpture Journal, 13 (1). pp. 143-146. ISSN 1756-9923 doi: https://doi.org/10.3828/sj.13.1.9

Marchand, E. (2004) Exemplary gestures and 'authentic' physiognomies: an interpretation of Ghirlandaio's 'Famous Men' in the Palazzo Vecchio, Florence. Apollo. pp. 3-11. ISSN 0003-6536

Marchand, E. (2004) Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Kunstgeschichte, 79. Lit Verlag, Muenster. ISBN 9783825877507

Marchand, E. (2007) Reproducing relief: the use and status of plaster casts in the Italian renaissance. In: Cooper, D. and Leino, M. (eds.) Depth of field: relief sculpture in Renaissance Italy. Peter Lang, Oxford, UK, pp. 191-223. ISBN 9783039111114

Marchand, E. (2005) Review of 'From Flanders to Florence: the impact of Netherlandish painting 1400-1500' by Paula Nuttall. Apollo, CLXI (516 (new s). 74-75 . ISSN 0003-6536

Marchand, E. (2005) Review of exhibition 'Ich, Lovis Corinth: Die Selbstbildnisse' (Nov 2004-Feb 2005). Apollo, CLXI (515). pp. 80-81. ISSN 0003-6536

Marie, B. and Dronsfield, J. (2011) The aesthetics of differends: an introduction. In: Marie, B. (ed.) Ontology of the There Is. Rosascape, Paris, pp. 28-34.

Marman, D. T. (2017) Empowering communities through theatre: an applied theatre model for Botswana. PhD thesis, University of Reading.

Marshall, L. and Moys, J.-L. (2020) Readers’ experiences of Braille in an evolving technological world. Visible Language, 52 (1/2). ISSN 0022-2224

Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312, eds. (2019) Design for visual communication: challenges and priorities. Cambridge Scholars Publishing. ISBN 9781527529540

May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21.

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2017) Beckett at the Young Vic. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 243-255. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902003

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2016) Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios. In: Tucker, D. and McTighe, T. (eds.) Staging Beckett in Great Britain. Bloomsbury, Methuen Drama, London, pp. 37-55. ISBN 9781474240178

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2017) Staging Beckett: a production history of Samuel Beckett’s drama in London (1955 – 2010). PhD thesis, University of Reading.

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2020) ‘The air is full of our cries’: staging Godot during apartheid South Africa. In: Beckett and Politics. Palgrave MacMillan, pp. 195-211. ISBN 9783030471095 doi: https://doi.org/10.1007/978-3-030-47110-1

McIlwraith, A. (2019) Better museum maps: an empirical study comparing the appeal and effectiveness of graphic design approaches. PhD thesis, University of Reading.

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2022) Barthes, Beckett and the theatre: three dialogues. Paragraph, 45 (2). pp. 172-186. ISSN 0264-8334 doi: https://doi.org/10.3366/para.2022.0395

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2013) Dancing in translation: Irina Brook’s mise en scène of 'Danser à Lughnasa', Jean-Marie Besset’s translation of Brian Friel’s 'Dancing at Lughnasa'. Studies in Theatre & Performance, 33 (2). pp. 211-223. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.33.2.211_1

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Historical legacies and unhomely cultural memories in Brian Friel’s The home place. Nordic Irish Studies, 13 (1). pp. 189-203. ISSN 1602-124X

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2009) 'The Home Place': unhomely inheritances. Irish Theatre International, 2 (1). pp. 62-68. ISSN 2009-0870

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: https://doi.org/10.1080/1352816070138081

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2006) Performativity, unruly bodies and gender in Brian Friel’s drama. In: Roche, A. (ed.) Cambridge Companion to Brian Friel. Cambridge Companions to Literature. Cambridge University Press, Cambridge, pp. 142-153. ISBN 9780521853996

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464.

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2016) Staging Beckett in Ireland: scenographic remains. In: McTighe, T. and Tucker, D. (eds.) Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. 103-119. ISBN 9781474240550

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (1993) Theatre on trial: the later drama of Samuel Beckett. Routledge, London, pp168. ISBN 9780415052023

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Leeney, C., eds. (2003) The Theatre of Marina Carr: “before rules was made”. Carysfort Press, Dublin. ISBN 9780953425778

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2020) Pedagogies of place: Reading. Journal of Beckett Studies, 29 (1). pp. 74-82. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2020.0285

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Pattie, D. (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Saunders, G., eds. (2018) Special issue on staging Beckett and contemporary theatre and performance cultures. Contemporary Theatre Review, 28 (1). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2017.1405393

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Singleton, B., eds. (2003) Special issue of Australasian Drama Studies on Performing Ireland. Australasian Drama Studies.

(2002) Contemporary women playwrights. In: McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Williams, C. (eds.) Field Day Anthology of Irish Writing. Cork University Press in association with Field Day, Cork, pp. 1234-1289.

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, McTighe, T., Pattie, D. and Tucker, D. (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, Pattie, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden.

McTighe, T. (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal, 8. pp. 6-15.

McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131

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Medioli, F. and Mancini, R., eds. (2015) Il costruttore di immagini. Aska, Florence, pp144. ISBN 9788875422448

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2017) Cinema 66–8: the original London film-makers. The Moving Image Review & Art Journal (MIRAJ), 6 (1). pp. 8-23. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj.6.1-2.8_1

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2016) Film studies before film studies: Derek Jarman at the Slade. Screen, 57 (3). pp. 371-378. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw032

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2020) Hitchcock’s spy films. In: Gottlieb, S. (ed.) Hitchcock Annual. Columbia University Press, pp. 117-127. ISBN 9780231199575 doi: https://doi.org/10.1353/hit.2020.0005

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2018) Nobody walks: Hitchcock's first impressions of Hollywood. In: Gottlieb, S. (ed.) Hitchcock Annual. Columbia University Press, pp. 74-81. ISBN 9780231190459 doi: https://doi.org/10.1353/hit.2018.0002

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2014) Return to the lost continent. New review of film and television studies, 12 (4). pp. 412-428. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2014.940802

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2007) The Slade School and cinema: part two. Vertigo.

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2015) Sympathetic Guidance: Hitchcock and C.A. Lejeune. In: Hitchcock Annual. Columbia University Press, Fairfield, p. 33. ISBN 9780231176194

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2017) Vent d'est. Critical Quarterly, 59 (1). pp. 7-28. ISSN 0011-1562 doi: https://doi.org/10.1111/criq.12319

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2016) The documentary version of film history. In: Aitken, I. (ed.) The Major Realist Film Theorists. Edinburgh University Press, pp. 172-186. ISBN 9781474421959 doi: https://doi.org/10.3366/edinburgh/9781474402217.003.0011

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2016) The lonely crowd: Dwoskin, Durgnat and the London Film-Makers’ Co-op. Screen, 57 (1). pp. 87-94. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw011

Monks, A., (2004) First funny Medea: Deborah Warner's Medea. In: Weitz, E. (ed.) The Power of Laughter. Carysfort Press, Dublin. ISBN 9781904505051

Moseley, J. (2006) Garamond, Griffo and others: the price of celebrity. Bibliologia, 1. pp. 17-41.

Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299

Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27.

Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96.

Mosley, J. (2004) El rediseño de los clásicos: Matthew Carter y la interpretación de modelos históricos. tipoGráfica, 63. pp. 32-40.

Mosley, J. (2003) Giovan Francesco Cresci, nuovi documenti: un'iscrizione, un quadro. La Operina, 23. pp. 3-15.

Mosley, J. (2003) Nelly Gable, 'gy, or the magical journey of a punch-cutter at work. In: Matrix: A Review For Printers & Bibliophiles. The Whittington Press, pp. 88-92.

Mosley, J. (2008) The materials of typefounding: a list of surviving collections. Printing History, NS 4 (4).

Mosley, J. (2004) Baskerville, John (1706-1775). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

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Mosley, J. (2008) Médailles sur les principaux événements du règne de Louis le Grand 1702, the making of the book. Bulletin du bibliophile, 2. pp. 296-350. ISSN 0399-9742

Moys, J.-L. (2012) Typographic meaning: readers’ impressions of patterns of typographic differentiation. PhD thesis, University of Reading.

Moys, J.-L. (2014) Investigating readers’ impressions of typographic differentiation using repertory grids. Visible Language, 47 (3). 878. ISSN 0022-2224

Moys, J.-L. (2018) Promoting diversity through developing a sense of community. International Journal for Students as Partners, 2 (2). pp. 135-143. ISSN 2560-7367 doi: https://doi.org/10.15173/ijsap.v2i2.3547

Moys, J.-L. (2019) Repositioning aesthetics to improve synergies between research and practice – a typographic perspective. In: Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars Publishing, Newcastle, pp. 36-52. ISBN 9781527529540

Moys, J.-L. (2014) Typographic layout and first impressions: testing how changes in text layout influence reader's judgments of documents. Visible Language, 48 (1). 881. ISSN 0022-2224

Moys, J.-L. (2017) Visual rhetoric in information design: designing for credibility and engagement. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: research and practice. Routledge, Farnham, UK. ISBN 9780415786324 (Part 2, chapter 12)

Moys, J.-L., Collier, J. and Joyce, D. (2018) By design: engaging Graphic Communication students in curriculum development. The Journal of Educational Innovation, Partnership and Change, 4 (1). ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v4i1.752

Moys, J.-L., Loveland, P. and Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 (2018) eInk versus paper: exploring the effects of medium and typographic quality on recall and reading speed. Visible Language, 52 (3). pp. 74-95. ISSN 0022-2224

Moys, J.-L., Martinez-Freile, C., McCrindle, R., Meteyard, L., Robson, H., Kendrick, L. and Wairagkar, M. (2018) Exploring illustration styles for materials used in visual resources for people with aphasia. Visible Language, 52 (3). pp. 96-113. ISSN 0022-2224

Mulder, K. J., Lickiss, M., Harvey, N. ORCID: https://orcid.org/0000-0003-0973-5794, Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, Dacre, H. ORCID: https://orcid.org/0000-0003-4328-9126 and McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 (2017) Visualizing volcanic ash forecasts: scientist and stakeholder decisions using different graphical representations and conflicting forecasts. Weather, Climate and Society, 9 (3). pp. 333-348. ISSN 1948-8327 doi: https://doi.org/10.1175/WCAS-D-16-0062.1

Mulder, K. J., Williams, L., Lickiss, M., Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and McSorley, E. ORCID: https://orcid.org/0000-0002-2054-879X (2023) Understanding representations of uncertainty, an eye-tracking study part 1: the effect of anchoring. Geoscience Communications, 6 (3). pp. 97-110. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-6-97-2023

Mulder, K. J., Lickiss, M., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and Young, J. S. (2020) Designing environmental uncertainty information for experts and non‐experts: does data presentation affect users' decisions and interpretations? Meteorological Applications, 27 (1). e1821. ISSN 1350-4827 doi: https://doi.org/10.1002/met.1821

Mullaney, M. (2022) The missing mother: how can art works of and on maternity transcend their own audience? PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00115540

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Ashanti. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2019) Between. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2020) 'The Biscuit Town': digital practice, spatiality and discoverability in Reading's heritage sector. Body, Space & Technology, 19 (1). pp. 153-173. ISSN 1470-9120 doi: https://doi.org/10.16995/bst.337

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2004) Bloomers ignite: Zolaesque zealotry in British productions of Miss Julie. Studies in Theatre and Performance, 24 (2). pp. 113-128. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.24.2.113/0

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2004) Bring me the head of a greenfinch: Miss Julie in Britain. Studies in Theatre and Performance, 24 (1). pp. 37-54. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.24.1.37/0

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2006) 'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2011) ‘I suggest a night at the theatre, Mr.Cameron’: memory, history and responsibility in our class (Nasza Klasa, 2009). Contemporary Theatre Review, 21 (4). pp. 487-510. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.610307 (special issue 'Forum: Tim Crouch, the author, and the audience')

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2019) I, Sheep. [Show/Exhibition]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) Introduction. In: Woolland, B. (ed.) Double Tongue. Border Crossings Publications, London. ISBN 9781904718017

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2008) 'The Mistress'(or 'Miss Maliczewska') by Gabriela Zapolska. Translated, designed and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) 'The Morality of Mrs Dulska' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2019) Peeling onions with Granny: on being moved to collaborate. Performing Ethos, 9 (1). pp. 37-53. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00004_1

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2005) Strindberg i England. Fallet Fröken Julie. Strindbergiana, 20. pp. 93-115.

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2012) Surviving Objects. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Translating Zapolska: research through practice. In: Baines, R., Marinetti, C. and Perteghella, M. (eds.) Staging and performing translation: text and theatre practice. Palgrave Macmillan, pp. 249-266. ISBN 9780230228191

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) Translating and directing Mrożek’s 'The Turkey' in London. Slavic and East European Performance, 23 (3). ISSN 1047-0018

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2021) Unsweetened: Ode to Biscuits. [Video]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, (2016) War Child: Meditating on an Archive. University of Reading (https://www.rluk.ac.uk/war-child-archive/)

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2009) Zapolska's women: three plays. Playtest. Intellect Books, Bristol, pp192. ISBN 9781841502366

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2005) The man. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed. (2007) The morality of Mrs Dulska: a play by Gabriela Zapolska. Intellect Books, Bristol, pp192. ISBN 9781841501666

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Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Além da diferença: a mulher no Cinema da Retomada. Devires, 9 (1). pp. 14-29. ISSN 2179-6483

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Antropofagia e intermidialidade: o caso de como era gostoso o meu francês. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (1). ISSN 2316-9230 doi: https://doi.org/10.22475/rebeca.v6n1.479 (REBECA 11)

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2010) Back to the margins in search of the core: "Foreign Land"'s geography of exclusion. In: Iordanova, D., Martin-Jones, D. and Vidal, B. (eds.) Cinema at the periphery. Wayne State University Press, Detroit, pp. 190-210. ISBN 9780814333884

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Back to the margins in search of the core: foreign land's geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Bernardet visto de longe. In: Pinto, I. and Margarido, O. (eds.) Bernardet 80: impacto e influência no cinema brasileiro. Paco Editorial/Abraccine, Jundiaí, pp. 21-32. ISBN 9788546207886

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2011) Beto Brant: realismo, género y obra de arte en proceso. In: Vargas Maldonado, J. C. (ed.) Tendencias del cine iberoamericano en el nuevo milenio: Agentina, Brasil, España y Mexico. CUCSH: Universidad de Guadalajara, Mexico, pp. 273-302. ISBN 9786074503753

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Beyond difference: female participation in the Brazilian film revival of the 1990s. In: Shaw, D. and Martin, D. (eds.) Latin American Women Filmmakers. I.B. Tauris, London/New York, pp. 31-47. ISBN 9781784537111

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2007) Brazil on screen: Cinema Novo, new cinema and utopia. Tauris World Cinema Series. I.B. Tauris, London, pp200. ISBN 9781845113285

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2005) Cinema Novo, Glauber, Herzog. In: Silva, M. A. (ed.) Glauber par Glauber. Magic Cinema, Paris, pp. 88-90.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Colonialism as fantastic realism in 'Tabu'. In: Liz, M. (ed.) Portuguese Cinema: Globalizing the Nation. I.B. Tauris, London/New York.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2003) Death on the beach: the recycled utopia of Midnight. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (ed.) The new Brazilian cinema. I.B. Tauris, London, pp. 157-174. ISBN 9781860649288

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi. In: Campo, J., Crowder-Taraborrelli, T., Garavelli, C., Piedras, P. and Wilson, K. (eds.) El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta. Prometeo, Buenos Aires, pp. 155-173. ISBN 9789878331287

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2000) El nuevo cine bajo el espectro del cinema novo. Cuadernos hispanoamericanos, 601-602. pp. 39-51. ISSN 0011-250X

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Film as literature, or the Truffaldian Malaise. In: Andrew, D. and Gillain, A. (eds.) A companion to François Truffaut. Wiley-Blackwell, Oxford, pp. 530-545. ISBN 9781405198479

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2009) Filmmaking as the production of reality: a study of Hara and Kobayashi's documentaries. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Mello, C. (eds.) Realism and the audiovisual media. Palgrave Macmillan, Basingstoke, pp. 193-209. ISBN 9780230246973

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2007) Going global: the Brazilian scripted film. In: Harvey, S. (ed.) Trading cultures: global traffic and local cultures in film and television. John Libbey, Eastleigh, pp. 95-103. ISBN 9780861966691

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2023) Historicising the story through film and music: an intermedial reading of Heimat 2. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium Through Other Media. Oxford University Press, New York, pp. 202-221. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0014

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2022) Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual. In: Lusvarghi, L., Alvim, L. B. and Lopes, D. C. (eds.) Estudos de Cinema: Retrospectiva e Perspectivas. Polytheama, São Paulo, pp. 16-36. ISBN 9786599619304

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (1996) In the realm of the individual: an analysis of Nagisa Oshima's "In the realm of the senses". In: Dakovic, N., Derman, D. and Ross, K. (eds.) Gender & Media. Med-Campus Project, Turkey, pp. 156-174. ISBN 9789759612009

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Kuarup, o filme. La Furia Umana, 30. ISSN 2037-0431

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (1996) L'empire de l'individu: L'empire des sens de Nagisa Oshima. Cinémathèque, spring. pp. 62-73.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes. Archives, 109 (111). pp. 48-52.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, ed. (1990) Mestre Mizoguchi: uma lição de cinema. Navegar, São Paulo, pp289.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2019) Multimedia identities: an analysis of How Tasty Was My Little Frenchman. Screen, 60 (1). pp. 160-171. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy067

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Mysteries of Lisbon and intermedial history-telling. Aniki: Portuguese Journal of the Moving Image, 4 (2). pp. 375-391. ISSN 2183-1750

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (1995) Nascido das cinzas: autor e sujeito nos filmes de Oshima. Edusp, São Paulo, pp344. ISBN 8531403138

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (1998) Neues Kino besucht das Cinema Novo. Film Bulletin, 98 (4). pp. 41-52.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2001) The New Cinema meets Cinema Novo: new trends in Brazilian cinema. Framework, 42. ISSN 0306-7661

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2016) Non-cinema: the location of politics in film. Film-Philosophy, 20 (1). pp. 131-148. ISSN 1466-4615 doi: https://doi.org/10.3366/film.2016.0007

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2002) O cinema da retomada: depoimentos de 90 cineastas dos anos 90. Editora 34, São Paulo, pp528. ISBN 8573262540

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Oshima, corporeal realism and the eroticized apparatus. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R. (eds.) Theorizing world cinema. I.B. Tauris, London, pp. 161-182. ISBN 9781848854932

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2001) Ouédraogo and the aesthetics of silence. In: Kashula, R. H. (ed.) African oral literature: functions in contemporary contexts. New Africa Books, South Africa, pp. 100-111. ISBN 9781919876073

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, ed. (1990) Ozu: o extraordinario cineasta do cotidiano. Marco Zero, São Paulo, pp190. ISBN 8527981021

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2009) Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'. In: Gladston, P. (ed.) China and other spaces. Critical, Cultural and Communications Press, Nottingham, pp. 71-87. ISBN 9781905510221

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2007) Paraméricas Utópicas: entranced and transient nations in "I Am Cuba" (1964) and "Land in Anguish" (1967). Hispanic Research Journal, 8 (1). pp. 79-90. ISSN 1745-820X doi: https://doi.org/10.1179/174582007X164357

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages of Brazilian cinema. [Project] (Collection)

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. In: Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages. Film Culture in Transition. Amsterdam University Press, Amsterdam, pp. 173-198. ISBN 9789048539215 doi: https://doi.org/10.5117/9789462987517_ch07

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. Translocal, 3. pp. 47-65. ISSN 2184-1519

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2018) Passages: travelling in and out of film through Brazilian geography. Rumores: Revista Online de Comunicação, Linguagem e Mídias, 12 (24). pp. 19-40. ISSN 1982-677X doi: https://doi.org/10.11606/issn.1982-677X.rum.2018.148836

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves. In: Prager, B. (ed.) A companion to Werner Herzog. Wiley-Blackwell, Oxford, pp. 58-79. ISBN 978-1-4051-9440-2

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Preface to the second enlarged edition. In: Pethő, Á., Cinema and Intermediality : The Passion for the In-Between. Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi. ISBN 9781527552067

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Realist cinema as world cinema. In: Stone, R. and Cooke, P. (eds.) The Routledge Companion to World Cinema. Routledge, Abingdon-on-Thames, pp. 310-322. ISBN 9781138918801

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Realist cinema as world cinema: non-cinema, intermedial passages, total cinema. Film Culture in Transition (670). Amsterdam University Press, Amsterdam. ISBN 9789462987517 doi: https://doi.org/10.5117/9789462987517

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2014) Reflexive stasis, scale reversal and the myth of modern cinema. In: Lindner, C. and Donald, S. H. (eds.) Inert cities: globalization, mobility and suspension in visual culture. I.B. Tauris, London, pp. 187-201. ISBN 9781780769721

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2016) Regurgitated bodies: presenting and representing trauma in 'The Act of Killing'. In: Tzioumakis, Y. and Molloy, C. (eds.) The Routledge Companion to Film & Politics. Routledge, Abingdon, pp. 218-230. ISBN 9780415717397

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2009) Rumo a uma definição positiva de world cinema. In: Santana, G. (ed.) Cinema, comunicação e audiovisual. Alameda Editorial, São Paulo. ISBN 9788598325859

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2004) Talking bullets: the language of violence in "City of God". Third Text, 18 (3). pp. 239-250. ISSN 1475-5297 doi: https://doi.org/10.1080/0952882042000227946

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) Talking bullets: the language of violence in "City of God". In: Vieira, E. R. P. (ed.) "City of God" in several voices: Brazilian social cinema as action. Critical, Cultural and Communications Press, Nottingham, pp. 32-43. ISBN 9781905510009

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2014) Tempo, magnitude e o mito do cinema moderno. Aniki: Portuguese Journal of the Moving Image, 1 (1). pp. 8-21. ISSN 2183-1750

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Tempo, magnitude e o mito do cinema moderno. In: Dennison, S. (ed.) World Cinema: As novas cartografias do cinema mundial. Papirus, Campinas, pp. 219-233. ISBN 9788530810603

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (1999) Tendências do cinema brasileiro atual. Studies in Latin American Popular Culture, 18. pp. 19-32. ISSN 0730-9139

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa. In: Greiner, C. and Amorim, C. (eds.) Leituras do Sexo. Annablume, São Paulo, pp. 127-140. ISBN 857419610X

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles. In: Starling, H. and Borges, A. (eds.) Imaginação da Terra: Memória e utopia no cinema brasileiro. Editora UFMG, Belo Horizonte, pp. 13-39. ISBN 9788542300079

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles. Enfoco (52). pp. 22-33.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) Towards a positive definition of World Cinema. In: Dennison, S. and Lim, S. H. (eds.) Remapping world cinema: identity, culture and politics in film. Wallflower Press, London, pp. 30-37. ISBN 9781904764632

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2015) Utopia in Brazilian cinema: from Black God, White Devil to Foreign land. In: Bethencourt, F. (ed.) Utopia in Portugal, Brazil and Lusophone African Countries. Reconfiguring Identities in the Portuguese-Speaking World (4). Peter Lang, Oxford, pp. 121-140. ISBN 9783034318716

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha. Brazil Cultural (12). pp. 12-16.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (1991) Werner Herzog: o cinema como realidade. Estação Liberdade, São Paulo, pp288. ISBN 8585865733

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2011) World cinema and the ethics of realism. Continuum, London, pp312. ISBN 9781441165831

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2024) World cinema and the ethics of realism. In: Vaysman, M. and Bowers, K. (eds.) The Oxford Handbook of Global Realisms. Oxford Handbooks. Oxford University Press, Oxford. ISBN 9780197610640 doi: https://doi.org/10.1093/oxfordhb/9780197610640.013.22

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Yaaba, cinefilia e realismo sem fronteiras. Revista África(s), 4 (7). pp. 61-70. ISSN 2446-7375

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) The blind spot of history: colonialism in Tabu. Observatorio (OBS*), 2020. pp. 27-38. ISSN 1646-5954 doi: https://doi.org/10.15847/obsOBS0001812

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2021) The elusive form of film. NECSUS. ISSN 2213-0217

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation. In: Delgado, M. M., Hart, S. M. and Johnson, R. (eds.) A Companion to Latin American Cinema. Wiley Blackwell Companions to National Cinemas. Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355. ISBN 9781118552889

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2022) An intermedial reading of Glauber Rocha's Cosmogony. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, Edinburgh, pp. 323-344. ISBN 9781474452984

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, ed. (2003) The new Brazilian cinema. I.B. Tauris, London, pp320. ISBN 9781860649288

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) The politics of impurity. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A. (eds.) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp. 21-40. ISBN 9781780765105

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2015) The politics of slowness and the traps of modernity. In: De Luca, T. and Barradas Jorge, N. (eds.) Slow Cinema. Traditions in World Cinema. Edinburgh University Press, Edinburgh, pp. 25-46. ISBN 9780748696024

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2022) The reality of art: an intermedial analysis of Ossessione. In: Blos-Jáni, M., Király, H., Lakatos, M., Pieldner, J. and Sándor, K. (eds.) Intermedial Encounters: Studies in Honour of Ágnes Pethő. Scientia Publishing House, Cluj-Napoca, pp. 359-372.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2005) The trilogy of John of God. In: Mira, A. (ed.) The cinema of Spain and Portugal. Wallflower, London, pp. 188-197. ISBN 9781904764441

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias. Coleção Ensaios. CosacNaify, São Paulo, pp216. ISBN 8575035576

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2006) The zero, the centre and the empty utopia: from Rossellini to Walter Salles. Studies in European Cinema, 3 (3). pp. 223-233. ISSN 2040-0594 doi: https://doi.org/10.1386/seci.3.3.223_1

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A., eds. (2013) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781780765112

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Mello, C., eds. (2009) Realism and the audiovisual media. Palgrave Macmillan, Basingstoke, pp288. ISBN 9780230246973

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Paiva, S. (2019) Passages - travelling in and out of film through Brazilian geography. [Video]

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds. (2023) The moving form of film: historicising the medium through other media. Oxford University Press, New York, pp340. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.001.0001

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds. (2019) Intermediality in Brazilian cinema: the case of Tropicália. Screen, 60 (1). Oxford Academic. doi: https://doi.org/10.1093/screen/hjy064

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (2022) Introduction. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, pp. 1-14. ISBN 9781474452984

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T., eds. (2022) Towards an intermedial history of Brazilian cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, pp304. ISBN 9781474452984

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R., eds. (2012) Theorizing world cinema. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781848854932

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Sousa, R. L. d. and Brandão, A. S. (2018) Introduction to the dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). Aniki: Portuguese Journal of the Moving Image, 5 (2). pp. 306-310. ISSN 2183-1750

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Souza, R. L. d. and Brandão, A. S., eds. (2018) Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). Aniki: Portuguese Journal of the Moving Image, 5 (2). AIM - AIM - Associação de Investigadores da Imagem em Movimento.

Narberhaus, M., Da Rocha, I. and Elduque, A. (2016) Multilingüismo en las aulas: La producción en el Taller Integrado de Periodismo. Opción, 10. pp. 358-375. ISSN 1012-1587

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2018) Arabic hot metal: the origins of the mechanisation of Arabic typography. Philological Encounters, 3 (4). pp. 496-523. ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340052

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2017) Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993. Islamic Manuscripts and Books, 14. Brill Academic Publishers, Leiden ⸱ Boston, pp509. ISBN 9789004303775 doi: https://doi.org/10.1163/9789004349308

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2016) ‘Harmonised type design’ revisited. In: Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Suen, C. Y. (eds.) Digital Fonts and Reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems. World Scientific, Singapore, pp. 150-172. ISBN 9789814759533 doi: https://doi.org/10.1142/9789814759540_0009

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2020) On Arabic justification. Journal of Electronic Publishing, 23 (1). ISSN 1080-2711 doi: https://doi.org/10.3998/3336451.0023.104

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2022) Overlooked: the role of craft in the adoption of typography in the Muslim Middle East. In: Reese, S. (ed.) Manuscript and Print in the Islamic Tradition. Studies in Manuscript Cultures, 26 (26). De Gruyter, Berlin, pp. 21-60. ISBN 9783110776034 doi: https://doi.org/10.1515/9783110776485-002

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2013) Simplified Arabic, a new form of Arabic Type for hot-metal composition. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (eds.) Typography Papers. Hyphen, London, pp. 173-189. ISBN 9780907259480

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2015) A bespoke typeface for an Austrian publishing house. In: Kudrnovská, L. (ed.) 365 Type. étapes, Paris, p. 246. ISBN 9791095254003

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2018) A short history of Arabic type-making. In: Kim, J. M. (ed.) 해외 글꼴의 연구·산업 현황 조사(Ⅲ) -아랍 문자권을 중심으로-. National Hangeul Museum, Seoul, pp. 92-141. ISBN 9791189438135

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792, Bringhurst, R., Conidi, E., Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350, Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 and Yazıcıgil, O. (2022) Arabic typography: history and practice. niggli, Salenstein, pp416. ISBN 9783721210170

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792, Březina, D. and Apelian, K. (2015) Rosetta type foundry: the perils of harmonization. Letterseed 11, 7 (1). pp. 164-171. ISSN 2093-1166

O

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2015) Brokeback Mountain: a toast. Movie: a journal of film criticism (6). pp. 29-33. ISSN 2047-1661

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi: https://doi.org/10.16995/os.47

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2019) Energy and eventhood: the infrastructural set piece. Journal of Aesthetics & Culture, 11 (1). 1697551. ISSN 2000-4214 doi: https://doi.org/10.1080/20004214.2019.1697551

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2017) Film and the natural environment: elements and atmospheres. Short Cuts. Wallflower Press, London, pp114. ISBN 9780231182652

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2018) In and around The Bay: water, fish, infrastructure. Film Studies, 19 (1). pp. 20-33. ISSN 1469-0314 doi: https://doi.org/10.7227/FS.19.0003

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2024) No river: a prosthetic flashback. [Video] ([in]Transition, 11 (2))

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2013) Nonindifferent mountains: ecocriticism, the thin red line and the conditions of film fiction. Film Criticism, 38 (2). pp. 1-19. ISSN 0163-5069

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2023) Pinning down Hou Hsiao-Hsien’s red balloon. Movie: a journal of film criticism, 11. ISSN 2047-1661

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2013) Regarding things in Nashville and the exterminating angel: another path for eco-film criticism. ISLE: Interdisciplinary studies in Literature and Environment, 20 (2). pp. 258-273. ISSN 1076-0962 doi: https://doi.org/10.1093/isle/ist031

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2017) Roberto Rossellini presents. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 117-132. ISBN 9781137585721

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2016) Transactions with the world: ecocriticism and the environmental sensibility of new Hollywood. Berghahn Books, Oxford, pp228. ISBN 9781785330001

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2012) When a film remembers its filming: the new Hollywood zoom. Journal of Media Practice, 13 (3). pp. 227-237. ISSN 2574-1136 doi: https://doi.org/10.1386/jmpr.13.3.227_1

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2023) The nature of ostension. Comparative Cinema, 11 (20). pp. 10-25. ISSN 2604-9821 doi: https://doi.org/10.31009/cc.2023.v11.i20.02

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) All that is data that melts into air. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre.

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2016) The Shift, eight years of flat time house. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2009) Step by step. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Study for a pavilion: Askeaton. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2018) Sublimation 2018. [Video]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Temporal Data Study. [Project] (Collection)

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2004) Tina O'Connell. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium.

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2009) The wager with the office of experiments. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2016) 9 Events. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2023) Anthropogenic noise: an artists talk. In: The Soil Assembly, Kochi Biennale, 01-05 Feb 2023, Kerala, India.

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2022) Nature's ghosts. [Project] (Unpublished)

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2022) Truth to nature. [Artefact]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2024) A multispecies red-light district for Amsterdam: a propositional image. Cultural Politics, 20 (1). pp. 155-165. ISSN 1751-7435 doi: https://doi.org/10.1215/17432197-10969279

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Smits, A. (2022) Perfect nature: Amstelpark test site. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact]

O'Donoghue, D. (2022) The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116385

Olocco, R. (2019) A new method of analyzing printed type: the case of 15th-century Venetian romans. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088833

Olsen, B. M. (2022) A diachronic study of food labels with a particular focus on verbal and pictorial narratives that are relevant to health. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00113323

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Paget, D. (2003) Codes and conventions of dramadoc and docudrama. In: Hill, A. and Allen, R. C. (eds.) The Television Studies Reader. Routledge, London, pp. 196-208. ISBN 9780415283236

Paget, D. (2005) Dramadoc/docudrama: the law and regulation. In: Rosenthal, A. and Corner, J. (eds.) New Challenges for Documentary. Manchester University Press, Manchester, pp. 435-452. ISBN 9780719068980

Paget, D. (2005) Ted Willis (1918-1992). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 313-320.

Paget, D. and Roscoe, J. (2006) Giving voice: performance and authenticity in the documentary musical. Jump Cut: a Review of Contemporary Media, 48.

Paget, D. (2007) ‘Acting with Facts’: actors performing the real in British theatre and television since 1990. A preliminary report on a new research project. Studies in Documentary Film, 1 (2). pp. 165-176. ISSN 1750-3280 doi: https://doi.org/10.1386/sdf.1.2.165_1

Paget, D. (2010) Acts of commitment: activist arts, the rehearsed reading, and documentary theatre. New Theatre Quarterly, 26 (2). pp. 173-193. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000308

Paget, D. (2004) Case study: Theatre Workshop's 'Oh What a Lovely War', 1963. In: Kershaw, B. (ed.) British Theatre Since 1895. The Cambridge History of British Theatre (Volume 3). Cambridge University Press, Cambridge, pp. 397-411. ISBN 9780521651325 doi: https://doi.org/10.2277/0521651328

Paget, D. (2005) Death of a Princess. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Paget, D. (2003) Documentary drama. In: Kennedy, D. (ed.) The Oxford Encyclopedia of Theatre and Performance. Oxford University Press, Oxford, 379-380 . ISBN 9780198601746

Paget, D. (2005) Documentary drama: a critical overview. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Paget, D. (2004) Jeremy Sandford: a docu-retrospect containing an explanation, an (undelivered) funeral oration, divers reminiscences, a draft treatment for a docudrama (and some Shandyan digressions. New Theatre Quarterly, 20 (1). pp. 45-58. ISSN 1474-0613 doi: https://doi.org/10.1017/S0266464X03000320

Paget, D. (2003) Theatre & television. In: Kennedy, D. (ed.) The Oxford Encyclopedia of Theatre and Performance. Oxford University Press, Oxford, pp. 1326-1337. ISBN 9780198601746

Panos, L. (2013) Chaos, culture and fantasy: The television plays of Howard Schuman. Journal of Screenwriting, 4 (3). pp. 287-303. ISSN 1759-7137 doi: https://doi.org/10.1386/josc.4.3.287_1

Panos, L. (2011) 'Days of Hope' and 'culturalism'. Journal of British Cinema and Television, 8 (1). pp. 44-61. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2011.0005

Panos, L. (2014) Postmodernism, culture and feminism: the aesthetics of space and performance in Rock Follies and Rock Follies of '77. Journal of British Cinema and Television, 11 (1). pp. 41-67. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2014.0191

Panos, L. (2010) Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio. New Theatre Quarterly, 26 (3). pp. 273-286. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000461

Panos, L. (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.3.2

Panos, L. (2013) Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio. Journal of British Cinema and Television, 10 (1). pp. 151-170. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0127

Papassissa, E. (2020) Conventions, traditionalism, Latinisation, and modernity in Armenian typefaces across type-making technologies from 1512 to 1977. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099061

Park, H. (2024) Media archaeology in Samuel Beckett’s television plays. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119130

Park, J. (2018) Surface layer time: the process of portraying time in image. PhD thesis, University of Reading.

Patrick, M. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Editorial: Fluxus perspectives. Fluxus Perspectives (51). pp. 1-5. ISSN ‎ 979-8478092658

Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104550

Petruska, K. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2019) Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem. In: Hilmes, M., Hills, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, pp. 49-68. ISBN 9780190663124 doi: https://doi.org/10.1093/oso/9780190663124.003.0004

Phillips, A. (2005) The 400 Blows (1959), François Truffaut. In: Geiger, J. and Rutsky, R. L. (eds.) Film Analysis: A Norton Reader. W.W. Norton and Company, New York and London , pp. 550-565. ISBN 9780393979831

Phillips, A. (2003) City of darkness, city of light: emigré filmmakers in Paris 1929-1939. University of Amsterdam Press, Amsterdam, pp256. ISBN 9789053566336

Phillips, A. (2004) Migration and exile in the classical period. In: Temple, M. and Witt, M. (eds.) The French Cinema Book. British Film Institute, London, pp. 103-117. ISBN 9781844570126

Phillips, A. (2006) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. In: Grant, C. and Kuhn, G. E. (eds.) Screening World Cinema. The Screen Readers. Routledge, London, New York. ISBN 9780415384285

Phillips, A. (2003) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. Screen, 44 (2). pp. 154-166. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/44.2.154

Phillips, A. and Vincendeau, G., eds. (2006) Journeys of desire: European actors in Hollywood. British Film Institute, pp350. ISBN 9781844571246

Pittuck, S., Clarkin, A. and Clarkin, J., eds. (2003) Miser and now. Volume 1-4. Keith Talent Gallery, London.

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2021) Japanese film production during the punk era: independence, intermediality and mediascapes. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00109805

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2023) UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture. Japan Forum, 35 (3). pp. 314-343. ISSN 1469-932X doi: https://doi.org/10.1080/09555803.2021.1895283

Polat, D. N. (2018) A typographic analysis of newspapers and magazines in the Turkish alphabet reform (1928-1929). PhD thesis, University of Reading.

Pope, L. (2020) Suiting the action to the word: examining genre film remediations of Shakespeare’s plays. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088955

Poynor, R. (2020) David King: Designer, Activist, Visual Historian. Yale University Press, pp240. ISBN 9780300250107

Poynor, R. (2017) National theatre posters: a design history. Unit Editions, London, pp256. ISBN 9780995666436

Purse, L. (2011) Contemporary action cinema. Edinburgh University Press, Edinburgh, pp232. ISBN 9780748638178

Purse, L. (2013) Digital imaging in popular cinema. Edinburgh University Press, Edinburgh, pp208. ISBN 9780748646906

Purse, L. (2009) Gestures and postures of mastery: CGI and contemporary action cinema's expressive tendencies. In: Balcerzak, S. and Sperb, J. (eds.) Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture. Wallflower Press, London & New York, pp. 214-234. ISBN 9781905674848

Purse, L. (2011) Return of the 'Angry Woman': authenticating female physical action in contemporary cinema. In: Waters, M. (ed.) Women on Screen: Feminism and Femininity in Visual Culture. Palgrave Macmillan, pp. 185-198. ISBN 9780230229655

Purse, L. (2016) The new Hollywood, 1981–1999: special/visual effects. In: Whissel, K. and Keil, C. (eds.) Editing and Special/Visual Effects. Behind the Silver Screen. Rutgers University Press, New Brunswick, NJ, pp. 142-155. ISBN 9780813570815

Purse, L. (2005) The new spatial dynamics of the bullet-time effect. In: King, G. (ed.) The Spectacle of the Real: From Hollywood to Reality TV and Beyond. Intellect, Exeter, pp. 151-160. ISBN 9781841501208

Purse, L. (2016) Affective trajectories: locating diegetic velocity in the cinema experience. Cinema Journal, 55 (2). pp. 151-157. ISSN 0009-7101 (IN FOCUS: Speed)

Purse, L. (2017) Ambiguity, ambivalence and absence in Zero Dark Thirty. In: Purse, L. and Hellmich, C. (eds.) Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, pp. 131-148. ISBN 9781474416566

Purse, L. (2017) Between phonographic perfection and resistance: Titãs – life even looks like a party. In: Elduque Busquets, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 91-98. ISBN 9780704915855

Purse, L. (2017) Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie. In: Yu, S. Q. and Austin, G. (eds.) Revisiting Star Studies: Cultures, Themes and Methods. Edinburgh University Press, Edinburgh, pp. 162-184, 320 pages. ISBN 9781474404310

Purse, L. (2017) Digital visceral: textural play and the flamboyant gesture in digital screen violence. Journal of Popular Film & Television, 45 (1). pp. 16-25. ISSN 0195-6051 doi: https://doi.org/10.1080/01956051.2017.1270137

Purse, L. (2018) Layered encounters: mainstream cinema and the disaggregate digital composite. Film-Philosophy, 22 (2). pp. 148-167. ISSN 1466-4615 doi: https://doi.org/10.3366/film.2018.0070

Purse, L. (2011) The Matrix. In: Geraghty, L. (ed.) Directory of World Cinema: American Hollywood. Directory of World Cinema. Intellect Books, Bristol and Chicago, IL, pp. 99-101. ISBN 9781841504155

Purse, L. (2015) Rotational aesthetics: Michael Bay and contemporary cinema’s machine movement. Senses of Cinema (75). ISSN 1443-4059

Purse, L. (2019) Square-jawed strength: gender and resilience in the female astronaut film. Science Fiction Film and Television, 12 (1). pp. 53-72. ISSN 1754-3770

Purse, L. (2011) Transformers. In: Geraghty, L. (ed.) American Hollywood. Directory of World Cinema (5). Intellect Books, Bristol and Chicago, IL, pp. 279-281. ISBN 9781841504155

Purse, L. (2017) Working space: gravity (Alfonso Cuarón) and the digital long take. In: Pye, D. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 221-238. ISBN 9781137585721

Purse, L. (2010) Working through the body: textual-corporeal strategies in United 93 (2006). In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 157-161. ISBN 9781844573363

Purse, L. (2019) The new dominance: action-fantasy hybrids and the new superhero in 2000s action cinema. In: Kendrick, J. (ed.) A Companion to the Action Film. Wiley Blackwell, Chichester, West Sussex, pp. 55-73. ISBN 9781119100492 doi: https://doi.org/10.1002/9781119100744.ch3

Purse, L. and Palmer, L., eds. (2019) When the astronaut is a woman. Science Fiction Film and Television (Special Issue), 12 (1). Liverpool University Press.

Purse, L. and Wölfel, U., eds. (2020) Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation. Edinburgh University Press, Edinburgh, pp. 1-13. ISBN 9781474446266

Purse, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 and Ghosh, S., (2023) What can the industry and Government do to ensure British film and high-end television can adapt for the future? Report. UK Parliament, Westminster. pp4.

Pye, D. (2004) Being a clown: curious coupling in 'The Pirate'. CineAction, 63. pp. 4-13.

Pye, D. (2004) Double vision: miscegenation and point of view in 'The Searchers'. In: Exkstein, A. M. and Lehman, P. R. (eds.) The Searchers: Essays and Reflections on John Ford's Classic Western. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, pp. 223-239. ISBN 9780814330562

Pye, D. (2004) In and around 'The Paradine Case'. Rouge, 4.

Pye, D., ed. (2020) V.F. Perkins on Movies. Wayne State University Press, pp484. ISBN 9780814346426

Pye, D. (2003) The Western (genre and movies). In: Grant, B. K. (ed.) Film Genre Reader III. University of Texas Press, Austin, pp. 203-218. ISBN 9780292701854

Pye, D. (2010) At the border: the limits of knowledge in The Three Burials of Melquiades Estrada and No Country for Old Men. Movie: a journal of film criticism, 1. ISSN 2047-1661

Pye, D. (2001) Des femmes qui tombent, des narrateurs qui défaillent. 1895. Mille huit cent quatre-vingt-quinze, 34-35. pp. 99-120. ISSN 0769-0959 doi: https://doi.org/10.4000/1895.173

Pye, D. (2010) Enter Lisa: Rear Window (1954). In: Walters, J. and Brown, T. (eds.) Film Moments: Criticism, Theory, History. British Film Institute. ISBN 9781844573356

Pye, D. and Luppa, I. (2011) M: Leading the Blind. Movie: a journal of film criticism, 2. pp. 1-13. ISSN 2047-1661

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Radinger Field, L. (2021) Women and home in cinema: film practice and gendered spaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101682

Ravichandran, S. P. (2020) The development of typographic forms for the Kannada and Telugu scripts (1801–1900). PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099826

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2013) "Angels and modern myth": Grid Iron and the New Scottish Theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms. Intellect, Bristol, pp. 175-193. ISBN 9781783202973

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2012) Anthony Neilson. In: Sierz, A. (ed.) Modern British Playwriting: The 1990s. Decades of Modern British Playwriting. Bloomsbury, London, pp. 137-163. ISBN 9781408129265

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2008) Backpages: Scottish Arts Council wields the axe. Contemporary Theatre Review, 18 (3). pp. 398-401. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800802265442

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2014) 'Breid, barley-bree an paintit room': history, identity and utopianism in Lyndsay's Thrie Estaitis and Greig's Glasgow Girls. In: Brown, I. and Berton, J. (eds.) Roots and Fruits of Scottish Culture: Scottish Identities, History and Contemporary Literature. Association for Scottish Literature, Glasgow, pp. 1-16. ISBN 9781908980076

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) The Cheviot and its legacies: dramaturgies of the Left in Scottish theatre. In: Jestrovic, S. and Dutt, B. (eds.) Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World. Manchester University Press, Manchester. (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2008) 'Deformities of the frame': the theatre of Anthony Neilson. Contemporary Theatre Review, 17 (4). pp. 487-498. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800701605110

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2022) Dystopian dramaturgies: living in the ruins. In: Tönnies, M. and Voights, E. (eds.) Twenty-First Century Anxieties. Contemporary Drama in English Studies (32). De Gruyter, Berlin, Boston, pp. 87-102. ISBN 9783110758252 doi: https://doi.org/10.1515/9783110758252-007

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2007) 'From scenes like these old Scotia's grandeur springs': the new National Theatre of Scotland. Contemporary Theatre Review, 17 (2). pp. 192-201. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800701234432

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) General introduction. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance: Theories, Histories, Practices. Themes in Theatre (11). Brill Rodopi, Amsterdam, pp. 1-10. ISBN 9789004425804

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2011) Identity and Difference in Post-Devolutionary Drama. In: Brown, I. (ed.) The Edinburgh Companion to Scottish Drama. Edinburgh Companions to Scottish Literature. Edinburgh University Press, Edinburgh, pp. 188-199. ISBN 9780748641086

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2018) 'Killing joy as a world making project' : anger in the work of debbie tucker green. Contemporary Theatre Review, 28 (3). pp. 390-400. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2018.1475356

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2023) Regions and nations: the myth of levelling up. In: Harvie, J. and Rebellato, D. (eds.) The Cambridge Companion to British Theatre Since 1945. Cambridge Companions. Cambridge University Press, Cambridge, pp. 246-263. ISBN 9781108377850 doi: https://doi.org/10.1017/9781108377850

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2016) Scottish drama: the expanded community. In: Lyall, S. (ed.) Community in Modern Scottish Literature. SCROLL: Scottish Cultural Review of Language and Literature (25). Brill Rodopi, Leiden, Netherlands, pp. 143-159. ISBN 9789004317444

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2016) 'Sexy kilts with attitude': Scottish theatre in the twenty-first century. In: Adiseshiah, S. and Lepage, L. (eds.) Twenty-First Century Drama: What Happens Now. Palgrave MacMillan, Basingstoke, pp. 191-211. ISBN 9781137484024

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2014) Staging Scotland : National Theatre of Scotland and shifting conceptions of Scottish identity. In: Jones, H. (ed.) The Media in Europe’s Small Nations. Cambridge Scholars Press, Newcastle, pp. 105-122. ISBN 9781443854177

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2016) Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall. Contemporary Theatre Review, 26 (1). pp. 60-70. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2015.1123701

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2012) Theatre & Scotland. Theatre &. Palgrave MacMillan, UK, pp120. ISBN 9780230292611

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) Theatre and performance in contemporary Scotland. Palgrave Macmillan, UK, pp252. ISBN 9783031611902

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2017) Theatre without walls: the National Theatre of Scotland. Journal of Contemporary Drama in English, 5 (1). pp. 86-97. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2017-0007

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) ‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave MacMillan, Cham, Switzerland, pp. 45-66. ISBN 9783030345808 doi: https://doi.org/10.1007/978-3-030-34581-5_3

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2025) Women and the contemporary Scottish stage. In: Fragkou, M. and Benzie, R. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Bloomsbury, UK, pp. 263-276. ISBN 9781350360259 (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2019) The dystopian near-future in contemporary British drama. Journal of Contemporary Drama in English, 7 (1). pp. 72-88. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2019-0006

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2018) The theatre of Anthony Neilson. Critical Companions. Bloomsbury, London, pp224. ISBN 9781472570307

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) Close corners. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2007) Cocheme Fellows exhibition. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Come and go. Halt extreme left. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness (Notebook Painting). [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2015) Distressed geometry. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Drift. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Hidden. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2011) House in the Shape of a Stretcher. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2008) Images in the vaguest sense. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2004) John Moores 23. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Architecture. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Formism. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Notebook architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Notebook architecture at Kunstgriff. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Nowhere. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2007) Painting unlimited. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2003) Painting year zero. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Phase 1. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Phase 2 imagining architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Phase III - Le Modulor. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2020) Phase IV intersections - art/architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Plan Unplan. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Plan Unplan (Outside Architecture Projects). [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Screens. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2016) Shed at Naming Rights. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2005) Short stories about painting. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) What is Seen, What is Shown. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) The larger in/and the smaller. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533, MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition]

Reynolds, L. (2007) The Graphic Information Research unit: a pioneer of typographic research. In: Typography Papers. Typography Papers (7). Hyphen Press, pp. 115-137. ISBN 9780907259336

Reynolds, L. (2001) Improving the user-friendliness of a directory of chemical substances: 'The Approved Supply List'. Information Design Journal, 10 (3). pp. 270-285. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.10.3.11rey

Reynolds, L. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2004) 'You can't see what the words say': word spacing and letter spacing in children's reading books. Journal of Research in Reading, 27 (1). pp. 87-98. ISSN 0141-0423 doi: https://doi.org/10.1111/j.1467-9817.2004.00216.x

Reynolds, L., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Duncan, A. (2006) Children's responses to line spacing in early reading books or "Holes to tell you which line you're on". Visible Language, 40 (3). pp. 246-267.

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (eds.) documenta. Curating the History of the Present. On-Curating, 33 (33). On-Curating, Zurich, pp. 76-88. ISBN 9781546946120

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Feminist perspectives in curating. OnCurating (27). pp. 64-75. ISSN 2673-2904 (Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Feminist perspectives on curating. In: Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse. Transcript Verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: https://doi.org/10.14361/9783839442043-010

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Flux us now! Fluxus explored with a camera. Fluxus Perspectives, 51 (51). pp. 6-24. ISSN 9798478092658

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, , Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Learning from Dhaka. In: Garcia-Anton, K., Cataldo, A. and Betancourt, D. C. (eds.) Critical Writing Ensembles. Mousse Publishing, Milan, pp. 234-247. ISBN 9788867492701

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Learning from Dhaka. OnCurating (35). pp. 61-71. ISSN 2673-2904 (Decolonizing Art Institutions)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) My glam, your glam, we glam. In: Marchetti, L. (ed.) La mode exposée / Fashion curating. HEAD, Geneve, pp. 213-218. ISBN 9782940510146

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, (2008) ONCURATING.org. Dorothee Richter

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) Performance Kunst kuratieren? In: Gebhardt Fink, S., Mathis, ‎M. and von Büren, M. (eds.) Performance Chronik Basel: Erinnern und Erzählen (1987-2006). Diaphanes Verlag, Zürich/Berlin, pp. 43-51. ISBN 9783037346341

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Propositions on curating, or how much curating is involved in social change. In: Krämer, N. and Müller, P. (eds.) With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines. Connecting Spaces, Zurich University of the Arts, Zürich.

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14.

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Spoiler alert: instituting feminism will not work without a fight. Instituting Feminism, 52 (52). pp. 47-60. ISSN 9798774294657

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2016) (Un)Dinge, oder warum die Sehnsucht nach dem Ding immer reaktionär ist. Interdisziplinäres Ausstellen, 16 (1-2). pp. 8-15. ISSN 1015-6720

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN ‎9798478092658 (Fluxus, Contemporary Art, worldwide research)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues, 45 (45). OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Maridet, C. (2021) Situated knowledges, a cooperation with Tai Kwun, contemporary art, Hong Kong and Migros Museum, Zurich. [Project]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Clausen / Szuper Gallery, S. ORCID: https://orcid.org/0000-0002-6536-6236, Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z. (2017) De-Colonizing Art Institutions: Artists’ Book. On-Curating, 34 (34). On-Curating, Zurich, pp108. ISBN 9781982088897

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Zwick, H., Sheleff, M., Levi, E. and Ruff, R. (2021) Curating on shaky grounds: curating in times of crisis and conflict. [Project]

Roberto, R. (2019) Democratising knowledge and visualising progress: illustrations from Chambers's Encyclopaedia, 1859-1892. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085483

Robertson, C. (2003) El Greco e Italia: arte, patrocinio y teoría. In: El Greco. Círculo de Lectores, Barcelona, Spain, pp. 85-98. ISBN 8481094595

Robertson, C. (2009) Entries on drawings by Tiberio Calcagni and Giovanni de' Vecchi. In: Franklin, D. (ed.) From Raphael to the Carracci: the art of Papal Rome. National Gallery of Canada, Ottawa, Canada, pp482. ISBN 9780888848673

Robertson, C. (2008) Patronage rivalries: cardinals Odoardo Farnese and Pietro Aldobrandini. In: Burke, J. and Bury, M. (eds.) Art and identity in early modern Rome. Ashgate Press, Aldershot, UK, pp. 95-111. ISBN 9780754656906

Robertson, C. (2008) The invention of Annibale Carracci. Silvana Editoriale, Milan, Italy, pp417. ISBN 9788836609741

Robertson, C. (2006) Julian Kliemann und Michael Rohlmann, wandmalerei in Italien. Hochrenaissance und Manierismus, 1510-1600. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, 59 (1). pp. 20-22. ISSN 0023-5474

Robertson, C. (2004) New documents for the tomb of Paul III. Romisches Jahrbuch fur Kunstgeschichte, 34. pp. 201-220. ISSN 0342-2046

Robertson, E. C. (2006) Cardinals Odoardo Farnese and Pietro Aldobrandini as patrons of landscape painting. In: Cappelletti, F. (ed.) Archivi dello sguardo: origini e momenti della pittura di paesaggio in Italia. Le Lettere, Florence, pp. 243-263. ISBN 8871669827

Robertson, E. C. (2008) Review of 'Medici women: portraits of power, love and betrayal' by Gabrielle Langdon. The Burlington Magazine, 150. ISSN 0007-6287

Robertson, E.C. (2005) Phoenix romanus: Rome 1534-1565. In: Hall, M.B. (ed.) Rome: artistic centers of the Italian renaissance. Cambridge University Press, Cambridge, 184-245 . ISBN 9780521624459

Robertson, E.C. (2005) Silvio Antoniano and the painted decoration of the Villa Belvedere at Frascat. Römisches Jahrbuch der Bibliotheca Hertziana, 35. 415-430 . ISSN 0342-2046

Robertson, E.C. (2005) Review of L. Zirpolo, 'Ave papa, ave papabile. The Sacchetti family, their art patronage, and political aspirations'. The Burlington Magazine, 147 (1232). p. 758. ISSN 0007-6287

Robertson, E.C. (2005) Review of the exhibitions 'Caravaggio. L'ultimo tempo, 1606-1610' (Naples, Museo di Capodimonte), and 'Caravaggio: the final years' (London, National Gallery). Renaissance Studies, 19 (4). pp. 556-560. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2005.0118c.x

Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition]

Robins, A. G. (2004) Line 'pregnant with meaning'. In: Smith, A. (ed.) Walter Sickert: 'drawing is the thing'. The Whitworth Art Gallery, Manchester, UK, pp. 6-10. ISBN 9780903261548

Robins, A. G. (2006) 'Slabs of pink and lumps of brown': the critical reaction to the exhibition of a Monet Grainstack painting in Britain in 1893. In: Fowle, F. (ed.) Monet and French landscape, Vétheuil and Normandy. National Galleries of Scotland, Scotland, pp. 159-171. ISBN 9781903278918

Robins, A. G. (2005) Suddenly last summer: Walter Sickert and Degas’s six friends at Dieppe. In: O'Brien, M., Roberts, J., Gruetzner Robins, A. E. and Catano, L. (eds.) Edgar Degas: six friends at Dieppe. Museum of Art, Rhode Island School of Design, Providence, USA, pp. 49-64. ISBN 9780911517804

Robins, A. G. (2009) Walter Sickert and the language of art. In: Brockington, G. (ed.) Internationalism and the arts in Britain and Europe at the fin de siècle. Cultural interactions: studies in the relationship between the arts (4). Peter Lang, Oxford, UK, pp. 27-48. ISBN 9783039111282

Robins, A. G. (2007) A fragile modernism: Whistler and his impressionist followers. Yale University Press, New Haven, USA and London, UK, pp239. ISBN 9780300135459

Robins, A. G. and Thomson, R. (2005) Degas, Sickert and Toulouse Lautrec: London and Paris 1870-1910. Tate Publishing, London. ISBN 9781854376343

Robins, A. G. (2006) Some newly discovered sketches by Walter Sickert of Gatti's Hungerford palace of varieties. The Burlington Magazine, 148 (1237). pp. 269-272. ISSN 0007-6287

Robins, A. G. (2007) George Moore’s 'A modern lover': introducing the French Impressionists to London. French Studies, 61 (1). pp. 47-56. ISSN 1468-2931 doi: https://doi.org/10.1093/fs/knl232

Rocha, G. (2018) On cinema. Bloomsbury, x-xiv. ISBN 9781780767031

Rodriguez, V. (2020) The open constructed public sphere: Aeschylus’ The Suppliant Women in a version by David Greig. Humanities, 9 (1). 21. ISSN 2076-0787 doi: https://doi.org/10.3390/h9010021

Roh, J. Y. (2022) A study on the changes of everyday space as a worker in the city: focusing on the drawing series [Li:ving] London. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00113187

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Aftercast. tenderbooks, London, pp186. ISBN 9781999712433

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) As if sunglasses were not necessary. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) The Assistants and the Schoolmaster. In: The 100 Hours Forum, University College, London, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) The Assistants. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) Breath rider. [Performance]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Cave. Where do you see yourself in 25 years?. pp. 9-12.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Chelsea Embankment - London. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Concrete sculpture. BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2007) Distributed matter. In: Theory in Practice - Practice as Research Conference, Gallery Lazaretti, Dubrovnik, Croatia. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) EndStart. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) EndStart. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2007) Eventually Everything Happens. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2004) Flights. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Ruth Hӧflich, Munich, Germany.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2009) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Florian Roithmayr - the humility of plaster. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) Glass Bead Game. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2007) Go I Know Not Whither And Fetch I Know Not What. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Home is not a Place. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) I don’t feel like it: The indifference of objects.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) International El Kurru project. [Project] (In Press)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Ir re par sur. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2012) Like plugging in. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2011) Like portable scaffolding. In: Vermoortel, S. and Vermoortel, P. (eds.) Buro II - RE-Visiting RE-Inventing. Sun Architecture, Amsterdam, Netherlands, pp. 145-161. ISBN 9789461053374

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Matter of engagement. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) More than is needed so as not to be caught short. In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Moving in - Thames Tideway / Chelsea Embankment Commission, London. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) New contemporaries. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) Prague Quadrennial - shared space. [Project] (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Premio Lissone 2018. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2010) Returns. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2011) Sculpture unlimited. In: Fall-out: new notes on sculpture research conference, The University of London, Goldsmiths College, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2016) Service. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) Simply untitled. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2004) Solar dreams. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Something infinitely distant and strange. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Speculative sculpture in Italy. In: Foreign Artists in Rome, The International Discourse on the Prix De Rome, The Royal Netherlands Institute in Rome, Italy. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) A Strange Weave of Time and Space. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Stranieri Ovunque - Foreigners Everywhere, La Biennale di Venezia. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2004) Table of contents. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Guestroom, London and Munich, Munich, Germany.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Tacit knowledge of materials. In: Alternative Methods: Art and Education, Wysing Arts Centre, Cambridge, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) These here withins. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) They call us screamers. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) Things that tumble twice. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) Toyama X. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2006) Treasure hunt. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Waves - research residency. [Project] (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) With, and, or, without. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) With, and, or, without. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) With, and, or, without. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) The Y. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2011) You want to borrow my shades, don’t complain about their tint. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2013) assault. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of Plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of plaster. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2015) The imprint. In: Norwich University of the Arts Annual Fine Art Conference: DIALOGUES 2015: Speculative Matters, Norwich University of the Arts. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2021) waves. [Performance]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2022) waves - Choreographic Devices. Institute of Contemporary Art, London. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 and Heim, A. (2013) Burg. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 and Reid, C. (2007) Aspen 11. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Allen, K., Bloor, S. & T., Burt, T., Chisholm, R., Clarke, C., Davies, K., Edwards, S., Flynn, J., Ghazi, B., Grace, T., Harrington, J., Hawley, S., Housley, P., Longly, G. H., Marquiss, D., Mirza, H., Mosley, R., Musgrave, E., Pyman, J., Richards, J., Round, G., Smith, M., Staton, S., Stonehouse, G., Syed, S., Traina, R., Wermers, N., Westerman, J. and Woods, K. (2011) Fifteen. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, An Endless Supply, ., Beale, R., Blightman, J., Brierley, B., Conderelli, C., Flood-Paddock, J., Root, P., Pantane, S., Provost, L., Spooner, C., The Grantchester Pottery, ., Pirecki, P., Price, E., Waller, M. A., White, N. and Wilkens, L. (2014) The Influence of Furniture on Love. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Anderson, R. and Eldret, L. (2016) Foreign Objects. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Angell, A., Atkins, E., Baldock, J., Burdis, E., Baseman, J., Deshayes, N., Dean, M., Hart, E., Flood-Paddock, J., Holden, A., Kefford, D., Owens, K., Projects, J., Panayiotou, C., Provost, L., Round, G., Sokhanvari, S., Shovlin, J., Summers, A., Wendling, C., Wilson, B. and Wine, J. (2014) Hey I’m Mr. Poetic. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Arancio, S., Austin, M., Faramawy, A., Finlay, S., Thompson, M. and Teichmann, E. (2016) Inland Far. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Barham, A., Beckett, J., Cutter, K., Evens, C. B., Dean, M., Metzger, G., Norfolk, R., Osbaldeston, D., Patane, S. and Prodger, C. (2014) Annals of the Twenty-Ninth Century. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Behr, B., Farmer, G., Haugaard Madsen, L., Henry Longly, G. and Kratz, T. (2007) Ice trade. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Gander, R., Mirza, H., Pradeau, F., Prouvost, L., Walther, F. E. and Cameron-Weir, E. (2014) ...and the stage darkens (or this voice is a big whale). [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, LeWitt, S., Penone, G., Dean, M., Cornaro, I., Mattiacci, E., Buttner, A., Serra, R., Houseago, T., Dybbroe Møller, S. and Rodzielski, C. (2009) The young people visiting our ruins see nothing but a style. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S. (2018) Group Portrait with Garden. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Stevens, M., Prouvé, J., Marino di Teana, F., Kobylarz, S., Schlemmer, O., House, S., Morellet, F. and Chardon, N. (2016) Bauhaus + Around. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Syed, S. and Wake, A. (2007) When something becomes nothing. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition]

Rolinson, D. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, M., Godfrey, S. and Williams, M. (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) সুন্দর সাবলীল বাংলা হরফের খোঁজে. In: আনন্দ শতক. Anandabazar Patrika, Kolkata, pp. 394-397. ISBN 9789354253225

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Aspects of typographic communication: notes on South Asian typeforms. In: Makinson, J. (ed.) Honoris Causa: Essays in Honour of Aveek Sarkar. Allen Lane, UK, pp. 47-77. ISBN 9780241248676

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1993) The Bengali Types of Vincent Figgins. Matrix (13). pp. 205-212.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2005) Beyond Latin: a glimpse into the subject of Arabic and Indic lettershapes and digital typeforms. Circular, 13.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Collections-based research to underpin best practice in typeface design for diverse scripts. In: Satalecka, E. and Połczyński, M. (eds.) Future Graphic Language: New Directions in Verbal Communication. Polish-Japanese Academy of Information Technology, Warsaw, pp. 72-83. ISBN 9788366831

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2013) Digital typeface design and font development for twenty-first century Bangla language processing. In: Karim, M. A., Kaykobad, M. and Murshed, M. (eds.) Technical Challenges and Design Issues in Bangla Language Processing. IGI Global, Pennsylvania U.S.A., pp. 1-15. doi: https://doi.org/10.4018/978-1-4666-3970-6.ch001

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Fonts for classical texts in a digital age. [Project] (Collection)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1989) From metal type to digital letterforms – a straightforward transition for Indian scripts? Matrix (9). pp. 129-136.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Historical technological impacts on the visual representation of language with reference to South Asian typeforms. Philological Encounters, 3 (4). ISSN 2451-9189 doi: https://doi.org/10.1163/24519197-12340054

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2010) Indian type. In: Suarez, S.J., M. F. and Woudhuysen, H. R. (eds.) The Oxford Companion to the Book. Oxford University Press. ISBN 9780198606536 doi: https://doi.org/10.1093/acref/9780198606536.001.0001

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Invisible hands: tracing the origins and development of the Linotype Devanagari digital fonts. Journal of the Printing Historical Society, 3 (2). pp. 111-153. ISSN 0079-5321

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2008) The Linotype Non-Latin Collection, University of Reading. In: Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (eds.) Non-Latin typefaces: at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, UK, pp. 32-62.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) The Murty Classical Library of India – a collaborative design project for Harvard University Press. In: Kudrnovska, L. (ed.) 365 Typo. Étapes, Paris, pp. 258-259. ISBN 9791095254003

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) Murty Classical Library of India: some notes on the project’s collaborative type-design process for the Indian-script typefaces 머티 인도 고전 총서—인도 글자 활자체에 적용할 서체 디자인 협업 프로세스를 기록하다. GRAPHIC (50). pp. 214-228. (VOICE: Notes from the Typojanchi 2023 『그래픽』 #50 보이스: 타이포잔치 2023 메모들)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2012) Non-Latin scripts: key issues in type design. In: Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (eds.) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp. 125-153.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Non-Latin type design – some considerations. In: Barmettler, R. (ed.) Zurich Type Design. Triest Verlag, Triest. ISBN 9783038630432

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2002) Non-Latin typesetting in the digital age. In: Sassoon, R. (ed.) Computers and Typography. Intellect Books, Bristol, UK, pp. 42-53. ISBN 1-84150-049-6

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1999) The Printed Bengali character and its evolution. Curzon Press, Richmond, pp244. ISBN 0-7007-1135 X (First edition)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2024) Research and practice in designing type for diverse writing systems: some case studies of typeface designs for South Asian scripts 多样书写系统字体设计的研究与实践 —南亚文字字体设计案例研究 / 菲奥娜·罗斯. Print Culture, 13 (4). pp. 164-175. ISSN 2096-8922

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1998) Translating non-Latin scripts into type. Typography Papers, 3. pp. 75-86.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2022) Type-making over the years. In: Kudrnovská, L. (ed.) Building Ligatures: the power of type. TypeTogether, Prague, pp. 92-95. ISBN 9788090845404

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2002) An approach to non-Latin type design. In: Berry, J.D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 67-75. ISBN 9781932026016

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2006) A design for Sri Lanka. Building Letters, 3. pp. 20-23.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2019) A pocketful of type: the impact of mobile phones on global type design. Type, Fall 2019 (4). pp. 24-33.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2009) The printed Bengali character and its evolution. Shishu Sahitya Samsad, Kolkata, India, pp251. ISBN 9788179551849

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Hudson, J. (2022) Tiro Indic typeface collection. Google Fonts.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N. (2017) ABP 2015 Bengali typeface. Ananda Bazar Patrika, Kolkata, India.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N. (2020) ABP branding logos & taglines for news channels. Ananda Bazar Patrika (ABP) Pvt Ltd.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2022) Mujeres y tipografia. Texturas (48). pp. 73-81. ISSN 1887-3669 (ISBN 9788418941634)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2011) World Scripts, Selected Material from the Non-Latin Type Collection, the University of Reading. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Shaw, G. (2003) An unexpected legacy and its contribution to early Indian typography. In: Randle, J. and Berry, J. (eds.) Type and typography: highlights from Matrix. Mark Batty Publisher, New Jersey, pp. 169-181. ISBN 9780971568761

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2012) From hot-metal to OpenType – the type design process for world scripts. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2014) Making news: type technologies in transition in newspapers across the world. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Holloway, T., Kshetrimayum, N. and Hudson, J. (2012) Sarkar Bengali typeface. Anandabazar Patrika, Kolkata, India.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Shaw, G. and Berry, J. (2012) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp160. ISBN 9780950416182

Ross, F. G. E. ORCID: https://orcid.org/0000-0002-1094-2961, Holloway, T. and Hudson, J. (2009) Adobe Devanagari typeface. Adobe Inc, USA.

Rossi, J. (2016) Collabowrighting the hyper(play)text: a postdramatic digital poetics. PhD thesis, University of Reading.

Rowlands, A. (2007) 3 Communiqués. Bookworks, London, pp105. ISBN 9781870699914

Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018

Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599

Rowlands, A. (2018) Curating Fictions. [Project] (Collection)

Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624

Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57.

Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695

Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition]

Rowlands, A. (2005) Growing up absurd. [Show/Exhibition]

Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76.

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition]

Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition]

Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition]

Rowlands, A. (2006) The glass bead game. [Show/Exhibition]

Rowlands, A. (2007) The movement began with a scandal. In: Rugg, J. and Sedgwick, M. (eds.) Issues in Curating Contemporary Art and Performance. Intellect, pp. 175-184. ISBN 9781841501628

Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition]

Rowlands, A. and Williams, M. (2018) In the reading room of hell. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition]

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566

Rowlands, A. and Williams, M. (2017) On Reading. [Project]

Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 1). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 2). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 3). [Show/Exhibition]

Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151

Rowlands, A. (2008) NOVEL. [Show/Exhibition]

Rowlands, A. (2018) Novel Upstairs. [Project] (Collection)

Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743

Rowlands, A. (2017) Our words return in patterns. [Project] (Collection)

Rowlands, A. (2007) Temporäre Autonome Zone. In: Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (eds.) Liftarchiv. Revolver, Frankfurt, pp. 55-65. ISBN 9783865884039

Rowlands, A. and Williams, M., eds. (2016) NOVEL Upstairs. NOVEL, 5. NOVEL - Bergen Kunsthall, Bergen, Norway, pp90. ISBN 9781527203754

Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077

Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753

Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091

Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107

Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition]

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Barnard, L. and Bayerdörfer, M. (2021) On Waiting … For Their Words To Leave Our Mouth. Strauhof Museum, Zurich, pp132. ISBN 9783952523230

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Ellison, C. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) On Waiting … For Their Words To Leave Our Mouth. [Show/Exhibition]

Russell, J. (2015) UNSPECIFIED [Performance]

Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6).

Russell, J. (2017) Against interpretation. [Show/Exhibition]

Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition]

Russell, J. (2015) Animation 1-15, a-P. In: Osbaldeston, D. (ed.) Inflection sandwich. Onomatopee, London, pp. 17-32. ISBN 9789491677281

Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition]

Russell, J. (2018) As much about forgetting. [Show/Exhibition]

Russell, J. (2019) Bergen Assembly. [Show/Exhibition]

Russell, J. (2018) CONDO: Emalin (hosting Galerie Gregor Staiger). [Show/Exhibition]

Russell, J. (2018) Cellular world: cyborg-human-avatar-horror. [Show/Exhibition]

Russell, J. (2013) Dog days II. [Show/Exhibition]

Russell, J. (2009) EAST International. [Show/Exhibition]

Russell, J. (2017) Encore! [Show/Exhibition]

Russell, J. (2015) Eton. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition]

Russell, J. (2010) Explain death to very young children. [Show/Exhibition]

Russell, J., ed. (2007) Frozen tears III. ARTicle Press, Birmingham: University of Central England, pp928. ISBN 9781873352595

Russell, J. (2007) Frozen tears vs Dexter Sinister. [Performance]

Russell, J. (2007) Fusion now. [Show/Exhibition]

Russell, J. (2018) GOLD. [Show/Exhibition]

Russell, J. (2014) The Good Shepherd. [Show/Exhibition]

Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition]

Russell, J. (2007) Into position. [Show/Exhibition]

Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13.

Russell, J. (2018) It's all the same fucking day, man. [Show/Exhibition]

Russell, J. (2014) Judgement. [Show/Exhibition]

Russell, J. (2018) Land and sea. [Show/Exhibition]

Russell, J. (2016) Le Bourgeois. [Show/Exhibition]

Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]

Russell, J. (2015) Lofoten international art festival 2015: disappearing acts. [Show/Exhibition]

Russell, J. (2007) Lost in the thinking. [Show/Exhibition]

Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition]

Russell, J. (2015) Plague of diagrams. [Show/Exhibition]

Russell, J. (2011) Praying Mantiss. [Show/Exhibition]

Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition]

Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969

Russell, J. (2018) SOFA. [Video]

Russell, J. (2019) SUMMA. [Show/Exhibition]

Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition]

Russell, J. (2013) She – a factory. [Show/Exhibition]

Russell, J. (2019) Sick Monday. [Show/Exhibition]

Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]

Russell, J. (2019) Tainted Love. [Show/Exhibition]

Russell, J. (2016) Tetragrammaton. [Show/Exhibition]

Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition]

Russell, J. (2013) To the reader. [Show/Exhibition]

Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact]

Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image]

Russell, J. (2010) Vermillion Vortex. [Video]

Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112.

Russell, J. (2013) The banquette years. [Show/Exhibition]

Russell, J. (2013) The hecklers. [Show/Exhibition]

Russell, J. (2018) The island of flowers. Song Cycle. Song Cycle and Bridget Donahue Gallery: New York, pp12.

Russell, J. (2014) A speculum that shines. [Show/Exhibition]

Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) Intrusions au Petit Palais. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) John Russell kills Fabienne Audeoud... [Performance]

Russell, J. and Audeoud, F. (2007) Off modern. [Show/Exhibition]

Russell, J. and Mitchell, D. (2015) Black Forest Magic. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (1997) Rude Britannia: British Comic Art. [Show/Exhibition]

Russell, J. (2018) AQUARIUM PROLETARIUM. [Project] (Collection)

Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition]

Russell, J. (2015) Bruce Willis, irigaray, and the aesthetics of space travel. EROS Journal, 6. pp. 56-70. ISSN 2048-8352

Russell, J. (2022) CAVAPOOL. [Show/Exhibition]

Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition]

Russell, J. (2022) Catechism. [Show/Exhibition]

Russell, J. (2021) Core. [Show/Exhibition]

Russell, J. (2017) DOGGO. [Show/Exhibition]

Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020

Russell, J. (2018) DOGGO. [Artefact]

Russell, J. (2018) DOGGO. [Project] (Collection)

Russell, J. (2018) DOGGO II. [Show/Exhibition]

Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X

Russell, J. (2021) EARLEY. [Show/Exhibition]

Russell, J. (2024) FOYER. [Show/Exhibition]

Russell, J., ed. (2003) Frozen tears I. Article Press, Univ. of Central England, Birmingham. ISBN 1873352689

Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883

Russell, J. (2012) Jexus. [Show/Exhibition]

Russell, J. (2012) Jexus. Metamute.org.

Russell, J. (2013) O chair o flesh. [Show/Exhibition]

Russell, J. (2007) Ocean pose. In: Ocean Pose: catalogue. Matts Gallery, London, pp. 2-11.

Russell, J. (2007) Ocean pose. [Show/Exhibition]

Russell, J. (2021) Party de Campagne. [Show/Exhibition]

Russell, J. (2015) SQRRL. [Show/Exhibition]

Russell, J. (2015) SQRRL. Rhizome.

Russell, J. (2018) SQRRL. [Project] (Collection)

Russell, J. (2019) Screens. [Show/Exhibition]

Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107.

Russell, J. (2021) Well. [Show/Exhibition]

Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151

Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition]

Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition]

Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151

S

Saguaro, S. and Tyler, L. (2014) 'Nature Once More Had Taken Her Part': recuperating anon, the common voice and the uncovered theatre. In: Bloomsbury Adaptations Conference, 5 - 6 May 2011, Bath, UK, pp. 205-226.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) Baby 19. Intergraphia.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Elmer's One-Day Project. [Artefact]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Baby 19'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Five [yellow] poems'. [Image] (Experiment-O (Issue 16))

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Gestalt!'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!', 'young girls!' and 'Poetic fragments from the irritating archive'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'Third month of the meteorological winter' and 'Cluster of words'. In: Judith: Women Making Visual Poetry. Timglaset Editions.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'young girls!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) Goddess Anuket. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Lecture-Performance: Performing the Archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Poems from the artist's archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Poetic fragments from the irritating archive. Guillemot Press. ISBN 9781913749255

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Runnymede International Literature Festival 2024. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Shifting perspectives: the space, the work and the body. In: Untitled (1956) - Red, Green and Yellow - Gone Fishing. Flat Time House and Roberts Institute of Art.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) 'held to account'. British Art Network. (In Press)

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) 'The irritating archive' for Murmur reading series. [Video]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) young girls! the 87 press. ISBN 9781838069872

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 and Ormonde, R. (2021) Company of Bluewater. [Video] (Issue 78 [online])

Sanocki, T. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2012) Letter processing and font information during reading: beyond distinctiveness, where vision meets design. Attention, Perception, & Psychophysics, 74 (1). pp. 132-145. ISSN 1943-3921 doi: https://doi.org/10.3758/s13414-011-0220-9

Saunders, G. (2009) About Kane: the playwright & the work. Faber, London, pp192. ISBN 9780571229611

Saunders, G. (2011) David Eldridge. In: Middeke, M., Schnierer, P. P. and Sierz, A. (eds.) Methuen Drama Guide to Contemporary British Playwrights. Methuen, London, pp. 144-163. ISBN 9781408122785

Saunders, G. (2008) From resistance to witness: changing spectatorship in the theatre of Sarah Kane. In: Hunkeler, T., Fournier Kiss, C. and Luthi, A. (eds.) Place au public: les spectateurs du theatre contemporain. MétisPresses, Geneva, pp. 153-165. ISBN 9782940406050

Saunders, G. (2002) 'Love me or kill me’: Sarah Kane & the theatre of extremes. Theory Practice & Performance . Manchester University Press , Manchester , pp224. ISBN 9780719059568

Saunders, G. (2008) Patrick Marber’s 'Closer'. Continuum Modern Theatre Guides. Continuum, London, pp118. ISBN 9780826492487

Saunders, G. (2007) 'Under Redevelopment’: Barrie Keeffe’s and Caryl Churchill’s New City Comedies. In: Henke, C. and Middeke, M. (eds.) Drama and/after postmodernism. Contemporary Drama in English (14). Wissenschaftlicher Verlag Trier, Trier, pp. 19-30. ISBN 9783884769362

Saunders, G. (2002) The apocalyptic theatre of Sarah Kane. In: Reitz, B. and Berninger, M. (eds.) British Drama of the 1990s. University of Heidelberg, Heidelberg. ISBN 9783825313753

Saunders, G. (2010) ‘The great Chinese takeaway’: the strange case of absent Orientalism in contemporary British playwriting. In: Huber, W., Rubik, M. and Novak, J. (eds.) Staging interculturality: contemporary drama in English. Wissenschaftlicher Verlag Trier, Germany, pp. 65-74. ISBN 9783868212327

Saunders, G. (2010) The Beckettian world of Sarah Kane. In: de Vos, L. and Saunders, G. (eds.) Sarah Kane in context. University of Manchester Press, Manchester, UK, pp. 68-79. ISBN 9780719077395

Saunders, G. (2004) Edward Bond & the celebrity of exile. Theatre Research International, 29 (3). pp. 256-266. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883304000665

Saunders, G. (2013) Foco Novo: the Icarus of British small scale touring theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations across Small-Scale British Theatre. Intellect, Bristol. ISBN 9781783202973

Saunders, G. (2008) Getting closer: Patrick Marber’s excursions into the Pinteresque. Critical Engagements, 2 (2). pp. 150-164. ISSN 1754-0984

Saunders, G. (2010) Howard Barker’s ‘monstrous assaults’: eroticism, death and the antique text. In: Gritzner, K. (ed.) Eroticism and death in theatre and performance. University of Hertfordshire Press, UK, pp. 144-159. ISBN 9781902806921

Saunders, G. (2003) 'Just a Word on a Page & there is the Drama': Sarah Kane’s theatrical legacy. Contemporary Theatre Review, 13 (1). pp. 97-110. ISSN 1477-2264 doi: https://doi.org/10.1080/1048680031000077816

Saunders, G. (1999) Missing mothers & absent fathers: Howard Barker’s 'Seven Lears' & Elaine Feinstein's 'Lear's Daughters'. Modern Drama, 43 (3). pp. 401-410. ISSN 1712-5286

Saunders, G. (2004) 'Out Vile Jelly': Sarah Kane's 'Blasted' & Shakespeare's 'King Lear'. New Theatre Quarterly, 20 (1). pp. 69-77. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X03000344

Saunders, G. (2012) Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition. History Research, 2 (6). pp. 391-397. ISSN 2159-550X

Saunders, G. (2010) Sarah Kane: Cool Britannia's reluctant feminist. In: Hadley, L. and Ho, E. (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, Basingstoke, UK, pp. 199-220. ISBN 9780230233317 doi: https://doi.org/10.1057/9780230283169_10

Saunders, G. (2011) Tickets, critics and censorship: the Royal Court, The Spectator and the Arts Council of Great Britain 1969-1970. Theatre Notebook, 64 (3). pp. 160-173. ISSN 0040-5523

Saunders, G. (2012) The freaks roll call: live art and the Arts Council 1968-1973. Contemporary Theatre Review, 22 (1). pp. 32-45. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.645229

Saunders, G. (2008) The persistence of the 'well made play'. In: Redling, E. and Schnierer, P. P. (eds.) Non-standard forms of contemporary drama and theatre. Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 11-21. ISBN 9783868210408

Saunders, G. J. (2012) Mark Ravenhill. In: Sierz, A. (ed.) Modern British playwriting: the 1990s: voices, documents, new interpretations. Methuen Drama, London, UK. ISBN 9781408129265

Savoie, A. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Dora Pritchett, Dora Laing, Patricia Saunders…the invisible women of Monotype’s Type Drawing Office. In: Levit, B. (ed.) Baseline Shift; Untold stories of women in graphic design history. Princeton Architectural Press, New York, pp. 110-119. ISBN 9781648960062

Schilhab, T. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2020) The materiality of reading. Aarhus University Press, pp154. ISBN 9788771849585

Segal, N. (2003) "Then some had rather it were she than I": sexing the textual body. In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp. 93-110. ISBN 9780333949696

Segal, N., Taylor, L. and Cook, R. (2003) Introduction. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9780333949696

Segal, N., Taylor, L. and Cook, R. J. R. (2003) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp256. ISBN 9780333949696

Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Fargo: seeing the significance of style in television poetics? Critical Studies in Television: The International Journal of Television Studies, 14 (3). pp. 343-361. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602019853792

Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422

Sheleff, M. (2023) Echoing with a difference: curating voices and the politics of participation. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119536

Simão, M. F. F., Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Assunção, M. (2004) Enhancing social interaction in an online educational environment. In: IV Congresso Brasileiro de Computação, 2004, Itajaí, Santa Catarina, Brasil.

Singh, V. (2017) Devanagari type in the twentieth century. PhD thesis, University of Reading.

Singh, V. (2018) One letter at a time: index typewriters and the alphabetic interface. [Show/Exhibition]

Singh, V. (2018) Devanagari. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-scriptual: typography and graphic design with multiple script systems. Niggli Verlag, Salenstein, Switzerland. ISBN 9783721209822

Singh, V. (2017) From handwritten copy to the printed page in Devanagari: investigating the curious case of Friedrich Max Müller. Journal of the Printing Historical Society (26). pp. 11-22. ISSN 0079-5321

Singh, V. (2018) The first Indian-script typeface on the Monotype: a missing chapter in the history of mechanical typecasting. Journal of the Printing Historical Society, 29. ISSN 0079-5321

Singh, V. (2018) The machine in the colony: technology, politics, and the typography of Devanagari in the early years of mechanization. Philological Encounters, 3 (4). ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340051

Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948

Slinn, J., Carter, S. and Southall, R. (2014) History of the Monotype Corporation. Printing Historical Society / Vanbrugh Press, London / Woodstock, pp432. ISBN 9780993051005 (Edited by Boag, A. and Burke, C.)

Smart, B. (2012) Brechtian television: theatricality and adaptation of the stage play. In: Loiselle, A. and Maron, J. (eds.) Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. 30-52. ISBN 9781442643529

Smart, B. (2014) The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations. Historical Journal of Film, Radio and Television, 34 (3). pp. 452-462. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937187

Smart, B. (2012) Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965). Critical Studies in Television, 7 (1). pp. 49-63. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.6

Smart, B. (2017) ‘Drama for people ‘in the know’: Television World Theatre (BBC 1957-59) and Festival (BBC 1963-64). Historical Journal of Film, Radio and Television, 37 (1). pp. 34-48. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2016.1272810

Smart, B. (2013) The Life of Galileo and Brechtian television drama. Journal of British Cinema and Television, 10 (1). pp. 112-129. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0125

Smart, B. (2016) ‘Nats go home’: modernism, television and three BBC productions of Ibsen (1971-1974). Ibsen Studies, 16 (1). pp. 37-70. ISSN 1502-1866 doi: https://doi.org/10.1080/15021866.2016.1180869

Smart, B. (2014) Plot inflation in Greater Weatherfield: Coronation Street in the 1990s. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.) British Television Drama: Past, Present and Future, 2nd edition. Palgrave Macmillan, Houndsmills, Basingstoke, pp. 70-83. ISBN 9781137327567

Smart, B. (2015) Producing classics on outside broadcast in the 1970s: The Little Minister (1975), As You Like It (1978) and Henry VIII (1979). Critical Studies in Television, 10 (3). pp. 67-82. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.10.3.6

Smart, B. (2008) Simon Gray, 1936–2008: In other words. Contemporary Theatre Review, 18 (4). pp. 542-544. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800802492855

Smart, B. (2014) Three different Cherry Orchards, three different worlds: Chekhov at the BBC, 1962-1981. Critical Studies in Television, 9 (3). pp. 65-76. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.9.3.7

Smart, W. and Wrigley, A. (2016) Television history: archives, excavation and the future. A discussion. Critical Studies in Television: The International Journal of Television Studies, 11 (1). pp. 96-109. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602015618634

Smeijers, F. (2014) Putting letters next to each others: a historical overview (Buchstaben aneinanderreihen: ein geschichtlicher Überblick). In: Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum. Journal der HGB (3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 227-250. ISBN 9783932865862

Smith, M. M. (2003) 'Le Blanc aldin' and the paragraph mark. In: Jones, W. J., Kelly, W. A. and Shaw, F. (eds.) 'Vir ingenio mirandus' : Studies Presented to John L Flood,. Kummerle. ISBN 3874529614

Smith, M. M. (2007) Printing red underlines in the incunable period: Sensenschmidt and Frisner's 1475 edition of Justinian's 'Codex'. Printing Historical Society Journal, 10 (new se. pp. 45-57.

Smith, M. M. (2003) Space-saving practices in early printed books. Journal of Printing Historical Society, 6 (new ser. pp. 19-39.

Smith, M. M. (2004) The pugillary of Lazzaro de' Soardi and the 'littera galante': more rivals to the Aldine classical octavo in italics. In: Biemans, J., Kuitert, L. and Verkruijsse, P. (eds.) Boek & letter: Boekwetenschappelijke bijdragen ter gelegenheid van het afscheid van profdr Frans A Janssen als hoogleraar in be Boek - en bibliotheekgeschiedenis aa de Universiteit van Amsterdam. De Buitenkant, Amsterdam, pp. 177-193. ISBN 9789076452456

Smith, M. M. (2007) The red-printing frisket at St Bride Library. Ultrabold: the Journal of St Bride Library, 3. p. 35.

Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559

Smith, M. M. (2004) Joseph Cundall and the binding design for the 'Illustrated Biographies of the Great Artists'. The Library, 5 (1). pp. 39-63. ISSN 0024-2160 doi: https://doi.org/10.1093/library/5.1.39

Smith, M. M. (2003) Printing industry. In: Mokyr , J. (ed.) The Oxford Encyclopedia of Economic History. Oxford University Press, New York, pp. 259-262. ISBN 9780195105070

Solomon, S. (2017) William Faulkner in Hollywood: screenwriting for the studios. The South on Screen. University of Georgia Press, Athens, GA, pp320. ISBN 9780820351131

Solomon, S. (2017) Introduction. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books and University of Reading, Berlin, pp. 7-31. ISBN 9783943620726

Solomon, S., ed. (2017) Tropicália and beyond: dialogues in Brazilian film history. Archive Books and University of Reading, Berlin, pp304. ISBN 9783943620726

Solomon, S. (2015) Words and silk: Gerald Murnane at the cinema. Antipodes, 29 (2). pp. 309-320. ISSN 0893-5580 doi: https://doi.org/10.13110/antipodes.29.2.0309

Souto, V. T. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2004) Location of the table of contents in web documents: same screen or separate screen. In: IADIS International Conference WWW/Internet, 6-9 October 2004, Madrid, Spain.

Souza Borges, R. (2016) Human figure as automaton: directing as gesture as painting. PhD thesis, University of Reading.

Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104246

Stevenson, M. (2004) A conversation between Brecht and Buñuel. In: Santaolalla, I. (ed.) Bunuel Siglo XXI. Imagen y Comunicación (6). Prensas Universitarias de Zaragoza, Zaragoza, pp. 511-521. ISBN 9788477336945

Stiff, P. (2005) Co mozna wymarzyc, co trzeba rozwazyc (Dreams and Reasoning). 2+3D, 14 (1). pp. 18-19.

Stiff, P. (2007) Edward Wright: design work. [Show/Exhibition]

Stiff, P. (2004) Why designers need to understand reading. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Stiff, P. (2005) Zrozumiec czytanie! (Understand reading!). 2+3D, 17 (4). pp. 69-71.

Stiff, P. (2009) Austerity, optimism: modern typography in Britain after the. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299

Stiff, P. (2007) Showing a new world in 1942: the gentle modernity of Puffin picture books. Design Issues, 23 (4). pp. 22-38. ISSN 1531-4790 doi: https://doi.org/10.1162/desi.2007.23.4.22

Stiff, P. (2005) Some documents for a history of information design. Information Design Journal, 13 (3). pp. 216-228. ISSN 1569-979X doi: https://doi.org/10.1075/idjdd.13.3.06sti

Stiff, P. (2003) Typography Papers. Vol 5. University of Reading, pp128.

Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299

Stiff, P. and Cerne Oven, P. (2009) Ernest Hoch and reasoning in typography. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Stratton, S. R., Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526, Kaczynski, K. and Jeffery, M. (2021) Living within the play. Public, 31 (61). pp. 60-81.

Stupart, L. (2020) After the Ice, the Deluge. [Video]

Stupart, L. (2017) Becoming object: positioning a feminist art practice. PhD thesis, Goldsmiths, University of London. doi: https://doi.org/10.25602/GOLD.00020117

Stupart, L., (2021) HORSES. Comissioned by Phoenix Gallery

Stupart, L. (2018) I want to show you a body: thinking through gender, bodies, and building different worlds. [Project]

Stupart, L. (2018) Kathy's body. In: Beber, E. (ed.) The Bodies that Remain. Punctum Books and University of California Santa Barbara, Brooklyn, NY, pp. 225-229. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00

Stupart, L. (2014) Rematerializing feminism. In: Brooke, A., Smith, G. and Farkas, R. (eds.) Re-materialising Feminism. Arcadia Missa Press, London. ISBN 9780992674748

Stupart, L. (2021) Thawing, dissolving, disappearing, bleeding etc.: a scientific study of trauma, time travel and the melting polar ice caps. Art + Australia, 8 (57:1). pp. 118-125. ISSN 1837-2422

Stupart, L. (2016) Virus. ARCADIA MISSA PRESS, London, pp139. ISBN 0992674786

Stupart, L. (2020) Watershed. [Video]

Stupart, L. and Dillon, T. (2019) Turning the tables: the table as utopian object for future struggle. Studies in Arts and Humanities, 5 (1). pp. 24-39. ISSN 2009-8278 doi: https://doi.org/10.18193/sah.v5i1.168

Stupart, L. and Gent, C. (2021) All Us Girls Have Been Dead For So Long. [Performance]

Stupart, L., Gent, C. and Anachua, K. (2021) And then, a Harrowing. [Show/Exhibition]

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Tam, K. (2017) Trust in Chinese–English bilingual documents: a heuristic for typographic decision-making. In: Typography Day Colombo 2017, 24–25 Feb 2017, Colombo, Sri Lanka.

Taylor, L. (2000) Backtracks: a devised performance. [Performance]

Taylor, L. (2010) Counting Her Dresses and other plays. [Performance]

Taylor, L. (2005) 'Eden Cinema' by Marguerite Duras. [Performance]

Taylor, L. (2001) Enid Bagnold. In: Bull, J. (ed.) British and Irish Dramatists Since World War II. 3rd Series. British and Irish Dramatists Since World War 1. Gale Group, Detroit, MI; London:, pp. 37-44, A Bruccoli Clark Layman book. ISBN 9780787646622

Taylor, L. (2001) Iris Murdoch. In: Bull, J. (ed.) British and Irish Dramatists Since World War II. 2nd Series. British and Irish Dramatists Since World War II. Gale Group, Detroit, MI; London:, pp. 210-216, A Bruccoli Clark Layman Book. ISBN 9780787646509

Taylor, L. (2018) Negotiating theatrical space in performances of Marguerite Duras's later plays. In: Noonan, M. and Pagès-Pindon, J. (eds.) Marguerite Duras: Un Théâtre de Voix/A Theatre of Voices. Études de Langue et Littérature Françaises (420). Brill, Leiden/Boston, pp. 118-134. ISBN 9789004360969

Taylor, L. (2007) 'Savannah Bay' by Marguerite Duras. [Performance]

Taylor, L. (2009) A dialogue: mnemonic present, un-folding #6. In: Cologni, E. (ed.) Mnemonic Present: Shifting Meaning. Edizioni Mercurio, Vercelli, pp. 106-118. ISBN 9788895522258

Taylor, L. (2007) In opposition: Hare's response to Thatcherism. In: Boon, R. (ed.) The Cambridge Companion to David Hare. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 49-63. ISBN 9780521615570

Taylor, L. (2007) Performed disembodiment in Duras's fictional spaces. Body, Space & Technology Journal, 7 (1). ISSN 1470-9120

Taylor, L. (2003) Shape-shifting and role-splitting: theatre, body and identity. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 164-180. ISBN 9780333949696

Taylor, L. (2013) Voice, body and the transmission of the real in documentary theatre. Contemporary Theatre Review, 23 (3). pp. 368-379. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2013.806318

Taylor, L. (2011) The experience of immediacy: emotion and enlistment in fact-based theatre. Studies in Theatre and Performance, 31 (2). pp. 223-237. ISSN 1468-2761 doi: https://doi.org/10.1386/stap.31.2.223_1

Taylor, L. (2010) The hanging man: death, indeterminacy and the event. Performance Research, 15 (1). pp. 4-13. ISSN 1352-8165 doi: https://doi.org/10.1080/13528165.2010.485757

Taylor, L. (2006) The 'unhomely' stage. Studies in Theatre & Performance, 26 (3). pp. 205-220. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.26.3.205/1

Thiessen, M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) 'Clearer and better’: preferences of children with reading difficulties for the typography and illustration in literacy materials. The International Journal of Learning, 16 (12). pp. 365-384. ISSN 1447-9494

Thiessen, M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2009) Typography for children with reading difficulties: preferences for type in reading books. International Journal of the Book, 6 (2). pp. 115-122. ISSN 1447-9516

Thorpe, A. (2011) Lady Precious Stream. [Performance]

Thorpe, A. (2007) The role of the chou ('clown') in traditional Chinese drama: comedy, criticism and cosmology on the Chinese stage. Edwin Mellen Press. ISBN 9780773453036

Thorpe, A. (2011) "Modern theatre for the twenty-first century"? Shanghai Conservatory of Music's staging of 'The White Goddess' (2009). Asian Theatre Journal, 28 (2). pp. 483-504. ISSN 1527-2109

Thorpe, A. (2005) Only joking? The relationship between the clown and percussion in Jingju. Asian Theatre Journal, 22 (2). pp. 269-292. ISSN 1527-2109 doi: https://doi.org/10.1353/atj.2005.0034

Thorpe, A. (2010) Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'. Contemporary Theatre Review, 20 (1). pp. 68-86. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800903453046

Thorpe, A. (2011) Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity. Studies in Theatre & Performance, 31 (3). pp. 275-291. ISSN 2040-0616

Thorpe, A. (2011) Transforming tradition: performances of Jingju ('Beijing Opera') in the UK. Theatre Research International, 36 (01). pp. 33-46. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883310000702

Thorpe, A. (2009) The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum. Studies in Theatre & Performance, 29 (2). pp. 133-147. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.29.2.133_1

Thorpe, A. and Daboo, J. (2009) Editorial. Studies in Theatre and Performance, 29 (2). pp. 117-120. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.29.2.117_2

Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition]

Toren, A. (2009) Carrots. [Show/Exhibition]

Toren, A. (2004) Clouds in trousers. [Show/Exhibition]

Toren, A. (2009) Don't look away. [Show/Exhibition]

Toren, A. (2006) Drawing breath. [Show/Exhibition]

Toren, A. (2003) Golem. [Show/Exhibition]

Toren, A. (2006) Houses in motion. [Show/Exhibition]

Toren, A. (2006) Narrative painting #1. [Show/Exhibition]

Toren, A. (2005) New works. [Show/Exhibition]

Toren, A. (2006) Received wisdom. [Show/Exhibition]

Toren, A. (2009) Refreshments. [Show/Exhibition]

Toren, A. (2006) Ten last drawings. [Show/Exhibition]

Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition]

Traina, R. (2018) An information design approach to documenting live art: locating & empowering the document user. PhD thesis, University of Reading.

Trampe, T., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stassi, E., eds. (2016) Work, Migration, Memes and Personal Geopolitics. On-Curating, 30 (30). On-Curating, Zurich, pp152. ISBN ISBN-13: 978-1533448392

Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085600

Tunbridge, L. (2003) Schumann's 'Manfred' in the mental theatre. Cambridge Opera Journal, 15 (2). pp. 153-183. ISSN 1474-0621 doi: https://doi.org/10.1017/S0954586703001678

Tweed, Z. (2024) Matrix of shame: a feminist reading of shame, the body and radical disruption in the performance works of Marina Abramović, Samuel Beckett and Ana Mendieta. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117065

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Twyman, M. (2018) Charles Hullmandel’s stones at Kingston Lacy. Journal of the Printing Historical Society (28). pp. 23-74.

Twyman, M. (2003) Chromolithography: the European legacy. The Ephemera Journal, X. pp. 2-23.

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle)

Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128.

Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104.

Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035

Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.

Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389

Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48.

Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6.

Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24.

Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104

Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears)

Twyman, M. (2018) Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’. Journal of the Printing Historical Society, 3 (29).

Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: https://doi.org/10.1017/CHOL9780521810173.004

Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: https://doi.org/10.1017/CHOL9780521866248.004

Twyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975

Tyler, L. (2020) "Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave Macmillan, pp. 129-150. ISBN 9783030345815

Tyler, L. (2024) Commodity trailing contemporary performance: Sh!t Theatre’s DollyWould and Selina Thompson’s salt. Contemporary Theatre Review, 34 (2). pp. 133-151. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2024.2334246

Tyler, L. (2019) “Responding to the thing that it is”: a study of new play development in English theatres. Studies in Theatre and Performance, 39 (1). pp. 38-53. ISSN 1468-2761 doi: https://doi.org/10.1080/14682761.2017.1348682

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Ulrich, F. P. (2023) The discourse in early digital type design technologies. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117298

Undro, M. D. (2018) Portrait of a process. PhD thesis, University of Reading.

Unger, G. (2015) Letters from the edge of Europe. In: Granshan Conference, 23–25 July 2015, University of Reading.

Unger, G. (2018) Theory of type design. Nai 010, Rotterdam, pp240. ISBN 9789462084407

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Valdivia Bruch, V. K. (2024) The Quest for Representation: The Experimental Art Scene in Lima under Peru’s Military Government (1968-1975). PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117644

Varadi, A. J. (2021) Reconstructing the 1980s on contemporary American television. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101660

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Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2017) Perfect unbinding: the production and circulation of Beau Geste Press editions. Journal of Artists' Books, 41. pp. 4-13. ISSN 1085-1461

Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2020) Typography and nationalism: the past and modernism under Nazi rule. Journal of Visual Political Communication, 6 (1). pp. 37-80. ISSN 2633-3740 doi: https://doi.org/10.1386/jvpc_00003_1

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Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Connare, V. and Scaglione, J. (2005) Fabula: type design. University of Reading.

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